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Beyond the Rift Paperback – November 1, 2013
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The beauty and peril of technology and the passion and penalties of conviction merge in stories that are by turns dark, satiric, bold, and introspective. A seemingly humanized monster from John Carpenter’s The Thing reveals the true villains in an Antarctic showdown. An artificial intelligence shields a biologically-enhanced prodigy from her overwhelmed parents. A deep-sea diver discovers that her true nature lies not within the confines of her mission but in the depths of her psyche. A court psychologist analyzes a psychotic graduate student who has learned to reprogram reality itself. A father tries to hold his broken family together in the wake of an ongoing assault by sentient rainstorms.
Gorgeously saturnine and exceptionally powerful, these collected fictions are both intensely thought-provoking and impossible to forget.
- Print length240 pages
- LanguageEnglish
- PublisherTachyon Publications
- Publication dateNovember 1, 2013
- Dimensions5.5 x 1 x 8.5 inches
- ISBN-101616961252
- ISBN-13978-1616961251
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Editorial Reviews
Review
2017 Grand Prix de l’Imaginaire Nominee
?Known for his pitch-black views on human nature, and a breathtaking ability to explore the weird side of evolution and animal behavior, Watts is one of those writers who gets into your brain and remains lodged there like an angry, sentient tumor.”
?io9.com (Fall 2013 Must-Read Pick)
"Despite a career of more than 20 years, Peter Watts has published only a handful of novels and a not much larger handful of stories, which nevertheless have given him a solid reputation as a sharp and incisive stylist with a rather tragic, if clear-eyed, view of human nature, and the capacity for some remarkable hard-SF inventions."
?Locus
?Possessing the stern moral acuity of James Tiptree, he [Peter Watts] also exhibits the intellectual zest of Arthur C. Clarke.... His killer opening sentences ("First Contact was supposed to solve everything"; "Wescott was glad when it finally stopped breathing") are rabbit holes to strange futures.”
?Paul Di Fillipo, The Barnes & Noble Review
"From the award-winning author of the Rifters trilogy (Starfish; Maelstrom; Behemoth) comes a collection that demonstrates Watts's skill with short fiction."
?Library Journal
?[T]here can be no denying Watts’s skills as a writer.”
?Publishers Weekly
"[A] sharp and incisive stylist with a rather tragic, if clear-eyed, view of human nature, and the capacity for some remarkable hard-SF inventions."
?Gene Wolfe, Locus
?5/5 Stars I’m not usually one for short story collections; normally I usually like one or two stories and then chuck the rest. But this one is freaking amazing. One story better than the next...It is far and away the best science fiction collection I’ve read in years.”
?Among the Wreckage
?A wonderful collection of unique stories, Beyond the Rift had all the cogs in my brain whirring at full power.”
?My Shelf Confessions
?Excellent stories that highlight the author’s versatility and strengths in writing science fiction.”
?SF Signal
?...deep, daring, and deliberately thoughtful. He's an author who isn't afraid to stare off into the bleakness of space and ponder our own insignificance, but one who also isn't afraid to look inward and question the very core of what makes us human.”
?Beauty in Ruins
?Holding himself to a higher standard of storytelling, Watts uses the effects of mainstream sci-fi, yet continually aims at something deeper in humanity and society’s soul.”
?Speculiction
? [Beyond the Rift] was provocative and extremely well written. This is one of those collections that I think benefits from reflection after each story, and most of the stories will cry out for rereading in the future. Excellent collection - Very Highly Recommended.”
?She Walks Softly
?Watts ranges from huge-scale ideas ("The Island," with a living membrane surrounding a star) to the immediate (what if airport scanners grew sophisticated enough to detect even potential criminals, in "The Eyes of God")? He asks the questions that the best science fiction writers ask, but that the rest of us may be afraid to answer.”
?Chicago Tribune
?...one of the best short story collections I have ever read. Every story is engaging, interesting, and thought provoking.”
