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The Blade Itself (The First Law: Book One) Paperback – September 6, 2007
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Nobleman, dashing officer, and paragon of selfishness, Captain Jezal dan Luthar has nothing more dangerous in mind than fleecing his friends at cards and dreaming of glory in the fencing circle. But war is brewing, and on the battlefields of the frozen North they fight by altogether bloodier rules.
Inquisitor Glokta, cripple turned torturer, would like nothing better than to see Jezal come home in a box. But then Glokta hates everyone: cutting treason out of the Union one confession at a time leaves little room for friendship. His latest trail of corpses may lead him right to the rotten heart of government, if he can stay alive long enough to follow it.
Enter the wizard, Bayaz. A bald old man with a terrible temper and a pathetic assistant, he could be the First of the Magi, he could be a spectacular fraud, but whatever he is, he's about to make the lives of Logen, Jezal, and Glotka a whole lot more difficult.
Murderous conspiracies rise to the surface, old scores are ready to be settled, and the line between hero and villain is sharp enough to draw blood. Unpredictable, compelling, wickedly funny, and packed with unforgettable characters, The Blade Itself is noir fantasy with a real cutting edge.
- Print length536 pages
- LanguageEnglish
- PublisherPyr
- Publication dateSeptember 6, 2007
- Dimensions6 x 1.42 x 8.98 inches
- ISBN-10159102594X
- ISBN-13978-1591025948
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Editorial Reviews
From Publishers Weekly
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
"If you're fond of bloodless, turgid fantasy with characters as thin as newspaper and as boring as plaster saints, Joe Abercrombie is really going to ruin your day. A long career for this guy would be a gift to our genre." -- Scott Lynch, author of The Lies of Locke Lamora
"[A] highly readable fantasy that isn't going to scare off mainstream readers or newcomers to the genre....a whole banquet of violent action and intrigue." -- SFX.com
"Critics compare Abercrombie to Dickens, but come on - Dickens was never so entertaining. This intricate story just flows, carrying along barbarian fighters with real courage (and real injuries), spoiled nobles with redeeming potential, mages with disconcerting agendas... plus the most sympathetic torturer ever. The First Law trilogy: an adventure whose characters grow in tough, surprising, satisfying ways, in a gritty, exotic world that is sometimes awful, and always fascinates. Expect fast, funny dialog, and one hell of a rush." -- John Meaney, author of Paradox and Bone Song
"You'd never guess that The Blade Itself is Joe Abercrombie's debut novel. He writes like a natural. There are great characters, sparky dialogue, an action-packed plot, and from the very first words ('The End') and an opening scene that is literally a cliffhanger, you know you are in for a cheeky, vivid, exhilarating ride." -- Starburst (5 star review)
About the Author
Product details
- Publisher : Pyr; Reprint edition (September 6, 2007)
- Language : English
- Paperback : 536 pages
- ISBN-10 : 159102594X
- ISBN-13 : 978-1591025948
- Item Weight : 0.01 ounces
- Dimensions : 6 x 1.42 x 8.98 inches
- Best Sellers Rank: #1,631,536 in Books (See Top 100 in Books)
- #15,510 in Sword & Sorcery Fantasy (Books)
- #16,266 in Family Saga Fiction
- #29,503 in Epic Fantasy (Books)
- Customer Reviews:
About the author

Joe Abercrombie is a freelance film editor, who works on documentaries and live music events. He lives and works in Bath. THE BLADE ITSELF, his debut novel, is the first novel of The First Law trilogy, followed by BEFORE THEY ARE HANGED and LAST ARGUMENT OF KINGS. His new stand-alone bestseller is BEST SERVED COLD.
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On the whole it's a rough harsh world filled with both experienced people who had the potential to be heroes before they were broken in some way and a cynical youth verging on the edge of uselessness and while the great struggle is not revealed in the first book it's strongly hinted at that these flawed people must somehow save the world at some future point.
