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Between Friends Hardcover – September 24, 2013
| Amos Oz (Author) Find all the books, read about the author, and more. See search results for this author |
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In Between Friends, Amos Oz returns to the kibbutz of the late 1950s, the time and place where his writing began. These eight interconnected stories, set in the fictitious Kibbutz Yekhat, draw masterly profiles of idealistic men and women enduring personal hardships in the shadow of one of the greatest collective dreams of the twentieth century.
A devoted father who fails to challenge his daughter’s lover, an old friend, a man his own age; an elderly gardener who carries on his shoulders the sorrows of the world; a woman writing poignant letters to her husband’s mistress—amid this motley group of people, a man named Martin attempts to teach everyone Esperanto.
Each of these stories is a luminous human and literary study; together they offer an eloquent portrait of an idea and of a charged and fascinating epoch. Amos Oz at home. And at his best.
Translated from the Hebrew by Sondra Silverston
- Print length192 pages
- LanguageEnglish
- PublisherHoughton Mifflin Harcourt
- Publication dateSeptember 24, 2013
- Dimensions5.5 x 0.7 x 8.25 inches
- ISBN-100547985584
- ISBN-13978-0547985589
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Editorial Reviews
Review
Winner, 2013 Franz Kafka Prize
"[An] intricately interwoven skein of eight new stories. . . “Between Friends” richly satisfies. . . One savors these moody miniatures of the kibbutz past (gracefully translated by Sondra Silverston) for their jazzlike variations; each elegantly underscores the uncertain fates awaiting both the lonely individual and the community."—Forward
"Oz traces the emotional terrain of kibbutz life in this. . . gorgeous, rueful collection of eight linked stories about life in fictional Kibbutz Yekhat. . . Written in deliberately unadorned prose (beautifully translated by Sondra Silverston), [Between Friends] lays bare the deepest human longings."
—Chicago Tribune
"The mind is a place Oz explores masterfully in all its contradiction, texture and heartache. Between Friends paints the daily lives behind utopian dreams, fully realized."
—New York Daily News
"[A] deeply affecting chamber piece [that] draws on…the contradictory urges that lie at the heart of Israel’s psyche."
—Ben Lawrence, The Telegraph (UK)
"Oz lifts the veil on kibbutz existence without palaver. His pin-point descriptions are pared to perfection… His people twitch with life."
—Scotsman (UK)
"Lucid and heartbreaking… Oz explores the always uncertain relationships between men and women, parents and children, friends and enemies, in a clear, clipped language perfectly suited to the laconic tone of the narrative and impeccably rendered into English by Sondra Silverston"
—Alberto Manguel, Guardian (UK)
"A collection of stories….that boasts the sense, scope and unity of a novel…Breathtaking."
—Irish Examiner (Ireland)
"A complex and melancholic vision of people struggling to transcend their individuality for the sake of mundanely idealistic goals."
—Times Literary Supplement (UK)
"All Israeli life is here, rendered in loving detail."
—Mail on Sunday (UK)
From the Inside Flap
Oz lifts the veil on kibbutz existence without palaver. His pinpoint descriptions are pared to perfection . . . His people twitch with life. Scotsman
In Between Friends, Amos Oz returns to the kibbutz of the late 1950s, the time and place where his writing began. These eight interconnected stories, set in the fictitious Kibbutz Yekhat, draw masterly profiles of idealistic men and women enduring personal hardships in the shadow of one of the greatest collective dreams of the twentieth century.
A devoted father who fails to challenge his daughters lover, an old friend, a man his own age; an elderly gardener who carries on his shoulders the sorrows of the world; a woman writing poignant letters to her husbands mistressamid this motley group of people, a man named Martin attempts to teach everyone Esperanto.
Each of these stories is a luminous human and literary study; together they offer an eloquent portrait of an idea and of a charged and fascinating epoch. Amos Oz at home. And at his best.
Translated from the Hebrew by Sondra Silverston
From the Back Cover
Lucid and heartbreaking . . . Oz explores the always uncertain relationships between men and women, parents and children, friends and enemies, in a clear, clipped language perfectly suited to the laconic tone of the narrative and impeccably rendered into English by Sondra Silverston. Alberto Manguel, Guardian
A collection of stories . . . that boasts the sense, scope and unity of a novel . . . Breathtaking. Irish Examiner
A complex and melancholic vision of people struggling to transcend their individuality for the sake of mundanely idealistic goals. Times Literary Supplement
All Israeli life is here, rendered in loving detail. Mail on Sunday
About the Author
AMOS OZ (1939 – 2018) was born in Jerusalem. He was the recipient of the Prix Femina, the Frankfurt Peace Prize, the Goethe Prize, the Primo Levi Prize, and the National Jewish Book Award, among other international honors. His work has been translated into forty-four languages.
Product details
- Publisher : Houghton Mifflin Harcourt (September 24, 2013)
- Language : English
- Hardcover : 192 pages
- ISBN-10 : 0547985584
- ISBN-13 : 978-0547985589
- Item Weight : 10.4 ounces
- Dimensions : 5.5 x 0.7 x 8.25 inches
- Best Sellers Rank: #2,711,313 in Books (See Top 100 in Books)
- #3,349 in Jewish Literature & Fiction
- #36,993 in Short Stories (Books)
- Customer Reviews:
About the author

Amos Oz was born in Jerusalem in 1939. He is the author of fourteen novels and collections of short fiction, and numerous works of nonfiction. His acclaimed memoir A Tale of Love and Darkness was an international bestseller and recipient of the prestigious Goethe prize, as well as the National Jewish Book Award. Scenes from Village Life, a New York Times Notable Book, was awarded the Prix Méditerranée Étranger in 2010. He lives in Tel Aviv, Israel.
