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Blood Canticle (The Vampire Chronicles) Mass Market Paperback – August 31, 2004
| Anne Rice (Author) Find all the books, read about the author, and more. See search results for this author |
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Surrounded by its brooding swampscape, Blackwood Farm is alive with the comings and goings of the bewitched and the bewitching. Among them is the ageless vampire Lestat, vainglorious enough to believe that he can become a saint, weak enough to fall impossibly in love.
Gripped by his unspeakable desire for the mortal Rowan Mayfair and taking the not so innocent, new-to-the-blood Mona Mayfair under his wing, Lestat braves the wrath of paterfamilias Julien Mayfair and ventures to a private island off the coast of Haiti. There, Saint Lestat will get his chance to slay his dragon. For Mona and the Mayfairs share an explosive, secret blood bond to another deathless species: a five-thousand-year-old race of Taltos, strangers held in the throes of evil itself.
- Print length401 pages
- LanguageEnglish
- PublisherBallantine Books
- Publication dateAugust 31, 2004
- Dimensions4.17 x 1.02 x 6.83 inches
- ISBN-100345443691
- ISBN-13978-0345443694
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Editorial Reviews
Review
–Orlando Sentinel
From the Inside Flap
Surrounded by its brooding swampscape, Blackwood Farm is alive with the comings and goings of the bewitched and the bewitching. Among them is the ageless vampire Lestat, vainglorious enough to believe that he can become a saint, weak enough to fall impossibly in love.
Gripped by his unspeakable desire for the mortal Rowan Mayfair and taking the not so innocent, new-to-the-blood Mona Mayfair under his wing, Lestat braves the wrath of paterfamilias Julien Mayfair and ventures to a private island off the coast of Haiti. There, Saint Lestat will get his chance to slay his dragon. For Mona and the Mayfairs share an explosive, secret blood bond to another deathless species: a five-thousand-year-old race of Taltos, strangers held in the throes of evil itself.
From the Back Cover
"
Surrounded by its brooding swampscape, Blackwood Farm is alive with the comings and goings of the bewitched and the bewitching. Among them is the ageless vampire Lestat, vainglorious enough to believe that he can become a saint, weak enough to fall impossibly in love.
Gripped by his unspeakable desire for the mortal Rowan Mayfair and taking the not so innocent, new-to-the-blood Mona Mayfair under his wing, Lestat braves the wrath of paterfamilias Julien Mayfair and ventures to a private island off the coast of Haiti. There, Saint Lestat will get his chance to slay his dragon. For Mona and the Mayfairs share an explosive, secret blood bond to another deathless species: a five-thousand-year-old race of Taltos, strangers held in the throes of evil itself.
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
I want to be a saint. I want to save souls by the millions. I want to do good far and wide. I want to fight evil! I want my life-sized statue in every church. I’m talking six feet tall, blond hair, blue eyes --.
Wait a second.
Do you know who I am?
I’m thinking maybe you’re a new reader and you’ve never heard of me.
Well, if that’s the case, allow me to introduce myself, which I absolutely crave doing at the beginning of every one of my books.
I’m the Vampire Lestat, the most potent and lovable vampire ever created, a supernatural knockout, two hundred years old but fixed forever in the form of a twenty-year-old male with features and figure you’d die for -- and just might. I’m endlessly resourceful, and undeniably charming. Death, disease, time, gravity, they mean nothing to me.
Only two things are my enemy: daylight, because it renders me completely lifeless and vulnerable to the burning rays of the sun, and conscience. In other words, I’m a condemned inhabitant of eternal night and an eternally tormented blood seeker.
Doesn’t that make me sound irresistible?
And before I continue with my fantasy let me assure you:
I know damned well how to be a full-fledged, post-Renaissance, post–nineteenth century, post-modern, post-popular writer. I don’t deconstruct nothin’. That is, you’re going to get a full-dress story here -- with a beginning, middle and end. I’m talking plot, characters, suspense, the works.
