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Blackwood Farm (The Vampire Chronicles, No. 8) Mass Market Paperback – September 30, 2003
| Anne Rice (Author) Find all the books, read about the author, and more. See search results for this author |
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Welcome to Blackwood Farm: soaring white columns, spacious drawing rooms, bright, sun-drenched gardens, and a dark strip of the dense Sugar Devil Swamp. This is the world of Quinn Blackwood, a brilliant young man haunted since birth by a mysterious doppelgänger, “Goblin,” a spirit from a dream world that Quinn can’t escape and that prevents him from belonging anywhere. When Quinn is made a Vampire, losing all that is rightfully his and gaining an unwanted immortality, his doppelgänger becomes even more vampiric and terrifying than Quinn himself.
As the novel moves backwards and forwards in time, from Quinn’s boyhood on Blackwood Farm to present day New Orleans, from ancient Athens to 19th-century Naples, Quinn seeks out the legendary Vampire Lestat in the hope of freeing himself from the spectre that draws him inexorably back to Sugar Devil Swamp and the explosive secrets it holds.
A story of youth and promise, of loss and the search for love, of secrets and destiny, Blackwood Farm is Anne Rice at her mesmerizing best.
- Print length640 pages
- LanguageEnglish
- PublisherBallantine Books
- Publication dateSeptember 30, 2003
- Dimensions4.24 x 1.37 x 6.8 inches
- ISBN-100345443683
- ISBN-13978-0345443687
"A Christmas Carol" by Charles Dickens
Ebenezer Scrooge has no time for the poor or the wretched. And it’s “Bah, humbug!” to anyone who wishes him a Merry Christmas. But when he turns in for the night one cold, fateful Christmas Eve, his past, present, and future converge. | Learn more
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Editorial Reviews
Review
”Rice’s books have always had a sexy edge, and she’s not gone stale.” -- Metro Weekly (Washington D.C.)
“At least as good as Rice’s earliest novels because she centers her story on new characters with interesting stories of their own. Using lush, voluptuous prose, Rice tells a complex and mesmerizing story. Recommended.” -- Library Journal
“Blood refreshed for Rice: Vampiric intrigue returns in Blackwood. Blackwood Farm is strong and continues the return to form for Rice that began with Merrick.” -- The Denver Post
“Blackwood Farm is Anne Rice’s best book in years. In fact, it may be necessary to go back to the initial trio of vampire novels to find one that flows with as much grace and continuity. Not only is it beautifully descriptive; it is wonderfully scripted -- with all sorts of unexpected turns…. Rice fires all the weapons in her storyteller’s quiver -- including several kinky, sexually explicit scenes. She uses surprisingly short chapters, most ending with a suspenseful note that practically begs the reader to move on for just one more page.” -- Miami Herald
“Quinn’s story is beautifully haunting. His tale is like a curiosity shop, filled with lovely and unusual things…. There is an intimacy to Blackwood Farm that makes readers feel as though they are an important part of Quinn's world. And it's a world they won’t want to leave.” -- Detroit Free Press
“Classic Anne Rice…hard to put down… Fans of Rice will enjoy this novel, since it is a return to the form that originally drew so many into her bizarre subworld of blood drinkers and witches in the first place.” -- United Press International
“Blackwood Farm is a collection of unexpected twists and turns. Rice implements all of her tricks -- spirits, ghosts, vampires, witches, strong family bonds, platonic and forbidden romantic love. The finale should elicit a squeal of excitement from readers who thought Rice was merely going through the motions. Luckily, that lull has passed. Blackwood Farm closes with enough unearthed family secrets to fill another novel and a cliffhanger that promises a sequel.” -- The Charlotte Observer
Praise for Anne Rice:
“Rice’s strengths as a writer [include] her knack for colourful characters, her loving attention to historical detail [and] her imaginative exploration of myth and mysticism.” -- The Globe and Mail
“[Merrick] is a book where Rice’s two worlds -- of witches and vampires -- finally collide.” -- Ottawa Citizen
From the Inside Flap
Welcome to Blackwood Farm: soaring white columns, spacious drawing rooms, bright, sun-drenched gardens, and a dark strip of the dense Sugar Devil Swamp. This is the world of Quinn Blackwood, a brilliant young man haunted since birth by a mysterious doppelgänger, ?Goblin,? a spirit from a dream world that Quinn can?t escape and that prevents him from belonging anywhere. When Quinn is made a Vampire, losing all that is rightfully his and gaining an unwanted immortality, his doppelgänger becomes even more vampiric and terrifying than Quinn himself.