I really enjoyed this first installment and hope the rest of the series doesn't fall off in quality.
This NEEDS to happen!
My first encounter with this author was with his book, HALF A KING, which I thought was okay. It felt a lot like a blend of Robert Louis Stevenson and George R. R. Martin, and while I thought the story was interesting, the pacing was terrible. The ending, especially, dragged like nobody's business, and I had to force myself to read the book in time for my book club.
I actually owned books 2 and 3 in The First Law series for about five, six years now, but never started them because I was lacking a book 1. Recently, it went on sale for $1.99 and I one-clicked that switch immediately, because at last, my collection was complete (mwa-ha-ha). When my friend Mary agreed to do a buddy read with me, knowing her penchant for fantasy I thought this would be a winner. Plus, my brain gets super lazy when it sees a page count that exceeds 500. Buddy reads are a super handy tool for corralling lazy brains into reading long books - two birds, one stone! Let it be so!
Now I have finished THE BLADE ITSELF, and I find myself in the same position as I was after I finished HALF A KING. The story was good, and the characters were complex, but the pacing was awful. The beginning was so tedious that I remember thinking to myself, "I wonder how much Mary will hate me if I put this book down slowly and pick up a bodice ripper instead?" (Spoiler: Probably not at all, Mary is super cool.) But I have a modicum of honor, so I forced myself to keep reading and the book (very gradually) got better as other characters entered the fray.
I'm not sure how to summarize the book except to say that it's a lot like GAME OF THRONES, in the sense that it is about a kingdom that has been plagued by war in the past and has a new threat looming on the horizon. This kingdom is called Angland and the threat is coming from the North. The main characters are Logen (a barbarian soldier); Bayaz, a bald-headed, legendary magician; Glokta, a promising soldier who was tortured horrendously and now leads inquisitions involving torture himself; Jezal, a spoiled rich boy soldier, and the fantasy equivalent of a whiny frat boy; and Ferro, an escaped slave who is deadly and desperate to escape, even if it means her own death.
This book really, really wants to be the next GAME OF THRONES, but I don't think it succeeded very well - at least not in the ways it wanted to. Like GoT, I definitely was interested in some characters more than others, to the point where I'd skim if I'd see certain characters' names (I see you Ferro and Logen). Also, this book suffers from a problem a lot of other fantasy novels written by men have - it doesn't have that many fleshed out female characters. Yes, yes, I know about Ardee and Ferro, but Ferro really didn't feel very complicated to me, she felt like a dude's idea of a "tough girl": personality-less, merciless, and utterly anti-feminine. And then Ardee was kind of the classical manipulative b*tch with daddy issues. I didn't really appreciate that, as a woman.
The last time I brought this up about a fantasy novel, I actually had some dude come onto my review and mansplain fantasy to me. Did I not know that women are not the intended audiences of fantasy novels, he asked, mansplainingly, because that is not the "domain" of women. Or something like that. I forget the exact words. LOL, maybe the problem isn't that women aren't interested in fantasy; maybe the problem is that we don't see ourselves reflected in any of the characters, so we have to stick with books that have titles like SUMMER OF THE UNICORN (which, incidentally, is not a bad book, and is certainly a much better book than anything written by Heinlein, who is as trashy as all-get-out and yet, bizarrely, his work is regarded as literary by some - wtf?).
My favorite characters to read about were probably Bayaz and Jezal. I felt sorry for Glokta, but all his obscene gum-licking and his constant gripes about stairs (LOL, but seriously, I think every time his narrative was mentioned, he talked about the stairs at least once) made him feel a bit one-note. The scenes where he shone were the torture scenes (which are graphic and disgusting - you have been warned) and the scenes where he seems vulnerable, like when his past comes up or when he softens a bit towards Ardee and West. I found that touching. Logen was boring, but he wasn't a bad character. Ferro was irritating, for the reasons I outlined earlier. The best scenes in this book were probably the journey into the tower and the sword-fighting duels; Abercrombie is good at writing sword fights.
