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Body Counts: A Memoir of Politics, Sex, AIDS, and Survival Hardcover – January 14, 2014
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Print length432 pages
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LanguageEnglish
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PublisherScribner
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Publication dateJanuary 14, 2014
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Dimensions6 x 1.2 x 9 inches
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ISBN-101451661959
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ISBN-13978-1451661958
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Editorial Reviews
Amazon.com Review
Amazon Guest Review of Body Counts
By John Berendt author of Midnight in the Garden of Good and Evil


When the anti-viral drug AZT was approved for use against HIV/AIDS back in 1987, Sean Strub's doctor urged him to take it. Strub was HIV-positive, and early tests of the new drug had produced dramatic results. He followed his doctor's advice, but reluctantly. After two weeks of agonizing over the pros and cons, he stopped taking AZT. It was a gutsy move, since no other drug was on the horizon, but it turned out the best thing he could have done: AZT's benefits proved to be short-term, and the drug itself was toxic at the dosages prescribed. "[H]ad I continued to take it," Strub writes in Body Counts, his engrossing and immensely readable memoir, "I very likely would have died, as thousands of others did."
A small library of books by people with AIDS has sprung up in the thirty years since the start of the epidemic. They constitute a remarkable sub-genre of historic importance, and Body Counts shares qualities common to the best of them (Paul Monette's Borrowed Time, Randy Shilts's And the Band Played On, David B. Feinberg's Queer and Loathing, and Shawn Decker's My Pet Virus). Strub writes from the perspective of an activist-insider. He sheds new light on the nature of the disease, the struggle against it, and the politics that pervade every aspect of what has come to be known as AIDS Inc.
At an early age, as one of six children in a conservative, church-going Iowa family, Strub demonstrated an entrepreneurial flair and an obsession with politics. He sold subscriptions door-to-door and hawked soda and popcorn at University of Iowa football games. In high school he was a page in the Iowa legislature. In college he ran the "Senators Only" elevator in the U.S. Capitol and expected that this would put him on a "political fast track." Life took unexpected turns, however, and by the time he entered politics in 1990, it was as the first openly HIV-positive candidate for Congress.
When he became sick with AIDS, Strub focused his energies as an activist and entrepreneur on AIDS itself. In 1994--just as purple lesions of Kaposi sarcoma began to show on his face--he drew up plans to launch POZ, a consumer magazine for people with HIV. POZ would serve as a source of up-to-date medical, scientific, legal and financial information about the epidemic. It would create a sense of community for its readers by featuring stories about people just like them who were managing to live fruitful lives while surviving with HIV.
Strub raised most of the money for POZ from a company with the ghoulish specialty of buying life-insurance policies from terminally ill people who were near death. He cashed in his policy for $450,000, sold his country house, maxed out his credit cards, withdrew his savings, and put all of it into the successful startup of POZ.
Through POZ, Strub gained (and shared) sobering insights into Big Pharma, which was both his biggest source of advertising revenue and at the same time the most frequent subject of investigative reports in POZ. He avoided conflicts of interest by publishing the uncensored truth about the strengths and weaknesses of every drug targeted at AIDS. More than one drug company pulled its advertising in anger over a negative mention, nearly sinking the magazine while ironically confirming its credibility.
As Body Counts describes in memorable detail, Strub frequently backed up the magazine's stand on issues with acts of boots-on-the-ground civil disobedience. One such episode, to publicize the campaign for safer-sex education, involved placing a giant condom over the suburban home of Senator Jesse Helms, the Senate's most implacable homophobe and foe of AIDS funding. Another far less light-hearted action took place at St. Patrick's Cathedral in protest over the church's deceptive and potentially harmful "Condoms Don't Work" campaign.
Two years after the launch of POZ, the introduction of combination therapy drastically reduced the death rate from AIDS so that when the twentieth anniversary of POZ occurred in 2014, both Strub and the magazine were around to celebrate it.