I’m going to take care of you. So rest easy and read on. You won’t be sorry. You think I don’t want new readers? My name is thirst, baby. I must have you!
However, since we are taking this little break from my preoccupation with being a saint, let me say a few words to my dedicated following. You new guys follow along. It certainly won’t be difficult. Why would I do something that you find difficult? That would be self-defeating, right?
Now, to those of you who worship me. You know, the millions.
You say you want to hear from me. You leave yellow roses at my gate in New Orleans, with handwritten notes: “Lestat, speak to us again. Give us a new book. Lestat, we love the Vampire Chronicles. Lestat, why have we not heard from you? Lestat, please come back.”
But I ask you, my beloved followers (don’t all stumble over yourselves now to answer), what the Hell happened when I gave you Memnoch the Devil? Hmmm? That was the last of the Vampire Chronicles written by me in my own words.
Oh, you bought the book, I’m not complaining about that, my beloved readers. Point of fact, Memnoch has outsold the other Vam-pire Chronicles completely; how’s that for a vulgar detail? But did you embrace it? Did you understand it? Did you read it twice? Did you believe it?
I’d been to the Court of Almighty God and to the howling depths of Perdition, boys and girls, and I trusted you with my confessions, down to the last quiver of confusion and misery, prevailing on you to understand for me why I’d fled this terrifying opportunity to really become a saint, and what did you do? You complained!
“Where was Lestat, the Vampire?” That’s what you wanted to know. Where was Lestat in his snappy black frock coat, flashing his tiny fang teeth as he smiles, striding in English boots through the glossy underworld of everybody’s sinister and stylish city packed with writhing human victims, the majority of whom deserve the vampiric kiss? That’s what you talked about!
Where was Lestat the insatiable blood thief and soul smasher, Lestat the vengeful, Lestat the sly, Lestat the . . . well, actually . . . Lestat, the Magnificent.
Yeah, I like that: Lestat, the Magnificent. That sounds like a good name to me for this book. And I am, when you get right down to it, magnificent. I mean, somebody has to say it. But let’s go back to your song and dance over Memnoch.
We don’t want this shattered remnant of a shaman! you said. We want our hero. Where’s his classic Harley? Let him kick start it and roar through the French Quarter streets and alleys. Let him sing in the wind to the music pumping through his tiny earphones, purple shades down, blond hair blowing free.
Well, cool, yeah, I like that image. Sure. I still have the motorcycle. And yeah, I adore frock coats, I have them made; you’re not going to get any arguments from me on that. And the boots, always. Want to know what I’m wearing now?
I’m not going to tell you!
Well, not until further on.
But think it over, what I’m trying to say.
I give you this metaphysical vision of Creation and Eternity here, the whole history (more or less) of Christianity, and meditations galore on the Cosmos Big Time -- and what thanks do I get? “What kind of a novel is this?” you asked. “We didn’t tell you to go to Heaven and Hell! We want you to be the fancy fiend!”
Mon Dieu! You make me miserable! You really do, I want you to know that. Much as I love you, much as I need you, much as I can’t exist without you, you make me miserable!
Go ahead, throw this book away. Spit on me. Revile me. I dare you. Cast me out of your intellectual orbit. Throw me out of your backpack. Pitch me in the airport trash bin. Leave me on a bench in Central Park!
What do I care?
No. I don’t want you to do all that. Don’t do that.
DON’T DO IT!
I want you to read every page I write. I want my prose to envelop you. I’d drink your blood if I could and hook you into every memory inside me, every heartbreak, frame of reference, temporary triumph, petty defeat, mystic moment of surrender. And all right, already, I’ll dress for the occasion. Do I ever not dress for the occasion? Does anybody look better in rags than me?
Sigh.
I hate my vocabulary!
Why is it that no matter how much I read, I end up sounding like an international gutter punk?
