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Bob Dylan: All the Songs - the Story Behind Every Track Hardcover – October 27, 2015
| Philippe Margotin (Author) Find all the books, read about the author, and more. See search results for this author |
| Jean-Michel Guesdon (Author) Find all the books, read about the author, and more. See search results for this author |
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Bob Dylan: All the Songs focuses on Dylan's creative process and his organic, unencumbered style of recording. It is the only book to tell the stories, many unfamiliar even to his most fervent fans, behind the more than 500 songs he has released over the span of his career. Organized chronologically by album, Margotin and Guesdon detail the origins of his melodies and lyrics, his process in the recording studio, the instruments he used, and the contribution of a myriad of musicians and producers to his canon.
- Print length704 pages
- LanguageEnglish
- PublisherBlack Dog & Leventhal
- Publication dateOctober 27, 2015
- Dimensions8.5 x 2.25 x 11 inches
- ISBN-109781579129859
- ISBN-13978-1579129859
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Editorial Reviews
Review
"Meticulously researched"―Buzzfeed
"A must for Dylan fans and those who enjoy folk music."―Booklist
"...hardcore aficionados from the Grand Coulee Dam to the Capitol will be thrilled with its scope and intricacy."
―Miami Herald
"No self-respecting Dylan fan will want to miss Bob Dylan All the Songs: The Story Behind Every Track by Jean-Michel Guesdon and Philippe Margotin....a must-read for trivia buffs."―Acoustic Guitar
"...perhaps the most impressive book on the man ever produced..."―Houston Press
"...the single most exhaustive, detailed, and complete account of every song Dylan ever wrote or recorded through 2015, and will likely be the only encyclopedic volume necessary for anyone with either the slightest interest in or full-blown obsession with Mr. Zimmerman."―JamBands.com
About the Author
Philippe Margotin has written numerous books on music, including biographies of U2 and Radiohead, as well as All the Songs: The Story Behind Every Beatles Release and Bob Dylan All the Songs: The Story Behind Every Track. He lives in Paris.
Product details
- ASIN : 1579129854
- Publisher : Black Dog & Leventhal; 1st Edition (October 27, 2015)
- Language : English
- Hardcover : 704 pages
- ISBN-10 : 9781579129859
- ISBN-13 : 978-1579129859
- Item Weight : 7.62 pounds
- Dimensions : 8.5 x 2.25 x 11 inches
- Best Sellers Rank: #714,949 in Books (See Top 100 in Books)
- #325 in Folk & Traditional Music (Books)
- #684 in Music Reference (Books)
- #2,394 in Rock Music (Books)
- Customer Reviews:
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Learn more how customers reviews work on AmazonReviewed in the United States on October 6, 2022
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To have this book and understand where those lyrics came from and how they were made is for me an answer to a prayer I didn't know I made.
Just in time for Christmas comes Bob Dylan: All the Songs (Amazon.com, Amazon UK). Written by French journalist Philippe Margotin and musician and engineer Jean-Michel Guesdon, this book follows the duo’s All the Songs: The Story Behind Every Beatles Release. In this book, the authors present each Dylan album, and each song it contains, discussing how the songs were recorded, when, with which musicians, and discussing, it times, lyrics, cover versions, and trivia (in “For Dylanologists” sidebars).
Dylan all the songs
It’s a light-hearted book, designed to be skimmed rather than read. You might be listening to a Dylan album and want to read up on the songs it contains; or you might want to just flip through it and look up information about your favorite songs. There are lots of pictures, and the texts are short. It’s much more interesting than the recent Dylan: Disc by Disc (Amazon.com, Amazon UK), by Jon Bream, who simply transcribes interviews with mostly C-list musicians and unknown journalists about each album. And it’s a lot less dry than Clinton Heylin’s Revolution in the Air (Amazon.com, Amazon UK) and Still on the Road (Amazon.com, Amazon UK), which present similar information in a pretty boring manner.
There’s nothing earth-shattering in this book; the “stories” behind every track don’t explain what the songs are about (as if that were possible), or try to interpret Dylan’s inspiration when he was recording them. But for Dylan fans who are curious about the creative process, it does give some insight into how the songs were recorded and how, in many cases, they changed throughout recording sessions.
If you’re a hard-core Dylan fan, you’ll want to buy this book, especially at the price at the time of this writing, around $28 or £26 (Amazon.com, Amazon UK). It won’t change the way you listen to the music, but it will provide hours of interesting reading.
*Be aware that some stock photos on some listings may be of the previous, orange, (also mammoth) edition.*
Reviewed in the United States 🇺🇸 on October 6, 2022
*Be aware that some stock photos on some listings may be of the previous, orange, (also mammoth) edition.*
About the non-Amazon seller from which the book was purchased through Amazon, the book was ordered on 12/11 and received on 12/19. The book was in pristine condition.
