Normally a big, big fan of this particular anthology I can't help but feel a bit let down by this entry. The collection starts and ends with excerpts from Kim Newman's "Anno Dracula 1980" Both of which I found a bit cliche and just overall mediocre. Then we move on to Neil Gaiman's "Click-Clack The Rattle Bag". Now from what I gather here this was a story Gaiman was known for telling verbally, and it probably was a fun, if predictable little horror romp then...but reading it loses most of that effect and it just comes off as not only predictable, but just...boring. Boring in the sense that near immediately you know how the story is going to end, and it does, no flash, no payoff...just EXACTLY what you expected and with a resulting thud rather than a bang.
"Isaac's Room" by Daniel Mills gets things moving at a better clip though, and while pretty brief is a pretty enjoyable short story. It feels like a professionally written creepy pasta story you'd find online, but it works and it's well written. My only complaint here was I felt it ended itself a little prematurely, a lot more could have still been done with the subject matter. Overall a fun read though.
A bit further in we come to Ramsey Campbell's "Holes For Faces". Normally I'm a fairly big fan of Ramsey's work, but it can be hit or miss, though with more hits than misses usually. This one is a lot more of a miss. It takes the very typical and tired (from Campbell anyway) perspective of a child with strict parents, particularly a strict, over-protective mother. (Seriously, a LOT of Campbell's shorts have this perspective and them. Painting the mother character as an annoying, overbearingly strict bitch.) But the horror here is lackluster as well. Maybe to a young child, such as the leading character here it might be terrifying...but to the average reader I can't see a lot that's worthwhile. It tries to work on a psychological horror angle, which I'm all for normally, in fact I love that theme...but it just falls flat. Uninteresting and dull. A shame considering some of the material Campbell has put into previous entries of this anthology.
"Into the Water" by Simon Kurt Unsworth starts off with the author saying that he wanted to write a Lovecraftian piece while not actually coming off as such, and hoping to do the late, great Howard Phillips justice at the same time. Well, he succeeded and failed respectively. This deals in a Lovecraftian theme, similar to Dagon or Shadow Over Innsmouth and feels different enough to not feel like a copycat mythos tale. But at the same time is pretty uninteresting, has all of zero real development, especially character wise and goes almost nowhere, all while moving at a snail's pace to what you might hope would be a big conclusion or payoff. It ends just as it begins, with a "meh".
"Lavie Tidhar brings us "What Do We Talk About When We Talk About Z-" Described by the author as a zombie story without zombies in it. Man, this is bar none the absolute low point of this collection. In fact it's one of the worst I've read across several volumes of this anthology. It's terrible. It's not just that it's a story that's been done to death, but several times better, but also that it's just plain written poorly. Do yourself a favor, absolutely skip this one entirely. You're missing nothing.
There are some good reads here though, it's not all bad or mediocre. I'd include the aforementioned "Issac's Room" with these. Along with "The Gist" by Michael Marshall Smith, "The Sixteenth Step" by Robert Shearman, and "Guinea Pig Girl" by Thana Niveau. These stories made me not truly regret buying the book. But overall this one kind of came off as a dud to me. Even the good stories here weren't GREAT.
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![Best New Horror: Volume 25 (Mammoth Book of Best New Horror) by [Stephen Jones]](https://m.media-amazon.com/images/I/51145xq+w2L._SY346_.jpg)
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Best New Horror: Volume 25 (Mammoth Book of Best New Horror) Kindle Edition
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Stephen Jones
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Format: Kindle Edition
Stephen Jones
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LanguageEnglish
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PublisherSkyhorse
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Publication dateNovember 11, 2014
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File size2143 KB
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Editorial Reviews
Review
Horror’s last maverick.” Christopher Fowler, author of Full of Dark House
One of our field’s most celebrated horror editors.” Locus, The Magazine of the Science Fiction & Fantasy Field
"Editor Stephen Jones' carefully curated scare-mongers offer innovative takes on familiar fiends while also crafting new nightmares...tradition is both followed and obliterated within these pages." Rue Morgue --This text refers to the paperback edition.
One of our field’s most celebrated horror editors.” Locus, The Magazine of the Science Fiction & Fantasy Field
"Editor Stephen Jones' carefully curated scare-mongers offer innovative takes on familiar fiends while also crafting new nightmares...tradition is both followed and obliterated within these pages." Rue Morgue --This text refers to the paperback edition.
About the Author
Stephen Jones is the winner of four World Fantasy Awards, three International Horror Guild Awards, five Bram Stoker Awards, twenty-one British Fantasy Awards, and a Lifetime Achievement Award from the Horror Writers Association. One of Britain’s most acclaimed horror and dark fantasy writers and editors, he has more than 140 books to his credit. He lives in London, England.
--This text refers to the paperback edition.
Product details
- ASIN : B06XQ853RP
- Publisher : Skyhorse; Anniversary edition (November 11, 2014)
- Publication date : November 11, 2014
- Language : English
- File size : 2143 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 489 pages
- Lending : Not Enabled
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Best Sellers Rank:
#243,089 in Kindle Store (See Top 100 in Kindle Store)
- #214 in Horror Anthologies (Kindle Store)
- #389 in Horror Anthologies (Books)
- #391 in Horror Short Stories
- Customer Reviews:
Customer reviews
3.7 out of 5 stars
3.7 out of 5
92 global ratings
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Top reviews from the United States
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Reviewed in the United States on December 21, 2014
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85 people found this helpful
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Reviewed in the United States on June 18, 2019
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according to my Kindle breakdown...the first 16% on and on about the publishing industry, at the end 15% a list of authors who have died recently. Tell you the truth I don't care about either subject when I'm buying a book to read. But padded page numbers...that is a rip off.