Of course one good reason for that is my obsession with producing a report to the mortal world that can be read by just about anyone. I want my books in trailer parks and university libraries. You know what I mean? I’m not, for all my cultural and artistic hunger, an elitist. Have you not guessed?
Sigh again.
I’m too desperate! A psyche permanently set on overdrive, that’s the fate of a thinking vampire. I should be out murdering a bad guy, lapping his blood as if he was a Popsicle. Instead I’m writing a book.
That’s why no amount of wealth and power can silence me for very long. Desperation is the source of the fount. What if all this is meaningless? What if high-gloss French furniture with ormolu and inlaid leather really doesn’t matter in the grand scheme of things? You can shudder with desperation in the rooms of a palace as well as in a crash pad. Not to mention a coffin! But forget the coffin, baby. I’m not what you’d call a coffin vampire anymore. That’s nonsense. Not that I didn’t like them when I slept in them, however. In a way, there’s nothing like it -- but what was I saying:
Ah, yeah, we’re going to move on, but --.
Please, before we proceed, let me whine about what was done to my mind by my confrontation with Memnoch.
Now, pay attention, all of you, new readers and old:
I was attacked by the divine and sacramental! People talk about the gift of faith, well, I’m telling you it was more like a car crash! It did sheer violence to my psyche. Being a full-fledged vampire is a tough job once you’ve seen the streets of Heaven and Hell. And you guys should give me some metaphysical space.
Now and then I get these little spells: I DON’T WANT TO BE EVIL ANYMORE!
Don’t all respond at once: “We want you to be the bad guy, you promised!”
Gotcha. But you must understand what I suffer. It’s only fair.
And I’m so good at being bad, of course, the old slogan. If I haven’t put that on a T-shirt, I’m going to. Actually, I really don’t want to write anything that can’t be put on a T-shirt. Actually, I’d like to write only on T-shirts. Actually, I’d like to write whole novels on T-shirts. So you guys could say, “I’m wearing chapter eight of Lestat’s new book, that’s my favorite; oh, I see, you’re wearing chapter six --.”
From time to time I do wear -- Oh, stop it!
IS THERE NO WAY OUT OF THIS?
You’re always whispering in my ear, aren’t you?
I’m shuffling along Pirates’ Alley, a bum covered with morally imperative dust, and you slip up beside me and say: “Lestat, wake up,” and I pivot, slam bang! like Superman dodging into the all-American phone booth, and voilà! There I stand, full-dress apparitional, in velvet once again, and I’ve got you by the throat. We’re in the vestibule of the Cathedral (where did you think I’d drag you? Don’t you want to die on consecrated ground?), and you’re begging for it all the way; oops! went too far, meant for this to be the Little Drink, don’t say I didn’t warn you. Come to think of it. Did I warn you?
All right, okay, yeah, forget about it, so what, stop the hand wringing, sure sure, knock it off, cool it, shove it, eh?
I surrender. Of course we’re going to revel in pure wickedness here!
And who am I to deny my vocation as a Roman Catholic storyteller par excellence? I mean, the Vampire Chronicles are MY invention, you know, and I am only NOT a monster when I’m addressing you, I mean, that’s why I write this, because I need you, I can’t breathe without you. I’m helpless without you --.
-- And I am back, sigh, shudder, cackle, tap dance, and I’m almost ready to pick up the conventional frame of this book and fix its four sides with the infallible super glue of sure-fire storytelling. It’s going to all add up, I swear to you on the ghost of my dead father, there’s technically, in my world, no such thing as a digression! All roads lead to me.
Quiet.
A beat.
But before we cut to Present Time, let me have my little fantasy. I need it. I am not all flash and dash, boys and girls, don’t you see? I can’t help myself.
Besides, if you can’t really bear to read this, then cut to Chapter Two right now. Go on, get!