Review
“Inspiring... A vital history of ordinary people rising up and demonstrating the potential inherent in this extraordinary country... Although at times it is agonizing to remember and relive our past, Sean’s articulate, and humane memoir transforms this pain into a hope for a better future. This is the most personally powerful and authentic portrayal of our collective history that I have read since Paul Monette's On Borrowed Time." (Judith Light)
“What a life! From the Senate elevator to Studio 54 to Andy Warhol and Tennessee Williams, Gore Vidal and John Lennon to the famous demonstration inside St. Patrick’s Cathedral--who is this guy, Forest Gump? This is the compelling life and near-death story of Sean Strub, of thousands lost to HIV-AIDS, and thousands more living with it whom his activism helped save. Wow.” (Andrew Tobias, author of The Best Little Boy in the World)
"Read Body Counts by Sean Strub and share one American's story of growing up with an instinct for justice, then finding oneself in an epidemic whose tragedy is multiplied by bias. As a man who survived sexual abuse, rape and an HIV diagnosis, Strub embodies the shared interest of women and men who fight for human rights, and against any government or person intruding on our bodies. By taking us with him on his journey from a conservative family in Iowa to the heart of a global movement for human rights, Sean Strub gives us ideas, strength and heart in our own journey." (Gloria Steinem)
"Body Counts is an absorbing read. It not only vividly recounts the personal odyssey of one man's struggle with AIDS, but places it--with remarkable objectivity--within the larger story of those years. Strub is a dispassionate, reliable guide whose directness and honesty create considerable impact. Anyone would profit from reading this book." (Martin Duberman, author of Stonewall and Professor of History Emeritus at the Graduate School of the City University of New York)
“Searingly honest about himself and others, Strub shows how the AIDS epidemic of the 1980s and 1990s brought out the best and the worst in people. His heroes are the ordinary men and women who fought to save lives. His villains – and deservedly so – are the cowardly public officials, from Reagan through Clinton, whose opportunism proved deadly to others. This take-no-prisoners memoir has the quality of a suspenseful page-turner, and will keep you reading until the final sentence.” (John D'Emilio, author of Intimate Matters: A History of Sexuality in America)
“From early struggles against AIDS to later collective acting up, Sean Strub's lively, gossipy memoir is also deeply moving history.” (Jonathan Ned Katz, author Gay American History)
“Sean Strub has written more than just a memoir. Body Counts pulls back the curtain on a hidden half-century of American history, from closeted Washington politicos of the 1970s and 1980s to his interactions with a parade of American icons; Tennessee Williams, Yoko Ono, Andy Warhol, Keith Haring and Gore Vidal all make cameos. AIDS looms large, but the story never feels like a tragedy. It is the tale of a life lived in high-resolution, high-intensity, saturated technicolor.” (Ari Shapiro, NPR White House Correspondent)
“Sean Strub has been a columnist, editor, publisher, theatrical producer, congressional candidate, conservationist, hotelier, and for most of that time an outspoken advocate in the fight against AIDS as well. His Body Counts is a stunning memoir--candid (at times startlingly so), courageous and humane. Much like the author himself.” (John Berendt, New York Times-bestselling author of Midnight in the Garden of Good and Evil and The City of Falling Angels)
“On June 5, 1981, the day the AIDS epidemic was first recognized by the Centers for Disease Control, Sean Strub was with my close friend, gay activist Vito Russo, in Denver, Colorado. Body Counts is a powerful account of the epidemic's early years and the subsequent three decades. It encompasses the tragedy of lives lost young, as we lost Vito, as well as the triumph of empowerment, activism and survival. Body Counts is a page-turner with moving insight and fresh analysis told in a compelling and highly personal style.” (Lily Tomlin)
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
CHAPTER 1
Out of Iowa
Elevator number one was “Senators Only,” and my job was to move senators up to the Senate floor in the U.S. Capitol and back to their offices as quickly as possible. From 1976 to 1978, for twenty hours a week, I manually opened and closed a shiny brass accordion-style gate at each floor, always with a friendly greeting. Whenever the gate squeaked or scraped, I would squirt a little oil on its metal joints. The interior of the antique elevator cab was polished walnut and rosewood, with a hand-operated cast-iron gearshift worn smooth by many decades of constant movement forward (“Going up!”) and back (“Going down!”). A small wooden folding seat was hinged against the wall, but I never used it. I preferred to stand and greet passengers eye to eye.
