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Birnam Wood: A Novel Hardcover – March 7, 2023
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INTERNATIONAL BESTSELLER
A Best Book of the Year (So Far) at The New Yorker, The BBC, Vulture, CrimeReads
A Barack Obama Summer Reading Pick
“[A] savagely satirical thriller.” ―People
The Booker Prize–winning author of The Luminaries brings us Birnam Wood, a gripping thriller of high drama and kaleidoscopic insight into what drives us to survive.
Birnam Wood is on the move . . .
A landslide has closed the Korowai Pass on New Zealand’s South Island, cutting off the town of Thorndike and leaving a sizable farm abandoned. The disaster presents an opportunity for Birnam Wood, an undeclared, unregulated, sometimes-criminal, sometimes-philanthropic guerrilla gardening collective that plants crops wherever no one will notice. For years, the group has struggled to break even. To occupy the farm at Thorndike would mean a shot at solvency at last.
But the enigmatic American billionaire Robert Lemoine also has an interest in the place: he has snatched it up to build his end-times bunker, or so he tells Birnam’s founder, Mira, when he catches her on the property. He’s intrigued by Mira, and by Birnam Wood; although they’re poles apart politically, it seems Lemoine and the group might have enemies in common. But can Birnam trust him? And, as their ideals and ideologies are tested, can they trust one another?
A gripping psychological thriller from the Booker Prize–winning author of The Luminaries, Eleanor Catton’s Birnam Wood is Shakespearean in its drama, Austenian in its wit, and, like both influences, fascinated by what makes us who we are. A brilliantly constructed study of intentions, actions, and consequences, it is a mesmerizing, unflinching consideration of the human impulse to ensure our own survival.
- Print length432 pages
- LanguageEnglish
- PublisherFarrar, Straus and Giroux
- Publication dateMarch 7, 2023
- Dimensions6.5 x 1.4 x 9.3 inches
- ISBN-100374110336
- ISBN-13978-0374110338
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Editorial Reviews
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A Must Read at The New York Times, Los Angeles Times, The Washington Post, The Wall Street Journal, People, Vogue, Elle, Oprah Daily, The Philadelphia Inquirer, Bloomberg, The Economist, The Financial Times, Minneapolis Star Tribune, USA Today, The BBC, The Guardian, The Times (London), Buzzfeed, Literary Hub, Kirkus Reviews, The Christian Science Monitor, Condé Nast Traveler, and more
Named a Best Young British Novelist by Granta
A Finalist for the Orwell Prize for Political Fiction
A New York Times Book Review Editor’s Choice
“A generational cri de coeur . . . A sophisticated page-turner . . . Birnam Wood nearly made me laugh with pleasure. The whole thing crackles . . . Greta Gerwig could film this novel, but so could Quentin Tarantino.”
―Dwight Garner, The New York Times
“Birnam Wood is terrific. As a multilayered, character-driven thriller, it’s as good as it gets. Ruth Rendell would have loved it. A beautifully textured work―what a treat.”
―Stephen King
“Whooshingly enjoyable . . . A witty literary thriller about the collision between eco-idealism and staggering wealth.”
―John Powers, NPR’s Fresh Air
“Grand, chilling . . . [Birnam Wood] grips you by the throat.”
―Lauren LeBlanc, The Boston Globe
“Gorgeous . . . [Catton is] a generational talent.”
―Oprah Daily
“Kaleidoscopic . . . A gripping thriller.”
―Bill Goldstein, NBC Weekend Today in New York
“A rollicking eco-thriller that juggles a lot of heady themes with a big plot and a heedless sense of play.”
―The New York Times Book Review
“A sleek contemporary thriller . . . Delicious.”
―Ron Charles, The Washington Post
“Sophisticated, stylish and searching . . . A full-on triumph from a generational talent.”
―Hamilton Cain, The Star Tribune (Minneapolis)
“Complex and often shocking . . . Profound.”
―B.D. McClay, The New Yorker
“The clash of principles with human nature is much at play in this excitingly complex novel . . . Breathtaking.”
