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Black Maps (John March Mysteries) Hardcover – August 12, 2003
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At the center: John March, who walked away from his family's venerable merchant bank for the life of a rural deputy sheriff–a life that would explode in personal tragedy and professional disaster. Three years later, he's back in Manhattan, working as a PI and running from his grief and the expectations of his wealthy family.
March takes the case of Rick Pierro, a self-made man who has everything–and who's in danger of losing it all. An anonymous, poisonous threat has implicated him in a vast money-laundering scheme already under investigation by the feds.
March's own investigation uncovers a blood-stained paper trail that leads him deep into the lives of both insiders and outcasts on the street. He discovers that his client may be the latest victim of a serial extortionist diabolically adept at psychological and physical intimidation, but the more March learns the more questions he has about Pierro, his wife, and the secrets hidden beneath the glossy surfaces of their lives. And the more he begins to fear that his own blood will be added to the trail before the case is closed.
With its headlong narrative, quick, incisive language, and brilliantly clarified details of finance–the legal and the illegal–Black Maps is a stunning first novel.
- Print length304 pages
- LanguageEnglish
- PublisherKnopf
- Publication dateAugust 12, 2003
- Dimensions6.58 x 1.13 x 9.53 inches
- ISBN-101400040752
- ISBN-13978-1400040759
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Editorial Reviews
From Publishers Weekly
Copyright 2003 Reed Business Information, Inc.
Review
"Astunner... [It] keeps readers in the dark until the very last page. Suspenseful narrative, superb characters, and a prevailing atmosphere of Chandler-esque melancholy. . .to ask for more in a mystery would be criminal.”– Newsday
“Spiegelman has great timing. . . . A first-rate thriller from a first-rate novelist.” --Rocky Mountain News
“Spiegelman has a fine eye for the details of Manhattan corporate life . . . An important and facinating book.” --Chicago Tribune
From the Trade Paperback edition.
From the Inside Flap
At the center: John March, who walked away from his family's venerable merchant bank for the life of a rural deputy sheriff?a life that would explode in personal tragedy and professional disaster. Three years later, he's back in Manhattan, working as a PI and running from his grief and the expectations of his wealthy family.
March takes the case of Rick Pierro, a self-made man who has everything?and who's in danger of losing it all. An anonymous, poisonous threat has implicated him in a vast money-laundering scheme already under investigation by the feds.
March's own investigation uncovers a blood-stained paper trail that leads him deep into the lives of both insiders and outcasts on the street. He discovers that his client may be the latest victim of a serial extortionist diabolically adept at psychological and physical intimidation, but the more March learns the more questions he has about Pierro, his wife, and the secrets hidden beneath the glossy surfaces of their lives. And the more he begins to fear that his own blood will be added to the trail before the case is closed.
With its headlong narrative, quick, incisive language, and brilliantly clarified details of finance?the legal and the illegal?Black Maps is a stunning first novel.
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Everyone was in a bad mood. It was a palpable thing in midtown, as pungent as the bus exhaust on the cold evening air and as loud as the traffic. The streets were awash in it. Cars and trucks and taxicabs were locked in mortal combat, surging forward by inches, then rocking to a halt, their drivers cursing and leaning on their horns, their passengers fuming. Surly streams of people poured from office towers and washed into the gridlock, adding their own fulminations to the angry grind. Sharp elbows and rude gestures were everywhere.
Maybe it was the season that brought it on—a week before Thanksgiving, the cusp of the holidays. Maybe it was the prospect of Christmas shopping, or of all that family time, bearing down like a freight train. Maybe it was the gnawing obsession with this year’s bonus—assuming there was one—or the corrosive dwelling on the next round of layoffs. Maybe everyone was battle fatigued—edgy from the latest terror alerts, strung-out from life in the crosshairs. Or maybe it was just another hellish rush hour. Whatever, it was some nasty karma.
At seven p.m. I was threading my way through these wretches, headed up Park Avenue toward 52nd Street. The intersection was a particular mess. Sawhorses and traffic cones were scattered across it, and in the middle of the street was a trench that belched steam. Steel plates only partly covered the excavation, and I wondered if anyone had yet disappeared into its depths. I crossed 52nd, threading between two taxis, and pushed against a wave of people into the lobby of Mike’s building. I crossed the marble floor to the guard station, produced half a dozen pieces of ID, waited while they called upstairs, signed in, and got on an elevator. I pressed 30, and the doors closed silently.
Michael Metz is a partner at the law firm of Paley, Clay and Quick, and the firm’s biggest rainmaker. He’s also my friend, and has been since college, from the day we first chased each other around a squash court, vying for a spot on the team ladder. For the last couple of years, he’s also been my most regular employer. Mike’s got an eclectic practice—corporate work, entertainment, matrimonial, every now and then some criminal work. And I’ve done lots of different things for him— background checks, find-the-girlfriend, find-the-boyfriend, find-the-assets. But tonight, he’d said, was something different.
