- Paperback: 196 pages
- Publisher: Algonquin Books; Reprint edition (May 15, 2012)
- Language: English
- ISBN-10: 1616201649
- ISBN-13: 978-1616201647
- Product Dimensions: 5.5 x 0.6 x 8.2 inches
- Shipping Weight: 11.2 ounces (View shipping rates and policies)
- Average Customer Review: 192 customer reviews
- Amazon Best Sellers Rank: #15,229 in Books (See Top 100 in Books)
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Big Fish: A Novel of Mythic Proportions Paperback – May 15, 2012
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In Big Fish, Daniel Wallace angles in search of a father and hooks instead a fictional debut as winning as any this year. From his son's standpoint, Edward Bloom leaves much to be desired. He was never around when William was growing up; he eludes serious questions with a string of tall tales and jokes. This is subject matter as old as the hills, but Wallace's take is nothing if not original. Desperate to know his father before he dies, William recreates his father's life as the stuff of legend itself. In chapters titled "In Which He Speaks to Animals," "How He Tamed the Giant," "His Immortality," and the like, Edward Bloom walks miles through a blizzard, charms the socks off a giant, even runs so fast that "he could arrive in a place before setting out to get there." In between these heroic episodes, Bloom dies not once but four times, working subtle variations on a single scene in which he counters his son's questions with stories--some of which are actually very witty, indeed. After all, he admits, "...if I shared my doubts with you, about God and love and life and death, that's all you'd have: a bunch of doubts. But now, see, you've got all these great jokes." The structure is a clever conceit, and the end product is both funny and wise. At the heart of both legends and death scenes live the same age-old questions: Who are you? What matters to you? Was I a good father? Was I a good son? In mapping the territory where myth meets everyday life, Wallace plunges straight through to fatherhood's archaic and mysterious heart. --Mary Park --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
"People mess things up, forget and remember all the wrong things. What's left is fiction," writes Wallace in his refreshing, original debut, which ignores the conventional retelling of the events and minutiae of a life and gets right to the poetry of a son's feelings for and memories of his father. William Bloom's father, Edward, is dying. He dies in fact in four different takes, all of which have William and his mother waiting outside a bedroom door as the family doctor tells them it's time to say their goodbyes. He intersperses the four takes with stories (all filtered through William's mind and voice) about the elusive Edward, who spent long periods of time on the road away from home and admitted once to his son that he had yearned to be a great man. The father and son deathbed conversations have son William playing earnest straight man, while his father is full of witticisms and jokes. In a plainspoken style dotted with transcendent passages, Wallace mixes the mundane and the mythical. His chapters have the transformative quality of fable and fairy tale, and the novel's roomy structure allows the mystery and lyricism of the story to coalesce. Agent, Joe Regal; author tour. (Oct.) FYI: Wallace is an illustrator who designs T-shirts, refrigerator magnets and greeting cards.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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Top customer reviews
So, I think you need to set aside your movie expectations and read this one without comparison. Don't go with the cliche and over used, "the book is always better than the movie" or the "I am a huge Tim Burton fan"! Set the movie aside and read this for what it is ... a magical fairy tail!
The truth in this book couldn't be hung on ordinary narrative. There are many different dimensions to our lives for those who love each other, but when it is given to you to receive or leave these understandings, they are precious. Thank you for writing this book.
This version is not bad or poorly written, it just doesn't resonate with me in the way Tim Burton's does.
I was mildly disappointed, but i can accept that everyone conceives of their Big Fish in their own way.
This is a 3-star book with 5-star writing. You can read this book in a single setting. If your experience is like mine, you return to the book to re-read a section or find a paragraph. Walk away, and the "away" time allows the book to filter or percolate. You'll return and re-read a chapter and experience both the chapter and the book in a different way.
The father of a friend of mine passed away in the last months of 2012. During the summer, my friend interviewed his dad and recorded his oral history. My friend told me the stories contained in the oral history and kept saying, "I didn't know that. I never knew."
My friend's comments over lunch were more poignant than the book. The lunch setting and the stories and jokes were superior to Big Fish.
Nevertheless, Big Fish has a big lesson for men and boys and has excellent writing.