―Tom Nolan, The Wall Street Journal
“An eco-thriller of grand psychological and social ambitions.”
―Bethanne Patrick, Los Angeles Times
“An ecological thriller, a treatise about surveillance technology, and a lush meditation on friendship and desire.”
―Emma Alpern, Vulture
“A rare accomplishment: an intelligent and elegant thriller that is also a damn fine read.”
―The Economist
“Delicious . . . At once a highly inventive spin on a morality tale and a logical interpretation of contemporary ecological doom.”
―Sloane Crosley, Departures
“[A] virtuoso performance: elaborately plotted, richly conceived, enormously readable.”
―Kevin Power, The Guardian
“Dark in both its outlook and omnipresent humor . . . A sincere interrogation of the relationship between morality and the ability to bring about positive change.”
―Lily Meyer, The Atlantic
“[A] page-turning thriller-slash-sneaky dystopian satire.”
―Patrick Rapa, The Philadelphia Inquirer
“Will have you gnawing your knuckles.”
―Lisa Allardice, The Guardian
“Part eco-thriller, part scathing social satire, and entirely unputdownable.”
―Emma Cooke, Buzzfeed
About the Author
Product details
- Publisher : Farrar, Straus and Giroux; First Edition (March 7, 2023)
- Language : English
- Hardcover : 432 pages
- ISBN-10 : 0374110336
- ISBN-13 : 978-0374110338
- Item Weight : 1.4 pounds
- Dimensions : 6.5 x 1.4 x 9.3 inches
- Best Sellers Rank: #5,084 in Books (See Top 100 in Books)
- #152 in Psychological Fiction (Books)
- #442 in Literary Fiction (Books)
- #573 in Suspense Thrillers
- Customer Reviews:
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About the author

Eleanor Catton MNZM (born 24 September 1985) is a Canadian-born New Zealand author. Her second novel, The Luminaries, won the 2013 Man Booker Prize and the Governor General’s Award for Fiction and was an international bestseller. As a screenwriter, she adapted The Luminaries for television and Jane Austen’s Emma for a feature film starring Anya Taylor-Joy and directed by Autumn de Wilde. She lives in Cambridge, England.
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A novel in three parts, with an all-knowing narrator, and taking Shakespeare’s tragedy of Macbeth as a central theme, Birnam Wood is an imaginative eco-thriller that is parts a capitalism indictment and environmental manifesto wrapped into one verbose narrative that goes on about moral and philosophical arguments for three quarters of the book, at least; at a 426-page-count, it feels denser than it has any right to be… Fortunately, the last stretch is non-stop action so gripping that raises the overall rating one star higher.
The parallels with Macbeth are inescapable: Robert Lemoine standing for the greedy, power hungry, murderous king who thinks himself untouchable, until Birnam Wood—in this instance the gardening collective, most of whose idealistic members are unknowingly breaking the law—come near Lemoine’s pet project with devastating consequences. It begs the question of who stands for Lady Macbeth, is it Mira, or Shelley? For the former lies her way into an intricate association with the billionaire, misleading her associates in the process, while the latter accepts the consequences of her actions and profits from them.
In essence, Birnam Wood is heavy reading that, luckily, proves rewarding in the end. It’s realistic, topical, and manages to adhere to the true spirit of the source material while breaking new ground in the process.
It’s an ensemble cast, with arguably Mira Bunting as the main protagonist, a 30-something woman who began a volunteer collective gardening group, Birnam Wood, planting sustainable crops in neglected spaces (usually without owners’ permission). It hasn’t evolved much in the five years it has been around; money is tight and it’s a lot of work for people who have other jobs and considerations. But what would happen if an enigmatic billionaire businessman offered to lift them out of their idle state and into a thriving enterprise? How would the power dynamics play out, what are the stakes?