And for those of you who really love me, who want to understand every nuance of the tale that lies ahead, I hereby invite you to go with me. Please read on:
I want to be a saint. I want to save souls by the millions. I want to do good everywhere. I want to have my life-sized plaster statue in every church in the world. Me, six feet tall with glass blue eyes, in long purple velvet robes, looking down with gently parted hands on the faithful who pray as they touch my foot.
“Lestat, cure my cancer, find my glasses, help my son get off drugs, make my husband love me.”
In Mexico City, the young men come to the seminary doors clutching small statues of me in their hands, while mothers weep before me in the Cathedral: “Lestat, save my little one. Lestat, take away the pain. Lestat, I can walk! Look, the statue is moving, I see tears!”
Drug dealers lay down their guns before me in Bogotá, Colombia. Murderers fall to their knees whispering my name.
In Moscow the patriarch bows before my image with a crippled boy in his arms, and the boy is visibly healed. Thousands return to the Church in France due to my intercession, people whispering as they stand before me, “Lestat, I’ve made up with my thieving sister. Lestat, I renounced my evil mistress. Lestat, I have exposed the crooked bank, this is the first time I’ve been to Mass in years. Lestat, I am going into the convent and nothing can stop me.”
In Naples, as Mt. Vesuvius erupts, my statue is carried in procession to halt the lava before it destroys the seashore towns. In Kansas City, thousands of students file past my image pledging to have safe sex or none at all. I am invoked at Mass for special intercession throughout Europe and America.
In New York, a gang of scientists announces to the whole world that, thanks to my specific intercession they have managed to make an odorless, tasteless, harmless drug which creates the total high of crack, cocaine and heroin combined, and which is dirt cheap, totally available and completely legal! The drug trade is forever destroyed!
Senators and congressmen sob and embrace when they hear the news. My statue is immediately put into the National Cathedral.
Hymns are written to me everywhere. I am the subject of pious poetry. Copies of my saintly biography (a dozen pages) are vividly illustrated and printed by the billions. People crowd into St. Patrick’s Cathedral in New York to leave their handwritten petitions in a basket before my image.
Little duplicates of me stand on dressing tables, countertops, desks, computer stations worldwide. “You haven’t heard of him? Pray to him, your husband will be a lamb afterwards, your mother will stop nagging you, your children will come to visit every Sunday; then send your money in thanksgiving to the church.”
Product details
- Publisher : Ballantine Books; Reprint edition (August 31, 2004)
- Language : English
- Mass Market Paperback : 401 pages
- ISBN-10 : 0345443691
- ISBN-13 : 978-0345443694
- Item Weight : 7.2 ounces
- Dimensions : 4.17 x 1.02 x 6.83 inches
- Best Sellers Rank: #132,083 in Books (See Top 100 in Books)
- #152 in Vampire Horror
- #241 in Vampire Thrillers
- #338 in Witch & Wizard Thrillers
- Customer Reviews:
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About the author

Anne Rice was born and raised in New Orleans, Louisiana. She holds a Master of Arts Degree in English and Creative Writing from San Francisco State University, as well as a Bachelor's Degree in Political Science. Anne has spent more of her life in California than in New Orleans, but New Orleans is her true home and provides the back drop for many of her famous novels. The French Quarter provided the setting for her first novel, Interview with the Vampire. And her ante-bellum house in the Garden District was the fictional home of her imaginary Mayfair Witches.
She is the author of over 30 books, most recently the Toby O'Dare novels Of Love and Evil, and Angel Time; the memoir, Called Out of Darkness;and her two novels about Jesus, Christ the Lord: Out of Egypt and Christ the Lord: The Road to Cana. (Anne regards Christ the Lord: The Road to Cana as her best novel.) ---- Under the pen name, A.N. Roquelaure, Anne is the author of the erotic (BDSM) fantasy series, The Sleeping Beauty Trilogy. Under the pen name Anne Rampling she is the author of two erotic novels, Exit to Eden and Belinda.