that said I speed read two of the stories, and enjoyed all the rest. So as an anthology, I'd give it a 5 if it weren't for all the blah blah which has to be scrolled through on a Kindle.
that said I speed read two of the stories, and enjoyed all the rest. So as an anthology, I'd give it a 5 if it weren't for all the blah blah which has to be scrolled through on a Kindle.
6 people found this helpful
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Reviewed in the United States on May 17, 2015
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Not much “best.” Not much horror. Not even that many stories.
On the plus side is Michael Marshall Smith’s “The Gist” (which never tips its hat to how it will end) and Reggie Oliver’s more conventional but effective “Come Into My Parlor.”
While I think Simon Strantzas dumps a bit too much on us toward the end of his “Stemming the Tide, his choice of a less than sympathetic narrator made the story memorable for me. And while Nicholas Royce’s “Dead End” feels rather like a fragment, it’s nevertheless a provocative fragment. He writes more than words and we understand more than he tells us.
Alas, most of the other 17 pieces range from predictable to flimsy to pedestrian. And that includes even the contributions from the three big-name authors atop the list on the front cover: The ones from Neil Gaiman and Clive Barker are just trifles -- editor Stephen Jones’ introduction to Barker appears roughly as long as Barker’s piece -- and “Holes for Faces” from Ramsey Campbell struck me as a throwaway.
And would that there were more stories. While Stephen Volk’s novella-length homage to Peter Cushing is beautifully written and charmingly believable, it’s not horror -- more like a sentimental tangent -- and thus doesn’t earn the footprint it’s been granted here. Nor do Kim Newman’s two rather flat “Anno Dracula” pieces.
And nearly a third of the book is given over to non-story material: Jones’ 90-page introduction (the traditional recitation of horror-related media events), Jones and Newman’s 88-page “Necrology” and a 12-page “Useful Addresses” section.
Now, this is nothing new -- the obits have been here since #1 and intros have grown steadily over the series’ run -- but this is the first time I’ve felt moved by slim substance to take a census.
Perhaps it’s bad manners of me to suggest at what is effectively the series' 25th birthday bash that some of this space could be better invested.
But I do.
On the plus side is Michael Marshall Smith’s “The Gist” (which never tips its hat to how it will end) and Reggie Oliver’s more conventional but effective “Come Into My Parlor.”
While I think Simon Strantzas dumps a bit too much on us toward the end of his “Stemming the Tide, his choice of a less than sympathetic narrator made the story memorable for me. And while Nicholas Royce’s “Dead End” feels rather like a fragment, it’s nevertheless a provocative fragment. He writes more than words and we understand more than he tells us.
Alas, most of the other 17 pieces range from predictable to flimsy to pedestrian. And that includes even the contributions from the three big-name authors atop the list on the front cover: The ones from Neil Gaiman and Clive Barker are just trifles -- editor Stephen Jones’ introduction to Barker appears roughly as long as Barker’s piece -- and “Holes for Faces” from Ramsey Campbell struck me as a throwaway.
And would that there were more stories. While Stephen Volk’s novella-length homage to Peter Cushing is beautifully written and charmingly believable, it’s not horror -- more like a sentimental tangent -- and thus doesn’t earn the footprint it’s been granted here. Nor do Kim Newman’s two rather flat “Anno Dracula” pieces.
And nearly a third of the book is given over to non-story material: Jones’ 90-page introduction (the traditional recitation of horror-related media events), Jones and Newman’s 88-page “Necrology” and a 12-page “Useful Addresses” section.
Now, this is nothing new -- the obits have been here since #1 and intros have grown steadily over the series’ run -- but this is the first time I’ve felt moved by slim substance to take a census.
Perhaps it’s bad manners of me to suggest at what is effectively the series' 25th birthday bash that some of this space could be better invested.
But I do.
33 people found this helpful
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Reviewed in the United States on May 31, 2019
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Not traditional horror in all the stories, but all definitely worthy of this collection. While Gaiman's might be my favorite (along with its brevity), "Whitstable" being a novela kept my interest in the characters as well as the story.
What are monsters ... to you?
What are monsters ... to you?
3 people found this helpful
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Reviewed in the United States on September 1, 2018
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I was disappointed in the book overall. As a huge horror fan most of the stories were rather boring. There were also some that were so bad I skipped over them.
5 people found this helpful
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Reviewed in the United States on October 26, 2020
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This book of short stories really didn't do a great deal for me. I can't recall much at all other than the stories were flat, dull and boring. Of course a majority of the book was taken up by what was released that year, who won what award and other needless info I could have done without. I'll pass on any more of this kind for the time being.
One person found this helpful
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Reviewed in the United States on September 25, 2017
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I really enjoyed this collection. Keen writing and many unsettling stories. I love the comprehensive survey of the field as well...
4 people found this helpful
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5.0 out of 5 stars
What it is is a collection of beautifully and masterfully written stories that are more psychologically suspenseful ...
Reviewed in the United States on December 19, 2014Verified Purchase
This book is a little difficult to describe except to say it isn't horror in the same vein as say, Stephen King or bloody mutilation horror.
What it is is a collection of beautifully and masterfully written stories that are more psychologically suspenseful than terrifying. If you want to be scared out of your wits, this ain't your book. But if you want to read interesting, original stories without a stinker in the bunch, then read this.
I recommend the book.
What it is is a collection of beautifully and masterfully written stories that are more psychologically suspenseful than terrifying. If you want to be scared out of your wits, this ain't your book. But if you want to read interesting, original stories without a stinker in the bunch, then read this.
I recommend the book.
15 people found this helpful
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Top reviews from other countries