Mira’s friend and Birnam partner, Shelley, has one foot out the door—she’s weary of being taken for granted. And adventurer Anthony Gallo has romantic designs on Mira, even though he’s been overseas for four years, and has returned with his own rigid ideology, and is suspicious of the deal blooming with the billionaire, Robert Lemoine, and Birnam Wood. Lemoine is the surveilling shapeshifter,, piloting a plane when he wants to look in on his assets. He’s also building a Doomsday bunker, a luxe underground dominion.
Then there is recently knighted Sir Owen Darvish and his wife, Lady Darvish, who own the land near Korowai National Park and Korowai Pass, in Thorndike, where there was a deadly landslide, and near where Birnam Wood would plant. Sir Owen had other designs until the landslide happened, and now Lemoine wants to buy it, and they are at the tip of making agreements. Dark deals and secret agendas simmer, and you’ll be admitted to the furtive world of drones, surveillance, and other murky activities afforded the obscenely rich.
I admit to my preference for the third person pov. The plot opens up, is more expansive, and you can get behind all the characters. We know the stakes, most of the veiled plans and covert motivations. Our insight into the cast is uninhibited. The pages will burn as they turn, never a dull moment or a pretentious passage, the characters drive the satire of the story. It all builds to a riveting denouement—I uttered a few loud expletives along the way. The first sixty or so pages ride the runway and shape select characters-- plot ready at the gate, and then it's wheels up, liftoff, and you realize—anything can happen, and you know you don’t have control. You just have to be there.
I honestly did not want this unputdownable book to end, I wasn't ready to say goodbye.
Be ready! And the ending----
Oh the delicious feeling of moral certitude! My cause is noble, my values sound. I’m right and I’m righteous. Then real life happens. I bend or doubt or change. Isolated moments of understandable, inevitable, forgivable imperfection? Or a slippery slope? Healthy compromise, maturing perspective? Or have I sold my soul? At its heart, Birnam Wood follows a handful of characters (heroes, anti-heroes, and villains alike) who face these questions in one form or another.
The story certainly builds to a tense, action-packed peak, but the author takes her time getting us there. The tone, even when stuff starts hitting the fan, is one of concurrent chess matches: pick any two principal characters, and there’s a mind game playing out between them. It’s interesting and delicious; you’ll enjoy the ride. The dramatic ending is plausible and appropriate in context, but I didn’t find it satisfying.
One minor annoyance: the author made the curious decision to divide the book into three enormous chapters. I admit it’s no big deal, but why?
Top reviews from other countries
The novel never compromises its scope and priorities while it portraits the struggle against the infiltration of politics of power & control in personal & global issues.
Mira is the creator and the idea person for Birnam Wood while her friend Shelly works quietly behind the scenes to make Mira’s ideas happen. Tony was one of those involved in its creation of Birnam Wood but he had a falling out with Mira and has been absent from the organization for about four years.
Mira hears about Thorndike, a town that’s been isolated from the rest of the world by a landslide that’s cut off an important access point through the town. Prior to this happening, property in the town was valuable as it bordered New Zealand’s Korowai National Park. Now, parts of the town are abandoned. One of those parts is owned by Sir Owen Darvish and his wife, Lady Darvish. They had originally planned to subdivide it but, with the landslide, that dream was discarded.
And then, a saviour arrives in the form of Robert Lamoine, an American billionaire who’s made his fortune designing drones. (Yes, the same drones used by the military for weapons and surveillance.) He will buy the property but first they must sign a non-disclosure agreement as to the sale and his identity.
Mira hears of Thorndike and explores possible locations for their garden. Of course, she discovers the Darvish’s property and immediately goes to work with the plan of bringing in help from the others.
Themes explored in this novel include hubris, greed, love, and ambition but it’s still a thriller that will keep you on edge to the end.
It’s heady stuff.
Birnam Wood could have quickly disappeared into a naval gazing exercise, but instead is a highly engaging character study.
The landscape of New Zealand plays a big part and while some of the characters border on caricature it never quite steps over the line into the ridiculous.
The multiple stories move along at pace and eventually all convene in a satisfying final act.
The writing style is sharp and plain, creating a sense of simple urgency that drives the plot forward and keeps the pages turning.
Highly recommended.