Anne publicly broke with organized religion in July of 2010 on moral grounds, affirming her faith in God, but refusing any longer to be called "Christian." The story attracted surprising media attention, with Rice's remarks being quoted in stories all over the world. Anne hopes that her two novels about Jesus will be accepted on their merits by readers and transcend her personal difficulties with religion. "Both my Christ the Lord novels were written with deep conviction and a desire to write the best novels possible about Jesus that were rooted in the bible and in the Christian tradition. I think they are among the best books I've ever been able to write, and I do dream of a day when they are evaluated without any connection to me personally. I continue to get a lot of very favorable feedback on them from believers and non believers. I remain very proud of them."
Anne is very active on her FaceBook Fan Page and has well over a million followers. She answers questions every day on the page, and also posts on a variety of topics, including literature, film, music, politics, religion, and her own writings. Many indie authors follow the page, and Anne welcomes posts that include advice for indie authors. She welcomes discussion there on numerous topics. She frequently asks her readers questions about their response to her work and joins in the discussions prompted by these questions.
Her novel, "The Wolves of Midwinter," a sequel to "The Wolf Gift" and part of a werewolf series set in Northern California in the present time, will be published on October 15, 2013. In these books --- The Wolf Gift Chronicles -- Anne returns to the classic monsters and themes of supernatural literature, similar to those she explored in her Vampire Chronicles, and tales of the Mayfair Witches. Her new "man wolf" hero, Reuben Golding, is a talented young man in his twenties who suddenly discovers himself in possession of werewolf powers that catapult him into the life of a comic book style super hero. How Reuben learns to control what he is, how he discovers others who possess the same mysterious "wolf gift," and how he learns to live with what he has become --- is the main focus of the series. "The Wolves of Midwinter" is a big Christmas book --- a book about Christmas traditions, customs, and the old haunting rituals of Midwinter practiced in Europe and in America. It's about how the werewolves celebrate these rituals, as humans and as werewolves. But the book also carries forward the story of Reuben's interactions with his girl friend, Laura, and with his human family, with particular focus on Reuben's father, Phil, and his brother, Jim. As a big family novel with elements of the supernatural, "The Wolves of Midwinter" has much in common with Anne's earlier book, "The Witching Hour." Among the treats of "The Wolves of Midwinter" is a tragic ghost who appears in the great house at Nideck Point, and other "ageless ones" who add their mystery and history to the unfolding revelations that at times overwhelm Reuben.
In October of 2014, with the publication of "Prince Lestat," Anne returned to the fabled "Brat Prince" of the Vampire Chronicles, catching up with him in present time. This is the first of several books planned focusing on Lestat's new adventures with other members of the Vampire tribe. When the publication of "Prince Lestat" was announced on Christopher Rice's "The Dinner Party Show," a weekly internet radio broadcast, it made headlines in the US and around the world. "Prince Lestat" debuted at #3 on the New York Times Best Seller list and ran for nine weeks during the height of the competitive Fall-Winter season, with another week on the extended NYTBSL. ----
"Beauty's Kingdom," is the fourth in her "Sleeping Beauty Erotica Series," and the first to be launched in hardcover. Though the first three novels were published in the 1980's under the pseudonym, A.N. Roquelaure, the name, Anne Rice, was added to the series in the 1990's. About her erotica, Anne has this to say: "I believe in the erotic imagination. I believe men and women have a right to write and read erotic fantasies. My goal with the "Sleeping Beauty" books is to provide the most authentic erotica that I can for those who share BDSM fantasies."
"Prince Lestat and the Realms of Atlantis" was published on November 29th, 2016 revealing a new adventure in the life of the Brat Prince of the vampires, and the entire tribe --- as they confront the most difficult challenge they've ever faced. This novel may introduce Lestat and extend his appeal to science fiction readers and fantasy readers who love differing versions of the lost kingdom of Atlantis. The novel does justice to both themes: Atlantis and Lestat. So far, as of early 2016, this novel has received a remarkably positive response with Amazon reviewers.