Did I enjoy this book? Yeah, more or less. I'd read books 2 and 3 since I already own them, but I don't think I liked this book enough that I'd rush out and buy the sequels if I didn't own them already. It wasn't bad, though, and the world-building grows on you as you read. I hear that books 2 and 3 really gain steam and become darker yet, so I guess I'll have to wait and see what Abercrombie comes up with next.
2.5 to 3 out of 5 stars
If I were to summarize the appeal of Joe Abercrombie's style, it would be that he creates extremely memorable personalities. There's Sand dan Glokta, a once-handsome and dashing swordsman who has been mutilated to the point of being a cariacture of his former self. Now an Inquisitor, he uses his intimate first-hand knowledge of torture to break the Empire's enemies. There's Logen Nine-Fingers, a barbarian on the run from his former king who is a great deal less boistrous than the majority of his archetype. Jezal dan Luthar, a arrogant spoiled nobleman who struggles with his attraction to Ardee West, a charmingly foul-mouthed woman much-below his station. I could go on but almost every character in the book vividly leaps off the page and has a fascinating story to tell.
Indeed, as mentioned, the best part of this book isn't the main plot: the upcoming invasion of the Union by the North's new monarch as well as a revanchist-based invasion from the South. Nor the secret plot of cannibalistic wizards to do something nefarious. No, the best part of the book is just getting into the heads of these oddballs and experiencing their world through their perspectives. We experience life in the Union through the viewpoints of multiple characters from vastly different socio-economic positions and nationalities.
For example, possibly my favorite subplot in the story is Inquisitor Glokta investigating the Guild of Mercers for tax evasion despite the fact they're probably doing more to prop up the economy than anyone else, so destroying them benefits no one but a section of the political elite. Dealing with Glokta's attempts to be an "honest" Inquisitor at the corrupt highest levels of government really resonated with me. My next favorite plotline? The budding romance of Jezal and Ardee despite the fact neither of them is a particularly "special" character. They're just two mostly-ordinary people with some normal relationship difficulties living in a fantastic world.
My favorite character? I think that's probably Logen Ninefingers. The book pokes a little fun at the kind of epic archetype Conan the Barbarian has become when it sticks him in a theatrical costume meant to invoke the sort of cultural icon he's become. Logen is more like the original Conan in that he's an exceptionally intelligent, somewhat somber man who just so happens to come from a culture without much in the way of amenities.
The book does a good job of making it clear Logen isn't a particularly heroic fellow, quite the opposite really, but you get the impression he's sick of killing too. I have my suspicions we're also going to find out his relationship with the newly-crowned King Bethod are a lot more complex than the rather one-sided portrayal everyone but Logen seems to treat them as.
Indeed, no one is particularly noble and, indeed, everyone is kind of a bastard given the right sort of pressures. No one is especially villainous, either, with the mysterious Eaters being the closest thing which comes to it. This is a world where the invading hordes are coming because they were invaded, themselves, a few generations back and they have long memories. Inquisitor Glokta does monstrous things because that's how interrogations are done in the Empire and it's about the only trade left to a man who has been ruined in every other respect. We understand how each character reached their present point of view and the narrative dares us to sympathize with everyone from foppish dandies to psychotic ex-slaves on pointless missions of vengeance.
For me, what makes Abercrombie's books so good is they're very grounded. There's no 'thees' or 'thous' with the fantastical elements rather subdued. They're there, certainly, but the characters talk in a manner easily understood with a minimum of anachronisms. They care about money, position, the respect of their peers, sex, and the aches in their bodies. It's not so much grimdark but authenticity which sells the narrative and that's worth its weight in gold.
I heartily recommend The Blade Itself to fantasy fans who want fantasy fiction which feels like it takes place in a vivid world with people you might be able to meet on the street. Admittedly, said street is a very dark and dangerous-looking one full of bars and strip clubs, but those are the kind of places adventures happen.
