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Black Widow
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| Additional DVD options | Edition | Discs | Price | New from | Used from |
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| Brand | Black Widow |
| Compatible Devices | Smart TV |
| Color | Black |
| Keyboard backlighting color support | Single Color |
| Style | Contemporary |
| Item Dimensions LxWxH | 5.27 x 0.57 x 7.56 inches |
| Language | English |
| Generation | 3rd Generation |
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Product Description
Product Description
A police detective asks a Broadway couple, an actress and others about a murder. Directed by Nunnally Johnson.
Amazon.com
Ginger Rogers steals the show as a selfish, snide Broadway superstar in Nunnally Johnson's Black Widow, preening, snooping, gossiping, and bestowing air kisses in equal abundance. This late-era (1954) color film noir is as delicious for its fabulous performances as for its dishy look at showbiz, fangs and all. Think of it as All About Eve with murder. Rogers is Carlotta Marin, a grande dame of the thea-tah, married, it would seem happily, to Brian Mullen (Reginald Gardiner). Discussing friends whose marriage is threatened by an alleged affair, Brian assures Lottie they wouldn't face such disgrace. "After all," he deadpans, "we have an understanding." "What kind of understanding?" Lottie asks warily. "The understanding that if you catch me with another woman, you'll break my neck." The two collapse in laughter. Yet at the heart of Black Widow is something grim, the death of a young, ambitious writer named Nancy (Peggy Ann Garner), who gloms onto a theater producer (Van Hefflin), who's in love with his wife, Iris (Gene Tierney, heartbreakingly lovely). Nancy's death appears to be self-inflicted, and yet as each piece of evidence--a weird suicide note, a threatening letter received in the mail--piles up, things begin to point to murder.
The cast is excellent, especially delivering the great backbiting dialogue. And the plot contains more twists than Lombard Street in San Francisco, and will keep viewers guessing, and riveted, to the end. Extras include a great commentary by Alan K. Rode, an expert in film noir, as well as two wonderful featurettes, on the careers of Ginger Rogers and Gene Tierney respectively. Robert Osbourne offers his always insightful thoughts on the roles of Rogers, especially, as she sought to carve out a career after being paired with Fred Astaire. These solo steps are not to be missed.--A.T. Hurley
Product details
- Aspect Ratio : 2.55:1
- Is Discontinued By Manufacturer : No
- MPAA rating : Unrated (Not Rated)
- Product Dimensions : 5.27 x 0.57 x 7.56 inches; 1.6 Ounces
- Director : Nunnally Johnson
- Media Format : Multiple Formats, Color, Dolby, Subtitled, Widescreen, Closed-captioned, NTSC
- Run time : 1 hour and 35 minutes
- Release date : March 11, 2008
- Actors : Ginger Rogers, Van Heflin, Gene Tierney, George Raft, Peggy Ann Garner
- Subtitles: : English, Spanish, French
- Producers : Nunnally Johnson
- Language : Unqualified, English (Dolby Digital 4.1)
- Studio : 20th Century Fox
- ASIN : B0010KHOSA
- Writers : Hugh Wheeler, Nunnally Johnson
- Number of discs : 1
- Best Sellers Rank: #21,313 in Movies & TV (See Top 100 in Movies & TV)
- #1,552 in Mystery & Thrillers (Movies & TV)
- #4,313 in Drama DVDs
- Customer Reviews:
Customer reviews
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Learn more how customers reviews work on AmazonReviewed in the United States on July 27, 2009
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Would-be writer Nancy Ordway (Peggy Ann Garner) arrives in New York and proceeds to take advantage of anyone with a spare room and a smile. The latest 'victim' in Nancy's quest to take on the big city is Broadway producer Peter Denver (Van Heflin), whilst his wife Iris (Gene Tierney) is out of town tending to her sick mother. Could Nancy possibly use the Denver apartment during the daytime to help her in writing? Peter has no problem with that arrangement...until the day he arrives home to find Nancy hanging from the rafters.
What starts out as a simple cut-and-dry suicide soon enough dissolves into a first degree murder case - with Peter as the main suspect. On the run from the detectives, Peter and Iris must work fast to discover the ghastly truth...
Starring Ginger Rogers as the imperious theatre diva Carlotta Marin, BLACK WIDOW (1954) will appeal to those who like their murder mysteries served up with a healthy side order of snappy one-liners and outrageous costumes. Peggy Ann Garner's role as the Eve Harrington-esque writer was one of her first attempts to make the often difficult transition from acclaimed child star ("Jane Eyre", "A Tree Grows in Brooklyn") to sophisticated young adult, and I believe she does it very successfully in this movie. The role of Nancy had originally been intended for Maggie McNamara ("Three Coins in the Fountain") who fell ill shortly before filming was due to begin.
Also keep an eye out for Virginia Leith ("The Brain That Wouldn't Die") playing one of Nancy's accommodating girlfriends, Cathleen Nesbitt as an upstairs maid, and Bea Benaderet ("Petticoat Junction") as one of the guests at Carlotta's cocktail party.
I do find it very curious that Fox has seen fit to package this title as part of their Film Noir series, because apart from some noir actors like Gene Tierney and Van Heflin, BLACK WIDOW doesn't follow the standard noir genre trends at all. Still I'm very glad that BLACK WIDOW is now readily available in a particularly lush widescreen print; and it's one of my favourite movies at the moment.
