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“Rebecca Roanhorse… [is one] of the Indigenous novelists reshaping North American science fiction, horror and fantasy — genres in which Native writers have long been overlooked.” (The New York Times)
“Readers are in for intricate world-building, engrossing adventure and stunning backdrops.” (The Washington Post)
“Roanhorse, who has won awards for sci-fi writing and contributions to the Star Wars series, builds a world featuring beasts, mermaids and deeply human characters on a quest for survival.” (TIME)
"The pages turn themselves. A beautifully crafted setting with complex character dynamics and layers of political intrigue? Perfection. Mark your calendars, this is the next big thing." (Kirkus, starred review )
“A must read for fans of N.K. Jemisin’s epic fantasy and those who love George R. R. Martin's Song of Ice and Fire series but want more diverse worlds.” (Booklist)
"Roanhorse introduces an epic fantasy with vivid worldbuilding and exciting prose. Readers will be attracted to the story, in which there is no real right vs. wrong. Only inevitable change will draw out the heroes of this imaginative tale." (Library Journal, starred review )
"A a razor-sharp examination of politics, generational trauma, and the path to redemption...Roanhorse strikes a perfect balance between powerful worldbuilding and rich thematic exploration as the protagonists struggle against their fates. Fantasy fans will be wowed." (Publishers Weekly, starred review)
“I emerged from Black Sun bleary-eyed, tongue-tied, heart-swollen. This is a brilliant world that shows the full panoply of human grace and depravity. Rebecca Roanhorse is the epic voice of our continent and time.”—Ken Liu, award-winning author of The Grace of Kings, and The Hidden Girl and Other Stories.
"This is the novel I've been waiting for. This is the novel we've all been waiting for. Everything's different now, with BlackSun. Different and better. Stands shoulder to shoulder with the very best fantasy out there. There's Martin, there's Jemisin, and now there's Roanhorse."—Stephen Graham Jones, award-winning author of The Only Good Indians, and Mongrels
"Engrossing and vibrant. Black Sun left me with my jaw on the floor."—Tochi Oneybuchi, author of Riot Baby
“Sweeping yet intimate, Black Sun is a masterpiece. Roanhorse has crafted an urgently important and utterly engrossing tale of power, oppression, revolution—and the deeply personal cost of each. This is the fantasy epic the world needs right now.”—Peng Shepherd, author of The Book of M
"Absolutely tremendous. Roanhorse knocks it out of the park again with an epic tale about duty and destiny that will sweep readers away and broaden the horizons of an entire genre."—S.A. Chakraborty, nationally bestselling author of The City of Brass.
"Black Sun is an inspired fantasy that will keep you turning pages past your bedtime and have you cheering for each of the ensemble cast as they careen towards a fateful cataclysm. Love fantasy? This is the book for you. Hate fantasy? This is especially for you. Roanhorse has created an excellent world that feels lived in and characters that feel like people you know, which is exactly what I would expect in a book by an author at the top of her game."—Justina Ireland, New York Times bestselling author of Dread Nation.
"With multifaceted characters on the level of a political thriller, a world so unique and vivid, you'll wish you had an infinite number of pages in which to explore it, and a quest worthy of the best in epic fantasy, Rebecca Roanhorse's Black Sun will transform you. An extraordinary journey."—Fran Wilde, author of Updraft and Riverland, two-time Nebula winner and Hugo, World Fantasy and Locus finalist
“The world sucks you in from the start, and the pacing yanks you along by the collar. Black Sun is instantly riveting from the beginning—Roanhorse is at the top of her game here.”—R.F. Kuang, bestselling author of The Poppy War
"An intricately layered, sprawling and fabulously dark epic fantasy of political intrigue, power and revenge. Enthralling, beautiful and heartwrenching."—Aliette de Bodard, Nebula award-winning author of Seven of Infinities
“This tale of adventure, prophecy, politics, and magic…will have you hooked on page one.” (Cosmopolitan)
“Bold, richly emotional and expertly crafted, Black Sun shines brighter than even the highest expectations.” —Shelf Awareness, STARRED review
About the Author
Rebecca Roanhorse is the New York Times bestselling author of Trail of Lightning, Storm of Locusts, Black Sun, and Star Wars: Resistance Reborn. She has won the Nebula, Hugo, and Locus Awards for her fiction, and was the recipient of the 2018 Astounding (formerly Campbell) Award for Best New Writer. The next book in her Between Earth and Sky series, Fevered Star, is out in March 2022. She lives in New Mexico with her family.