As the novel moves backwards and forwards in time, from Quinn?s boyhood on Blackwood Farm to present day New Orleans, from ancient Athens to 19th-century Naples, Quinn seeks out the legendary Vampire Lestat in the hope of freeing himself from the spectre that draws him inexorably back to Sugar Devil Swamp and the explosive secrets it holds.
A story of youth and promise, of loss and the search for love, of secrets and destiny, Blackwood Farm is Anne Rice at her mesmerizing best.
From the Hardcover edition.
From the Back Cover
Welcome to Blackwood Farm: soaring white columns, spacious drawing rooms, bright, sun-drenched gardens, and a dark strip of the dense Sugar Devil Swamp. This is the world of Quinn Blackwood, a brilliant young man haunted since birth by a mysterious doppelganger, "Goblin," a spirit from a dream world that Quinn can't escape and that prevents him from belonging anywhere. When Quinn is made a Vampire, losing all that is rightfully his and gaining an unwanted immortality, his doppelganger becomes even more vampiric and terrifying than Quinn himself.
As the novel moves backwards and forwards in time, from Quinn's boyhood on Blackwood Farm to present day New Orleans, from ancient Athens to 19th-century Naples, Quinn seeks out the legendary Vampire Lestat in the hope of freeing himself from the spectre that draws him inexorably back to Sugar Devil Swamp and the explosive secrets it holds.
A story of youth and promise, of loss and the search for love, of secrets and destiny, Blackwood Farm is Anne Rice at her mesmerizing best.
"From the Hardcover edition.
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
1
Lestat,
If you find this letter in your house in the Rue Royale, and I do sincerely think you will find it—you’ll know at once that I’ve broken your rules.
I know that New Orleans is off limits to Blood Hunters, and that any found there will be destroyed by you. And unlike many a rogue invader whom you have already dispatched, I understand your reasons. You don’t want us to be seen by members of the Talamasca. You don’t want a war with the venerable Order of Psychic Detectives, both for their sake and ours.
But please, I beg you, before you come in search of me, read what I have to say.
My name is Quinn. I’m twenty-two years old, and have been a Blood Hunter, as my Maker called it, for slightly less than a year. I’m an orphan now, as I see it, and it is to you that I turn for help.
But before I make my case, please understand that I know the Talamasca, that I knew them before the Dark Blood was ever given to me, and I know of their inherent goodness and their legendary neutrality as regards things supernatural, and I will have taken great pains to elude them in placing this letter in your flat.
That you keep a telepathic watch over New Orleans is plain to me. That you’ll find the letter I have no doubt.
If you do come to bring a swift justice to me for my disobedience, assure me please that you will do your utmost to destroy a spirit which has been my companion since I was a child. This creature, a duplicate of me who has grown with me since before I can remember, now poses a danger to humans as well as to myself.
Let me explain.
As a little boy I named this spirit Goblin, and that was well before anyone had told me nursery rhymes or fairy tales in which such a word might appear. Whether the name came from the spirit himself I don’t know. However, at the mere mention of the name, I could always call him to me. Many a time he came of his own accord and wouldn’t be banished. At others, he was the only friend I had. Over the years, he has been my constant familiar, maturing as I matured and becoming ever more skilled at making known to me his wishes. You could say I strengthened and shaped Goblin, unwittingly creating the monster that he is now.
The truth is, I can’t imagine existence without Goblin. But I have to imagine it. I have to put an end to Goblin before he metamorphoses into something utterly beyond my control.