The DVD has two worthwhile featurettes focusing on Ginger Rogers and Gene Tierney, an informative commentary track by movie historian/author Alan Rode; interactive pressbook and picture galleries, isolated musical score track, and the theatrical trailer; plus trailers from other titles in the Fox Film Noir collection ("Daisy Kenyon", "Dangerous Crossing", "I Wake Up Screaming" and "Vicki").
By Byron Kolln on July 26, 2009
Would-be writer Nancy Ordway (Peggy Ann Garner) arrives in New York and proceeds to take advantage of anyone with a spare room and a smile. The latest 'victim' in Nancy's quest to take on the big city is Broadway producer Peter Denver (Van Heflin), whilst his wife Iris (Gene Tierney) is out of town tending to her sick mother. Could Nancy possibly use the Denver apartment during the daytime to help her in writing? Peter has no problem with that arrangement...until the day he arrives home to find Nancy hanging from the rafters.
What starts out as a simple cut-and-dry suicide soon enough dissolves into a first degree murder case - with Peter as the main suspect. On the run from the detectives, Peter and Iris must work fast to discover the ghastly truth...
Starring Ginger Rogers as the imperious theatre diva Carlotta Marin, BLACK WIDOW (1954) will appeal to those who like their murder mysteries served up with a healthy side order of snappy one-liners and outrageous costumes. Peggy Ann Garner's role as the Eve Harrington-esque writer was one of her first attempts to make the often difficult transition from acclaimed child star ("Jane Eyre", "A Tree Grows in Brooklyn") to sophisticated young adult, and I believe she does it very successfully in this movie. The role of Nancy had originally been intended for Maggie McNamara ("Three Coins in the Fountain") who fell ill shortly before filming was due to begin.
Also keep an eye out for Virginia Leith ("The Brain That Wouldn't Die") playing one of Nancy's accommodating girlfriends, Cathleen Nesbitt as an upstairs maid, and Bea Benaderet ("Petticoat Junction") as one of the guests at Carlotta's cocktail party.
I do find it very curious that Fox has seen fit to package this title as part of their Film Noir series, because apart from some noir actors like Gene Tierney and Van Heflin, BLACK WIDOW doesn't follow the standard noir genre trends at all. Still I'm very glad that BLACK WIDOW is now readily available in a particularly lush widescreen print; and it's one of my favourite movies at the moment.
The DVD has two worthwhile featurettes focusing on Ginger Rogers and Gene Tierney, an informative commentary track by movie historian/author Alan Rode; interactive pressbook and picture galleries, isolated musical score track, and the theatrical trailer; plus trailers from other titles in the Fox Film Noir collection ("Daisy Kenyon", "Dangerous Crossing", "I Wake Up Screaming" and "Vicki").
(Amazon's habit of listing the cast alphabetically is very misleading. Mabel Albertson has a small part, Reginald Gardiner plays Ginger Roger's husband. But Harry Carter and Richard H. Cutting play policeman, listed on imdb.com, but they are also "uncredited" in the film! So it's totally misleading to see those names at the top of the page.) (Note: this complaint has been corrected on this page, but I decided to leave it because I do note the same issue in other listings, where unknown actors in tiny roles are listed because they're first in the alphabet.)
So that little parenthetical complaint aside, it's a small but fun film. The milieu of theatre is entertaining, with Peggy Ann Garner someone on the way up (or hoping to be), and managing to hang out with successful writers and actors, and starting to seduce several of them. Heflin is the serious husband/playwright and a bit of a patsy, Tierney is the "good wife," and Ginger Rogers is fun as the grande dame actress who annoys everyone a bit. Peggy Ann Garner was the little girl so good in "A Tree Grows in Brooklyn." This is one of her adult roles, and she does a good job. It's not a classic, but an entertaining B film with some A list stars and some good dialogue from Mr. Johnson. I'm glad it's going to be out on dvd.
Nevertheless, the plot, derivative as it may be, is actually strong enough to keep you watching. I don't find anything wrong with Ginger Rogers' acting nor that of anyone else in this film. Unlike a couple of other reviewers, I found the direction itself quite well paced and adequate. The gaudy cinematography, the high class arty studio sets were done well, if you accept those for what they are.
Other than being falsely advertised, what's the problem? The script, with it's relentless irritating attempts at sophisticated chatter, completely sinks this movie. Someone got paid to write these lines? It's beyond me how anyone, from the 1950s right up to today, could think that this trashy childish attempt at clever banter was any good. The lines given to Ginger Roger's character are the worst. She's supposed to be so classy, so nasty, so clever, and every single sentence that comes out of her mouth is jaw-droppingly dopey. Anyone who actually said these things would need to be immediately evaluated for a head injury.
I don't believe I've ever seen a movie of any genre that has less character development than this one. From the first line each character utters we are being signaled about the stereotype. All the rest of the lines only serve to reinforce that one-dimensional assignment--in case we forgot from 30 seconds earlier. The 50's style, the expensive costumes, and the decor all add to this problem; it's just phony people, in phony apartments, in front of phony backdrops. It quickly stops mattering that the backdrops are well drawn or that the costumes are beautiful.
I've never completely understood why so many films from this era got so out of balance--crammed full of synthetic visual style, but also crammed full of superficial characters. This particular one however takes the cake--was this some clods idea of camp?









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