—From Collected Lamentations from the Night of Knives
Today he would become a god. His mother had told him so.
“Drink this,” she said, handing him a cup. The cup was long and thin and filled with a pale creamy liquid. When he sniffed it, he smelled the orange flowers that grew in looping tendrils outside his window, the ones with the honey centers. But he also smelled the earthy sweetness of the bell-shaped flowers she cultivated in her courtyard garden, the one he was never allowed to play in. And he knew there were things he could not smell in the drink, secret things, things that came from the bag his mother wore around her neck, that whitened the tips of her fingers and his own tongue.
“Drink it now, Serapio,” she said, resting a hand briefly against his cheek. “It’s better to drink it cold. And I’ve put more sweet in it this time, so you can keep it down better.”
He flushed, embarrassed by her mention of his earlier vomiting. She had warned him to drink the morning’s dose quickly, but he had been hesitant and sipped it instead, and he had heaved up some of the drink in a milky mess. He was determined to prove himself worthy this time, more than just a timid boy.
He grasped the cup between shaking hands, and under his mother’s watchful gaze, he brought it to his lips. The drink was bitter cold, and as she had promised, much sweeter than the morning’s portion.
“All of it,” she chided as his throat protested and he started to lower the cup. “Else it won’t be enough to numb the pain.”
He forced himself to swallow, tilting his head back to drain the vessel. His stomach protested, but he held it down. Ten seconds passed, and then another ten. He triumphantly handed the empty cup back.
“My brave little godlet,” she said, her lips curling into a smile that made him feel blessed.
She set the cup on the nearby table next to the pile of cotton cords she would use later to tie him down. He glanced at the cords, and the bone needle and gut thread next to them. She would use that on him, too.
Sweat dampened his hairline, slicking his dark curls to his head despite the chill that beset the room. He was brave, as brave as any twelve-year-old could be, but looking at the needle made him wish for the numbing poison to do its job as quickly as possible.
His mother caught his worry and patted his shoulder reassuringly. “You make your ancestors proud, my son. Now… smile for me.”
He did, baring his teeth. She picked up a small clay bowl and dipped a finger in. It came out red. She motioned him closer. He leaned in so she could rub the dye across his teeth. It tasted like nothing, but part of his mind could not stop thinking about the insects he had watched his mother grind into the nut milk to make the dye. A single drop, like blood, fell on her lap. She frowned and scrubbed at it with the meat of her palm.
She was wearing a simple black sheath that bared her strong brown arms, the hem long enough to brush the stone floor at their feet. Her waist-length black hair spilled loose down her back. Around her neck, a collar of crow feathers the shade of midnight, tips dyed as red as the paint on his teeth.
“Your father thought he could forbid me to wear this,” she said calmly enough, but the boy could hear the thread of pain in her voice, the places where deprivation and sorrow had left their cracks. “But your father doesn’t understand that this is the way of my ancestors, and their ancestors before them. He cannot stop a Carrion Crow woman from dressing to honor the crow god, particularly on a day as sacred as today.”
“He’s afraid of it,” the boy said, the words coming without thought. It must be the poison loosening his tongue. He would never have dared such words otherwise.
His mother blinked, obviously surprised by his insight, and then she shrugged.
“Perhaps,” she agreed. “The Obregi fear many things they do not understand. Now, hold still until I’m done.”
She worked quickly, coloring his teeth a deep carmine until it looked like blood filled his mouth. She smiled. Her teeth were the same. Father was right to fear her like this, the boy thought. She looked fierce, powerful. The handmaiden of a god.
“How does your back feel?” she asked as she returned the bowl of dye to the table.
“Fine,” he lied. She had carved the haahan on his back earlier that day at dawn. Woken him from bed, fed him his first cup of numbing poison, and told him it was time. He had rolled dutifully onto his stomach, and she had begun.
She’d used a special kind of blade he had never seen, thin and delicate and very sharp. She talked to him as she worked, telling him that if he had been with his clan, a beloved uncle or cousin would have carved his haahan over a series of months or even years, but there was no time left and it had to be her, today. Then she had told him tales of the great crow god as she cut curving lines—the suggestion of crow wings—across his shoulders and down his lateral muscles. It had burned like sticking his hand in the fire, perhaps because he hadn’t drunk the full measure of the drink. But he had endured the pain with only a whimper. Next, she made him sit up and she had cut a crow skull at the base of his throat, beak extending down his chest, so it sat like a pendant in his skin. The pain was tenfold worse than the wings had been, and the only thing that had kept him from screaming was the fear that she might accidentally slice his throat if he moved too suddenly. He knew his mother’s people carved their flesh as a symbol of their perpetual mourning for what was lost, and he was proud to bear the haahan, but tears still flowed down his cheeks.
