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Blood In, Blood Out deluxe

4.7 out of 5 stars 129 customer reviews

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Blood In Blood Out
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Audio CD, October 14, 2014
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$15.99 & FREE Shipping on orders over $49. Details Only 6 left in stock (more on the way). Ships from and sold by Amazon.com. Gift-wrap available.

Frequently Bought Together

  • Blood In, Blood Out deluxe
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Total price: $41.97
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Track Listings

Disc: 1

  1. Black 13 (feat. Dan the Automator)
  2. Blood in Blood Out
  3. Collateral Damage
  4. Salt the Wound (feat. Kirk Hammett)
  5. Body Harvest
  6. Btk (feat. Chuck Billy)
  7. Wrapped in the Arms of Rage
  8. My Last Nerve
  9. Numb
  10. Honor Killings
  11. Food for the Worms


Product Details

  • Audio CD (October 14, 2014)
  • Original Release Date: October 14, 2014
  • Number of Discs: 2
  • Label: Nuclear Blast America
  • ASIN: B00MNCW4XE
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (129 customer reviews)
  • Amazon Best Sellers Rank: #152,124 in Music (See Top 100 in Music)

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Customer Reviews

Top Customer Reviews

By J. Hill TOP 500 REVIEWER on October 14, 2014
Format: Audio CD
First off, much respect to Rob Dukes and that whole era of the band's history. They achieved amazing things, bringing the Exodus name back to the forefront of the thrash genre, and that should be appreciated.

But still....ZET!! Welcome back to the fold! It's been a long time since Steve Souza has fronted Exodus, and the last time didn't work out that great in the end. However, time has healed the wounds, and those of us who think this band and this vocalist were made for each other get to reap the benefits. The timing is perfect, as Exodus now adds to the list of amazing albums released by thrash legends in the last few years. Overkill's “Ironbound.” Testament's “Dark Roots of Earth.” Anthrax's “Worship Music.” Kreator's “Phantom Antichrist.” Now comes “Blood In, Blood Out,” a true masterpiece of thrash featuring phenomenal efforts by Holt, Altus, Gibson, and Hunting, and the inimitable Zetro once again behind the mic. From top to bottom, this one is damn near perfect.

In baseball, they talk about certain guys being five-tool players. They can hit for power, hit for average, they excel at running, fielding, and throwing. Exodus is a five-tool thrash band, and this album shows it. They play with furious speed and aggression. They play galloping, headbanging thrash. They have tons of hardcore swing. They play pounding, mid-paced stomp. They have melodic technicality. There's literally nothing under the umbrella of thrash that Exodus hasn't mastered. And while you could argue that they can't offer the same kind of softer moments as their peers, theirs has never been a sound conducive to sections of clean vocals and guitars. Besides, balladry never was one of the core elements of thrash anyway.
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Format: Audio CD
Exodus has a history of changing vocalists every now and then: from Paul Baloff (R.I.P.) to Steve "Zetro" Souza, back to Baloff, then back to Souza, then Rob Dukes. So, it was no surprise that they ended up kicking out Dukes after nearly ten years. The clues were there in previous interviews prior to making this album when he stated that he thought it was gonna be a shorter, more punk sounding album, and he didn't think that Andy Sneap (Machine Head, Testament, Accept) was gonna be involved in the recording. It was getting evident that things didn't click like it did before. So, who do they ask to come back to the band? Zetro! Now, of course there's gonna be fans who prefer one vocalist over the other: Dukes, Souza, or even Baloff. Don't get me wrong, Dukes was great. But if something isn't working, then it's time to move on, hopefully for the better. In the case of Exodus, having Zetro on vocals works about as well as it did before and then some. Your new favorite thrash CD is here, and it's a beast. Produced by the band with drum engineering and mixing/mastering by Sneap, it continues their long tradition of old school thrash with a fresh twist. It's a fresh take on the band's sound, but it will remind you of previous efforts with Zetro. Following the trending lack of special guests in their discography (with the exception of Exhibit B, which featured Hypocrisy's Peter Tägtgren on "The Sun Is My Destroyer" and Dethklok's Brendon Small on the limited edition bonus track "Devil's Teeth"), we're treated to a few this time. The most interesting one for me is electronic music artist/hip hop producer Dan The Automator, who contributed an industrial sounding intro to "Black 13," which sets the mood right away.Read more ›
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Format: Audio CD Verified Purchase
THE GOLDEN AGE OF FRIENDLY VIOLENT FUN

Reminiscent of the days when moshing was actually a dangerous sport. A time, long before pits became user friendly. A glorious time, when there were no swirling flannel, Lolapaloozy, Pearl Jammy, slightly Nirvanish sissy pits. Instead, they were flesh tornadoes, and they would hurt you if you got sucked in. Bloody noses, bruises and even broken bones were not at all uncommon. Try crowd surfing on a tsunami during a hurricane, you get the idea. The soft, spoiled, everyone gets a trophy, helicopter parented, youth of today, wouldn't last 30 seconds. OMG! did I just do that? NOTE TO SELF: you know yore getting older, when you start making statements that involve............. "The youth of today"...but...I digress. Well there's my daily rant, now back to business.

KEEPIN' IT REAL WITH THE FEEL, YO

Not many bands release (one of) their finest recording(s), this far into their career. I can honestly say, that B.I.B.O. may go down, as one of the finest Thrash recordings of all time. Up there with: Ride The Lightning, by that band Kirk Hammet went on to join, what was their name again? Metal-Lisa, or something like that. Speaking of that band, while there peers were experimenting with acoustic interludes, complex time signatures and generally just slowin' it down a bit. (even the sinister boys of Slayer got in on that.) However; Exodus, kept it on street level. They weren't "trying" to do anything, they just did what they did...well. Granted, some will always venture out, and take the music where it's never been. While others keep the home-fires burning. Exodus, stayed home, to raise its children, children meaning: their core audience, in other words, they never pandered.
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