Anne's first novel, Interview with the Vampire, was published in 1976 and has gone on to become one of the best-selling novels of all time. She continued her saga of the Vampire Lestat in a series of books, collectively known as The Vampire Chronicles, which have had both great mainstream and cult followings.
Interview with the Vampire was made into a motion picture in 1994, directed by Neil Jordan, and starring Brad Pitt, Tom Cruise, Kirsten Dunst and Antonio Banderas. The film became an international success. Anne's novel, Feast of All Saints about the free people of color of ante-bellum New Orleans became a Showtime mini series in 2001 and is available now on dvd. The script for the mini series by John Wilder was a faithful adaptation of the novel.
Near the end of 2016, the theatrical rights to the Vampire Chronicles reverted fully and completely to Anne. She and her son, Christopher Rice, are now developing outlines and scripts for a new television series based on the adventures of The Vampire Lestat. Anne's announcement of this on FB reached well over 2 million people. "The reception in the Hollywood community" has been very simply wonderful," says Anne. "We have high hopes that we will see the Lestat television series go into production before the end of 2017."
Anne Rice is also the author of other novels, including The Witching Hour, Servant of the Bones, Merrick, Blackwood Farm, Blood Canticle, Violin, and Cry to Heaven. She lives in Palm Desert, California, but misses her home in New Orleans. She hopes to obtain a pied a terre in the French Quarter there some time in the near future.
Anne has this to say of her work: "I have always written about outsiders, about outcasts, about those whom others tend to shun or persecute. And it does seem that I write a lot about their interaction with others like them and their struggle to find some community of their own. The supernatural novel is my favorite way of talking about my reality. I see vampires and witches and ghosts as metaphors for the outsider in each of us, the predator in each of us...the lonely one who must grapple day in and day out with cosmic uncertainty."
------
Anne's announcement of the Vampire Chronicles series as it appeared on FB.
"The theatrical rights to the Vampire Chronicles are once again in my hands, free and clear! I could not be more excited about this! --- A television series of the highest quality is now my dream for Lestat, Louis, Armand, Marius and the entire tribe. In this the new Golden Age of television, such a series is THE way to let the entire story of the vampires unfold. --- My son Christopher Rice and I will be developing a pilot script and a detailed outline for an open ended series, faithfully presenting Lestat’s story as it is told in the books, complete with the many situations that readers expect to see. We will likely begin with “The Vampire Lestat” and move on from there. ----- When we sit down finally to talk to producers, we will have a fully realized vision of this project with Christopher as the executive producer at the helm. I will also be an executive producer all the way. ---- Again, I cannot tell you how happy it makes me to be able to announce this. ---- As many of you know, Universal Studios and Imagine Entertainment had optioned the series to develop motion pictures from it, and though we had the pleasure of working with many fine people in connection with this plan, it did not work out. It is, more than ever, abundantly clear that television is where the vampires belong. ---- Over the years you all have told me how much you want to see a “Game of Thrones” style faithful rendering of this material, and how much you want for the series to remain in my control. Well, I have heard you. I have always heard you. What you want is what I want. --- You, the readers, made these books a success before any movie was ever made based on them, and I will never forget that fact. ---- Christopher and I will be posting many questions on the page for your input in the days to come. ----- I am filled with optimism this morning about the future for my beloved Brat Prince. What better way to start a tour for the new book!"
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Given all the references to Memnoch the Devil, which I loved, Lestat's shallow perspective was pretty disappointing. I found it especially unbelievable that the love of his life turned out to be the sociopathic Rowan, one of the most unlikable cold characters I've encountered in Rice's writing.
