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The Bestiary Hardcover – March 1, 2016
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A modern bestiary of made-up fantastical creatures organized from A to Z, along with an ampersand and an invisible letter, featuring some of the best and most respected fantasists from around the world, including Karen Lord, Dexter Palmer, Brian Evenson, China Mieville, Felix Gilman, Catherynne M. Valente, Rikki Ducornet, and Karin Lowachee.
- Print length400 pages
- LanguageEnglish
- PublisherCentipede Press
- Publication dateMarch 1, 2016
- Dimensions3 x 1 x 5 inches
- ISBN-101613471335
- ISBN-13978-1613471333
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Product details
- Publisher : Centipede Press; First Edition (March 1, 2016)
- Language : English
- Hardcover : 400 pages
- ISBN-10 : 1613471335
- ISBN-13 : 978-1613471333
- Item Weight : 1 pounds
- Dimensions : 3 x 1 x 5 inches
- Best Sellers Rank: #4,172,097 in Books (See Top 100 in Books)
- #25,794 in Dark Fantasy
- Customer Reviews:
About the authors

Hugo Award winner Ann VanderMeer founded the critically acclaimed Buzzcity Press and she currently serves as the fiction editor for Weird Tales, the oldest fantasy magazine in the world. Ann has partnered with her husband, author Jeff VanderMeer, on such editing projects as the World Fantasy Award winning Leviathan series, The Thackery T. Lambshead Pocket Guide to Eccentric & Discredited Diseases, The New Weird, Steampunk and Fast Ships, Black Sails, recently nominated for a Shirley Jackson award. A guest editor for Best American Fantasy, she also coedited The Leonardo Variations and Last Drink Bird Head anthologies.

Discover more of the author’s books, see similar authors, read author blogs and more

Barbadian writer Dr. Karen Lord is the author of Redemption in Indigo, which won the William L. Crawford Award and the Mythopoeic Fantasy Award for Adult Literature and was nominated for the World Fantasy Award for Best Novel. Her other works include the science fiction novels The Best of All Possible Worlds, The Galaxy Game, and The Blue, Beautiful World, and the crime-fantasy novel Unraveling. Lord also edited the anthology New Worlds, Old Ways: Speculative Tales from the Caribbean.
She was a judge for the 2019 Commonwealth Short Story Prize and the 2018 CODE Burt Award for Caribbean YA Literature. She has taught at the 2018 Clarion West Writers Workshop and the 2019 Clarion Workshop, and she co-facilitated the 2018 Commonwealth Short Story Prize Workshop in Barbados. She has been a featured author at literary festivals from Adelaide to Edinburgh to Berlin, and often appears at the Bocas Lit Fest in Trinidad & Tobago.
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I was only interested in this book for the Valente short story, but ultimately I'm glad I picked it up. Not every story was a winner, very few were actually memorable to me, but I had enough fun to justify the read. I had no quarrel with the entries that just detailed the titular creatures, but I really enjoyed the entries that turned the creatures into stories, however some entries began that way and then sort of veered off to explain the reality the creature inhabited instead of the titular creature.
Of course I loved the Valente story, and I also really liked the Weialalaleia and The Daydreamer By Proxy. While I enjoyed it enough, I think I need to revisit it, with illustrations, to really be able to appreciate it.
I have not finished the whole book, so I may change this review later, but so far the beasts, are a bit arch. They are not particularly challenging or imaginative. There's the creature made of ears, which has an ambiguous relationship with humans. The tortoise which is a chameleon (making its body look like rocks or even typewriters). The rooks which control people to make carnage for their feasts. There are obviously fake quotes from fake books and documents etc. If some of this documentation was true then the existence of the creatures would not be dubious....
I have not previously heard of most of the authors, and it seems unlikely I will encounter many of them again,
I'd suggest purchasing borges book of imaginary beings first, or even a 'monster manual' for imagination, but the book is lovely to look at and hold.
It is a series of 28 descriptions of various imaginary beasts, ranging from the silly to the chilling to the just plain out-there.
Yes, 28. One for each letter of the alphabet, plus one for "&" and one for " ".
Plus, bonus! brief beasts after each main beast, most of which are riffs on the name of the writer of the main beast.
As one would expect, a few specific not-exactly-stories stand out for me. "Bartleby's Typewriter", by Corey Redekop, is a parable on the negative side of camouflage. "Orsinus Liborum", by Catherine M. Valente, is about, well, a type of bear that eats books. And " " by China Miéville, is about absence and presence in a rather postmodern mode.
A few stories - I'll not name names, as others would undoubtedly enjoy them more than I did - were a bit of a slog for me. But most were enjoyable, in the same way one enjoyed the old Analog column (or whatever it was) "Probability Zero:" realistic speculations on ideas that are, on the face of it, ridiculous.





