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![The Black-Eyed Blonde: A Novel (Philip Marlowe series Book 10) by [John Banville, Benjamin Black]](https://m.media-amazon.com/images/I/51nxRIY4iiL._SY346_.jpg)
The Black-Eyed Blonde: A Novel (Philip Marlowe series Book 10) Kindle Edition
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Raymond Chandler’s Philip Marlowe returns in The Black-Eyed Blonde—also published as Marlowe as by John Banville—the basis for the major motion picture starring Liam Neeson as the iconic detective.
"Somewhere Raymond Chandler is smiling . . . I loved this book. It was like having an old friend, one you assumed was dead, walk into the room."
—Stephen King
"It was one of those Tuesday afternoons in summer when you wonder if the earth has stopped revolving."
The streets of Bay City, California, in the early 1950s are as mean as they get. Marlowe is as restless and lonely as ever, and the private eye business is a little slow. Then a new client is shown in: blond, beautiful, and expensively dressed, she wants Marlowe to find her former lover.
Almost immediately, Marlowe discovers that the man's disappearance is merely the first in a series of bewildering events. Soon he is tangling with one of Bay City's richest and most ruthless families—and developing a singular appreciation for how far they will go to protect their fortune.
“It’s vintage L.A., toots: The hot summer, rain on the asphalt, the woman with the lipstick, cigarette ash and alienation, V8 coupes, tough guys, snub-nosed pistols, the ice melting in the bourbon . . . . The results are Chandleresque, sure, but you can see Banville’s sense of fun.”
—The Washington Post
- LanguageEnglish
- PublisherHenry Holt and Co.
- Publication dateMarch 4, 2014
- File size5245 KB
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Excerpt. © Reprinted by permission. All rights reserved.
It was one of those Tuesday afternoons in summer when you wonder if the earth has stopped revolving. The telephone on my desk had the air of something that knows it’s being watched. Cars trickled past in the street below the dusty window of my office, and a few of the good folks of our fair city ambled along the sidewalk, men in hats, mostly, going nowhere. I watched a woman at the corner of Cahuenga and Hollywood, waiting for the light to change. Long legs, a slim cream jacket with high shoulders, navy blue pencil skirt. She wore a hat, too, a skimpy affair that made it seem as if a small bird had alighted on the side of her hair and settled there happily. She looked left and right and left again—she must have been so good when she was a little girl—then crossed the sunlit street, treading gracefully on her own shadow.
So far it had been a lean season. I had done a week playing bodyguard to a guy who had flown in from New York on the clipper. He had a blue jaw and wore a gold wristband and a pinkie ring with a ruby in it as big as a boysenberry. He said he was a businessman and I decided to believe him. He was worried, and sweated a lot, but nothing happened and I got paid. Then Bernie Ohls in the Sheriff’s office put me in touch with a nice little old lady whose hophead son had pinched her late husband’s rare coin collection. I had to apply a little muscle to get the goods back, but nothing serious. There was a coin in there with the head of Alexander the Great on it, and another one showing Cleopatra in profile, with that big nose of hers—what did they all see in her?
The buzzer sounded to announce that the outer door had opened, and I heard a woman walk across the waiting room and pause a moment at the door of my office. The sound of high heels on a wooden floor always gets something going in me. I was about to call to her to come in, using my special deep-toned, you-can-trust-me-I’m-a-detective voice, when she came in anyway, without knocking.
She was taller than she had seemed when I saw her from the window, tall and slender with broad shoulders and trim hips. My type, in other words. The hat she wore had a veil, a dainty visor of spotted black silk that stopped at the tip of her nose—and a nice tip it was, to a very nice nose, aristocratic but not too narrow or too long, and nothing at all like Cleopatra’s jumbo schnozzle. She wore elbow-length gloves, pale cream to match her jacket, and fashioned from the hide of some rare creature that had spent its brief life bounding delicately over Alpine crags. She had a good smile, friendly, so far as it went, and a little lopsided in an attractively sardonic way. Her hair was blond and her eyes were black, black and deep as a mountain lake, the lids exquisitely tapered at their outer corners. A blonde with black eyes—that’s not a combination you get very often. I tried not to look at her legs. Obviously the god of Tuesday afternoons had decided I deserved a little lift.
“The name is Cavendish,” she said.
I invited her to sit down. If I’d known it was me she was coming to call on, I would have brushed my hair and applied a dab of bay rum behind my earlobes. But she had to take me as I was. She didn’t seem to disapprove too much of what she was seeing. She sat down in front of my desk on the chair I had pointed her to and took off her gloves finger by finger, studying me with her steady black eyes.