The elevator doors opened with a sigh, and I stepped into Paley, Clay’s reception area. At this hour, in this season, it was dark and quiet. The front desk sat in a pool of light and looked like a mahogany tollbooth. It dwarfed the old guard dozing behind it. He yawned and rubbed his eyes as I approached.
“John March to see Mike Metz,” I told him. He flipped slowly through the wrinkled papers on his clipboard and punched some numbers into the phone. He whispered into the handset, and told me in a voice I could barely hear to go in.
I pushed through glass doors and walked down a broad corridor lined on one side by shelves of law books, and on the other by offices. The offices were mostly dark, though here and there I spotted some luckless associates and scowling paralegals. I turned a corner and passed a vacant conference room, an empty kitchen, and a small clutch of people staring anxiously at a copy machine. I walked through another set of glass doors into a region of larger offices, Oriental rugs, and dark wood paneling. Partner country.
Mike stood at the end of the hallway, outside the double doors of his office. He was bent over his secretary’s desk, pen in hand, leafing through a thick file. He was, as always, impeccably turned out. He wore a navy suit, expertly cut to his lanky frame, a brilliant white shirt, and a tightly knotted tie, patterned with green and gold dolphins leaping on a field of royal blue. His cuff links were enamel hexagons in a blue that matched his tie. His cap-toed shoes were gleaming black. As a concession to the late hour, he had unbuttoned his jacket.
He pulled a sheaf of papers from the file, set them on top of the folder, scrawled something on the top page, and put the whole pile in the center of his secretary’s spotless desk. He straightened to his full six-foot-four height and ran a hand through his sparse, dark hair. Mike is in his middle thirties, just a couple of years older than me, but he looks forty-something. The price of partnership, I guess. He still plays competitive squash, though, and the impenetrable calm and arctic patience that drove me nuts in college still carry him into the late rounds of every tournament he enters. They make him pure hell to face in a courtroom, too. He eyed my clothes.
“You sort of dressed for the occasion,” he said. “Thanks.” Unlike Mike, I was not always impeccably turned out. According to him, several of his partners were sure I was a bicycle messenger. But now, in gray flannels, a black wool polo shirt, and a black leather jacket, I was well within the bounds of appropriate.
“No visible tattoos, no piercings, and I unscrewed the bolts in my neck. What more could you ask?” I said. “Where’s your guy?”
“In the conference room, but let’s talk a little first.” Mike leaned against the desk.
“That would be good,” I said, “since you’ve told me exactly nothing about this.” I sat in his secretary’s chair.
“There’s a reason. The guy is shaken up right now, and based on what he’s told me, he’s probably right to be. I’ve known him a long time, and he’s not usually a jumpy guy. But right now he’s scared and paranoid.”
“Okay, he’s scared and paranoid, no different from most clients. But what’s his problem? And does he have a name?” Mike looked at me. A rueful grin came across his lean, sharp-featured face.
“He does,” Mike answered, “but he’d rather I didn’t tell you what it is—or anything more about him—until he’s had a chance to size you up.” My eyebrows went up. “He wants to look you over. He wants to get a sense of you before he starts talking about his problems. Like I said, he’s scared. You have to bear with him.”
“He understand that I’d actually be working for you on this?”
“He understands. And I told him I’ve had a lot of experience with you, and that you’re smart and thorough and stubborn, and that you run faster and jump higher and have healthy teeth and a shiny coat, and probably some other lies too. But he’s jumpy.” Mike shrugged.
“Let’s go,” I said, sighing, and I followed him into the conference room.
The room was dim, lit only by the small ceiling lights that shone on the architectural prints ranged around the walls, and by the city lights that glowed through the bank of windows opposite the door. In the center of the room was an oval table in dark wood. A man was sitting at it, facing the door. On the table, next to him, was a small filing box. The man didn’t look scared and he didn’t look jumpy. He looked rich.
He was in his early forties, with olive skin and black hair brushed straight back from a wide forehead. He had a broad chest and thick neck, and thick shoulders and wrists. His wide face was clean-shaven, with dark, deep-set eyes and a nose that looked like it might once have been broken. He had the start of a double chin and a slight blurriness to his jawline that might some day ripen into jowls. But it hadn’t happened yet. Now he was like a sleek, well-fed bear. And a well-dressed bear, too. He wore a shirt striped in several shades of blue, and a silk tie in a dark, solid red. At his cuffs were intricate gold knots. A gray suit jacket was slung over the chair next to him. He stared at me but said nothing.
I sat down across the table from him. Mike shut the door, drifted over to the window, and stared out at the nighttime city. The man sat back, propped his elbows on the arms of his chair, and looked at me over the top of his steepled fingers. Then he rubbed his eyes with his fingertips and took a deep breath. And then we were all quiet for a while. Still looking out the window, Mike prompted him.
“You had some questions for John.”
“Yeah,” he answered after some thought. He slipped a thick silver pen from his shirt pocket and began to twirl it in his right hand. “Yeah. My first question is how long have you been doing this? Investigating.” His voice was surprisingly soft and had a trace of an accent. Brooklyn or Long Island.
“Just over two years,” I answered. “I was a cop for seven years before that.”
“In the city?” I shook my head.