I had arrived in Washington from Iowa in March 1976, with a copy of Michael Harrington’s The Other America in my suitcase, as a seventeen-year-old idealist determined to make my mark in the world. I wasn’t sure what that might be, but I harbored political ambition and secretly thought I might go very far. My parents believed I went to Washington to attend Georgetown University that fall. “A fine Jesuit school,” my dad called it. But for me, the main attraction was the job ferrying members of the U.S. Senate up and down. It was a plum post for an eager young politico, and the pay was good. I also liked that my elevator was on the Senate side of the Capitol, the so-called “upper chamber” of Congress.
I was on a political fast track. When I had hit adolescence, and the attention of my male peers turned to girls, mine turned to politics. That’s how I lucked in to the elevator operator post. As a page in the Iowa State Senate in 1975, I often got rides from the capital in Des Moines to my parents’ house in Iowa City from a journalist, Frank Nye, who lived nearby in Cedar Rapids. Shortly before Christmas in 1975, he and his wife invited me to a dinner party at their house, where I met Iowa’s senator Dick Clark, one of the U.S. Senate’s most liberal members. I didn’t realize Clark was an elected official until the dinner conversation turned to national politics. He seemed particularly well informed, so I asked him, “Do you work in Washington?,” prompting a humiliating burst of laughter from others at the table.
Despite my faux pas, Clark thought I showed promise and handed me his card with his executive assistant’s name scrawled on the back. “Tell Bob I told you to call and see if we might be able to get you an appointment as a page, and maybe you could help out a bit in my office as an intern,” he said. I left Clark’s aide a message the next morning, saying I had already served as a page in the State Senate in Des Moines and was excited about the chance to work in Washington. When he called back, he said I was too old to be a page—the cutoff was sixteen—but he would look into another patronage position for me, which turned out to be the elevator post.
I should already have been in college at the time, but I had taken a gap year to work on the Democratic presidential campaigns leading up to the January 1976 Iowa precinct caucuses. Even though I wasn’t old enough to vote, I was elected as a delegate to the state convention for U.S. Representative Morris Udall. When his campaign fizzled (he commented at the time, “the people have spoken—the bastards!”), I switched my allegiance to California’s governor, Jerry Brown, a former Jesuit seminarian who was a late entry into the race. A few weeks after my move to Washington, I took a day off from the elevator job to join Brown’s campaign entourage in Maryland on May 16, 1976—my eighteenth birthday—just two days before that state’s primary.
The Capitol Hill complex—which then included three House and two Senate office buildings, as well as the Capitol—had fifty-eight elevators. Most still required manual operation, which was supplied by politically well-connected teenagers. Members of Congress and staff treated us like mascots, though we were hardly pampered. If the Senate worked late into the night, we did as well. One perk was that we could wander through parts of the Capitol that the public never sees. Another elevator operator, Jay, and I made good use of his knowledge of the meandering labyrinth of passageways, tunnels, and hidden staircases and his cache of master keys. Once, we climbed the steep steps to the dome and smoked a quick joint while enjoying a spectacular 360-degree view of the city. During the day, we slipped past velvet-roped brass stanchions forbidding public passage as though we owned the place, and at night, we wandered through the several levels of underground tunnels, noiseless except for the sounds of our footsteps echoing off overhanging steam pipes. One night when the Senate was working very late, we sneaked into the engineer’s office and cranked up the heat in the Senate chamber until the senators were so miserable that they adjourned, releasing us from our posts.
