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Blonde On Blonde

Reissued, Remastered

Bob Dylan Format: Audio CD

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Audio CD, Original recording reissued, Original recording remastered, June 1, 2004

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Track Listings

1	Rainy Day Women #12 & 35
2	Pledging My Time
3	Visions of Johanna
4	One of Us Must Know (Sooner or Later)
5	I Want You
6	Stuck Inside of Mobile with the Memphis Blues Again
7	Leopard-Skin Pill-Box Hat
8	Just Like a Woman
9	Most Likely You Go Your Way (And I'll Go Mine)
10	Temporary Like Achilles
11	Absolutely Sweet Marie
12	Fourth Time Around
13	Obviously Five Believers
14	Sad-Eyed Lady of the Lowlands

Editorial Reviews

This is the re-mastered reissue of Bob Dylan's 1966 album BLONDE ON BLONDE.

Product details

Is Discontinued By Manufacturer ‏ : ‎ No
Language ‏ : ‎ English
Product Dimensions ‏ : ‎ 5.56 x 5.04 x 1.74 inches; 4.16 ounces
Manufacturer ‏ : ‎ Legacy Recordings
Item model number ‏ : ‎ 2192761
Original Release Date ‏ : ‎ 2004
Run time ‏ : ‎ 1 hour and 12 minutes
Date First Available ‏ : ‎ January 29, 2007
Label ‏ : ‎ Legacy Recordings
ASIN ‏ : ‎ B00026WU8M
Country of Origin ‏ : ‎ USA
Number of discs ‏ : ‎ 1

Best Sellers Rank: #1,965 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #19 in Contemporary Folk (CDs & Vinyl)
- #48 in Folk Rock (CDs & Vinyl)
- #59 in Blues Rock (CDs & Vinyl)

Customer Reviews:
2,030

Customer reviews

4.8 out of 5

2,030 global ratings

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MusikNonStop

Awesome CD!

Reviewed in the United States on March 7, 2024

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Fast Delivery, THANKS

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Edmund Davis-Quinn

An astoundingly, surreal, wonderful and awesome album.

Reviewed in the United States on January 13, 2013

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After enjoying reviewing Johnny Cash/Willie Nelson VH1 Storytellers yesterday ****, thought it would be fun to review one of Bob Dylan's seminal records "Blonde on Blonde." This is an album that has grown on me. (Stars are iTunes for the songs from 1-5, and plays on iTunes). I have had this album for a while. But I usually listen to tracks off it randomly not the album as a whole, so this will be fun.

1. Rainy Day Women #12 & #35 -- The carnival rambunctiousness of everybody get stoned, as it's often known. So don't feel so alone, every.. body must get stoned. **** (18)

2. Pledging My Time -- Not a song I know as well. Weaker track on this excellent album. *** (2)

3. Visions of Johanna -- One of Dylan's more underrated songs. Captures the wonderful, surreal spirit of this album. And a beautiful rhythm. I really love Bob Dylan's voice. This song just makes me happy. **** (15)

4. One Of Us Must Know (Sooner Or Later) -- Another track I don't know as well on this album. Doesn't come together like many of the anthemic tracks on this album, but a nice song. *** (2)

5. I Want You -- Guitar with harmonica works as a song. I just love the playfulness of Dylan's voice on this song. And "I want you, I want you, I want you, so bad" sounds like a trite line, but totally works. Wonderful song. **** (23)

6. Stuck Inside Of Mobile With The Memphis Blues Again -- A song I don't listen to enough. Has all of the storytelling, surrealism and fun of this album. Oh momma, is this really be the end. Reminds me of one of my favorite Dylan songs "Ballad of a Thin Man." Just got added to my "Awesome Sauce" playlist. **** (2)

7. Leopard-Skin Pill-Box Hat -- Always happy to hear this song. One that I love to sing to. Maybe I should do this for karoeke. Easily one of my favorite all-time songs. Playful surrealism again. I don't mind him cheating on me, but I'd sure wish he'd take that off his head, you brand new leopard-skin pill-box hat. ***** (29)