Why do I call him a monster—this creature who was once my only playmate? The answer is simple. In the months since my being made a Blood Hunter—and understand, I had no choice whatsoever in the matter—Goblin has acquired his own taste for blood. After every feeding, I am embraced by him, and blood is drawn from me into him by a thousand infinitesimal wounds, strengthening the image of him, and lending to his presence a soft fragrance which Goblin never had before. With each passing month, Goblin becomes stronger, and his assaults on me more prolonged.
I can no longer fight him off.
It won’t surprise you, I don’t think, that these assaults are vaguely pleasurable, not as pleasurable to me as feeding on a human victim, but they involve a vague orgasmic shimmer that I can’t deny.
But it is not my vulnerability to Goblin that worries me now. It is the question of what Goblin may become.
Now, I have read your Vampire Chronicles through and through. They were bequeathed to me by my Maker, an ancient Blood Hunter who gave me, according to his own version of things, an enormous amount of strength as well.
In your stories you talk of the origins of the vampires, quoting an ancient Egyptian Elder Blood Drinker who told the tale to the wise one, Marius, who centuries ago passed it on to you.
Whether you and Marius made up some of what was written in your books I don’t know. You and your comrades, the Coven of the Articulate, as you are now called, may well have a penchant for telling lies.
But I don’t think so. I’m living proof that Blood Drinkers exist—whether they are called Blood Drinkers, vampires, Children of the Night or Children of the Millennia—and the manner in which I was made conforms to what you describe.
Indeed, though my Maker called us Blood Hunters rather than vampires, he used words which have appeared in your tales. The Cloud Gift he gave to me so that I can travel effortlessly by air; and also the Mind Gift to seek out telepathically the sins of my victims; as well as the Fire Gift to ignite the fire in the iron stove here that keeps me warm.
So I believe your stories. I believe in you.
I believe you when you say that Akasha, the first of the vampires, was created when an evil spirit invaded every fiber of her being, a spirit which had, before attacking her, acquired a taste for human blood.
I believe you when you say that this spirit, named Amel by the two witches who could see him and hear him—Maharet and Mekare—exists now in all of us, his mysterious body, if we may call it that, having grown like a rampant vine to blossom in every Blood Hunter who is made by another, right on up to the present time.
I know as well from your stories that when the witches Mekare and Maharet were made Blood Hunters, they lost the ability to see and talk to spirits. And indeed my Maker told me that I would lose mine.
But I assure you, I have not lost my powers as a seer of spirits. I am still their magnet. And it is perhaps this ability in me, this receptiveness, and my early refusal to spurn Goblin, that have given him the strength to be plaguing me for vampiric blood now.
Lestat, if this creature grows ever more strong, and it seems there is nothing I can do to stop him, is it possible that he can enter a human being, as Amel did in ancient times? Is it possible that yet another species of the vampiric root may be created, and from that root yet another vine?
I cannot imagine your being indifferent to this question, or to the possibility that Goblin will become a killer of humans, though he is far from that strength right now.
I think you will understand when I say that I’m frightened for those whom I love and cherish—my mortal family—as well as for any stranger whom Goblin might eventually attack.
It’s hard to write these words. For all my life I have loved Goblin and scorned anyone who denigrated him as an “imaginary playmate” or a “foolish obsession.” But he and I, for so long mysterious bedfellows, are now enemies, and I dread his attacks because I feel his increasing strength.
Goblin withdraws from me utterly when I am not hunting, only to reappear when the fresh blood is in my veins. We have no spiritual intercourse now, Goblin and I. He seems afire with jealousy that I’ve become a Blood Hunter. It’s as though his childish mind has been wiped clean of all it once learned.
It is an agony for me, all of this.
But let me repeat: it is not on my account that I write to you. It is in fear of what Goblin may become.
Of course I want to lay eyes upon you. I want to talk to you. I want to be received, if such a thing is possible, into the Coven of the Articulate. I want you, the great breaker of rules, to forgive me that I have broken yours.
I want you who were kidnapped and made a vampire against your will to look kindly on me because the same thing happened to me.
I want you to forgive my trespass into your old flat in the Rue Royale, where I hope to hide this letter. I want you to know as well that I haven’t hunted in New Orleans and never will.