Anne Rice has three major gifts as a writer, and they are formidable: (1) she knows how to tell a story and spin a plot, (2) she creates vivid and fascinating characters, and (3) she is an excellent wordsmith and her writing style, at its best, is rich and compelling. But she is a mediocre philosopher and an even worse religious thinker, and so when she veers off into these areas, her books suffer. (It was because "Memnoch" had a minimum of plot and an overdose of philosopy and religion that made it so awful.) The biggest problem with "Blood Canticle" is that, while the plot is good, the characters and the writing are very uneven, and there is too much of Lestat pondering Good And Evil and wanting to be a saint (yes, really).
"Blood Canticle"s greatest strength is that underneath all the annoying stuff, there is a good story. And some of the characters are well-drawn, especially Tante Oscar and Dolly Jean. Vampire Quinn doesn't have much to do except moon protectively over Mona and so he is a bit of a cipher, nowhere near as vivid as in "Blackwood Farm." I liked Vampire Mona. Of course, I liked Mortal Mona (I know others didn't), and her undead incarnation was in line with that I would have expected her to be. Rowan Mayfair gets the hots for Lestat while poor long-suffering Michael Curry looks on patiently. We meet some new Taltos who are OK but nowhere near as vivid as Ashlar or Morrigan.
The biggest problems with this book, as noted above, are (1) the character of Lestat, and (2) the erratic quality of the writing. Rice has, for some unfathomable reason, turned Lestat into a profoundly annoying person who talks in pseudo-hip lingo like some half-baked moronic Valley Girl. (At one point she has Lestat saying, "Pa-LEESE" - I kid you not.) Lestat is constantly making flip little asides as if Rice is trying to mock her own previous style of writing the character, and mocking her readers' expectations of Lestat. It doesn't work. Rice repeatedly breaks the "fourth wall" of fiction and inserts herself, Anne Rice, into the picture in a very irritating way. Worst of all, Rice has turned Lestat into a bore, a truly remarkable feat given the compelling and unique persona she has created over the years.
Readers should be warned that the first chapter is the worst, possibly the most God-awful writing ever to come from Anne Rice's pen. As I was reading it, with the kind of appalled fascination one has driving past a grisly car wreck, I thought, "I'm not going be able to make it through this." Things aren't helped by the fact that Rice, using Lestat's narrative voice, basically scolds and mocks her readers for not liking "Memnoch the Devil," even pointing out that the book sold more copies than any of her other books. It's pathetic. But...the first few chapters are the worst, and while Lestat continues to be deeply annoying throughout (and not in a good or provocative way), and while the quality of the writing continues to be far below Rice's considerable best, things do get better once Rice gets going on the story. So if you just persevere, you will eventually get past the unbearably irritating crap and find the book more readable. At least, I did.
I gather that the new "Prince Lestat" is a considerable improvement. I certainly hope so, because at her considerable best Anne Rice is one of the best and most entertaining fiction writers of our time.
Anybody who hated the Twilight Saga and how the main vampire was a wuss and sparkled has no worries with the vampires of Anne Rice....Her vampire to have Beauty and a romantic side, but it is always in plain site that they are dangerous.
go the Anne's Bookshelf at [...] Start with the first book that started her fame "interview with a vampire" (yes it's better than the movie) and make your way through all the books in order....maybe even venture into her Mayfair Witches trilogy that blends in with the vampire world in a couple books. ENJOY!
Top reviews from other countries
I have read this book was poorly received when first published. I can only agree with the author and with Lestat, if you don't want to hear his story told in his own way, close the book and read something else. People complained when Bob Dylan started to use electronic instruments. They forgot he was the artist not them! To restrict a musician or a writer to their past work and styles is to miss the point of creativity. It is to be controversial and it has to steer away from the formulaic. The author or the hero if you prefer has to tell the story in their own evolving fashion, true to their own heart. Almost, but this a paying enterprise, the audienc be damned.
For what it is worth i found this tale compelling and felt Lestat's prescence full fleshed in his Dark Blood. Read on if you dare to release the reigns to him.
A must have for any Vampire Chronicles fan.