I couldn’t imagine anything more exciting for an ambitious political junkie than employment literally a few steps away from the Senate chamber. I got a daily contact high as I angled to meet as many powerful political figures as I possibly could, and I let myself imagine that I was nearly as much a part of the political process as they were. I knew several members of Congress had served as pages, worked in the mailroom, or run an elevator in the Capitol when they were young. If being in the right place at the right time mattered, I would make sure I was in the right places at all the right times.
Washington was definitely that place in the spring of 1976, full of promise and drama for a teenager with a political consciousness shaped by Watergate, the Vietnam War, feminism, and social-justice movements. The voting age had dropped from twenty-one to eighteen, the Equal Rights Amendment had passed Congress, and the 1973 Roe v. Wade Supreme Court decision had energized the women’s rights movement. It had been only two years since Gerald Ford had assumed the presidency in the wake of Richard Nixon’s resignation, declaring, “Our long national nightmare is over.” Jimmy Carter, the little-known former Georgia governor, campaigned for the Democratic presidential nomination in 1976 with a promise—“I will never lie to you”—that was emblematic of a hopeful new era.
When I saw the White House, the Washington Monument, and the Capitol building for the first time, I felt as if I had reached the center of the universe. The red, white, and blue logos for the upcoming bicentennial celebration were plastered all over town. The freshman class in Congress at the time was full of young reform-minded liberals known as the “Watergate babies,” elected in the Democratic landslide of 1974 and driving a progressive national agenda. Across the country, Americans felt corruption skulking out the window and a fresh breeze of clean politics coming through the door.
My interest in politics was partly a geographic coincidence. In 1967, when I was nine, my family moved from an isolated rural area north of Iowa City, where we kept horses and sheep, to an affluent neighborhood in Iowa City adjacent to the sprawling University of Iowa campus and its huge medical center. The parents of most of the kids in the neighborhood were college professors or doctors at the UI hospital. While my fourth-grade classmates at Lincoln Elementary watched cartoons and read Spider-Man comics, I followed politics and current events in the Des Moines Register, the Iowa City Press-Citizen, and the Daily Iowan. Our proximity to a politically progressive campus meant that anti-war protests and the social-justice movement became part of my daily life.
My dad’s family had been in Iowa City since the 1840s, when they opened a small grocery that became a well-known department store—Strub’s Store for Everybody—in subsequent generations. After World War II, my grandfather sold the store but kept the appliance and bottled gas divisions, starting a propane gas company to service the postwar growth in suburban residential developments, which was the business my dad ran.
My mother’s father was a shanty Irish entrepreneur, operating a pool hall and cigar store in Fort Dodge, Iowa, and promoting boxing matches in northwest Iowa and the Dakota territories early in the twentieth century. He died of lung cancer in 1931, right before she was born. Her mother, from a prominent lace-curtain Irish family in Cedar Rapids, died of breast cancer when my mother was two years old, so her childhood was nomadic; she bounced from one boarding school or convent to another, raised mostly by nuns. As a teenager, she came to Iowa City to live with an aunt and uncle and attend high school, where she met my father.
My parents weren’t especially political; their Catholicism was vastly more defining than any political ideology. They never knew quite what to make of my obsession with politics, let alone the increasingly radical views I embraced in later years. I was the third of six children. My older brother was named Carl, after my father and grandfather; when I was born, I was named for my mother’s Irish heritage and given her maiden name, O’Brien, as my middle name. My three sisters all were given Mary as a first name, after my father’s devotion to the Virgin Mother. My younger brother, Thomas Jerome, was named after my father's close friend, who was best man at my parent's wedding.
The thrill of being away from home and near the nexus of power and politics in Washington was dampened by a humiliating secret. While many teenage boys at the time had a poster of television star Farrah Fawcett, with her long legs and blond hair, I was obsessed with Mark Spitz, the muscular and handsome 1972 Olympic swimmer. Even though I hadn’t acted on my desire for men, I lived in constant fear that exposure would demolish my life as I knew it.