10/10
Top reviews from other countries
I say might because the real appeal of the book is the characters and not a one of them has much in the way of positive virtues. Whether a man or woman they are often dark violent cruel unhinged stupid driven and indifferent. Sometimes all of the above. Joe Abercrombie's skill is to make them compelling, and by wrapping them in the folds of dark humour that pervade the story you cannot fail to love them. Maybe.
This is an epic that twists and turns, rushes up on you, twists you around and leaves you breathless. It's smart, horrific, endlessly inventive and cinematic in its vision. I absolutely loved it.
Joe Abercrombie is a stone cold genius.
After 4 years of ignoring everyone’s advice and insistence that The First Law trilogy (and everything else) by Joe Abercrombie is worth reading, I finally started reading The Blade Itself. I should have read it sooner.
Everyone Talks About the Characters
And there’s a reason for that. Actually, I think there’s a second, but I’ll get to that. Jezal, Glokta and Logen are all incredible characters. Their points of view feel completely different, to the extent that you know who you’re following even without being told.
Jezal is an arrogant, selfish nobleman who I hated from the start and still don’t like him. That’s the point! Just because I don’t like him doesn’t mean I don’t enjoy his scenes. Seeing the world through his eyes was interesting, especially when he seemed to have conflicting opinions on people and things, his arrogance and self-righteousness coming into conflict with friendships (kind of) and the world around him.
Glokta, once a great swordsman, now a crippled torturer, is bitter and in constant agony. I think this character might have been the most difficult to write. He finds himself, as an inquisitor, embroiled in political schemes that were very entertaining to read and genuinely surprising at times.
Finally, the last main point of view character is Logen. What I find interesting about Logen is that he doesn’t want anything. That is to say, he wants to not know anything, and will just follow his companions along, making sure they don’t die. As someone who has done both a bachelor’s and master’s degree in writing, it was surprising to see a character with no impact on the plot of the book, yet it still worked. I couldn’t stop reading until the end of his scenes, all because his character was so well written, rather than being hooked on the plot.
There is Little to No Plot
Sure, there is a narrative, but it isn’t what you might expect. The Blade Itself is almost like a set up for the next 2 books, introducing us fantastically to the world, the characters and mysteries to uncover.
This is why I think everyone (including me) mainly talks about Joe Abercrombie’s characters in book reviews for The Blade Itself - what else is there to talk about?
This sounds like a negative, but it’s not. If you only want a fantasy book that has epic battle scenes, dragons, elves and constant excitement, this might not be your favourite book. (But, from what I’ve heard of the trilogy, you could think of it as a 1500-2000-page epic fantasy book and get your fill of battle later on.)
The narrative is political. It’s full of mysteries, backstabbing, literal stabbing… And from the little we see of other countries/continents, Joe Abercrombie successfully shows that this is a sprawling world with vibrant cultures and dangerous, incoming threats. This is just the kind of book I was after, and it’s been on my TBR pile for over 4 years!
Final Thoughts on The Blade Itself
Everyone who raves about this book is right. If you loved A Song of Ice and Fire and don’t mind your fantasy books a little dark with only a dash of magical elements, this is definitely a series you should pick up.
The plot has loads of twists and turns with characters that are wonderfully capable, dangerously incompetent, and where we see unlikely heroes and unseen traitors. The characters are developed throughout, with this book focused on the history that has led the nations and characters to this place, at this time, and with these ambitions. The storyline delivers through multiple threads each with their own set of characters. The narration doesn’t shy away from the brutality of conflict and torture but I wouldn’t say gratuitously. Battles must be fought and Logan Ninefingers will be at the heart of it. Traitors must be found and Glokta the inquisitor will hunt them. Bayaz the First of the Magi knows what’s at stake and must stop it.