“What can I do for you, Miss Cavendish?” I asked.
“Mrs.”
“Sorry—Mrs. Cavendish.”
“A friend told me about you.”
“Oh, yes? Good things, I hope.”
I offered her one of the Camels I keep in a box on my desk for clients, but she opened her patent leather purse and took out a silver case and flipped it open with her thumb. Sobranie Black Russian—what else? When I struck a match and offered it across the desk she leaned forward and bent her head, with dipped lashes, and touched a fingertip briefly to the back of my hand. I admired her pearl-pink nail polish, but didn’t say so. She sat back in the chair and crossed her legs under the narrow blue skirt and gave me that coolly appraising look again. She was taking her time in deciding what she should make of me.
“I want you to find someone,” she said.
“Right. Who would that be?”
“A man named Peterson—Nico Peterson.”
“Friend of yours?”
“He used to be my lover.”
If she expected me to swallow my teeth in shock, she was disappointed. “Used to be?” I said.
“Yes. He disappeared, rather mysteriously, without even saying goodbye.”
“When was this?”
“Two months ago.”
Why had she waited so long before coming to me? I decided not to ask her, or not yet, anyway. It gave me a funny feeling, being looked at by those cool eyes behind the veil’s transparent black mesh. It was like being watched through a secret window; watched, and measured.
“You say he disappeared,” I said. “You mean out of your life, or altogether?”
“Both, it seems.”
I waited for more, but she only leaned back a farther inch or so and smiled again. That smile: it was like something she had set a match to a long time ago and then left to smolder on by itself. She had a lovely upper lip, prominent, like a baby’s, soft-looking and a little swollen, as if she had done a lot of kissing recently, and not kissing babies, either. She must have sensed my unease about the veil, and put up a hand now and lifted it away from her face. Without it, the eyes were even more striking, a lustrous shade of seal-black that made something catch in my throat.
“So tell me about him,” I said, “your Mr. Peterson.”
“Tallish, like you. Dark. Handsome, in a weak sort of way. Wears a silly mustache, Don Ameche–style. Dresses nicely, or used to, when I had a say in the matter.”
She had taken a short ebony holder from her purse and was fitting the Black Russian into it. Deft, those fingers; slender, but with strength in them.
“What does he do?” I asked.
She glanced at me with a steely twinkle. “For a living, you mean?” She pondered the question. “He sees people,” she said.
This time I leaned back in my chair. “How do you mean?” I asked.
“Just what I say. Practically every time I saw him, he was about to leave urgently. I gotta see this guy. There’s this guy I gotta go see.” She was a good mimic; I was beginning to get a picture of Mr. Peterson. He didn’t sound like her type.
“A busy fellow, then,” I said.
“His busyness had few results, I’m afraid. At any rate, not results that you’d notice, or that I noticed, anyway. If you ask him, he’ll tell you he’s an agent to the stars. The people he had to see so urgently were usually connected to one of the studios.”
It was interesting, the way she kept switching tenses. All the same, I had the impression that he was very much the past, for her, this Peterson bird. So why did she want him found?
“He’s in the movie business?” I asked.
“I wouldn’t say in. Sort of scrabbling at the edges with his fingertips. He had some success with Mandy Rogers.”
“Should I know the name?”
“Starlet—ingénue, Nico would say. Think Jean Harlow without the talent.”
“Jean Harlow had talent?”
She smiled at that. “Nico is firmly of the belief that all his geese are swans.”
I got out my pipe and filled it. It struck me that the tobacco blend I was using had some Cavendish in it. I decided not to share this happy coincidence with her, imagining the jaded smile and the twitch of disdain at the corner of her mouth that would greet it.
“Known him long, your Mr. Peterson?” I asked.
“Not long.”
“How long would not long be?”
She shrugged, which involved a fractional lift of her right shoulder. “A year?” She made it a question. “Let me see. It was summer when we met. August, maybe.”
“Where was that? That you met, I mean.”
“The Cahuilla Club. Do you know it? It’s in the Palisades. Polo grounds, swimming pools, lots of bright, shiny people. The kind of place that wouldn’t let a shamus like you put his foot inside the electronically controlled gates.” That last bit she didn’t say, but I heard it all the same.
“Your husband know about him? About you and Peterson?”
“I really can’t say.”
“Can’t, or won’t?”
“Can’t.” She glanced down at the cream gloves where she had draped them across her lap. “Mr. Cavendish and I have—what shall I say? An arrangement.”
“Which is?”
