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Blood Music Paperback – January 1, 2002
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- Print length320 pages
- LanguageEnglish
- PublisherIbooks
- Publication dateJanuary 1, 2002
- Dimensions4.25 x 1.25 x 7 inches
- ISBN-100743444965
- ISBN-13978-0743444965
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Product details
- Publisher : Ibooks (January 1, 2002)
- Language : English
- Paperback : 320 pages
- ISBN-10 : 0743444965
- ISBN-13 : 978-0743444965
- Item Weight : 13.3 ounces
- Dimensions : 4.25 x 1.25 x 7 inches
- Best Sellers Rank: #2,986,895 in Books (See Top 100 in Books)
- #115,994 in Literary Fiction (Books)
- #309,571 in Science Fiction & Fantasy (Books)
- Customer Reviews:
About the author

Greg Bear is the author of more than thirty books, spanning thrillers, science fiction, and fantasy, including Blood Music, Eon, The Forge of God, Darwin's Radio, City at the End of Time, and Hull Zero Three. His books have won numerous international prizes, have been translated into more than twenty-two languages, and have sold millions of copies worldwide. Over the last twenty-eight years, he has also served as a consultant for NASA, the U.S. Army, the State Department, the International Food Protection Association, and Homeland Security on matters ranging from privatizing space to food safety, the frontiers of microbiology and genetics, and biological security.
Customer reviews
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Top reviews
Top reviews from the United States
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Back in 1984 or so, either in Analog, or more likely the Anthology, The World's Best SF, edited by Groff Conklin, I read a short story. And it was amazingly good. Strong chilling story, numerous implications to sort out, scary as Hell. A fiction story that really hinged on the science. Reasonably believable science, with ethical issues abounding that were really being discussed at that time. And so, 35 years ago as I write this, a novel length expansion of that beloved story was published. I bought it without question, and then hesitated. I have a very poor record with novel length expansions of beloved short stories, or in this case, novelettes. And so I did not read this book until a few days ago.
The first wave of the Corona Virus Pandemic Panic is winding down, and we're looking at a resurgence of cases. And here I am reading was is, at it's base, a sort of pandemic novel. Which, before I natter on further, I must say is a remarkably fine book. Excellent, even. It pushes past the boundaries of the original story, and becomes something grander and bigger. So read it, please.
And don't fear that the years have not been kind to this book. I've really only hit three things that push the story back into it's original timeline.
1. There are two Germanies.
2. Russia is still Soviet and a Union
3. Some action takes place in a place that isn't there any more.
The first half of the book focuses on Virgil, a brilliant but perhaps short-sighted scientist who, in classic Sci-fi fashion, experiments on himself. The way he's written, it makes sense (to him) why he would do this. It could have been bad, but Bear makes it realistic, so my suspension of disbelief isn't taxed much at all.
The second half of the book switches between different characters, and gets into some meta-physical stuff that I think works better as a metaphor for politics than as hard science fiction. For example: at one point, Virgil is talking to the cells in his body, and he discovers that, to them, he's the universe, they're surprised there is an outside of him, but he isn't sure what they're up to, since he's only talking to the researchers, not the cells in charge.
Overall, it's a good book, and it's made me think about things since I've read it. Not saying it's perfect, but I'd recommend it.
into his own hands and endangers others on Earth. Some of the places are dated
(since it was written in the 1980's), but it is eerie how one man's decision affected
everyone he came in contact with. Must read.
In my 344 page version, it took a downturn around page 150, when it started to get...well,...less like good Crichton, and more like bad King.
I downgraded it to a 4-star, with a feeling of foreboding that maybe a 3-star was coming on.
By the time page 250 rolled around, I had it figured out that the book was turning out to be a biotech/biohazard version of "We are the world", and that maybe at the end, the earth and any humans left would hold hands and sing "Kum Ba Ya" and "I'd like to teach the world to sing"
And that is how it ended. Or nearly so. So if you like that sort of thing, you'll enjoy this book. (But don't say I didn't warn you)
The beginning had shown so much promise...
Top reviews from other countries
I trust someone working at Bear's level of competence to have done his homework and if he is describing laboratory procedures and research parameters I go along for the trip knowing he has his reasons. His job is to engage me in the world he is creating. Engage and immerse. And challenge. Engage, immerse, challenge and THRILL.
Well, he has done that with Blood Music. His descriptions of the gradually transforming world post-Ulam are incredibly evocative and have astonishing power. Why BM hasn't been silver screened yet is a mystery. I must have read this work about forty times and am glad to finally own it on Kindle. A rare, visionary, thrilling and paradigm-expanding work, superbly told and a real keeper. Thanks Greg.










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