“Upstate.”
“Albany?”
“Farther north. Burr County. It’s in the Adirondacks.” He was quiet and looked at me some more.
“You from up there?” he asked.
“No.” I didn’t offer any more. He thought about that a little and then went on.
“You were a detective?”
“I was a sheriff’s investigator for five years. I spent the first two in uniform.”
“Homicide investigator?”
“We weren’t set up that way. We were a small department, so investigators covered everything. Property crime, domestic, drugs, vice. And homicide,” I added.
“Not much white-collar crime up there, I guess,” he observed. I laughed a little.
“Not much.”
“How old are you?” I glanced at Mike, who gazed like a lighthouse keeper out over the city.
“Thirty-two.”
“You go to college?”
“Yes.”
“You start with the sheriff right after?”...
Product details
- Publisher : Knopf; 1st edition (August 12, 2003)
- Language : English
- Hardcover : 304 pages
- ISBN-10 : 1400040752
- ISBN-13 : 978-1400040759
- Item Weight : 1.4 pounds
- Dimensions : 6.58 x 1.13 x 9.53 inches
- Best Sellers Rank: #3,600,557 in Books (See Top 100 in Books)
- #100,284 in Suspense Thrillers
- #215,881 in Mysteries (Books)
- Customer Reviews:
About the author

Peter Spiegelman is the Shamus Award–winning author of five novels, including Dr. Knox, Thick as Thieves, and three books—Black Maps, Death’s Little Helpers, and Red Cat—that feature private investigator and Wall Street refugee John March.
Prior to embarking on a career as a writer, Peter spent over twenty years in the financial services and software industries, and worked with leading banks, brokerages and central banks around the world. In the mid-1990s, Peter left his position as a Vice President at a major Wall Street firm to become a partner in a banking software company. The company’s product soon became a leader in its marketplace, and in the late-1990s Peter and his partners sold their business to a larger firm. Peter retired from the software industry in 2001. His debut novel, Black Maps, was published by Knopf in August, 2003.
Peter’s short fiction has appeared in many collections, including Dublin Noir, Hardboiled Brooklyn, The Darker Mask, and Wall Street Noir, a crime fiction anthology that Peter also edited.
Peter was born in New York City and, aside from a brief stint in Los Angeles, grew up in the New York metropolitan area.
He is a graduate of Vassar College, where he majored in English. He lives with his family in Connecticut.
Customer reviews
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Learn more how customers reviews work on AmazonCustomers say
Customers find the plot engaging with many twists and turns. They describe the book as an excellent, fun read with well-written and believable characters.
AI-generated from the text of customer reviews
Customers enjoy the plot with its twists and turns. They describe it as a masterful thriller and an excellent New York Noir drama. However, some readers feel the story contains excessive detail at times.
"...of the book you know you haven't wasted your time, you've read a masterful thriller and you eagerly look forward to future offerings from this..." Read more
"...The plot is quite good as the reader follows many twists and turns along the way...." Read more
"good story and well written. The characters are interesting and appealing and the mystery keeps you guessing. I'll read more by the author." Read more
"Decent story that could have used some serious editing...." Read more
Customers find the book easy to read and engaging. They mention it lacks action and detection.
"...For my taste, even though I thought this was an excellent read it seemed to often lack that "must turn the page" quality that distinguish's the five..." Read more
"...'s Secret was at the top of S.J. Rozan's list, and because it was excellent, I decided to start from his beginning...." Read more
"...This series has some character, and is likeable, but lacks action and detection...." Read more
"Great read" Read more
Customers enjoy the writing quality. They find the story engaging and the characters well-developed.
"...are introduced to a cast of characters who are both fascinating and well drawn as well as believable...." Read more
"good story and well written. The characters are interesting and appealing and the mystery keeps you guessing. I'll read more by the author." Read more
"Excellent New York noir drama, well read." Read more
Top reviews from the United States
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Still it was a nice change of pace.
This could be fun. Especially if he can use his smarts, his connections to banking and to the smart set in NYC to inform his work as a detective. But this engaging, witty character is a bit credulous, a bit weak.
(By the way, the author has written a very great stand-alone book, Thick as Thieves, recently. Buy it first.)
My problems with Mr. March? When bullied by the FBI and a U.S. Attorney, he has no real intellectual resources to turn the table. When assaulted by various criminals, he has no real physical resources to fight the thugs. You begin to wonder why he tried to be a detective, and if he wouldn't have been better off being a clever detective, or a tough detective. What adjective applies -- hapless? Get along go along detective?
The setting is grand; the author knows NYC, and there are some witty elements. But the detective is just too passive in a fight... a fight with attorneys, or a fight with street criminals. If you knew this guy, you would tell him to take the job as director of security at his family firm, where he can be a bit safer, and where is reactive style could perhaps work well enough to keep his head intact.
We read detective novels for detection, character, or action. This series has some character, and is likeable, but lacks action and detection. But the author has chops, and so go get a copy of Thick as Thieves, his best work.
Top reviews from other countries
4.0 out of 5 stars Good plot
Still a big fan of the author