“You’re being disingenuous, Mr. Marlowe. I’m sure you know very well the kind of arrangement I mean. My husband likes polo ponies and cocktail waitresses, not necessarily in that order.”
“And you?”
“I like many things. Music, mainly. Mr. Cavendish has two reactions to music, depending on mood and state of sobriety. Either it makes him sick or it makes him laugh. He does not have a melodious laugh.”
I got up from the desk and took my pipe to the window and stood looking out at nothing in particular. In an office across the street, a secretary in a tartan blouse and wearing earphones from a Dictaphone machine was bent over her typewriter, tapping away. I had passed her in the street a few times. Nice little face, shy smile; the kind of girl who lives with her mother and cooks meat loaf for Sunday lunch. This is a lonely town.
“When’s the last time you saw Mr. Peterson?” I asked, still watching Miss Remington at her work. There was silence behind me, and I turned. Obviously, Mrs. Cavendish was not prepared to address herself to anyone’s back. “Don’t mind me,” I said. “I stand at this window a lot, contemplating the world and its ways.”
I came back and sat down again. I put my pipe in the ashtray and clasped my hands together and propped my chin on a couple of knuckles to show her how attentive I could be. She decided to accept this earnest demonstration of my full and unwavering concentration. She said, “I told you when I saw him last—about a month ago.”
“Where was that?”
“At the Cahuilla, as it happens. A Sunday afternoon. My husband was engaged in a particularly strenuous chukker. That’s a—”
“A round in polo. Yes, I know.”
She leaned forward and dropped a few flakes of cigarette ash beside the bowl of my pipe. A faint waft of her perfume came across the desk. It smelled like Chanel No. 5, but then, to me all perfumes smell like Chanel No. 5, or did up to then.
“Did Mr. Peterson give any indication that he was about to decamp?” I asked.
“Decamp? That’s an odd word to use.”
“It seemed less dramatic than disappeared, which was your word.”
She smiled and gave a dry little nod, conceding the point. “He was much as usual,” she said. “A little bit more distracted, perhaps, a little nervous, even—though maybe it only seems that way in hindsight.” I liked the way she talked; it made me think of the ivy-covered walls of venerable colleges, and trust fund details written out on parchment in a copperplate hand. “He certainly didn’t give any strong indication that he was about to”—she smiled again—“decamp.”
I thought for a bit, and let her see me thinking. “Tell me,” I said, “when did you realize he was gone? I mean, when did you decide he had”—now it was my turn to smile—“disappeared?”
“I telephoned him a number of times and got no answer. Then I called at his house. The milk hadn’t been canceled and the newspapers had been piling up on his porch. It wasn’t like him to leave things like that. He was careful, in some ways.”
“Did you go to the police?”
Her eyes widened. “The police?” she said, and I thought she might laugh. “That wouldn’t have done at all. Nico was rather shy of the police, and he would not have thanked me for putting them onto him.”
“Shy in what way?” I asked. “Did he have things to hide?”
“Haven’t we all, Mr. Marlowe?” Again she dilated those lovely lids.
“Depends.”
“On what?”
“On many things.”
This was going nowhere, in ever-increasing circles. “Let me ask you, Mrs. Cavendish,” I said, “what do you think has become of Mr. Peterson?”
Once more she did her infinitesimal shrug. “I don’t know what to think. That’s why I’ve come to you.”
I nodded—sagely, I hoped—then took up my pipe and did some business with it, tamping the dottle, and so on. A tobacco pipe is a very handy prop, when you want to seem thoughtful and wise. “May I ask,” I asked, “why you waited so long before coming to me?”
“Was it a long time? I kept thinking I’d hear from him, that the phone would ring one day and he’d be calling from Mexico or somewhere.”
“Why would he be in Mexico?”
“France, then, the Côte d’Azur. Or somewhere more exotic—Moscow, maybe, Shanghai, I don’t know. Nico liked to travel. It fed his restlessness.” She sat forward a little, showing the faintest trace of impatience. “Will you take the case, Mr. Marlowe?”
“I’ll do what I can,” I said. “But let’s not call it a case, not just yet.”
“What are your terms?”
“The usual.”
“I can’t say I know what the usual is likely to be.”
I hadn’t really thought she would. “A hundred dollars deposit and twenty-five a day plus expenses while I’m making my inquiries.”
“How long will they take, your inquiries?”
“That too depends.”
She was silent for a moment, and again her eyes took on that appraising look, making me squirm a little. “You haven’t asked me anything about myself,” she said.
“I was working my way around to it.”
“Well, let me save you some work. My maiden name is Langrishe. Have you heard of Langrishe Fragrances, Inc.?”
