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The Blue Chair Jam Cookbook (Volume 1) Hardcover – September 21, 2010
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Purchase options and add-ons
- Book 1 of 3
- Length
384
Pages
- Language
EN
English
- PublisherAndrews McMeel Publishing
- Publication date
2010
September 21
- Dimensions
8.0 x 1.8 x 11.0
inches
- ISBN-100740791435
- ISBN-13978-0740791437
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Editorial Reviews
Review
"[The Blue Chair Jam Cookbook] is a complete and exquisite guide to making jam and marmalade at home. In addition to sharing 100+ recipes, Saunders walks you step-by-step through the process with in-depth explanations as well as photos of the various steps so you see exactly what each phase looks like." --Epicurious, September 23, 2010
"Rachel Saunders, author of The Blue Chair Jam Cookbook, is quite possibly the high priestess of jam making. Her book - a comprehensive, year-round guide to jellies, jams, conserves, preserves, and marmalades - belongs in the kitchen of anyone interested in keeping their pantry stocked with delicious and unique fruit preserves. And Rachel's instructions are so thorough and clear, even beginners are assured success." --The Splendid Table's "Weeknight Kitchen" newsletter
About the Author
Online:
bluechairfruit.com
twitter.com/bluechairfruit
Product details
- Publisher : Andrews McMeel Publishing; First Edition (September 21, 2010)
- Language : English
- Hardcover : 384 pages
- ISBN-10 : 0740791435
- ISBN-13 : 978-0740791437
- Item Weight : 3.75 pounds
- Dimensions : 8 x 1.75 x 11 inches
- Best Sellers Rank: #1,267,411 in Books (See Top 100 in Books)
- #504 in Fruit Cooking
- #1,064 in Canning & Preserving (Books)
- Customer Reviews:
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About the author

Rachel Saunders is the owner and founder of Blue Chair Fruit, a jam company specializing in sustainably farmed fruits of the San Francisco Bay Area. In addition to cooking and creating all of Blue Chair’s preserves, Rachel teaches year-round jam—and marmalade—making classes at her Oakland kitchen. A native of New York State, she studied France and the French language at Smith College in Northhampton, Massachusetts, and at La Sorbonne-Paris IV. She received her degree from Smith at age 20. This is her first book.
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Full review: Unlike some reviewers I don't find this book frustrating in the least. As a long time jam/preserve maker who's been chained to very "normal" recipes for years, this book is a breath of fresh air. Yes some of the ingredients can be difficult or even impossible to find if you don't live in California but where the real beauty lies in this book is the creativity and exuberance that is apparent in these recipes. I've made a few recipes already and though I'm fortunate to have access to a wide array of unusual cultivars what I had on hand or what looked best that day in the market was not necessarily what a recipe called for. Actually, I haven't yet perfectly followed a recipe, but I have been astounded by the results, so there. YES, people, you too can "wing it". Don't have the exact thing the recipe calls for? Use your taste buds and a little simple math (for fruit/sugar proportions) and tah dah(!) delicious, creative jam. The pictures/descriptions of the jam making process are enough to sell me on this book, but add to that, gorgeous photos and great methods and I can't believe this book was only ~$20. I LOVE that I can break up the process over a number of days. Faced with say 20lbs of strawberries or the entire harvest of a neighbor's plum tree it is entirely possible that I don't have the time to prep and cook/process the jam in one day. With this, I can prep over one or two days and cook/process another....genius!
Specifics, you ask? First I made the "English Three-Fruit Marmalade" but couldn't get Seville oranges for love or money. I scored some nice blood oranges and I had a bunch of limes on hand, so I made grapefruit/blood orange/lime marmalade. It rocked my world. Next I made the "Santa Rosa Plum and Strawberry Jam with Rosemary" except I didn't have any plums but I did have about a zillion strawberries so I just made strawberry jam with rosemary...again = winning! Anyway, as you can see this is how it went. I use what is in season/available/affordable and it has been perfection. That said, if I ever spot Etrog citrons and I don't have to mortgage my life to get them, I will be bringing them home and making "Citron Shred".
DID I MENTION THE GORGEOUS PHOTOS?! I may wear a threadbare hoody and holey jeans but these pictures are so lush they make me happy just to look at them.
As far as the whole controversy over oven canning, until this book I always did water bath canning. Do what YOU feel is safe and are comfortable with. The author says "process according to manufacturer's instructions or as directed on pg 42". Given an accurate oven thermometer and all very acidic recipes the oven processing doesn't worry me one bit (anyway I never can anything low acid...ever).
Bottom line, if you are annoyed by creative recipes and unusual ingredients don't buy this book. The internet (and that's free) and many other books are loaded with recipes for more readily available produce (note: there are many, many "normal" recipes in here too. In fact there are two for just plain old strawberry jam, one for kids and one for adults with a splash of alcohol, or a raspberry jam with just raspberries and sugar, and the list of "normal" goes on and on). But if you want to have detailed instructions on jamming processes, have ever been curious about what to do with say, rose geraniums, or want to know what the difference is between pluots, plumcots, and apriums, or you just want to be inspired, than this book is for you.
I was initially put off by all the full-page photographs of the author looking fey in her jammy wonderland--Rachel with vintage accessories, Rachel wandering through a misty orchard, Rachel caressing airbrushed fruit--I would have preferred, say, a photograph detailing how to skin a green almond. It's a gorgeous book and I wondered if its target audience was the folks who like to lie in bed and look at the pictures in cookbooks, but actually eat takeout much of the time.
My first recipe (strawberry-Meyer lemon marmalade) was a qualified success. The recipe specified covering lemon slices in a "medium" saucepan with one inch of water, but I think I used too large a pan, and ended up with too much water to cook off. I also couldn't get the hang of Rachel's method of testing when the jam is done, which involves putting a specific number of spoons in the freezer, and checking the texture of the jam as it sets up on a cold spoon. I omitted the rose geranium cuttings (there's a limit to the produce I can come up, even in the Bay Area). It was a very good marmalade, but a little tight in texture, as I'd overcooked it a bit.
For my second recipe (strawberry-kiwi jam), I went back to my tried-and-true method of testing the jam on a saucer in the fridge. Rachel's description of when the jam is done was spot-on. The jam was so delicious, I found myself repeatedly going to the fridge to eat a spoonful.
I've made kiwi marmalade before, but it was nothing like this. And I've made fig jam, but it was nothing like Rachel's. Now I've got the recipes for success. And now that I'm convinced Rachel's a goddess, I'm no longer irritated by the cookbook's adulatory images. In fact, I might frame one and put it up on my kitchen wall.
Are her produce lists esoteric? Yes, indeed. And she doesn't hesitate to call for esoteric and expensive liquors, as well: does your local liquor store even carry St. Germain elderflower liqueur, and would you be wiling to fork over $30 for a bottle to perfect your White Nectarine Jam with Elderflower and Green Almonds? There are ingredients in the book I've never even heard of, despite living in an affluent, food-obsessed area (what IS "pine cone bud syrup," anyway?) You can certainly adapt her methods to whatever produce is available in your area, and your jams will be infinitely superior to the pectin-stiffened ones in the Cooperative Extension recipe pamphlets, but you might still find the preciousness of some of the book overall to be off-putting.




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