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Blown Covers: New Yorker Covers You Were Never Meant to See Hardcover – May 1, 2012

4.4 out of 5 stars 29 customer reviews

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Frequently Bought Together

  • Blown Covers: New Yorker Covers You Were Never Meant to See
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  • The Best of the Rejection Collection: 293 Cartoons That Were Too Dumb, Too Dark, or Too Naughty for The New Yorker
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  • The Rejection Collection: Cartoons You Never Saw, and Never Will See, in The New Yorker
Total price: $64.33
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Editorial Reviews

About the Author

Françoise Mouly is an artist and designer. Since 1993 she has been the art editor of the New Yorker, and she is the publisher and editorial director of TOON Books. Together with her husband, Art Spiegelman, she edited the groundbreaking comics anthology RAW from 1980 to 1991, as well as Abrams’ TOON Treasury of Classic Children’s Comics (2009). She lives in New York City.

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Product Details

  • Hardcover: 128 pages
  • Publisher: Harry N. Abrams; 1 edition (May 1, 2012)
  • Language: English
  • ISBN-10: 1419702092
  • ISBN-13: 978-1419702099
  • Product Dimensions: 8.5 x 0.8 x 10.9 inches
  • Shipping Weight: 1.9 pounds (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (29 customer reviews)
  • Amazon Best Sellers Rank: #328,327 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

Format: Hardcover Verified Purchase
Blown Covers: New Yorker Covers You Were Never Meant to See

I have been a fan of the New Yorker covers for over fifty years. They are always pertinent, humerous, and intelligent. This book is particularly interesting because it gives you insight to the selection process. There are many reasons why a cover is selected or rejected and it takes a lot of discussion to make a proper decision. Any fan of the New Yorker magazine will enjoy this book and learn why the covers are so important.

I have a good sized library of books about the New Yorker magazine and this is a fine addition to my collection.
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Format: Hardcover Verified Purchase
If you like the modern New Yorker covers, this book will be interesting but not fascinating. If you like the old New Yorker magazine, do not buy this book. There's not enough good stories about the covers and there's not really enough rejected covers either. Yes, there's a couple of killer-bad taste covers that were rejected but over-all you say: 'so what'. The best part is a series of self caricatures from the cover artists themselves in the back of the book. The New Yorker magaine has such a long history and variety of covers...why do they only talk about the last 15 years.
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Format: Hardcover Verified Purchase
This book is a disappointment. Francoise Mouly, the editor, is a leftover from the unfortunate Robert Gottlieb/Tina Brown days at The New Yorker. Gottlieb and Brown didn't quite bring the venerable magazine crashing down but they brought it to its knees and part of their legacy is Francoise Mouly and it shows in this silly book. Yes, some of the rejected covers are offensive, and many are foolish and probably very embarrassing to the artists and virtually all the drawings are uninteresting.

Looking at who's represented here, you can see a pattern of favoritism and nepotism in Mouly's selection of cover artists. Why so much of Barry Blitt and Mouly's husband Art Spiegelman?
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Format: Hardcover
Coming from an illustrator who wants to be on the cover of the New Yorker someday, it was great to see a book full of rejected illustrations from some of the greatest artists of our time. Sometimes you believe covers come out of divine inspiration and that they are once and done ideas. Mouly gives wonderful insight into PUSHING your sketches as far as you can and leaving the NYer to do all it can to tame your wild ideas into a cover. This book was filled with concepts that made the cover and others that just got away.
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Format: Hardcover Verified Purchase
I have, I think, every book that has been published about The New Yorker, and this one was fun to read and look at, but was by its very nature more political than I prefer. Still, I am giving it 5 stars, hoping that future writers and editors will be encouraged to do even more books about my favorite magazine. It was fun to read about the selection process for the weekly covers, and reinforces a belief I have always had about how much fun it must be to work at the New Yorker, even when the cover depicts an area that wouldn't be described as "fun".

I also have the Rejection Collection books about cartoons that weren't used and am hoping for a book on the "spots" which are always fun. And the recent Postcard book of New Yorker covers is beyond great!
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Format: Hardcover Verified Purchase
This is a fun book. If you like the New Yorker magazine and take delight in their covoers this is for you. It is a behind the curtain look at covers not used with the tale of why not and other thoughts relating to them. My ten year old grandson alsodelighted in perusing this book.
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Format: Hardcover
This is a wonderful book about what goes on behind the scenes at the New Yorker magazine. Being a longtime resident and subscriber, I was thrilled to see behind the curtain of what looks to be a fantastic job. Francoise certainly has the eye for talent and I love that she has made her work accessible to everyone with this book. One really gets a sense of what goes on between art director and illustrator.
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Format: Hardcover
I enjoyed The Rejection Collection: Cartoons You Never Saw, and Never Will See, in The New Yorker and was happy to see this coffee-table treatment of rejected *covers* by New Yorker art editor Mouly.

And there are a couple hundred covers here, in all stages of conception and finalization, well-reproduced and mostly in full color, organized into sections on Race/Ethnicity; Sex; Religion; Politics; Celebrities; Wars/Disasters; Taboos; and accompanied by commentary from Mouly and the artists about how time sensitivities (the news cycle), cultural sensitivities, and the right combo of clarity/subtlety combine to yay or nay a cover.

It's very good, my only quibble being that, contrary to the title and subtitle, it's actually as much about controversial covers that *were* published as about "blown" covers, and thus feels a little short. Otherwise, highly recommended.
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