“Of course,” I said. “The perfume company.”
“Dorothea Langrishe is my mother. She was a widow when she came over from Ireland, bringing me with her, and founded the business here in Los Angeles. If you’ve heard of her, then you know how successful she has been. I work for her—or with her, as she’d prefer to say. The result is that I’m quite rich. I want you to find Nico Peterson for me. He’s a poor thing but mine own. I’ll pay you whatever you ask.”
I considered poking at my pipe again but thought it would seem a little obvious the second time around. Instead I gave her a level look, making my eyes go blank. “As I said, Mrs. Cavendish—a hundred down and twenty-five a day, plus expenses. The way I work, every case is a special case.”
She smiled, pursing her lips. “I thought you weren’t going to call it a case, as yet.”
I decided to let her have that one. I pulled open a drawer and brought out a standard contract and pushed it across the desk to her with the tip of one finger. “Take that with you, read it, and if you agree with the terms, sign it and get it back to me. In the meantime, give me Mr. Peterson’s address and phone number. Also anything else you think might be useful to me.”
She gazed at the contract for a moment, as if she were deciding whether to take it or throw it in my face. In the end she picked it up, folded it carefully, and put it in her purse. “He has a place in West Hollywood, off Bay City Boulevard,” she said. She opened her purse again and took out a small leather-bound notebook and a slim gold pencil. She wrote in the notebook briefly, then tore out the page and handed it to me. “Napier Street,” she said. “Keep a sharp eye out or you’ll miss it. Nico prefers secluded spots.”
“On account of being so shy,” I said.
She stood up, while I stayed sitting. I smelled her perfume again. Not Chanel, then, but Langrishe, the name or number of which I would dedicate myself to finding out. “I’ll need a contact for you, too,” I said.
She pointed to the piece of paper in my hand. “I’ve put my telephone number on there. Call me whenever you need to.”
I read her address: 444 Ocean Heights. Had I been alone, I would have whistled. Only the cream get to live out there, on private streets right by the waves.
“I don’t know your name,” I said. “I mean your first name.”
For some reason this brought a mild flush to her cheeks, and she looked down, then quickly up again. “Clare,” she said. “Without an i. I’m called after our native county, in Ireland.” She made a slight, mock-doleful grimace. “My mother is something of a sentimentalist where the old country is concerned.”
I put the notebook page into my wallet, rose, and came from behind the desk. No matter how tall you might be, there are certain women who make you feel shorter than they are. I was looking down on Clare Cavendish, but it felt as if I were looking up. She offered me her hand, and I shook it. It really is something, the first touch between two people, no matter how brief.
I saw her to the elevator, where she gave me a last quick smile and was gone.
Back in my office, I took up my station at the window. Miss Remington was tap-tappeting still, diligent girl that she was. I willed her to look up and see me, but in vain. What would I have done, anyway—waved, like an idiot?
I thought about Clare Cavendish. Something didn’t add up. As a private eye I’m not completely unknown, but why would a daughter of Dorothea Langrishe of Ocean Heights and who knew how many other swell spots choose me to find her missing man? And why, in the first place, had she got herself involved with Nico Peterson, who, if her description of him was accurate, would turn out to be nothing but a cheap grifter in a sharp suit? Long and convoluted questions, and hard to concentrate on while remembering Clare Cavendish’s candid eyes and the amused, knowing light that shone in them.
When I turned, I saw the cigarette holder on the corner of my desk, where she had left it. The ebony was the same glossy blackness as her eyes. She’d forgotten to pay me my retainer, too. It didn’t seem to matter.