When she was done, she had taken in her handiwork with a critical eye. “Now they will recognize you when you go home, even if you do look too much Obregi.”
Her words stung, especially that she would say them even as she marked him. Not that he wasn’t used to the observation, the teasing from other children that he looked not enough this or too much that.
“Is Obregi bad?” he dared to ask, the poison still making him overbold. Obregi was certainly the only home he had ever known. He had always understood that his mother was the foreigner here; she came from a city called Tova that was far away and belonged to a people there who called themselves Carrion Crow. But his father was Obregi and a lord. This was his ancestral home they lived in, his family’s land the workers tilled. The boy had even been given an Obregi name. He had also inherited the curling hair and slightly paler face of his father’s people, although his narrow eyes, wide mouth, and broad cheeks were his mother’s.
“No, son,” she chided, “this life, this place”—she gestured around them, taking in the cool stone walls and the rich weavings that hung from them, the view of the snowy mountains outside, the entire nation of the Obregi—“was all to keep you safe until you could return to Tova.”
Safe from what? He wanted to ask, but instead he said, “When will that be?”
She sighed and pressed her hands against her thighs. “I am no Watcher in the celestial tower,” she said, shaking her head, “but I think it will not be so long now.”
“A month? A year?” he prodded. Not so long now could mean anything.
“We are not forgotten,” she assured him, her face softening. She brushed back an unruly lock that had fallen across his forehead. Her dark eyes brimmed with a love that warmed him from head to toe. She may look frightening to his father like this, but to him she was beautiful.
Shadows moved across the floor, and she looked over her shoulder as the afternoon light turned strange.
“It’s time.” She stood, her face flushed with excitement, and held out a hand. “Are you ready?”
He was too old to hold her hand like a baby, but he was scared enough of what came next that he pressed his palm against hers and wrapped his fingers around tight, seeking comfort. She led him outside onto the stone terrace where the late-season winds chilled his bare skin.
The view was a feast for the eye. From here they could see the valley, still clinging to the golds and crimsons of late fall. Beyond them squatted the high jagged mountains where the ice never melted. He had spent many afternoons here, watching hawks circle the village that sat just on the edge of the valley, dropping pebbles off the ledge to watch them shatter to dust on the rocky cliffs below. It was a place of fond memories, of good thoughts.
“So cloudy,” his mother fretted, her hand still wrapped around his, “but look, it changes even as we prepare.” She beamed, showing her bloody teeth.
She was right. He watched as the sky cleared to reveal a tattered sun, hunched like a dull watery ball atop the mountains. And to its side, a darkness loomed.
The boy’s eyes widened in alarm. Mama had told him the crow god would come today, but he had not fathomed the horror of its visage.
“Look at the sun, Serapio,” she said, sounding breathless. “I need you to look at the sun.”
He did as he was told and watched with a growing terror as it began to disappear.
“Mama?” he asked, alarmed, hating that his voice sounded high and frightened.
“Don’t look away!” she warned.
He would not. He had endured her knife and her poison, and he would endure the needle soon, too. He could master the sun.
But his eyes began to water and sting.
“Steady,” she murmured, squeezing his hand.
His eyes ached, but his mother tugged the delicate skin of his eyelids with her fingernails to keep them open. He cried out as she grazed his eyeball, and instinct more than desire made him buck. She pulled him tight, arms like a vise and fingers gripping his jaw.
“You must look!” she cried. And he did, as the crow god ate the sun.
When all that was left was a ring of trembling orange fire around a hole of darkness, his mother released him.
He rubbed at his stinging eyes, but she slapped his hands away. “You’ve been so brave,” she said. “You must not fear now.”
The edge of a bubbling panic crawled up his spine at what was to come next. His mother did not seem to notice.
“Hurry now,” she said, ushering him back inside, “while the crow god holds sway over the world.”
She pressed him to sitting in the high-backed chair. His limbs had grown heavy and his head light, no doubt from the poisoned cup. The panic that had tried to rise died on a soft, terrified half-moan.