8. Just Like a Woman -- Absolutely a signature song. And one of the most heartfelt on this often wonderfully silly record. Just makes me happy. She just aches just a like a woman, but she breaks just like a little girl. ***** (31)

9. Most Likely You Go Your Way (And I'll Go Mine) -- A lot of long titles on this album. Back to the silly, surreal songs. Doesn't come through for me like some of my favorite tracks on this record. *** (3)

10. Temporary Like Achilles -- A nice song. Still a good track, but on "Blonde on Blonde" it seems pedestrian. *** (4)

11. Absolutely Sweet Marie -- The playfulness and great melody is back. After two songs that don't quite reach the level of the best of this album. Wonderful. But to live outside the law, you must be honest. **** (25)

12. 4th Time Around -- Very pretty opening. Vocal is a little muddy behind the instrumental on this one. This probably could have used more takes. Good song that could be better. You do in to the melody as it goes on. *** (5)

13. Obviously 5 Believers -- Kind of a crazy start, very brassy. Doesn't flow as well as the best tracks of the album. To me this is an album that you can listen to in pieces. *** (5)

14. Sad Eyed Lady of the Lowlands -- Dylan is good at the long, storytelling song. Effermal and a perfect ending. It's a really lovely song. Bob Dylan is a master at the harmonica. **** (5)

This is a great album, one of the best I own. Just fantastic. There is a reason Bob Dylan is my all time 2nd favorite music performer to Johnny Cash. So many great songs on this record in ranking order (4 stars plus): Leopard-Skin Pill-Box Hat, Just Like a Woman, Visions of Johanna, Absolutely Sweet Marie, I Want You, Rainy Day Women #12 & 35, Sad Eyed Lady of the Lowlands, Stuck Inside Of Mobile With The Memphis Blues Again. 8 of 14 songs on an album being 4 star plus and 2 being 5 stars is extremely rare for me, great and amazing album.

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C. Priem

Excellent

Reviewed in the United States on February 17, 2024

Good music

Reviewed in the United States on December 25, 2023

Verified Purchase

I love this record! So many classic Dylan songs. Sounds and spins great. Very sturdy vinyl.

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Ricardo Mio

Absolutely Bob Dylan

Reviewed in the United States on June 5, 2015

Verified Purchase

Bob Dylan was not possessed with a great voice. Nor did he play guitar or harmonica particularly well. What he had was charisma, and songwriting ability that moved mountains. In the mid-1960s, the civil rights movement, the anti-war movement, liberal college professors, beatniks, peaceniks, artists, poets, folkies, and hippies, all were under his spell. Dylan was their spokesman, their Mr. Tambourine Man. And that was the problem. He didn’t want to be their Mr. Tambourine. Dylan went his own way. He knew his own mind, and he saw through the transitory state of idol-worship. Politics and fame held no attraction for him. He turned down an invitation to appear on Ed Sullivan because they wouldn’t allow him to sing “John Birch Society Blues." He would have been content to perform in Greenwich Village Coffee Houses (where he got started) for the rest of his life. Dylan exemplified the dictum: “Talent does what it can; genius does what it must.” He achieved his first blush of success writing protests songs. “Blowin' in the Wind” sounded as if it had been around forever, written by an Old Testament prophet. Dylan didn't wait around for accolades. He moved on. He changed from acoustic to electrical guitar, added a backup band, and wrote more personal songs: “All I Really Want to Do,” “Don’t Think Twice, It’s Alright,” and “It Ain’t Me Babe.” And then he went back to the studio and recorded “Highway 61 Revisited” which stunned everyone. How do you follow a masterpiece? Go to Nashville, live in the studio for four days and nights, and emerge with “Blonde on Blonde.” How does he do it? That’s what everyone wanted to know. He didn’t have an answer, nor did he try to give one. Bob Dylan is like an epic poem: there’s no explaining it; it just is. You read the words and draw your own meaning from it. The same can be said of “Blonde on Blonde.” There’s no explaining it. It just is. About the album, in 1978 Dylan said it was “the closest I ever got to the sound I hear in my mind . . . that thin, that wild-mercury sound.” That wild-mercury sound is present throughout "Bonde on Blonde," on “Absolutely Sweet Maria,” “I Want You,” “Rainy Day Women 12 and 35,” “ Stuck inside of Mobile with the Memphis Blues Again,” “Just Like a Woman,” and on and on, concluding with the majestic “Sad-Eyed Lady of the Lowlands.” Listen to the words and music and draw your own meaning from it. Five stars.