Copyright © 2014 by Benjamin Black
--This text refers to an alternate kindle_edition edition.From Booklist
About the Author
Review
“A bulll's-eye.” ―The New York Times
“Somewhere Raymond Chandler is smiling . . . I loved this book. It was like having an old friend, one you assumed was dead, walk into the room.” ―Stephen King
“[Black] has revived Chandler's legendary PI Philip Marlowe in a new adventure . . . A perfume heiress hires the shamus to investigate the disappearance of her lover, and the mystery soon opens up under him like a sinkhole . . . Black manages to nail not only Marlowe's voice, but his soul.” ―Entertainment Weekly
“[Black] channeling Chandler is irresistible--a double whammy of a mystery. Hard to think anyone could add to Chandler with profitable results. But [Black] most definitely gets it done.” ―Richard Ford
“Terrific fun . . . The Black-Eyed Blonde could be passed off as a newly discovered Chandler manuscript found in some dusty La Jolla closet . . . Any fan of Chandler's work is going to enjoy it.” ―The New York Times Book Review
“Half the pleasure of this book, at least for a Chandler fan, is to notice Black getting the little things right . . . Against a dozen other detective novels on my desk, I'll take a Raymond Chandler any day of the week, even when its written by somebody else--assuming that somebody is Benjamin Black.” ―All Things Considered, NPR
“It's vintage L.A., toots: The hot summer, rain on the asphalt, the woman with the lipstick, cigarette ash and alienation, V8 coupes, tough guys, snub-nosed pistols, the ice melting in the bourbon . . . The results are Chandleresque, sure, but you can see [Black's] sense of fun.” ―The Washington Post
“I opened the book hopefully--and I closed it entirely satisfied, even thrilled . . . It's all there, the Chandler voice: the crisply detailed description and sly similes that set a scene precisely, the world-weary bemusement of the narrator, his gimlet eye for the ladies and the delicately ominous foreshadowing . . . It's clear [Black] does love Marlowe, and he's reminded me why I love him, too.” ―Tampa Bay Times
“From its pitch-perfect opening sentences, Benjamin Black's channeling of Raymond Chandler is one of the season's best mysteries.” ―The San Francisco Chronicle
“I was impressed by the plotting of The Black-Eye Blonde, its perfect pacing and use of misdirection . . . [Black] nails the spoiled L.A. atmosphere that is Chandler's forte.” ―Salon.com
“A tremendously fun and diverting tale . . . The author of a somber but beautifully written series of mysteries set in the same era as Chandler's novels, Black was a savvy choice for the job. His nimble plotting drives The Black-Eyed Blonde . . . Marlowe, however, remains the undisputed star of the show, a hardened, magnetic presence.” ―Page Views, New York Daily News
“All of the essential ingredients are there, afloat in a tumbler of Santa Monica sleaze . . . But Mr. Black can also make words do things Chandler could only dream of . . . The fun lies in watching two styles tangle . . . With an artfulness worthy of the original, Mr. Black has made it new, though he doesn't forget whom he owes.” ―The New York Observer
“What Black captures in Chandler's voice is the weary twist of ambivalence . . . That baseline of doubt, the whiff of regret and then betrayal, form the essential atmosphere of noir fiction. And Black gets that exactly right.” ―The Oregonian
“[Black] has largely perfected Chandler's much-mimicked, seldom-bettered knack for similes and one-liners . . . Best of all, though, he conjures the world-weary loneliness of Chandler's creation, a character who, in just seven novels, the world saw far too little of. Banville/Black clearly loves writing this and the fun he's having--his affection for Chandler's world--shines through . . . Entirely irresistible.” ―The Guardian (UK)
“[The Black-Eyed Blonde] is probably better than an actual Chandler: more coherent, and more consistent, more careful. [Black] is simply a more elegant writer. Chandler was a metaphorical rogue trader; [Black] is a class act.” ―The New Statesman (UK)
“[The fact that] this novel is so enjoyable is a testament to the effectiveness of the formula that Chandler laboured so hard to perfect.” ―The Telegraph (UK)
“Seen as a crime novel in its own right it is a cut above anything else out there.” ―The Irish Times
“Black's Marlowe caper is in a separate league. It is wonderful, an affectionate tribute and a labour of love that is sure to please Chandler devotees and endear new audiences.” ―The National (Abu Dhabi)
“Black skillfully references Chandler characters … [and] remarkably, he seems to channel Chandler's cadence with pithy dialogue, beautifully drawn characters, and a satisfyingly convoluted plot.” ―Alfred Hitchcock's Mystery Magazine
“[Black] brings Raymond Chandler's Philip Marlowe back to full-blooded life--complete with inner turmoil and honest, hard-boiled dialogue. This is not a pastiche, but the real deal, kicked up a notch with clever traces of irony. It's tightly plotted, has its share of blunt violence and wise-cracks, as well as descriptions of L.A. that puncture the city's elaborate façade. Banville has been compared to Joyce, and this novel confirms the comparison. You'll find memorable passages that demand to be read aloud. [Banville's prose] captures perfectly the melancholy soul of Philip Marlowe.” ―Zoom Street Magazine
