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Bob Dylan - Don't Look Back VHS

Special Edition

VHS

4.0 out of 5 stars 208 customer reviews


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Product details

  • Actors: Bob Dylan, Albert Grossman, Bob Neuwirth, Joan Baez, Alan Price
  • Directors: D.A. Pennebaker
  • Writers: D.A. Pennebaker
  • Producers: Albert Grossman, John Court
  • Format: Black & White, Original recording reissued, Original recording remastered, Special Edition, NTSC
  • Rated:
    NR
    Not Rated
  • Number of tapes: 1
  • Studio: Docurama
  • VHS Release Date: January 4, 2000
  • Run Time: 96 minutes
  • Average Customer Review: 4.0 out of 5 stars 208 customer reviews
  • ASIN: B000035P80
  • Amazon Best Sellers Rank: #448,459 in Movies & TV (See Top 100 in Movies & TV)
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Editorial Reviews

Product Description

When acclaimed documentary filmmaker D.A. Pennebaker (Monterey Pop, The War Room) filmed Bob Dylan during a three week concert tour of England in the Spring in 1965, he had no idea he was about to create one of the most intimate glimpses of the rock legend ever put on film. Wanting to make more than just a concert film, Pennebaker sought both the public and private Bob Dylan. With unobtrusive equipment and rare access to the elusive performer, he achieved a rare fily-on-the-wall glimpse of one of the most influential musicians of all time.

Hailed as one of the best documentaries about a performing artist ever created, DONT LOOK BACK is more than a view into an extraordinary concert tour - Bob Dylan’s last as an acoustic performer. It is a window into the 60s, its spirit, and one of the poet-musicians whose words and songs defined it.

Amazon.com

Both a classic documentary and a vital pop-cultural artifact, D.A. Pennebaker's portrait of Bob Dylan captures the seminal singer-songwriter on the cusp of his transformation from folk prophet to rock trendsetter. Shot during Dylan's 1965 British concert tour, Don't Look Back employs an edgy vérité style that was, and is, a snug fit with the artist's own consciously rough-hewn persona. Its handheld black-and-white images and often-gritty London backdrops suggest cinematic extensions of the archetypal monochrome portraits that graced Dylan's career-making early-'60s album jackets.

Pennebaker's access to the legendarily private troubadour enables us to witness Dylan's shifting moods as he performs, relaxes with his entourage (including then lover Joan Baez, road manager Bob Neuwirth, and poker-faced manager Albert Grossman), and jousts with other musicians (notably Animals alumnus Alan Price and Scottish folksinger Donovan), fans, and press. It's a measurement of the filmmaker's acuity that the conversations are often as gripping as Dylan's solo performances. Grossman's machinations with British promoters, Baez's hip serenity, a grizzled British journalist's surrender to the fact of Dylan's artistry, and the artist's own taunting dismissal of a clueless sycophant are all absorbing.

With the exception of the studio recording of "Subterranean Homesick Blues," the live performances (including five newly restored, complete audio tracks excised from the original film but included on the DVD version) are constrained by crude audio gear. Their urgency, however, is timeless, as is Pennebaker's film, a legitimate cornerstone for any serious rock video collection. --Sam Sutherland


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