Homosexuals had no chance of finding love or affection, according to the Catholic Church, my family, and Dr. David Reuben’s 1972 best seller, Everything You Always Wanted to Know About Sex (But Were Afraid to Ask), which my parents hid under their mattress. We were condemned to a life of misery and empty sexual encounters. I thought my same-sex attraction was inherently evil; all I could do was hope it was a phase that might pass, like my youthful infatuation with magic. To the world, I looked like a young person with bright prospects, but I was damaged on the inside, shame smothering any vision of my future. That sense of alienation gave me empathy for others similarly marginalized or maligned and I think helped spark my interest in politics.
At thirteen, I briefly thought I had a calling for the priesthood, a period I now recognize as a desperate attempt to escape others’ oppressive expectation that I become interested in girls. When I didn’t pursue a religious vocation, I thought marriage might extinguish my attraction to men. However, my concept of marriage had nothing to do with love or creating a family. It was something to acquire or achieve.
I had it all wrong, of course. Not just about myself and the suppression of hormonal desire but also about the country’s direction at the time. What I thought was a national renewal was, in fact, a curtain closing on liberalism. The building blocks of the New Right, the right-wing conservative movement exemplified by Reverend Jerry Falwell’s Moral Majority, were firmly in place. The stage was set for the rise of the Reagan revolution, radicalization of the Republican Party, and destruction of the expanding social contract that had defined American politics since World War II.
I arrived in Washington as a virgin. I had never admitted my attraction to men to anyone, except in a confessional at fifteen, to a creepy priest who then interrogated me, wanting highly specific details of my sinful thoughts. Though I knew there was a gay rights movement on the political fringe, I had met only a handful of openly gay men or lesbians in Iowa City. San Francisco’s Castro neighborhood and New York’s Christopher Street were then already known around the world as coming-out meccas, but Washington was fiercely closeted, more like Iowa City, with a gay scene that was mostly underground. Washington was full of gay men who had devised an elaborate system of secrecy—with its own language, codes, and customs—and attended hidden bars and parties.
During those first few months, I tried to dress like preppy congressional staffers on the Hill and even bought my first pair of denim jeans to blend in after-hours with my peers. It was an opportunity to reinvent myself for new acquaintances who didn’t know I couldn’t throw a ball, wasn’t interested in girls, and had been taunted for years as a faggot. Since the onset of puberty, I had been repressing sexual thoughts, so by the time I got to Washington, I was pretty good at it.
I was also pretty good at a key requirement for the elevator job: the ability to recognize senators. Every elevator operator was given a face book (long before that term’s contemporary meaning); I had already pored over the encyclopedic Almanac of American Politics, studying the pictures and collecting arcane minutiae about candidates and campaigns the way sports fanatics study athletes and game statistics. I knew that the voting records of Iowa’s two senators at the time—Dick Clark, who sponsored me for the elevator position, and John Culver—gave them the highest average rating from Americans for Democratic Action, a liberal advocacy group, of any state in the country. I knew which senators won in landslides and which narrowly slid through their last election; I read brief biographies on all the senators, which revealed where they went to school, their careers prior to election to the Senate, and information about their wives and children.
I started out as an operator on a bank of eight Senate-side public elevators. As soon as I saw a senator getting off the underground tram that ran between the Capitol and the Dirksen and Russell Senate office buildings, I made sure an empty elevator was held, ready for his private use. This adolescent precocity soon got me promoted to elevator number one, hidden around the corner from the main bank of public elevators. The Capitol had many such private senatorial sanctums—washrooms, barbershops, dining rooms, and hideaway offices—behind unmarked doors. The promotion meant I no longer had tourists or staff on my elevator, only members of Congress, cabinet officials, and the occasional Supreme Court justice, with any staff or guests who might accompany them.