“Despite Robert B. Parker's lengthy experience in the PI genre, his sequel to The Big Sleep, Perchance to Dream, pales in comparison with Black's pitch-perfect recreation of the character and his time and place. As for the language, Black nails Chandler's creative and memorable similes and metaphors.... While the mystery is well-plotted, Black elevates it beyond mere thoughtful homage with a plausible injection of emotion in his wounded lead.” ―Publishers Weekly (boxed and starred review)
“[Black] offers a stylish homage to Raymond Chandler in this tightly written caper . . . The focus . . . is on style and mood, and the Irishman, perhaps surprisingly, nails both. The homage game is a tricky game to play, but Black makes all the right moves. Great fun for Chandlerians.” ―Booklist
“Black . . . deliver[s] a more complex and satisfying mystery than other authors have done in the past. This latest incarnation of Chandler's sleuth with appeal to fans of Chandler and Marlowe, but newcomers to one of the first great PIs in crime fiction will find much to enjoy here as well.” ―Library Journal
“A treat for fans.” ―Kirkus Reviews
--This text refers to an alternate kindle_edition edition.Product details
- ASIN : B00ERQ6RGY
- Publisher : Henry Holt and Co. (March 4, 2014)
- Publication date : March 4, 2014
- Language : English
- File size : 5245 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 292 pages
- Best Sellers Rank: #50,297 in Kindle Store (See Top 100 in Kindle Store)
- #200 in Hard-Boiled Mystery
- #273 in Hard-Boiled Mysteries (Kindle Store)
- #554 in Private Investigator Mysteries (Kindle Store)
- Customer Reviews:
About the author

Benjamin Black is the crime-writing pen name of acclaimed author John Banville, who was born in Wexford, Ireland, in 1945. He is the author of fifteen novels, including The Sea, which won the 2005 Man Booker Prize. In 2013 he was awarded the Irish PEN Award for Outstanding Achievement in Irish Literature.
Black has written seven novels starring Quirke, the surly but brilliant pathologist. In 2014 the Quirke novels were adapted into a major BBC TV series starring Gabriel Byrne.
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As The Black-Eyed Blonde opens, Marlow is looking out the window of his office, near the corner of Cahuenga and Hollywood. In straight-forward and smart prose he establishes the setting and the mood, noting that “it was one of those Tuesday afternoons in summer when you wonder if the earth has stopped revolving. The telephone on my desk had the air of something that knows it’s being watched.” The loneliness and the bleak setting, conveyed through offbeat observations by Philip Marlowe, change briefly when Marlowe gets a surprise visit from a beautiful woman who wants to hire him. The “black-eyed blonde,” Mrs. Clare Cavendish, wants Marlowe to find Nico Peterson, a movie agent who disappeared mysteriously two months ago.
As the novel develops, Marlowe becomes better acquainted with Clare Cavendish, the daughter of a wealthy perfume designer. When Clare tells Marlowe that she saw Peterson a week ago but that she was also present when he was “killed” months earlier, Marlowe realizes that something is terribly wrong. He goes to the Los Angeles County Coroner’s Office to view scenes of Peterson’s death, then meets with a friendly cop to discuss the case for more information. He is concerned because everyone seems to know he is working on the case, and he suspects he is being watched.
However “pulpy” Black’s writing may be, in keeping with that of Chandler, it certainly ranks with the best of pulpy, involving the reader and immediately setting up Marlowe’s latest adventure without using obvious clichés. At the halfway point, the novel changes from being a lightweight period mystery, however well written and however much fun, to much darker fare. The mood of the first love scene in the novel changes without warning when Marlowe learns that a body has been discovered at the Encino Reservoir. Overlaps occur among the different subplots, and before long, Marlowe himself is in danger. The investigation broadens into drug running, the dangerous backgrounds of some characters, and a suicide. The dark twist at the end of the novel may surprise even sophisticated fans of noir. Critics and most fans of Raymond Chandler have celebrated the closeness of Black’s version of Marlowe to that of the original, though the novel’s cold aloofness may put off some readers.
Black's Marlowe is a slightly dimmer echo of Chandler's--not knowing about things like Pascal's wager, which Chandler's Marlowe would have (I always thought that there was a touch of the autodidact's anxiety about him, with his chess problems), and being ignorant of some of the flora, which his predecessor always named. Black's detective is also a little too prone to parade his ignorance in order to establish his regular-guy bona fides. At least three times he uses the formula "it looked like X, or what I imagined X would look like."
More centrally, in Chandler there is a kind of moral weariness that Black doesn't quite nail, though at times he suggests it with physical depletion. (He can do this--I think he manages it quite well in his 1950s Dublin novels featuring the pathologist Quirke.) Chandler's Marlowe is confronted with the problem of being a good man while not believing in anything, and doing so in a world that doesn't care. Or as Chandler put it in "The Simple Art of Murder,"
. . . Down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid. The detective in this kind of story must be such a man. He is the hero; he is everything. He must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor--by instinct, by inevitability, without thought of it, and certainly without saying it.