And speaking of hunting, I too have been taught to hunt the Evil Doer, and though my record isn’t perfect, I’m learning with each feast. I’ve also mastered the Little Drink, as you so elegantly call it, and I’m a visitor to noisy mortal parties who is never noticed as he feeds from one after another in quick and deft moves.
But in the main, my existence is lonely and bitter. If it weren’t for my mortal family, it would be unendurable. As for my Maker, I shun him and his cohorts, and with reason.
That’s a story I’d like to tell you. In fact, there are many stories I want to tell you. I pray that my stories might keep you from destroying me. You know, we could play a game. We meet and I start talking, and slap damn, you kill me when I take a verbal turn you don’t like.
But seriously, Goblin is my concern.
Let me add before I close that during this last year of being a fledgling Blood Hunter, of reading your Chronicles and trying to learn from them, I have often been tempted to go to the Talamasca Motherhouse at Oak Haven, outside of New Orleans. I have often been tempted to ask the Talamasca for counsel and help.
When I was a boy—and I’m hardly more than that now—there was a member of the Talamasca who was able to see Goblin as clearly as I could—a gentle, nonjudgmental Englishman named Stirling Oliver, who advised me about my powers and how they could become too strong for me to control. I grew to love Stirling within a very short time.
I also fell deeply in love with a young girl who was in the company of Stirling when I met him, a red-haired beauty with considerable paranormal power who could also see Goblin—one to whom the Talamasca had opened its generous heart.
That young girl is beyond my reach now. Her name is May-fair, a name that is not unfamiliar to you, though this young girl probably knows nothing of your friend and companion Merrick Mayfair, even to this day.
But she is most certainly from the same family of powerful psychics—they seem to delight in calling themselves witches—and I have sworn never to see her again. With her considerable powers she would realize at once that something catastrophic has happened to me. And I cannot let my evil touch her in any way.
When I read your Chronicles, I was mildly astonished to discover that the Talamasca had turned against the Blood Hunters. My Maker had told me this, but I didn’t believe it until I read it in your books.
It’s still hard for me to imagine that these gentle people have broken one thousand years of neutrality in a warning against all of our kind. They seemed so proud of their benevolent history, so psychologically dependent upon a secular and kindly definition of themselves.
Obviously, I can’t go to the Talamasca now. They might become my sworn enemies if I do that. They are my sworn enemies! And on account of my past contact, they know exactly where I live. But more significantly, I can’t seek their help because you don’t want it.
You and the other members of the Coven of the Articulate do not want one of us to fall into the hands of an order of scholars who are only too eager to study us at close range.
As for my red-haired Mayfair love, let me repeat that I wouldn’t dream of approaching her, though I’ve sometimes wondered if her extraordinary powers couldn’t help me to somehow put an end to Goblin for all time. But this could not be done without my frightening her and confusing her, and I won’t interrupt her human destiny as mine was interrupted for me. I feel even more cut off from her than I did in the past.
And so, except for my mortal connections, I’m alone.
I don’t expect your pity on account of this. But maybe your understanding will prevent you from immediately annihilating me and Goblin without so much as a warning.
That you can find both of us I have no doubt. If even half the Chronicles are true, it’s plain that your Mind Gift is without measure. Nevertheless, let me tell you where I am.
My true home is the wooden Hermitage on Sugar Devil Island, deep in Sugar Devil Swamp, in northeastern Louisiana, not far from the Mississippi border. Sugar Devil Swamp is fed by the West Ruby River, which branches off from the Ruby at Rubyville.
Acres of this deep cypress swamp have belonged to my family for generations, and no mortal ever accidentally finds his way in here to Sugar Devil Island, I’m certain of it, though my great-great-great-grandfather Manfred Blackwood did build the house in which I sit, writing to you now.
Our ancestral home is Blackwood Manor, an august if not overblown house in the grandest Greek Revival style, replete with enormous and dizzying Corinthian columns, an immense structure on high ground.