She bound his feet to the legs of the chair and wrapped the cords around his body until he could not move. The rope stung where the haahan were still raw.
“Keep your eyes closed,” she warned.
He did, and after a moment, he felt something wet press along the line of his eyelashes. It was cold and deadened the skin. His lids felt so weighted that he did not think he could open them again.
“Listen to me,” his mother said. “Human eyes lie. You must learn to see the world with more than this faulty organ.”
“But how?”
“You will learn, and this will help.” He felt her slip something into his pocket. It was a bag like the one she wore around her neck. He could just reach it if he wiggled his fingers, feeling the fine powder inside. “Hide this, and use it only when you need it.”
“How will I know when I need it?” he asked, worried. He didn’t want to fail her.
“You will learn, Serapio,” she said, voice gentle but firm. “And once you have, you must go home to Tova. There you will open your eyes again and become a god. Do you understand?”
He didn’t understand, not really, but he said yes anyway.
“Will you come with me?” he asked.
Her breath hitched, and the sound scared him more than anything else she had done that day.
“Mama?”
“Hush, Serapio. You ask too many questions. Silence will be your greatest ally now.”
The needle pierced his eyelid, but he was only distantly aware of it. He could feel the stitches sealing his eyes shut, the pull and lift of the thread through his skin. The panic that had failed to rise earlier swelled up larger now, made him twitch in his chair, made the wounds on his back pull and sting, but the cords held him tight and the drugs kept his muscles lax.
A sudden pounding at the door made them both jump.
“Open the door!” a voice yelled, loud enough to shake the walls. “If you’ve touched that boy, I’ll have your head, I swear it!”
It was his father. The boy thought to cry out to him, to let him know that he was okay. That the crow god’s will must be followed, that he wanted this, that his mother would never hurt him.
She returned to her work, ignoring his father and his threats. “Almost done now.”
“Saaya, please!” pleaded his father, voice breaking.
“Is he crying?” the boy asked, concerned.
“Shhh.” The corner of his left eye tugged tight as she tied off the last knot.
Her lips pressed briefly to his forehead, and she ran a gentle hand through his hair.
“A child in a foreign place to a foreign man,” she murmured, and Serapio knew she was talking to herself. “I’ve done everything required. Even this.”
Even this was what he had suffered today, he knew it. And for the first time, a tendril of doubt crept through his belly.
“Who, Mama? Who asked you to do this?” There was still so much he didn’t understand, that she hadn’t told him.
She cleared her throat, and he felt the air shift as she stood. “I must go now, Serapio. You must carry on, but it is time for me to join the ancestors.”
“Don’t leave me!”
She bent her head and whispered in his ear. A secret name. His true name. He trembled.
And then she was moving away, her footfalls heading swiftly toward the open terrace. Running. Running to where? There was only the terrace that ended in the open sky.
And he knew she was running so she could fly.
“Mama!” he screamed. “No!”
He struggled to open his eyes, but the stitches held, and his lids did not budge. He thought to claw at his face, but the cords held him tight and the drink made time feel strange.
“Son!” his father screamed. Something huge hit the door, and the wood splintered. The door was coming down.
“Mama!” Serapio cried. “Come back!”
But his begging did no good. His mother was gone.
--This text refers to the hardcover edition.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzes reviews to verify trustworthiness.
I struggled to read the first 50 pages. I found the premise to be interesting and different, but I simply could not, without significant struggle, constantly read xe, xi, and other variations meant to engage gender fluidity. I understand that some people want to be referred to by something other than he/she, and perhaps a day will come when society will settle on how to address that desire, but for now that is in flux and the use of arbitrarily chosen substitutes, especially when the reader is left to decipher the substitutions being used, makes for a distracting and difficult read. I gave 2 stars only because I think the story is different and potentially interesting; the book is really more of a 1 star because of the writing. If you can easily deal with the genderless terminology while reading -- or can identify with it -- you are likely to find the book a 3- or 4-star read; otherwise you will find it frustrating.
Who says that it has to be based on a European model in order to be epic fantasy?
Black Sun is on an epic scale and this fantasy is based on Pre-Columbian America! (That is, the Maya and Aztec before the white people from Europe showed up.)
I like that Ms. Roanhorse both took the expected literary license and also was able to pick and choose which Maya or Aztec customs/culture/etc. she wanted to incorporate. (Black Panther is similarly based loosely on African culture from many tribes across the African continent.)
