Image Unavailable
Color:
-
-
-
- Sorry, this item is not available in
- Image not available
- To view this video download Flash Player
Blade Runner - The Director's Cut (Remastered Limited Edition)
- Free returns are available for the shipping address you chose. You can return the item for any reason in new and unused condition: no shipping charges
- Learn more about free returns.
- Go to your orders and start the return
- Select the return method
- Ship it!
| Additional DVD options | Edition | Discs | Price | New from | Used from |
|
DVD
September 14, 2010 "Please retry" | Special Edition | 1 |
—
| $3.97 | $1.40 |
|
DVD
March 26, 1997 "Please retry" | The Director's Cut | 1 | $7.67 | $1.49 |
|
DVD
September 5, 2006 "Please retry" | Limited Edition | 1 | $6.50 | — | $1.96 |
|
DVD
October 9, 2006 "Please retry" | — | 1 | $12.75 | $4.98 |
|
DVD
December 18, 2007 "Please retry" | Special Edition | 2 | $12.99 | $2.42 |
|
DVD
January 6, 2015 "Please retry" | Special Edition | 2 | $13.99 | $2.99 |
|
DVD
December 18, 2007 "Please retry" | Collector's Edition | 4 | $59.99 | $2.63 |
|
DVD
December 18, 2007 "Please retry" | Collector's Edition | 5 | $174.92 | $74.76 |
|
DVD
"Please retry" | Collector's Edition | 5 |
—
| — | — |
Watch Instantly with
| Rent | Buy |
| Genre | Fantasy, Science Fiction |
| Format | Dolby, Original recording remastered, Widescreen, NTSC, Director's Cut, Dubbed, Restored, Subtitled |
| Contributor | William Sanderson, Philip K. Dick, Harrison Ford, Hampton Fancher, Joe Turkel, Daryl Hannah, Edward James Olmos, Joanna Cassidy, M. Emmet Walsh, Kevin Thompson, Sean Young, Rutger Hauer, Ridley Scott, Roland Kibbee, David Webb Peoples, Brion James, James Hong See more |
| Language | English, German, Japanese |
| Runtime | 1 hour and 57 minutes |
Customers also search
Product Description
Product description
Rick Deckard (Harrison Ford) prowls the steel-and-microchip jungle of 21st Century Los Angeles. He's a "blade runner" stalking genetically made criminal replicants. His assignment: kill them. Their crime: wanting to be human.The story of Blade Runner is familiar to countless fans. But few have seen it like this. Because this is director Ridley Scott's own vision of his sci-fi classic. This new version omits Deckard's voice narration develops in slightly greater detail the romance between Deckard and Rachael (Sean Young) and removes the "uplifting" finale. The result is a heightened emotional impact: a great film made greater. Most intriguing of all is a newly included unicorn vision that suggests that Deckard may be a humanoid. Do Androids Dream of Electric Sheep? Is Deckard a replicant? As with all things in the future you must discover the answer yourself.Running Time: 116 min.Format: DVD MOVIE Genre: SCI-FI/FANTASY UPC: 012569837799 Manufacturer No: 83779
Amazon.com
When Ridley Scott's cut of Blade Runner was finally released in 1993, one had to wonder why the studio hadn't done it right the first time--11 years earlier. This version is so much better, mostly because of what's been eliminated (the ludicrous and redundant voice-over narration and the phony happy ending) rather than what's been added (a bit more character development and a brief unicorn dream). Star Harrison Ford originally recorded the narration under duress at the insistence of Warner Bros. executives who thought the story needed further "explanation"; he later confessed that he thought if he did it badly they wouldn't use it. (Moral: Never overestimate the taste of movie executives.) The movie's spectacular futuristic vision of Los Angeles--a perpetually dark and rainy metropolis that's the nightmare antithesis of "Sunny Southern California"--is still its most seductive feature, an otherworldly atmosphere in which you can immerse yourself. The movie's shadowy visual style, along with its classic private-detective/murder-mystery plot line (with Ford on the trail of a murderous android, or "replicant"), makes Blade Runner one of the few science fiction pictures to legitimately claim a place in the film noir tradition. And, as in the best noir, the sleuth discovers a whole lot more (about himself and the people he encounters) than he anticipates.... With Sean Young, Edward James Olmos, Daryl Hannah, Rutger Hauer, and M. Emmet Walsh. --Jim Emerson
Product details
- Aspect Ratio : 2.35:1
- Is Discontinued By Manufacturer : No
- MPAA rating : R (Restricted)
- Product Dimensions : 7.75 x 5.75 x 0.5 inches; 2.4 Ounces
- Director : Ridley Scott
- Media Format : Dolby, Original recording remastered, Widescreen, NTSC, Director's Cut, Dubbed, Restored, Subtitled
- Run time : 1 hour and 57 minutes
- Release date : September 5, 2006
- Actors : Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh
- Dubbed: : French
- Subtitles: : English, Spanish, French
- Language : English (Dolby Digital 2.0 Surround), French (Dolby Digital 2.0 Surround)
- Studio : Warner Home Video
- ASIN : B000HC2LIK
- Writers : David Webb Peoples, Hampton Fancher, Philip K. Dick, Roland Kibbee
- Number of discs : 1
- Best Sellers Rank: #139,506 in Movies & TV (See Top 100 in Movies & TV)
- #1,511 in Fantasy DVDs
- #2,790 in Science Fiction DVDs
- #23,856 in Drama DVDs
- Customer Reviews:
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonReviewed in the United States on July 12, 2022
-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
Why is "Blade Runner" one of the greatest movies of all time? I could write a lengthy review describing the movie's greatness, but I'll do the movie greater service by listing the reasons:
1.) It's a simple story, brilliantly told, tightly paced and superbly directed. A retired police officer is forced by the police state to hunt down (or "retire") a group of bio-engineered cyborgs called Replicants. Under Ridley Scott's tight direction, the movie is a gripping experience as we see the main character struggle to fulfill his obligations and survive. The opening sequence where Leon is interrogated as rather or not he's a Replicant and the scenes where Deckard is pursuing Pris in a room cluttered with mannequins are as suspenseful as the best of Hitchcock.