Product details
- Publisher : Ballantine Books; Reprint edition (September 30, 2003)
- Language : English
- Mass Market Paperback : 640 pages
- ISBN-10 : 0345443683
- ISBN-13 : 978-0345443687
- Item Weight : 11 ounces
- Dimensions : 4.24 x 1.37 x 6.8 inches
- Best Sellers Rank: #70,695 in Books (See Top 100 in Books)
- #71 in Vampire Horror
- #128 in Vampire Thrillers
- #202 in Witch & Wizard Thrillers
- Customer Reviews:
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About the author

Anne Rice was born and raised in New Orleans, Louisiana. She holds a Master of Arts Degree in English and Creative Writing from San Francisco State University, as well as a Bachelor's Degree in Political Science. Anne has spent more of her life in California than in New Orleans, but New Orleans is her true home and provides the back drop for many of her famous novels. The French Quarter provided the setting for her first novel, Interview with the Vampire. And her ante-bellum house in the Garden District was the fictional home of her imaginary Mayfair Witches.
She is the author of over 30 books, most recently the Toby O'Dare novels Of Love and Evil, and Angel Time; the memoir, Called Out of Darkness;and her two novels about Jesus, Christ the Lord: Out of Egypt and Christ the Lord: The Road to Cana. (Anne regards Christ the Lord: The Road to Cana as her best novel.) ---- Under the pen name, A.N. Roquelaure, Anne is the author of the erotic (BDSM) fantasy series, The Sleeping Beauty Trilogy. Under the pen name Anne Rampling she is the author of two erotic novels, Exit to Eden and Belinda.
Anne publicly broke with organized religion in July of 2010 on moral grounds, affirming her faith in God, but refusing any longer to be called "Christian." The story attracted surprising media attention, with Rice's remarks being quoted in stories all over the world. Anne hopes that her two novels about Jesus will be accepted on their merits by readers and transcend her personal difficulties with religion. "Both my Christ the Lord novels were written with deep conviction and a desire to write the best novels possible about Jesus that were rooted in the bible and in the Christian tradition. I think they are among the best books I've ever been able to write, and I do dream of a day when they are evaluated without any connection to me personally. I continue to get a lot of very favorable feedback on them from believers and non believers. I remain very proud of them."
Anne is very active on her FaceBook Fan Page and has well over a million followers. She answers questions every day on the page, and also posts on a variety of topics, including literature, film, music, politics, religion, and her own writings. Many indie authors follow the page, and Anne welcomes posts that include advice for indie authors. She welcomes discussion there on numerous topics. She frequently asks her readers questions about their response to her work and joins in the discussions prompted by these questions.
Her novel, "The Wolves of Midwinter," a sequel to "The Wolf Gift" and part of a werewolf series set in Northern California in the present time, will be published on October 15, 2013. In these books --- The Wolf Gift Chronicles -- Anne returns to the classic monsters and themes of supernatural literature, similar to those she explored in her Vampire Chronicles, and tales of the Mayfair Witches. Her new "man wolf" hero, Reuben Golding, is a talented young man in his twenties who suddenly discovers himself in possession of werewolf powers that catapult him into the life of a comic book style super hero. How Reuben learns to control what he is, how he discovers others who possess the same mysterious "wolf gift," and how he learns to live with what he has become --- is the main focus of the series. "The Wolves of Midwinter" is a big Christmas book --- a book about Christmas traditions, customs, and the old haunting rituals of Midwinter practiced in Europe and in America. It's about how the werewolves celebrate these rituals, as humans and as werewolves. But the book also carries forward the story of Reuben's interactions with his girl friend, Laura, and with his human family, with particular focus on Reuben's father, Phil, and his brother, Jim. As a big family novel with elements of the supernatural, "The Wolves of Midwinter" has much in common with Anne's earlier book, "The Witching Hour." Among the treats of "The Wolves of Midwinter" is a tragic ghost who appears in the great house at Nideck Point, and other "ageless ones" who add their mystery and history to the unfolding revelations that at times overwhelm Reuben.