But there's a lot to like in Black's novel, which appears to be set in the early or mid-50s (there are references to television and Frank Sinatra). The greatest pleasure is to be in Marlowe's company again, and along with him the perenially angry cops he has to ask for help, the unattainable woman, the corrupt rich guys, the weasels. Marlowe gets beat up, tied up, drugged, lied to, and nearly killed, all the while not knowing what's really going on--pretty much everything you hope for. For me at least, this is as close as anyone has come to the real thing.
Top reviews from other countries

A beautiful, black eyed, blond woman; walks into Philip Marlowe’s office and into his life. The blond, Mrs Clare Cavendish, daughter of a fabulously rich perfume maker, hires him to find a missing man, a man who is not her husband. Will he find this man, and what is this man’s connection to the woman looking for him? It is an intriguing story seeing Marlowe tangling with the rich, famous and the criminal underworld of Los Angeles, some of the characters fall into more than one category, some of them into all three.
As long as I can remember I have been a fan of Raymond Chandler and his hero Philip Marlowe. I don’t know if my first encounter with Marlowe was in a book, watching Humphrey Bogart play him in the Big Sleep on the silver screen or Chandler’s books dramatised on Radio 4, with Ed Bishop as Marlowe. Since then, Marlowe has lurked in my subconscious.
Chandler’s style is something I admire the one line descriptions are brilliant, the plots are tangled and interesting Philip Marlowe is always in the thick of the action, there is usually a fascinating woman involved, often a femme fatale.
Poodle Springs was partly written when Chandler died, it was finished by Robert B Parker, his completion of Poodle Springs is seamless Parker wrote some other Marlowe Novels I haven’t read any these yet but they are on my “To Be Read” list.
Parker and I are not the only people who think there is more in the tank where Marlowe is concerned. I have read one or two Marlowe books by other authors; I can’t say that any I had read were anywhere near as good as Chandler’s originals. That is until I read The Black Eyed Blond; Benjamin Black’s Marlowe is a damn good likeness to Chandler’s, even when stood next to him in the bright California sun.
We can’t visit the time when Marlowe walked the mean Streets or even those Streets themselves as they were then but they seem real in our imagination as we turn the pages, both in Chandler’s originals and in Black’s, Black Eyed Blond. I hope we see some more Philip Marlowe novels from Benjamin Black.


Reviewed in the United Kingdom 🇬🇧 on March 18, 2023
A beautiful, black eyed, blond woman; walks into Philip Marlowe’s office and into his life. The blond, Mrs Clare Cavendish, daughter of a fabulously rich perfume maker, hires him to find a missing man, a man who is not her husband. Will he find this man, and what is this man’s connection to the woman looking for him? It is an intriguing story seeing Marlowe tangling with the rich, famous and the criminal underworld of Los Angeles, some of the characters fall into more than one category, some of them into all three.
As long as I can remember I have been a fan of Raymond Chandler and his hero Philip Marlowe. I don’t know if my first encounter with Marlowe was in a book, watching Humphrey Bogart play him in the Big Sleep on the silver screen or Chandler’s books dramatised on Radio 4, with Ed Bishop as Marlowe. Since then, Marlowe has lurked in my subconscious.
Chandler’s style is something I admire the one line descriptions are brilliant, the plots are tangled and interesting Philip Marlowe is always in the thick of the action, there is usually a fascinating woman involved, often a femme fatale.
Poodle Springs was partly written when Chandler died, it was finished by Robert B Parker, his completion of Poodle Springs is seamless Parker wrote some other Marlowe Novels I haven’t read any these yet but they are on my “To Be Read” list.
Parker and I are not the only people who think there is more in the tank where Marlowe is concerned. I have read one or two Marlowe books by other authors; I can’t say that any I had read were anywhere near as good as Chandler’s originals. That is until I read The Black Eyed Blond; Benjamin Black’s Marlowe is a damn good likeness to Chandler’s, even when stood next to him in the bright California sun.
We can’t visit the time when Marlowe walked the mean Streets or even those Streets themselves as they were then but they seem real in our imagination as we turn the pages, both in Chandler’s originals and in Black’s, Black Eyed Blond. I hope we see some more Philip Marlowe novels from Benjamin Black.


So, when Banville felt the need to scratch the itch of thrills and spills through his new Benjamin Black persona, and then got the nod for a new Marlowe, I knew hatches would be battened in advance of a perfect storm of murder, mayhem, a double-dealing dame and a wise-cracking gumshoe.