2.) The acting is utterly terrific. Harrison Ford probably gave the greatest performance of his career as the replicant hunter Deckard. Ford hated the movie and called it a miserable experience, yet in some ways, this helped add greater depth to his character, as we see Deckard's anguish, frustration and anger simmering throughout the movie. Sean Young is outstanding as the Replicant assistant Rachael and her scenes with Deckard, where he tries to teach her about love in his apartment, have an emotional intensity barely found in other sci-fi movies. Darryl Hannah made a huge impression as the lonely and tragic Pris and Edward James Olmos provides comic relief as the officer Gaff, who raises an ambiguous question at the end that still resonates to this day. But the highest acting honor, of course, belongs to Rutger Hauer, as Roy Batty, the movie's main antagonist. Subtle yet dangerous, a menace to society yet one with tragic grandeur, Hauer's Batty may rank as one of the greatest and most memorable villains in movie history.
3.) "Blade Runner" successfully continues the tradition that has defined science-fiction movies in decades, in that it presents the central theme that the most humane characters are in the fact the most inhuman. Despite their supposed lack of humanity, Roy Batty and Pris are arguably the most sympathetic characters in movie, primarily because they are outcasts who refuse to blend in to an oppressive society (see below). In fact, the general complaint about "Blade Runner" when it was released was that the replicants were more interesting than the hero, when that was precisely the point. There's a disturbing sequence where Deckard is hunting down a female replicant and instead of having the audience root for him, the movie defies conventions and has us hoping that the replicant escapes (there's even a hint in the movie's finale that Deckard himself may be a replicant). At the end, when Batty chooses his fate, you feel a great sense of sadness for this inhuman yet paradoxically humane character.
4.) No other movie, not even "2001" or "Metropolis", captures the feeling of being displaced, oppressed and and dehumanized in an oppressive society. One of the biggest reasons for the movie's initial failure was that it presented such a dark vision of a world where privacy is lacking, noise is abundant and commercialism runs rampant throughout the city. The sets, outfits, the insufferable rain and the cluttering masses on the street create a feeling of powerlessness, a feeling that prevents people from having the free will to be themselves. Deckard is a perfect example of that, as he is powerless towards a quasi-fascist police state that determines his fate or he will be part of the "little people". The movie is, for all its futuristic technology, is an expressive drama.
5.) "Blade Runner" has one of the best musical scores ever made. Composed by "Chariots of Fire" conductor Vangelis, the music is a groundbreaking merge of futuristic synthesizers, organic compositions and even an element of jazz, as seen in the beloved "Love Theme", with its beautiful saxophone solo. You can listen to this music without seeing the film and imagine the whole movie in your head.
6.) "Blade Runner" seems more relevant and prophetic today than it was released in 1982. Critics and moviegoers were taken back by seeing such dark, dreary vision, a vision where the rich care so little about the poor that they form a hostile, miserable ghetto. Yet walk down the inner slums of any city, from Los Angeles in early 1990s and Moscow to Tokyo and that vision is there before our eyes. Technology, which was supposedly man's gift to preserve humanity, has slowly overtaken our human traits, making us cold, mechanical and increasingly dependent on machinery.
And yet...
7.) The movie, despite its darkness, ends with a suggestion of hope. When Batty spares Deckard's life and delivers that immortal monologue which has earned its place in cinema, this scene suggests a promising hope in the future: that machines and human, instead of striving to dominate the other, can live side-by-side in harmony. This is not a hippie message, but a heartfelt plea for everyone in diverse groups to coexist and accept one another.
