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Bloodtaking and Peacemaking: Feud, Law, and Society in Saga Iceland New edition
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People in the saga world negotiated a maze of violent possibility, with strategies that frequently put life and limb in the balance. But there was a paradox in striking the balance—one could not get even without going one better. Miller shows how blood vengeance, law, and peacemaking were inextricably bound together in the feuding process.
This book offers fascinating insights into the politics of a stateless society, its methods of social control, and the role that a uniquely sophisticated and self-conscious law played in the construction of Icelandic society.
"Illuminating."—Rory McTurk, Times Literary Supplement
"An impressive achievement in ethnohistory; it is an amalgam of historical research with legal and anthropological interpretation. What is more, and rarer, is that it is a pleasure to read due to the inclusion of narrative case material from the sagas themselves."—Dan Bauer, Journal of Interdisciplinary History
- ISBN-100226526801
- ISBN-13978-0226526805
- EditionNew edition
- PublisherUniversity of Chicago Press
- Publication dateFebruary 15, 1997
- LanguageEnglish
- Dimensions9.08 x 6.09 x 0.93 inches
- Print length415 pages
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Product details
- Publisher : University of Chicago Press; New edition (February 15, 1997)
- Language : English
- Paperback : 415 pages
- ISBN-10 : 0226526801
- ISBN-13 : 978-0226526805
- Item Weight : 1.38 pounds
- Dimensions : 9.08 x 6.09 x 0.93 inches
- Best Sellers Rank: #1,744,396 in Books (See Top 100 in Books)
- #134 in Scandinavian Literary Criticism (Books)
- #9,031 in Literary Criticism & Theory
- #9,432 in Cultural Anthropology (Books)
- Customer Reviews:
About the author

William Ian Miller is the Thomas G. Long Professor of Law at the University of Michigan Law School and honorary professor of history at the University of St.
Andrews. He has also taught at Harvard University, Yale University, The University of Chicago, and the Universities of Bergen and Tel Aviv. His various books, including most recently Losing It (2011) and "Why is your axe bloody:" A Reading of Njáls Saga have enjoyed critical acclaim.
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Iceland is unique in that it had no centralized government for hundreds of years so it essentially lived in a state of anarchy. There was one exception, a fully formed and complex legal system designed to deal with every possible issue. There process differed from ours in that they included blood feud as another instrument in regulating society and legal outcomes. Essentially, if you weren't interested in instituting "self-help" then the ultra-masculinized courts had little sympathy.
This work also delves deeply into the everyday minutiae of pre-feudal society. At turns you can see these stories on an episode of "Jerry Springer" and others show the depth of human bravery and logic.
The book pulls from primary source and is surprisingly well paced for such an academic work. A definite read for those interested in cultural studies, jurisprudence, nordic studies, anarchist theory and power dynamics.
Highly unique and one of the most compelling reads out there.
Yes, it was interesting and yes, it was fun, but man! were my eyes opened as to how much I had to learn about the sagas and about the culture within which they were written.
There are two main reasons to read this book. First, to learn history. The history of ninth to fourteenth century Iceland is incredible, and the culture fascinating. Theirs was a culture that knew no central or even local government, no law enforcement infrastructure, and no arms control. And yet the Icelanders developed a complex system of law, essentially codifying the blood feud (which tradition still governs dispute resolution in places like Afghanistan and rural Macedonia), according to which civil injustice could be roughly corrected. Their example has much to teach us about human nature unadulterated by the State.
Second, Bloodtaking is an unparalleled gateway into the sagas as literature. Despite my intimate familiarity with every line of, for example, Hrafnkel's saga, until I read Miller's book I had only the most inadequate appreciation for how tightly it is constructed, how elegantly and efficiently it was drafted. The sagas are only vaguely comparable to the very best English-language short stories; the skill that went into them is comparable to that of a Dante or a Shakespeare.
A modern reader is not culturally prepared to receive the sagas as they would have been by a medieval Icelander. Miller's book provides the small set of cultural factoids that create relevance where otherwise detail might seem pointless or obscure, and reveals the saga-writers' penchant for humorous understatement and emphasis by ellipse. Armed with a relatively small set of cultural facts and with an eye for a small set of saga tropes, the reader has access to a whole new literary world.
Whatever your bent, Bloodtaking makes for fascinating reading.