A beautiful client, Clare Cavendish, rich and mysterious, a missing link, to be found dead or alive, the flatfoot cop to be manipulated and avoided. Even a Sydney Greenstreet character and an Elisha Cook Jnr (and a nice touch,a reference to Aidan Higgins' 'Langrishe, Go Down).
"I turned to go, then stopped. How beautiful she was, standing in the sun in her cool white linen, with all that shining glass and candy-pink stone behind her. I could still feel the softness of her mouth on mine. "Tell me," I said, "how did you hear about Peterson's death?"
"Oh," she said, perfectly casual, "I was there when it happened."
I started it with the frame of mind that this was the original Chandler, with Banville skulking in an anonymous background. After a while, and it wasn't long, I dispensed with the illusion. Only one Chandler, and only one Banville, so I was happy to change tracks and jump on the Banville express to Bay City and the Ritz-Beverly. Like Marlowe says:
"I had the phone in my hand and was dialing her number before I knew what I was doing. There are times when you find yourself following your instincts like a well-trained dog trotting behind the heels of its master."
I expected Chandler but got Banville - not a bad deal for this well-trained Banville dog.
Chandler said, "Mystery and the solution of the mystery are only what I call 'the olive in the Martini'. The really good mystery is one you would read even if you knew somebody had torn out the last chapter."
The Black Eyed Blonde fits that bill: worth reading even if the last chapter doesn't explode into a pyrotechnic rapture of Marlowe redemption.
Banville is, I believe, a Wexford man. Raymond Chandler's people were from the nearby county, Waterford, and the young Raymond, apparently spent many's a happy day of his childhood wandering around Waterford City.
If Banville/Black is to mix the Marlowe Martini again, maybe he will revisit a plotline that Chandler was considering shortly before his death, as confided to a Waterford writer who became Chandler's neighbour in London in the late 50's:
"The Waterford writer, Bill Long, made Chandler's acquaintance in London in 1958 when they lived two doors apart in Chelsea.
... Crowds tired him and, often, he and Long would leave the party-goers and retire to Chandlers study where, invariably, Chandler wanted to talk about Waterford. He would ask Long to tell him about the Waterford of Long's youth, forty years after Chandler had known it. Long said that Chandler would often take pencil and paper, and make lists of streets and squares and laneways of the old city, just as James Joyce did in recalling Dublin. Chandler often spoke about Power's second-hand bookshop that he frequented in Waterford. This was the famous "Sticky Back" Power's shop, known to several generations of Waterford people. Chandler startled Long, on one occasion when he was talking about "Sticky Back's," by saying that he had been thinking about the old bookshop and had come up with an idea for a new Philip Marlowe novel. He thought it would be a wonderful idea to use the shop, and the maze of streets and lanes surrounding it, as a setting for the novel. He outlined the plot: -
Marlowe is visiting Ireland and he stops in Waterford for a few days. He visits a bar on the quays in Waterford and there he witnesses a fight between sailors from different ships. The next day he hears that one of the sailors from the fight has been murdered and the body was found slumped in Sticky Back's doorway. That evening Marlowe is recognized by the captain of the murdered sailor's boat and is asked to investigate."
I think Banville would make a beautiful martini from that mix, olive and all.

Speaking of Gin - yes the Gimlet gets more than fulsome praise, but Marlowe seems to smoke more but drink rather less than the original.
What Black / Banville is really the master of is the 'interior voice' of his protagonist. This flourishes in The Infinities and The Untouchable, but he doesn't let the reader down with more commercially driven work like this, and that is admirable.
I am a big fan of Banville and of Chandler. In truth both excel at their own ouvre and I have a sneaking suspicion that Chandler wrote better under the influence but that Banville / Black restrains that side of things when he is working!

The fact is that I have read Chandler for over fourth years. I know his style and know his characters and while the lead character has the same name, he is not Philip Marlowe. The style is Twenty-first century mimicry and lacks the heart of the period.
Don't understand me too quickly. It's ok.
But it's not Marlowe and it's certainly not Chandler. If I want to read a modern author handle Marlowe I'll go for Robert B Parker. If I want the heart I'll read Kinky Freedman or Rob Pierce. I will steer clear of Benjamin Black

There are occasional breaches of 'period' either in the choice of word - he wouldn't have given the waitress five dollars, he'd have given her a fin - or in his descriptive passages. On the other hand, some of his phraseology is wonderfully in tune with Chandler and hits the bell beautifully. Most of all, though, the plot lacks Chandler's labyrinthine, layered, complexity - it's a bit too straight-down-the-road.
The trouble with Chandler is his genius. Black/Banville is good, some might say great, at donning his master's overcoat. But the genius eludes him.
Maybe next time.