?The MT Void
About the Author
Product details
- Publisher : Tachyon Publications (November 1, 2013)
- Language : English
- Paperback : 240 pages
- ISBN-10 : 1616961252
- ISBN-13 : 978-1616961251
- Item Weight : 0.705 ounces
- Dimensions : 5.5 x 1 x 8.5 inches
- Best Sellers Rank: #1,509,395 in Books (See Top 100 in Books)
- #3,367 in Science Fiction Anthologies (Books)
- #4,917 in Hard Science Fiction (Books)
- #23,950 in Science Fiction Adventures
- Customer Reviews:
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About the author

This is awkward and a little creepy. They tell me I have to do it for promotional purposes, but I've already got a blog. I've already got a website. Being told that setting up an author page on fcuking *Amazon* is essential to success? A company that treats us all like such goddamn children it doesn't even allow us to correctly spell an epithet with a venerable history going back 900 years or more? That just sucks the one-eyed purple trouser eel.
Still, here I am. But if you're really all that interested, go check out my actual blog/website. Google is not your friend (any more than Amazon is), but at least it'll point you in the right direction.
I'm the one on the left, by the way.
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The writing is smart, uncompromising and precise, with occasional grittiness and violence. A not-so-minor gripe of mine, however, is that resorting not infrequently to scientific jargon may hinder full appreciation of Watts' intended message. You can come across technical terms of biochemistry, neuroscience, cosmology, what have you, like: actomyosin, adrenocortical analogs, anoxia, ATOC pulses, benthic ooze, cumulonimbus, dendrite, eumelanin, Hawking Hoop, myoelectric, perspex, phaeophytin, or ventral notochord, etc. with aliquot, photophore, and subroutine being his favourite words - a glossary would have come in handy. It's also questionable how many readers know exactly/are able to recall from their high school/college studies what, say, parietal and occipital lobes are responsible for.
Contents: 1. The things (2010) 2. The island (2009) 3. The second coming of Jasmine Fitzgerald (1998) 4. A word for heathens (2004) 5. Home (2000) 6. The eyes of god (2008) 7. Flesh made word (1994) 8. Nimbus (1994) 9. Mayfly (2005) 10. Ambassador (2002) 11. Hillcrest v Velikovsky (2008) 12. Repeating the past (2007) 13. A niche (1990) + Outtro [sic]: 'En route to dystopia with the angry optimist,' in which pseudo-essay the Canadian author is reflecting on some of his themes and current state of affairs, such as the erosion of civil rights on the apropos of a humiliating incident of unjustified and harsh treatment he had to endure at the hands of US Customs thugs and prosecution representing the State of Michigan.
I tend to agree with his general assessment/outlook: "[W]hat do you call a world of decent folks ground beneath the boot-heels of despots and sociopaths if not dystopia? You can trot out your folksy tales of good hearts and personal redemption, your small hopeful candles flickering down at the street level; I can't help noticing the darkness pressing down from overhead, the global dysfunction that throws the world on its side despite the angels of our better natures" (pp. 228-9).
The above stories explore some of the following themes - A) encounter with alien intelligence: parasitic "communion" as a method for evolvement (1), deceit and back-stabbing are not exclusive to human realm only (2, 10 - I really dig the idea of an interstellar Bermuda triangle), while at the same time Watts expresses a sense of wonder at universe's life-affirming potential, thusly:
"The rules are so different here. Most of space is tranquil: no diel or seasonal cycles, no ice ages or global tropics, no wild pendulum swings between hot and cold, calm and tempestuous. Life's precursors abound: on comets, clinging to asteroids, suffusing nebulae a hundred lightyears across. Molecular clouds glow with organic chemistry and life-giving radiation. Their vast dusty wings grow warm with infrared, filter out the hard stuff, give rise to stellar nurseries that only some stunted refugee from the bottom of a gravity well could ever call lethal" (2, p. 43).
B) transhumanism: brain-computer interface/emulating human emotions/virtual reality (7, 9), bioengineered new millenium mermaids and the ethical dilemma of recruiting abused victims in hazardous environment (5, 13), on the road to total surveillance/thought police (6), transfering shocking memories (12); C) it seems the author has a chunky beef with Christian religious faith (as per Catholic dogma and institution) that manifests in mockery (11), targets hypocracy of a child-fondling priest who commits suicide to escape shame (6), or analyzes inquisitorial fervour and the shifting foundation of faith - "Sometimes it isn't the experience of redemption that makes the greatest champions, but the longing for it" (4, p. 98); D) artificial intelligence with its own agenda (2); E) sentient storm clouds as Gaia's hands of vengeance (8), so forth.