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"The King of Norway" tells of Zvi Provizor, the kibbutz gardener who has appointed himself the bearer of bad news. He reads every paper and listens to every news broadcast, and then informs the others ("did you hear...?") of the most recent tragedies: earthquakes, plane crashes, volcanoes. Yet to Zvi this is a crutch he uses to support even the most basic conversation; he seems incapable of a relationship deeper than the latest headline:
"Never in his adult life had he touched another person intentionally, and he went rigid whenever he was touched."
In the titular "Between Friends" we agonize watching a father try to deal with the affair his young daughter is having with her teacher, who also happens to be his friend. "Father" is a gut-wrenching tale of a young boarder at the kibbutz - a Sephardic Jew unlike the other, Ashkenazi, residents - who journeys from the kibbutz to visit his institutionalized father. His visits are not considered consistent with kibbutz principles:
"Rivka said, `We have to encourage him to break off contact with [his family]. They pull him back.'
David said, `When we came to this country, we simply left our parents behind.'"
"Little Boy" is another heartrending story, this time about five-year-old Oded, an outcast bedwetter, and how the members of the kibbutz deal with him (not well, in general). Despite his problem, Oded is forced to continue to sleep in the children's dormitory - no exceptions! - and suffer the inevitable teasing. His mother maintains a strict approach, being opposed to coddling the child. Only his sympathetic father is capable of seeing things from Oded's perspective, but in the end he is powerless to raise the boy as he knows he must.
The realities of life on the kibbutzim of Israel's early days provide a relevant context; life was spartan, a radical collectivism predominated, yet the urges of individuals continued to rise. Yotam, in "Deir Ajloun," is not happy at the kibbutz and has a golden opportunity to leave to attend university in Italy, funded by his uncle, who alienated the kibbutzniks by leaving himself years before. Yotam would prefer to leave with the blessing, not the condemnation, of the others; deep down, however, he knows the principles of the kibbutz prohibit any individual activities which are not for the greater good of the collective. Nina, sympathetic to Yotam's dilemma, delivers a crucial insight:
"'In ten or twenty years,' Nina said, `the kibbutz will be a more relaxed place. Now, all the springs are tightly coiled and the entire machine is still shaking from the strain. The old-timers are actually religious people who left their old religion for a new one that's just as full of sins and transgressions, prohibitions and strict rules. They haven't stopped being true believers; they've simply exchanged one belief system for another. Marx is their Talmud. The general meeting is the synagogue and David Dagan [one of the kibbutz leaders and the teacher from "Between Friends"] is their rabbi.'"
The book closes with "Esperanto," the story of Martin Vandenberg, a radical among radicals, who wishes to teach Esperanto to the others. In Martin's view, once mankind adopts a common language "there will be no more wars." Even his students realize the naiveté of such a belief. In a symbolic representation of the future of the kibbutz movement, upon Martin's death the person closest to him realizes she knows not a single word of Esperanto.
Oz lived on a kibbutz most of his life and knows full well its strengths, weakness, foibles and peculiarities. Taken in total these stories provide an unflattering view of kibbutz life. One can admire the strength of conviction and self-sacrifice of these pioneers who were instrumental in building the State of Israel. But one can also see the seeds of the relative decline of the kibbutz as a part of Israeli life. Although there are more residents of kibbutzim now than ever (driven in part by relaxing the collective approach and allowing residents to work off of the kibbutz and keep more of their income), kibbutzniks now make up less than 2% of Israelis, less than half of what it was in the 1950s.
The book weaves in and out of the lives of the members of the kibbutz, highlighting, as it goes, the mostly negative influence of collective existence. The novel revolves around a central irony: in a community that is supposed to work together, share property, and make decisions by consensus, there is a great deal of anonymity. The "between friends" of the novel is not to be taken seriously. The jealous socialism of the kibbutz, according to Oz, did not lead to greater harmony between its members, but simmering resentments, low achievement, and a high attrition rate.
This result falls under the law of unintended consequences. A system designed to bring people together, often tore them apart.
Ps: no wonder they all out of business
Top reviews from other countries
Obviously enough, matters of the heart cannot be decided democratically. However, there are other situations where the democratic approach seems equally inane and oblivious to the singular human need for a certain permission or exoneration. Amos Oz exploits the gaps that do occur in such a society where the application of common sense solutions cannot always be easily made.
The book is full of pathos and ironic humour, filled with lyrical and concrete details and taken in isolation is - broadly speaking - a delightful read. (I qualify with "broadly speaking" because there is a gratuitous description of a puppy dying, crushed under the wheel of a bus, and a relevant but equally horrifying account of a deranged, distraught father "yanking a quiet gentle boy from under his blanket and slapping his face savagely over and over again until the boy's nose began to bleed and his head banged against the wall". This is surely playing to the gallery)
Amos Oz is an author of distinction, much honoured and acclaimed and a Professor of Literature to boot. He has written an outstanding autobiographical novel "A Tale of Love and Darkness" on a much broader canvas. Here I cannot but have the impression that Oz is merely ticking over on four cylinders like a large eight cylinder limousine economising in town traffic !