In October of 2014, with the publication of "Prince Lestat," Anne returned to the fabled "Brat Prince" of the Vampire Chronicles, catching up with him in present time. This is the first of several books planned focusing on Lestat's new adventures with other members of the Vampire tribe. When the publication of "Prince Lestat" was announced on Christopher Rice's "The Dinner Party Show," a weekly internet radio broadcast, it made headlines in the US and around the world. "Prince Lestat" debuted at #3 on the New York Times Best Seller list and ran for nine weeks during the height of the competitive Fall-Winter season, with another week on the extended NYTBSL. ----
"Beauty's Kingdom," is the fourth in her "Sleeping Beauty Erotica Series," and the first to be launched in hardcover. Though the first three novels were published in the 1980's under the pseudonym, A.N. Roquelaure, the name, Anne Rice, was added to the series in the 1990's. About her erotica, Anne has this to say: "I believe in the erotic imagination. I believe men and women have a right to write and read erotic fantasies. My goal with the "Sleeping Beauty" books is to provide the most authentic erotica that I can for those who share BDSM fantasies."
"Prince Lestat and the Realms of Atlantis" was published on November 29th, 2016 revealing a new adventure in the life of the Brat Prince of the vampires, and the entire tribe --- as they confront the most difficult challenge they've ever faced. This novel may introduce Lestat and extend his appeal to science fiction readers and fantasy readers who love differing versions of the lost kingdom of Atlantis. The novel does justice to both themes: Atlantis and Lestat. So far, as of early 2016, this novel has received a remarkably positive response with Amazon reviewers.
Anne's first novel, Interview with the Vampire, was published in 1976 and has gone on to become one of the best-selling novels of all time. She continued her saga of the Vampire Lestat in a series of books, collectively known as The Vampire Chronicles, which have had both great mainstream and cult followings.
Interview with the Vampire was made into a motion picture in 1994, directed by Neil Jordan, and starring Brad Pitt, Tom Cruise, Kirsten Dunst and Antonio Banderas. The film became an international success. Anne's novel, Feast of All Saints about the free people of color of ante-bellum New Orleans became a Showtime mini series in 2001 and is available now on dvd. The script for the mini series by John Wilder was a faithful adaptation of the novel.
Near the end of 2016, the theatrical rights to the Vampire Chronicles reverted fully and completely to Anne. She and her son, Christopher Rice, are now developing outlines and scripts for a new television series based on the adventures of The Vampire Lestat. Anne's announcement of this on FB reached well over 2 million people. "The reception in the Hollywood community" has been very simply wonderful," says Anne. "We have high hopes that we will see the Lestat television series go into production before the end of 2017."
Anne Rice is also the author of other novels, including The Witching Hour, Servant of the Bones, Merrick, Blackwood Farm, Blood Canticle, Violin, and Cry to Heaven. She lives in Palm Desert, California, but misses her home in New Orleans. She hopes to obtain a pied a terre in the French Quarter there some time in the near future.
Anne has this to say of her work: "I have always written about outsiders, about outcasts, about those whom others tend to shun or persecute. And it does seem that I write a lot about their interaction with others like them and their struggle to find some community of their own. The supernatural novel is my favorite way of talking about my reality. I see vampires and witches and ghosts as metaphors for the outsider in each of us, the predator in each of us...the lonely one who must grapple day in and day out with cosmic uncertainty."
------
Anne's announcement of the Vampire Chronicles series as it appeared on FB.
"The theatrical rights to the Vampire Chronicles are once again in my hands, free and clear! I could not be more excited about this! --- A television series of the highest quality is now my dream for Lestat, Louis, Armand, Marius and the entire tribe. In this the new Golden Age of television, such a series is THE way to let the entire story of the vampires unfold. --- My son Christopher Rice and I will be developing a pilot script and a detailed outline for an open ended series, faithfully presenting Lestat’s story as it is told in the books, complete with the many situations that readers expect to see. We will likely begin with “The Vampire Lestat” and move on from there. ----- When we sit down finally to talk to producers, we will have a fully realized vision of this project with Christopher as the executive producer at the helm. I will also be an executive producer all the way. ---- Again, I cannot tell you how happy it makes me to be able to announce this. ---- As many of you know, Universal Studios and Imagine Entertainment had optioned the series to develop motion pictures from it, and though we had the pleasure of working with many fine people in connection with this plan, it did not work out. It is, more than ever, abundantly clear that television is where the vampires belong. ---- Over the years you all have told me how much you want to see a “Game of Thrones” style faithful rendering of this material, and how much you want for the series to remain in my control. Well, I have heard you. I have always heard you. What you want is what I want. --- You, the readers, made these books a success before any movie was ever made based on them, and I will never forget that fact. ---- Christopher and I will be posting many questions on the page for your input in the days to come. ----- I am filled with optimism this morning about the future for my beloved Brat Prince. What better way to start a tour for the new book!"