Top reviews from other countries
This book is a mighty tome - almost A4 format, 2.5 inches/ 6cm thick, running to around 700 pages. It covers every track on every one of Dylan's 36 studio albums from 'Bob Dylan' to 'Shadows in the Night'. There is one chapter per album. Each starts with a description of the album, the context of Dylans' life in which it was made, how, where and when it was recorded, details of the recording equipment used (especially on the earlier albums), the specific instruments played by Dylan (where known) interesting biogs of the producers, their relationship with Dylan, description of all the artwork on the album cover and sleeves. In all but a few cases, the album artwork itself is not reproduced, but the book is well illustrated with many photos of Dylan and the numerous other musicians he worked with, often taken in recording studios. There then follows a section on each track on the album, giving some context to world events, events in Dylan's life and relationships that were relevant at the time and notes on the production itself. Except for occasional snippets, the lyrics themselves are not reproduced. In addition, there are occasional call outs boxes for 'Dyalanologists' containing a short paragraph with additional details, some of which are more relevant than others, boxes titled 'In your headphones' with comments such as ' A noise in the studio can be heard at 2.10' The most interesting of these points out that the sound of Dylan's jacket sleeve buttons can be heard repeatedly clicking against his guitar, most notably in sessions for Blood on the Tracks. As well as all the tracks recorded for each album, those tracks that were not eventually used on the album but which can be heard on the many 'Bootleg' albums are also described.
For me, having come to Dylan relatively late in both our lives, this book is a revelation. I had not been enthused by much of his earliest works, but reading about each track as I listened to them, opened up a whole new dimension to me, and understanding the context of the times and Dylan's life has increased my appreciation exponentially!
What do we learn of Dylan himself form this book? Clearly, a towering genius poet and musician who has been pretty much at the top of his game for more than 50 years. In fact, and especially, considering that his singing voice isn't his strongest attribute, the longevity of his success is all the more remarkable.
As a person? Well, to me, it seems he may not be the most approachable of individuals. He appears not to have formed many really long-term musical relationships - numerous musicians and producers have come and gone. To be fair, he has outlived many of them! Also, I get the impression he is not that approachable even to people working closely with him at the time. He didn't join the tribute 'Concert for George' in 2002 which, on the surface, seems unforgivable. The oft quoted occasion where he kept his musicians waiting for 10 hours until 4am whilst he completed the lyrics to 'Sad Eyed Lady of the Lowlands' and than failed to disclose to them the number of verses before they started recording is indicative to me of his distance.
Back to the book - if you're interested in gaining more understanding of his work, get this book. Don't forget to strengthen your bookshelf first!
Don’t get me wrong, All the Songs is a fascinating read but it is definitely for the hardcore Dylan fan. It is for the fan who loves the nuances of his songs. One who can recognise if he is playing his harmonica in a different key or has questioned whether or not there was a someone coughing in the track (believe me, that information is in the book).
I can honestly say I feel more prepared for a question to come up in a quiz about Dylan and further to that, my ability to give a decent shot at answering it. However, if I had known just how detailed this book was going to be I may not have picked it up. If you are a die-hard fan then this needs to be in your collection. If you just like certain songs then maybe just pick it up now and again or just read the information you want to know.
Bob Dylan – All the Songs: The Story Behind Every Track by Philippe Margotin and Jean-Michel Guesdon is available now.
I'll start by finding a couple of positives... Well, its nice to see the mechanics of the songs in this book, the key of the songs and harmonicas etc (i play a bit of blues harp and it helps).
The other positive is it looks impressive on the bookshelf too. If thats a selling point?
why i'm annoyed i spent 40 quid on this....For a kick off this thing is WAY TOO HEAVY to read comfortably. I tried. its impossible to hold upright for any length of time. Or put on your lap either. I tried. It must be about 8 kilos or something. Ridiculous. The heaviest book i've ever held in fact. That weight also means its not worth selling or sending in the mail so it sits there uselessly on the bookshelf instead. Why is it so big? It could have been printed half the size and a fraction of the weight because the text barely covers 30 % of the pages. What a waste of paper and resources. Photo quality is very poor and the writing takes up no space at all. It looks messy. Poor design and desktop publishing let this down as soon as i opened it. it feels all very amateur and self published. It should have been a regular size paperback and thus cheaper.
As for the text itself well.....I didn't learn anything new really and even the photos don't make up for the patchy text and typos. the explanations of the songs are either half decent (if its the sixties), so inaccurate as to be laughable, or just brushed aside with 2 or 3 sentences for everything after 1980. Not much research has gone into this it feels. It's all very uneven, some song write-ups are well done and accurate, others are barely mentioned or not even there. Pretty much all The Basement Tapes being a good example.
It feels very incomplete and adds nothing to the huge amount of Bob books out there already. A far superior alternative would be the two books by Clinton Heylin about his songs, Revolution in the Air and Still on the Road. This book adds nothing to that which has already been done and done way better years ago. Hopefully Mr Heylin can update that soon to go past 2008.
I like the writing style. There is little discussion of the songs' meanings, but such discussion doesn't tend to be very helpful since songs aren't text books. They mean whatever the listener wants them to mean. There is plenty of discussion of how the songs and, more importantly the records, came into being and what has happened to them since and I found this all very interesting.
In many ways this is one of those books that makes most sense in electronic form. The hardback version looks very impressive, but it is too big and cumbersome to read properly and costs a lot of money.











