Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
Other Sellers on Amazon
+ $3.99 shipping
+ $3.99 shipping
+ $3.99 shipping
Black Hole (Pantheon Graphic Novels) Hardcover – October 18, 2005
This month's Book With Buzz: "The Lying Game" by Ruth Ware
From the instant New York Times bestselling author of blockbuster thrillers "In a Dark, Dark Wood" and "The Woman in Cabin 10" comes Ruth Ware’s chilling new novel, "The Lying Game." See more
Frequently bought together
Customers who bought this item also bought
The first issues of Charles Burns's comics series Black Hole began appearing in 1995, and long before it was completed a decade later, readers and fellow artists were speaking of it in tones of awe and comparing it to recent classics of the form like Chris Ware's Jimmy Corrigan and Daniel Clowes's Ghost World. Burns is the sort of meticulous, uncompromising artist whom other artists speak of with envy and reverence, and we asked Ware and Clowes to comment on their admiration for Black Hole:
|"I think I probably learned the most about clarity, composition, and efficiency from looking at Charles's pages spread out on my drawing table than from anyone's; his was always at the level of lucidity of Nancy, but with this odd, metallic tinge to it that left you feeling very unsettled, especially if you were an aspiring cartoonist, because it was clear you'd never be half as good as he was. There's an almost metaphysical intensity to his pinprick-like inkline that catches you somewhere in the back of the throat, a paper-thin blade of a fine jeweler's saw tracing the outline of these thick, clay-like human figures that somehow seem to "move," but are also inevitably oddly frozen in eternal, awkward poses ... it's an unlikely combination of feelings, and it all adds up to something unmistakably his own. |
"I must have been one of the first customers to arrive at the comic shop when I heard the first issue of Black Hole was out 10 years ago, and my excitement didn't change over the years as he completed it. I don't think I've ever read anything that better captures the details, feelings, anxieties, smells, and cringing horror of my own teenage years better than Black Hole, and I'm 15 years younger than Charles is. Black Hole is so redolently affecting one almost has to put the book down for air every once in a while. By the book's end, one ends up feeling so deeply for the main character it's all one can do not to turn the book over and start reading again." --Chris Ware
|"Charles Burns is one of the greats of modern comics. His comics are beautiful on so many levels. Somehow he has managed to capture the essential electricity of comic-book pop-art iconography, dragging it from the clutches of Fine Art back to the service of his perfect, precise-but-elusive narratives in a way that is both universal in its instant appeal and deeply personal." --Dan Clowes|
Questions for Charles Burns
Amazon.com: Cartoonists are about the only people today who are working like Dickens did: writing serials that appear piece-by-piece in public before the whole work is done. What's it like to work in public like that, and for as long as a project like this takes?
Charles Burns: There were a number of reasons for serializing Black Hole. First of all, I wanted to put out a traditional comic book-- I'd never really worked in that comic pamphlet format before and liked the idea of developing a long story in installments. There's something very satisfying to me about a comic book as an object and I enjoyed using that format to slowly build my story. Serializing the story also allowed me to focus on shorter, more manageable portions; if I had to face creating a 368-page book all in one big lump, I don't know if Id have the perseverance and energy to pull it off.
Amazon.com: One thing that stuns me about this book is how consistent it is from start to finish. From the first frames to the last ones that you drew 10 years later, you held the same tone and style. It feels as though you had a complete vision for the book from the very beginning. Is that so? Or did things develop unexpectedly as you worked on it?
Burns: I guess there's a consistency in Black Hole because of the way I work. I write and draw very slowly, always carefully examining every little detail to make sure it all fits together the way I want it to. When I started the story, I had it all charted out as far as the basic structure goes, but what made working on it interesting was finding new ways of telling the story that hadn't occurred to me.
Amazon.com: Some of the very best of the recent graphic novels (I'm thinking of Ghost World and Blankets, along with Black Hole) have been about the lives of teenagers. Do you think there's something about the form that helps to tell those stories so well?
Burns: That's an interesting question, but I don't know the answer. Perhaps it has more to do with the authors--the kind of people who stay indoors for hours on end in total solitude working away on their heartfelt stories... maybe that kind of reflection lends itself to being able to capture the intensity of adolescence.
Amazon.com: In the time you've been working on Black Hole, graphic novels have leapt into the mainstream. (I think--I hope--we're finally seeing the last of those "They're not just for kids anymore!" reviews.) What did you imagine for this project when you started it? What's it been like to see your corner of the world enter the glare of the spotlight?
Burns: When I started Black Hole I really just wanted to tell a long, well-written story. The themes and ideas that run throughout the book had been turning around in my head for years and I wanted to finally get them all out--put them down on paper once and for all. I've published a few other books and while they sold reasonably well, they didn't set the publishing world on fire. I was pretty sure I'd have some kind of an audience for Black Hole, but that was never a motivating factor in writing the book. And my corner of the world is still pretty dark. I guess I'll be stepping into the spotlight for a little while when the book comes out, but I imagine I'll slip back into my dark little studio when it all settles down again so I can settle back into work.