Customer reviews
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Add Blackwood Farm to that list.
Before purchasing, know that Lestat is a very minor character, appearing in less than 5% of the novel.
No, this is the story of a recently turned vampire, and his mortal upbringing on the lush estate outside of New Orleans.
Quinn is a spoiled, pampered brat who lives a privileged life surrounded by doting women and servants.
He is soft and forever whining, and his 80 year-old Aunt Queen treats him like a porcelain doll.
If you are familiar with The Chronicles, consider this: Quinn makes Louis look like a cross between Clint Eastwood and Charles Bronson. In the time before Cancel Culture, he would have been called a sissy.
The majority of the book describes day to day operations at sprawling Blackwood Farm, where Quinn has to make some very difficult decisions; who to sleep with, when to start drinking, and if he should go on a sprawling tour of Europe.
Aunt Queen proves to be the most memorable of Blackwood Farms' inhabitants. The remaining ensemble mostly forgettable.
What I found most impressive was Rice's ability to turn a potential Snoozefest into a tolerable (if immediately forgettable) story, just interesting enough to keep the page turning.
Hard-core fans who find Rice infallible will force the story into greatness.
Her more casual readers will see it for what it is.
And that isn't much.
Vampires and witches combine in this tale. Very well written (as usual). The tale of The Vampire Quinn Blackwood is both captivating and horrifying.
I enjoyed this book very much but as with a few of her previous books the majority of the book is Quinn telling Lestat his story from beginning to end. I think it was literally the last three chapters that were the ending to the story at hand instead of backstory material. As with all of her books the backstory is extremely detailed and full of information that you can either take or leave. The roller coaster ups and downs are masterfully written but that is normal for an Anne Rice book. this is definitely a come back from her last couple of books in the chronicles series however, which was a nice relief for me.
I would definitely recommend this book to anyone who likes vampires, paranormal, witches, dark fantasy, or someone who is simply finishing the chronicle series. This is one of the better ones for sure.
If you are a follower of her Vampire and Mayfair series and I am. This novel provides some interesting updates about the Mayfair Clan. But far more interesting than the Over The Top Quinn and Get Over Yourself Mona are Oncle Julian and Aunt Queen. Let's follow Julian around for awhile and I want to hear all about Aunt Queen. Leave Quinn alone until he grows up or something! Check out this review. He says it better than I could: [...]
The romance between Quinn and Mona was straight from a Teen Romance Magazine (if there is such a thing). Ho hum.
Ms Rice, I do love your books, but the moment we met Mona, we knew she'd become a Vampire. Write Oncle Julian and Aunt Queen's story. But before you do find some way to renew, reinvent, reinstate, and reclaim your writing self. Your fans would welcome you back with open arms.
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AR has a format of opening in the future , delving into the past and then resolving in the near future. Whether a large or small role, Lestat is almost invariably involved or invoked. I am frequently left sad, pondering the circumstances of the lives of her vampires. I end up with paintings to view, music to stream and moral questions to wrestle. Drinking blood of me and my ilk is repulsive, the erotic interplay of her characters is mesmeric but never am i left feeling distant. I forgive them their sustenance, i consider the grace their immortality is and i leave at the end of each book with regret. Lestat has fallen in love with Quinn? How could i not love him too? If you enjoy bitter chocolate the vampire chronicles are likely for you too.
was the relationship between Quinn and Mona the relationship is very intense and loving as well as sexual has also get very guarded issues they are also being pushed apart by they parents as of moans illness of bearing childern that could. pass the same abilties and psychic witchery over but Quinn still fights for her love tell the end
as well as Quinn being tuned in to a man of the night and becoming immortal and turning mona to save her life and to live togother for eternity
the book has a lot of twist and tuns but is very good read