Plus, she has a bibliography at the back of the book. (You know that warms my heart, as a librarian!)
I think that it is a good thing that in the last number of years we are starting to see more fantasy from cultures OTHER than European.
And space opera. I really enjoy Aliette de Bodard's space opera based on Vietnamese culture featuring mind ships [yes, human brains operating massive deep space ships] and lately whodunits with the mind ship partnering with the detective!
Recommended for fantasy fans who like exploring new cultures and mythologies!
A story by this author is always going to be good I've found. This one does not disappoint. It follows the journeys of a man who is meant to be a god, a sailor woman who controls the sea and a priestess from the wrong family trying to change her world. The world is rich and beautiful, the people vibrant and the culture breathtakingly diverse. It is an amazingly good read and I cannot wait for more.
I grew up reading epic fantasy that was all set in Europe - finding books like this would have been a _dream_ come true for little me. Escaping into a world that is actually foreign, that doesnt have any current life parallels in the US, in a lush landscape filled with diverse and different characters!
We meet gods to be, giant corvids, sea people, sailors, warriors, priests and more. Its well worth a try and if it works better, try the audio book, read by four different voices for the various POV characters, brings it really all to life in a way I couldnt imagine.
This book takes you out of your everyday, pushes you to see a little wider, and yet still feels welcoming. Come on in, the air and water are fine.
This book is literally everything I could ask for in a high fantasy book, and I literally never wanted it to end. This is a book that deserves to be savored! I am waiting with complete anticipation (and patience) for the rest of the trilogy because holy moly was this an adventure. I haven't felt this excited about a book series since I was a teenager.
The world Roanhorse crafted is unique with gorgeous characters you'll love if you give yourself the chance.
The start of a new series by Astounding, Hugo, Locus, Nebula, Sturgeon, and World Fantasy Award-winning author Rebecca Roanhorse, Black Sun is the powerful beginning of the Between Earth and Sky series. Inspired by a pre-Colombian culture, released the day after Indigenous People's Day, this novel is so masterfully constructed that I'm tempted to compare Roanhorse to Nora Jemisin and George R. R. Martin. A tale of repression, opposition, revolution, of cruelty and love, Black Sun is a dark, epic fantasy that is at the top of my list for Hugo and Locus nominees for 2020.
Giving us the stories of Xiala, a Teek boat captain possessed of magic, a mysterious blind man named Serapio that she is transporting to the city of Tova, Lord Okoa, a young man who is brother to the new head of the Carrion Crow clan, and a Sun priest named Narapa, we see the culmination of a celestial prophecy of the Sky Made clans that centers on a remarkable day, the Day of Convergence, a legendary lunar eclipse that coincides with the winter solstice. Described as an unbalancing of the world, one of these characters will unleash a cataclysmic event on the Day of Convergence.
Roanhorse has given us a fascinating world with distinct cultures, deeply enmeshed prejudices, gentle figures who wish to swim against the currents of clan enmity, rebels who foresee a revolution, and the gruesome creation of avatars. The complex relationship between Xiala and Serapio, poignant and incredibly sensuous, is one of the most memorable aspects of this book. Serapio's disability was handled so masterfully in this novel. Indigenous two-spirit persons are also woven into the Tovan culture in a wonderful way, as is fluid sexuality. All in all this novel is just so rich. I want to start reading and listening to it all over again, a sure sign of how much I loved it.
The audiobook, narrated by Cara Gee, Nicole Lewis, Kaipo Schwab and Shaun Taylor-Corbett took a little bit of time to get used to (each voice actor narrates one of the principal characters) but is a very fine production.
I received a digital audio and ebook copy of this book in exchange for an honest review.
Once again, breathtaking world building and incredible characters. Rebecca Roanhorse writes engrossing and imaginative stories you don't want to end. So glad this is a series.
5.0 out of 5 starsAn excellently written Epic Fantasy.
Reviewed in the United Kingdom on March 12, 2021
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An excellently written Epic Fantasy.
I found it hard to put down this book from the opening chapter. The world building was brilliant, and I enjoyed the more Pre-Columbian Americas theme. The characters were likeable, and I enjoyed finding out more about them. I'm very interested to see where the story goes, and I look forward to reading the next book in the series.
![Black Sun (Between Earth and Sky Book 1) by [Rebecca Roanhorse]](https://m.media-amazon.com/images/I/510m8UDDErL._SY346_.jpg)
CHAPTER 1 