Charlie488
4.0 out of 5 stars
Here's to the next 25 volumes!
Reviewed in the United Kingdom on January 16, 2015Verified Purchase
As reliable as ever. Stephen Jones's annual horror fest is always a must for horror fans, giving a great overview of the genre over the year; and indeed as it reaches its 25th anniversary, a good overview of the previous two-and-a-half decades. The introduction and necrology are as fascinating as ever, and the contacts pages at the end of the book are certainly useful. The stories themselves are of course, always a mixed bag. I've always found these anthologies to focus more on 'quiet' horror and ghost stories, Jones leaving the more wham-bam stuff to books like the Zombie Apocalypse! series. Highlights for me included the stories by Joel Lane, Simon Kurt Unsworth, Daniel Mills and Robert Shearman, whilst Whitstable by Stephen Volk is a truly splendid novella; Volk's stories are a must-read for horror fans. On the negative side, some of the stories weren't anything special, but that is usually the case with short story anthologies.

Murrie
5.0 out of 5 stars
Surprisingly Good
Reviewed in Canada on February 20, 2018Verified Purchase
Stories had some fresh slants.

Brian
5.0 out of 5 stars
Great read
Reviewed in Canada on October 13, 2018Verified Purchase
Great for before bed short stories but intense

Judy Pryce
3.0 out of 5 stars
Best New horror25
Reviewed in the United Kingdom on May 22, 2015Verified Purchase
A good read overall. Some good stories but not creepy enough for me in general. Thought the final story was very good but a little bit too long.

Sally
1.0 out of 5 stars
Not remotely scarey!
Reviewed in the United Kingdom on September 3, 2015Verified Purchase
If you really like horror, I mean you want to be scared, then this is NOT the book for you. Did not scare me in the slightest and has gone to the charity shop.
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