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Billboard Book of One-Hit Wonders, The Paperback – January 1, 1998
- Print length518 pages
- LanguageEnglish
- PublisherWatson-Guptill Pubns
- Publication dateJanuary 1, 1998
- Dimensions7.25 x 1 x 9.25 inches
- ISBN-100823076229
- ISBN-13978-0823076222
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Product details
- Publisher : Watson-Guptill Pubns; Subsequent edition (January 1, 1998)
- Language : English
- Paperback : 518 pages
- ISBN-10 : 0823076229
- ISBN-13 : 978-0823076222
- Item Weight : 1.8 pounds
- Dimensions : 7.25 x 1 x 9.25 inches
- Best Sellers Rank: #1,570,608 in Books (See Top 100 in Books)
- #1,665 in Popular Music (Books)
- Customer Reviews:
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A minor criticism - the section at the end of the book - "THE BOTTOM 20" - is never explained. I finally figured out that the bulk of the work describes the artists/songs who made it into the Top 20, and "THE BOTTOM 20" it is a list of the artists/songs that did NOT make it into the Top 20. If Jancik had given detail about all of the artists/songs that made it into the Top 40, the book would have been four inches thick! Probably a good decision. If one wants info on the "THE BOTTOM," he or she can go to Wikipedia.
Great book!
book all of the time. I wonder if this is the only book he's written?
Unfortunately, while reminiscing about these songs I grew up with, it was frustrating to find glaring errors that made it to print. Some prime examples: The 1985 top 20 single for 17-year-old Charlie Sexton was "Beat's So Lonely," not "Been So Lonely" as the book states. Also, the Canadian one-hit wonder Kon Kan who briefly charted in 1989 in the U.S. with "I Beg Your Pardon" got their name by flip-flopping the term Can Con which is short for Canadian Content. Jancik referred to it as Canadian "Continent." Plus he never attempts to explain what the term means (Section 3 of Canada's Broadcasting Act mandates that AM and FM radio stations play a minimum of 35 percent Canadian artists to help develop native acts). And the artist who rapped "Just a Friend" in 1990 was Biz Markie, not Biz Marke.
These were just the few that I caught skimming through the hundreds of one-hit acts. Did an intern at Billboard edit Jancik's book? How did Billboard allow their name on this before it went to press? Anyway, you get the idea. One-Hit Wonders is fast and fun reading, but it could stand more accuracy.