While at the first look it might appear that the writer's stance is that of a reductionist materialist being trained under the current ruling paradigm ("You've been solved...You're mechanical. Chemicals and electricity. Everything you are, every dream, every action, it all comes down to a change of voltage somewhere..." 13, p. 206, and suchlike), sometimes one is under the impression as if Watts were searching for the ghost in the machine/soul (as in chapter 1 - but finds nothing even remotely close), or heavens forbid, even God: "How thinly does I spread itself across the heavens? The flesh is huge, the flesh is inconceivable. But the spirit...is -This is no mere alien. But I'm not quite ready to believe in Gods" (2, p. 33). The closest he comes to the thin line between mind and matter is the story in ch. 3, with quantum theory being tossed in.
In closing let me say, and you may disagree, that one deficiency of this collection to consider could be that except for three stories (2, 10, 13), the punchlines for the rest are either weak/unmemorable (3, 4, 8, 9, 11), somewhat predictable (7, 12), or missing entirely/indeterminable (1, 5, 6).
In the main, Watts writes in either a protagonist first-person or third-person but focused on the protagonist's point of view, and all with a lot of introspection based on their mental state. Normally I'm good with that, but in this case it is pretty much unrelenting and where you probably wouldn't notice it just reading one or two of these stories in an anthology, it's pure concentrate here and too strong for my tastes.
Indeed, apparently Watts is known as a "bleak" author - and he goes on at length about this in a "Dear Reader" section at the end of the novel that I gave up on after two pages because I found it too boring - but I didn't find them bleak in the sense of misery, squalor or oppression. Rather, that singular writing style and lack of dialog made the narrative bleak to me.
In terms of topics, Watts ranges from the claustrophobia of a science station deep underwater that could easily be in our near future, to light years from anywhere some billions of years downstream from now. His focus seems to be whether us as 'meat machine' are anything more than a mechanism for genetic reproduction based on a limited repertoire of programmed responses and he probes this from human, cybernetic and purely digital perspectives. Oh, and with some aliens thrown in for good measure. There are a lot of interesting ideas here and even the complicated ones are readily accessible because Watts pretty much spells them out, sometimes subtly, sometimes not so.
It is generally interesting, but the landscape is limited and there is certainly a familiarity of intent the further into the collection you get. Again, read one or two in an anthology or with some time between each short and this won't be a problem. Consume them one after the other in the space of a couple of days and the pattern becomes paramount. Also, a few of the stories approach religion in a way that readers with faith may take issue with.
I'm a little ambivalent in recommending this. Most of the stories have a hard science underpinning and if you like fiction that delves into the "me" in "me", this will likely appeal. It is not so hugely expensive that price alone need put you off, and I expect most sci-fi fans will find stories to like here. But it's also not bargain basement and there is a high degree of repetition in the theme and for me, way too much prose without dialog to counterpoint the point of view. So, definitely one for the Look Inside option because there is enough of "The Things" to likely make up your mind on the style one way or another.
Top reviews from other countries
If you don't know Peter Watts and are looking to learn whether his style is for you, this book is an amazing place to start. Likewise, if you are already a fan, then your collection will only truly shine once you acquire this gem.
Reviewed in Canada on August 18, 2020
If you don't know Peter Watts and are looking to learn whether his style is for you, this book is an amazing place to start. Likewise, if you are already a fan, then your collection will only truly shine once you acquire this gem.
The wee essay in the back where PW defends himself against his 'dark' and 'sinister' reputation is also worth the price of the whole book on its own.
This book is a collection of superb short stories (scarcely a dud among them) and is actually a good place to start. Not many laughs, I hear you say? True, but lots of other things instead.
He avoids cliche and reinterprets popular myths and idea, giving them a spin that really gets you thinking about our preconceptions of existence.
His first three novels are available for free form his website. I highly recommend htem too if youre not too afraid of the dark