From Publishers Weekly
Starred Review. The prodigiously talented Burns hit the comics scene in the '80s via Raw magazine, wielding razor-sharp, ironic-retro graphics. Over the years his work has developed a horrific subtext perpetually lurking beneath the mundane suburban surface. In the dense, unnerving Black Hole,Burns combines realism—never a concern for him before—and an almost convulsive surrealism. The setting is Seattle during the early '70s. A sexually transmitted disease, the "bug," is spreading among teenagers. Those who get it develop bizarre mutations—sometimes subtle, like a tiny mouth at the base of one boy's neck, and sometimes obvious and grotesque. The most visibly deformed victims end up living as homeless campers in the woods, venturing into the streets only when they have to, shunned by normal society. The story follows two teens, Keith and Chris, as they get the bug. Their dreams and hallucinations—made of deeply disturbing symbolism merging sexuality and sickness—are a key part of the tale. The AIDS metaphor is obvious, but the bug also amplifies already existing teen emotions and the wrenching changes of puberty. Burns's art is inhumanly precise, and he makes ordinary scenes as creepy as his nightmare visions of a world where intimacy means a life worse than death. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Browse award-winning titles. See more
Top customer reviews
I honestly got confused with this plot, which isn't something I can say about a lot of novels. This may have been, in part, because of the fact that two male characters (and even the main female character) all looked alike -- they all had black shoulder length hair with short bangs. I plan to go back through, and reread the novel again knowing that the two guys, Keith and Rob, are not the same person. Now this may have been a hard mistake to make for some, but it made things a little confusing at first for me.
I believe the basic plot takes place in the 70s and is structured around Rob and Chris, who have a rocky start to a relationship, and their various friends. The other possible main character is Keith, who I figured out was a separate person from Rob about halfway in... All these people are somehow dealing with a type of 'bug' or disease that is being spread through sexual contact/saliva that physically disfigures people in strange ways (facial restructuring, growing new body parts -- Rob's second mouth, for example). This was really odd, and not well explained, but interesting all the same. This disease is incurable, and makes people social outcasts. Many who have it resort to living in the woods, stealing food to get by, and avoiding normal society.
One thing that really struck me about this book was, unsurprisingly, the artwork. Partially because the characters do drugs quite a bit, and also partially due to the weirdness of their world, the artwork was beautiful and mind-opening, and just absolutely wonderful in every way. I know it sounds like I'm fawning over the art -- probably because I am. One character does artwork throughout the book, and you get to see some of it, and even that is wonderful in a weird, disturbing way. I spent much longer taking in the details of the strange layout (when Rob is tripping on LSD) than looking at the words that just described what he was seeing. The panels start to get wavy, start to weave into one another, and start to change shape when things get trippy -- I feel this was a fantastic way to help the reader know what the characters were experiencing.
If you don't have an open mind about drugs, sex, and horrible teenage actions, I would warn you away from this book. However, if you are open to that sort of thing, I would highly recommend it. Even the 'sexual' drawings, shoot, even the art from the pornographic magazines, didn't feel out of place or negative. It all fit in so well with the content of the story, that I think it really worked. The only downside (if I can even call it that) is the confusing plot. I think on a second read, everything will clear up a bit. Though I know some of it won't -- that's part of the mystery of the book; the full spreads of black pages with a few white, spiraling objects makes you question the story, the characters, and their motives. Overall, I really enjoyed this book, and definitely plan to reread it soon.
The artwork here is also very good. The story is told in black and white but much heavier on the black than the white. Some pages seem almost completely awash in ink with only pinpricks and slashes of white showing through to create the images. It is beautiful and eerie, completely appropriate to the story.
If there is a weakness here it is that the story doesn't quite live up to the set-up and the art. The plot builds only very gradually and the pay-off isn't really worth the time invested in getting to it. It felt like Mr. Burns got a bit weary, and ended things quickly with a cliché-ridden bow. Still, for the most part, there's a lot to enjoy.
Do not get me wrong, this is still a great read and I have gladly reread it a few times, but I was definitely expecting something else going into it.
The characters are memorable and the struggles are comparable to those that any teen goes through: self-discovery, the future vs the now, who can you trust and who are your real friends, what it means to love... These are all tropes that we're familiar with but with a new angle. The Bug is only a catalyst for the events in the book, and although I would have liked to known more about it and where it came from, that does not make the story any worse for wear. That being said, I felt that something was missing. Maybe I would have liked it more if the story wasn't set so fiercely on this handful of teens. I would have liked to see what the parents were doing and how they felt. I wanted to know why some characters were stalwart loners while others were paranoid clingers. Regardless, I would recommend this book easily, I would just make sure to stress that this is not a story about The Bug, but rather about kids with The Bug.
Most recent customer reviews
Black hole has many of my favorite elements used in graphic novels in one book.
~It has a rich dark mood.Read more
Where do I start with this whirlwind of a read that left me with an unexpected and odd sort of...Read more