"Blade Runner" is one of the American cinema's most towering achievements and an institution for every science-fiction entity that has come afterwards, from "The Matrix" and "Dark City" to "Ghost in the Shell" and "Cowboy Bebop", from the fantastical adventures by Hayao Miyazaki, to the grim, political fables by Guillermo Del Toro and Alfonso Cuaron. Even "The Fifth Element", in some ways, plays like a sunny, cartoony alternative to this grim classic. It is essential that you watch "Blade Runner", even if you don't like it (which is highly doubtful). If you even think of starting a Blu-Ray/DVD collection without it, then you are simply just one of the "little people".
Strongest recommendation to steal at all costs.
P.S. Like many great movies, "Blade Runner" has come out in a variety of editions, each of them a worthy purchase. There was a five-disc ultimate collector's edition that came out on both DVD and Blu-Ray. That is currently out of print. In its place, there was 30th anniversary edition released in two box sets: a multi-format version (with that memorable Asian face on the front cover) and a three-disc set released with only Blu-Rays (that's the one with the unicorn on the front cover). Either version you watch is fine, but if you just want the Blu-Rays in an affordable set, go with the three-disc set. Besides nearly a dozen hours of supplements, the picture and audio qualities are excellent. Since "Blade Runner" is an intensely visual experience, it is highly recommended that you watch it on a big screen and with big speakers. As the saying goes, the bigger, the better...in everything.
Blade Runner first and foremost, is probably the greatest film ever made, from beginning to end and in all of its variations. A bold statement when the film doesn't even rank in the top 10 in the American Film Institute or on IMDb. Spots #97 and #104 respectively (ahem). But as these kind of lists are subjective and truly under the control of mere mortals and their own strange whims, and I take no offense that so many so-called aficionados have over-looked this film for so long. Roger Ebert slammed Ridley Scott and the film during the first theatrical release by stating that `Scott cared more about the lush environment of the film than he did of the story', which as we all know - and even Ebert now, in hindsight, has stated that he was unkind and grossly unfair to both Scott and the film.
For years, Blade Runner was divided into two different camps, or rather four and they are: Those that preferred the narration and those that did not and the other camp was those that thought Deckard was a Replicant and those that thought he was either human or felt it was left ambiguous. Ridley Scott has very gracefully over the years, given homage to these thoughts and made many statements that most readers are aware of, chiefly - that Deckard was a Replicant. Unfortunately, due to the studios fingering with the film during post-production, Warner Brothers had the right to trim anything after the 120 min mark, and thus butchering the nuance of the film and leaving several things vague and forcing Scott to tack on the Happy ending and the narration - because as we all know ... we're all just too stupid to get it.
The new and most refreshing part of the new argument, evinced in the 210 (wow!) min documentary `Dangerous Days' is that Scott gives equal time to those that enjoyed the film with the narration, with Guillermo del Toro (Pan's Labyrinth) in the forefront, with his very candid telling of how Blade Runner changed his life and launched him down the road into filmmaking. We also get to hear a very lucid and warm retelling from Harrison Ford of the nightmare that he not only endured making the movie but the further commitment of having to do the Voice Over narration months later, which ended up having its own strange story as well.
So, now with 5 versions available in this box set, you get to see Blade Runner in every single angle imaginable and it is engrossing every time. Ebert also said in the Nineties that the re-release of the movie for the Director's Cut gives you yet another version of the film, but fails to handle the main problems that were so apparent the first time around. As the film has changed Ebert has gone from student flippancy to utmost respect and enjoyment. Ebert's own site has all three versions of his reviews which are interesting to read in context to the passage of time if you're interested.
There are so many layers to Blade Runner and so many things that can be said from the brilliant look of the newly restored cut, the awesome remixed sound, the Original Score by Vangelis, and the story itself. Blade Runner is probably the high water mark of all films and will probably stay that way for quite some time. Internet voting puts the film as the 4th greatest movie of all time, according to AFI's own user polls - so that really puts perspective on AFI's and IMDb's so-called Final Lists.
On a final note, when people watch this film, a lot of people come away with a strange feeling of familiarity regarding the content, the story and the character of Rick Deckard the protagonist, the Detective, the Blade Runner. You should know that Philip K. Dick was an incredibly huge fan of Raymond Chandler and absorbed every one of his stories on a personal level. Hampton Fancher, the screenwriter was privy to this when he penned the screenplay while making the adaptation for `Do Androids Dream of Electric Sheep?' and did his best to not only pay homage to this for Dick but for Chandler as well. Movies like `The Big Sleep' really bring it home and make it evident to the viewer. The novel almost reads like the narration and in latter years I find impossible to not hear Harrison Ford's voice as I read `The Big Sleep'.
"Do you like my owl?"
"Is it artificial?"
