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Beverly Hills Cop 3 [VHS]

3.8 out of 5 stars 403 customer reviews

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Editorial Reviews

Eddie's back! So are the laughs. Eddie Murphy returns as Detroit cop Axel Foley, getting down with the fun-and-sun set as never before in this revved up thrill-ride of a movie.

Product Details

  • Actors: Eddie Murphy, Jon Tenney, Joey Travolta, Eugene Collier, Jimmy Ortega
  • Directors: John Landis
  • Writers: Daniel Petrie Jr., Danilo Bach, Steven E. de Souza
  • Producers: Catherine Meyers, Leslie Belzberg, Mace Neufeld, Mark Lipsky
  • Format: Closed-captioned, Color, Dolby, NTSC
  • Number of discs: 1
  • Rated:
    R
    Restricted
  • Studio: Paramount
  • DVD Release Date: July 18, 1998
  • Run Time: 104 minutes
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (403 customer reviews)
  • ASIN: 6303248209
  • Amazon Best Sellers Rank: #219,079 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Beverly Hills Cop 3 [VHS]" on IMDb

Customer Reviews

Top Customer Reviews

Format: DVD
I think "Beverly Hills cop III" was an extremely regrettable turning point in the nice career of one of the most talented and funniest black comedians Hollywood has ever seen - Mr. Eddie Murphy. Before it he used to be funny or at least much funnier. He appeared in the rather enjoyable flicks like "48 Hrs.", "Coming to America", "Another 48 Hrs.", "The Distinguished gentleman", "Boomerang" and of course "Beverly Hills cop I & II" - two beloved movies that will always be his very best works.

Then someone decided to add part three in the so far terrific "Beverly Hills cop" saga. This time Axel Foley was on the mission of revenge and the comedy was unfortunately replaced by action. Who forgot that most of the glamour behind these movies came directly from the humor? Even though John Landis - the man behind hit comedies like "The Blues Brothers" and "Three Amigos!" - sat in the director's chair the end result just wasn't that funny anymore or at least it was funny very rarely and that's a bad thing if we compare part three to its absolutely hilarious precursors. ...and as it happened, after "Beverly Hills cop III" Eddie Murphy got roles from the movies like "Vampire in Brooklyn" (with only couple of excellent scenes), "Metro" (that apparently wasn't supposed to be funny in the first place), "Doctor Dolittle" (cute little film for kiddies who love furry animals that talk), "Holy man" (interesting but more confusing than amusing) and "Nutty Professor II: The Klumps" (definitely one of his worst movies, waste of his undisputed talents and a model example of a comedy that doesn't make you laugh).

Lately I saw "Life" and surprisingly it was pretty brilliant and alongside with fairly good "Bowfinger" it's the only completely clear exception in this course.
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Format: VHS Tape
The early 90s were not kind to Eddie Murphy. Paramount butchered Another 48 Hours in the editing room, audiences turned their noses up at Boomerang, and almost nobody even bothered with The Distinguished Gentleman. Eddie had lost his pulling power and decided to go back to the role that made him a superstar. But 1994 just wasn't the right moment as most of the cast and crew were busy, leaving very little in the way of continuity. Several scripts came and went, and what we finally got was a lame 'Die Hard in a Theme Park' story.

There is a huge list of reasons why BHC3 stinks:

No Taggart.
No Bogomil.
No Jeffrey.
No Harold Faltermeyer.
No Bruckheimer/Simpson.
No opening title.
No wisecracking.

Don't get me wrong, I like Hector Elizondo, but he's no substitute for John Ashton (who's absence is explained with a single, flippant line of dialogue). I can't help but think if the above list was shorter then the movie wouldn't have been such a failure. Where on earth did the $70 million budget go? John Landis' action scenes are flat and static, with no real spark or energy.

All three Beverly Hills Cop movies have had horrible scripts, huge plot holes, and hammy villains, so I guess in a way it IS in keeping with the tradition. Eddie Murphy gives a very lazy, disinterested performance as Axel Foley, which reminds me a long of Seagal's effort in Under Siege 2. Neither of them wanted to be there and were phoning it in long distance. This is NOT the Axel you know and love here.

It's saved from one-star rating by Judge Reinhold's gung-ho as usual Rosewood, and the last minute addition of Axel Fox, a nice touch and the most three-dimensional character in the movie.

The DVD looks quite mediocre.
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Format: VHS Tape
The third installment of the popular "Beverly Hills Cop" series is like a distant relative who comes to stay with you. At first, you're glad to see them and catch up on old times, but they sure wear out their welcome fast. This film reaches that point after about fifteen minutes.
Eddie Murphy is back as Alex Foley, the increasingly improbable fish-out-of-water detective from Detroit. Once again, Axel is doing battle with the law enforcement establishment, the Beverly Hills Police Department, and the Bad Guys who killed his friend. Sound familiar? Even Serge (Bronson Pinchot) is back, in a desperate, painful scene that seems to go on forever.
The direction, by veteran Murphy helmer John Landis, is acceptable, showing Landis' usual flair for pacing and stunts. The screenplay by the usually reliable Steven deSouza, though, is woefully half-baked. It is never clear what the tone of the picture is supposed to be. The action scenes are very off-hand and frequently played for laughs, while the comedy scenes are forced and unfunny. The story never builds the sense of jeopardy and conflict that is essential to a film of this type. It is neither a laugh riot, nor is it even remotely suspenseful. Also, any film that makes Hector Elizondo--one of the best character actors around--look bad has some serious problems.
There are two good things about "Cop III." One is an excellent action sequence set on an amusement park Ferris wheel. That is the only exciting part of the film. The other thing I liked was the series of cameos by a variety of famous film directors (like George Lucas), a typical Landis gag. It at least gives you something to look for in some pretty boring scenes.
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