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morock

Nice music and good quality of the CD

Reviewed in Canada on February 12, 2024

Verified Purchase

My son and I are really enjoying it.

paulo novaes

Prêmio Nobel

Reviewed in Brazil on September 23, 2023

Verified Purchase

Tudo o que Bob Dylan fez é ótimo . Foi o prêmio mais merecido dos últimos 70 anos .

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Un clásico

Reviewed in Spain on January 22, 2024

Verified Purchase

El tiempo de entrega perfecto disco perfecto todo perfecto un clásico inigualable

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Fantastica edizione audiofila del monumentale capolavoro di Dylan. Essenziale !!

Pietra miliare del rock

Reviewed in Italy on January 8, 2024

Verified Purchase

Fantastica edizione audiofila del monumentale capolavoro di Dylan. Essenziale!!

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R-ART

Natürlich nicht zu sehen: Es was die 1. Doppel-LP !

Reviewed in Germany on March 19, 2022

Verified Purchase

In diesem Zusammenhang taucht immer wieder die Frage auf: Wie viele Minuten "passen" auf eine CD? (Es handelt sich hier sich nur um eine einfache - keine Doppel-CD.
Richtig: 72 Min.
Und warum gerade 72 Min?
Vor ihrem Aufkommen 1982 war etliches zu klären / normieren. (Bei weitem nicht so viel wie bei den Video-Systemen!)
Der grosse Dirigent Herbert v. Karajan bestand bei seiner Plattenfirma Sony darauf, dass Beethoven's 9. Sinf. auf 1 CD passen müsste, andernfalls er sich eine "Plattenfa." holen würde, die dies zuwege brächte.
Sony wollte ihren bestverkauften Dirigenten natürlich nicht verlieren, und die Technikier arbeiteten rund um die Uhr: 71 min., 40 Sec.
Karajan war zufrieden. Seither: ...
Bemerkung am Rande: bald danach kamen auch schon die ersten CD-Wechsler auf den Markt. Ich hatte einen, scheint es NIRGENDWO zu geben, und ich bin immer noch und wieder auf der Suche.
Der "Kampf" zwischen Vinyl-Beibehaltern und CD-Fans dauerte lange.
Etwa 1984 schätze man den Gleichstand - danach ging es mit Vinyl "bergab": Zu empfindlich, nur L/R (auf die Idee der Phasendrehung kam man erst später, um eine 4-Kanal-Wiedergabe zu ermöglichen. Von 4.0 auf 5.1 hingegen war es nur ein "Katzensprung". (Doppelte Phasendrehung - Interessierte mögen dies im "Handbuch der Tontechnik" nachlesen.)
Zurück zur Rezension, weil ich mich wieder beim Abschweifen ertappt habe:
Kritikern "passte" die Orchestrierung (Orgel plus Klavier) nicht, desgleichen dass Dylan zur e-Gitarre griff oder - aus welchen Gründen auch immer: die Seite 4 auf den Vinylscheiben, die nur ein einziges Lied "Sad eyed Lady of the Lowlands", eines der schönsten Liebeslieder an eine Unbekannte bis heute; vermutlich Joan Baez, die gemeinsam mit ihm 2 Jahre zuvor auf drm Cover von "The Freewheelin Bob Dylan" zu sehen war...).
Ich bin mir einigermassen sicher, dass jeder Song hier jedem/r bekannt ist.

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