Top reviews from other countries
Diesen Film schaut man nicht nur mit den Augen und hört ihn mit den Ohren, nein, man fühlt ihn dabei auch noch. Die Elemente des "Film noir" und der durchaus - aus heutiger Sicht - realistische Blick auf die Zukunft wirken genau da, wo sie es sollten. Bladerunner ist beklemmend und faszinierend zugleich, auch Dank der visuellen Effekte und der musikalischen Begleitung.
Der Film spielt 2019 in L.A., wir haben nun das Jahr 2018 und die damaligen Zukunftsaussichten sind gar nicht mal so abwegig. Auf den Gebieten der VR, AR und KI wird seit Jahren intensiv geforscht und entwickelt, die Erde ist bereits wirklich überbevölkert (Tendenz steigend) und die sozialen Kompetenzen der Menschen schwinden langsam aber sicher - vor allem aufgrund der technischen Innovationen und die Flucht in virtuelle Welten.
Auch der gezeigte Dauerregen ist möglich, wenn man sich unsere wirklichen Klimaveränderungen und deren Auswirkungen anschaut. Alles in Allem ein denkbares Gesamtszenario, welches uns in der Tat irgendwann erreichen könnte.
Wer ein rasantes Actionfeuerwerk oder pfiffige Dialoge erwartet, wird nicht bedient werden. Bladerunner fesselt den Zuschauer auf seine ganz eigene Art und Weise. Die dystopische Atmosphäre erzeugt Stimmung und regt zum Nachdenken an.
Sicherlich nicht jedermanns Sache aber für die o.g. Zielgruppe ein fest etablierter Kultfilm, den man gesehen haben sollte.
Tipp: Auch die Fortsetzung ist sehenswert.
There's a little toy included (bit of a gimmick really, but it sets this presentation box set apart from previous ones). There's several versions of the main feature here, but the one to watch of course is the very final (yes, final) director's cut version. In Blu-ray it's absolutely stunning (I'm quite new to Blu-ray and HD TV, so forgive my unbounded joy here) especially if you watch it in a dark room, with the sound fed through your hi-fi into good quality closed back headphones (the only way to enjoy films at home, in my opinion).
There's a load of extra material which takes up another several hours of viewing time (I did that over a few days, I must confess). It's fascinating to see how the original was cleaned up and tiny bits of one or two scenes were even re-shot many years later, to be edited into the final cut. I absolutely love programmes about 'the making of' .. I should have worked in films!
Blade Runner is one of those films that, if you like your sci-fi all atmospheric and frankly slightly weird, will stay with you for a very long time.
I am very disappointed however by the packaging, which looks like this Blu Ray case was on another film before being hastily changed so that it now contained this film. The box is scuffed and whilst not being broken, looks extremely poor. This packaging is so poor, I have deducted a star from a genuinely 5 star film.
Reviewed in the United Kingdom 🇬🇧 on February 2, 2021
I am very disappointed however by the packaging, which looks like this Blu Ray case was on another film before being hastily changed so that it now contained this film. The box is scuffed and whilst not being broken, looks extremely poor. This packaging is so poor, I have deducted a star from a genuinely 5 star film.
The addition of the spinner police car model is a nice touch in this boxed version . You get Four versions of Blade Runner, the first is the Blue Ray cut, done in 2007/8. Watching it took me right back to 1982 when I saw this movie for the first time, in that the picture quality is superb.
The films seminal opening sequence is made as breathtaking as I remember it from watching it in the cinema and the sound quality is excellent, highlighting and enhancing scenes throughout the movie.
The other discs include the original film release which was a studio butchered version of Ridley Scott's vision. His original directors cut release and the fourth disc is a ' working print'.
This last version is the film in 'progress ', a print shown to studio execs and test audiences so it's quality in picture and sound is a bit rough, but it gives a fascinating insight into the film making process as it has subtle differences to the final print.
This alone if your like myself a true fan of this film, coupled with the Blue Ray version makes the cost of this box set worthwhile. Add in the two other versions, making of documentary the model, makes it a must have.
Great to have all versions of this great movie in HD. picture is hit and miss, varying from scene to scene but this is common with older movies especially special editions and director cuts etc. No doubt that it's a great movie but this 'boxset' could be better. Packaging a bit flimsy and random art-work. The 'Spinner' model car is only slightly better quality than what you may expect to find from a Kinder Egg. There's a rushed to print book of archive material, not enough to get excited about and all from material you can find in earlier DVD boxset's or simply on google. A bit of a rush job all round really but so what, stick the film on, The final cut is great, just a slightly expensive way to get the film in HD with the additional 'mark-up' tat that's included.


![Blade Runner [Final Cut]](https://m.media-amazon.com/images/I/91dWchEiFvL._AC_UL140_SR140,140_.jpg)