The other elevator operators were the first people I met in Washington, and we often hung out in our break room, which was like a secret clubhouse in the bowels of the Capitol. It was behind an inconspicuous door at the end of a long, poorly lit basement hallway painted battleship gray, with exposed pipes overhead. The hallway led to offices serving the more mundane needs of the Senate, including one we called Jack the Wrapper, because they wrapped bulky packages for shipping, and a room marked SERVICE CLOSET, which housed a small snack shop for staffers.
In the break room, we entertained ourselves by playing cards and games or snapping rubber bands at rats scurrying along the baseboard. The Capitol was full of rats—a shocking revelation, I know—but they were a concern only on the rare occasions when they ventured into brightly lit public areas, startling tourists.
The oldest elevator operator, a middle-aged man, spent many hours in the break room reading. When I met him on my first day on the job, he was introduced to me as “the Senator.” He never spoke to me, so I asked Jon, another elevator operator, if he knew what was wrong. “It’s just that he used to be a member of the Senate,” Jon said. “When he was defeated, he didn’t want to leave, so he took a job running the elevator. But he’s really proud and usually won’t talk to someone new until they ask about his service in the Senate. Do that and it’ll be fine.”
I was intimidated, but a little while later, I was in the break room with several other operators and tried to strike up a conversation. “Senator, how long did you serve upstairs?” I asked tentatively. He let out a long, weary sigh and said, “Three terms, until that bastard Domenici beat me.” Pete Domenici was a senator from New Mexico, so I said, “Oh, you’re from New Mexico?” During our conversation, Gisele Gravel, an elevator operator and niece of Alaska senator Mike Gravel, came into the break room. Overhearing our exchange, she said to me, “They’re pulling your leg. He’s not a senator, he’s an asshole.”
Every elevator operator heard and retold a story about Texas Republican senator John Tower, known to be sensitive about his short stature. He dressed meticulously—shiny cowboy boots with an extra-high heel, carefully tailored suits, and sometimes a cowboy hat. He was arrogant and rude, especially to service staff, and known for his explosive temper.
One day a new operator was in his cab on the first floor of the Russell Senate Office Building when a short man wearing a cowboy hat and shiny boots walked onto the elevator and commanded, “Third floor!” The elevator operator closed the door and put the elevator in gear. As he passed the second floor, the call buzzer sounded three times, the code that it was a senator making the request. A call from a senator always took priority, so the new operator stopped the car with a hard lurch and reversed it. His passenger, furious, berated the operator. The elevator operator, initially nonplussed, looked at his passenger sternly and said, “Hold on, cowboy, we got us a U.S. senator coming aboard!” Tower exploded in rage and later got the elevator operator reassigned.
On my elevator, I saw senators on days they were happy and days they were upset. I saw them in the middle of temper tantrums with colleagues. I got to know most of them well enough to understand how best to greet them and when to stay entirely silent. Several senators, including James Eastland, Russell Long, Herman Talmadge, John Culver, and Lowell Weicker, frequented a hideaway office on the third floor that was mostly a private drinking club. Some were undoubtedly heavy drinkers, but just as many used the hideaway to drink strategically, loosening up colleagues whose votes they sought. Alcohol has always been an effective lubricant of democracy. After the first time a senator asked if I had a breath mint, I made sure to keep a supply on hand.
I took my job seriously, believing I played a small but important role in the legislative process. Crossing the crucial threshold from witness to participant made me feel less like an outsider, less like the bullied kid at the playground. Like with my earlier stint as an altar boy at St. Mary’s parish in Iowa City, or later as a frequenter of Studio 54 in New York, the elevator operator position bestowed insider status. The costumes—whether the suits and ties of politics, the Catholic liturgical garments, or the glittering disco garb of New York nightlife—and the corresponding rituals were all part of the fun. Each milieu required a respect for the sanctity of its inner workings, and in exchange, participants gained membership, even if only a junior one, in the insiders’ club.
Power is the drug to which all of Washington is addicted, and simply being in the presence of the powerful was intoxicating. It was only an elevator, but proximity to senators was the first step to access and influence. In Washington, fresh anecdotes and gossip about members of the Senate formed a currency that guaranteed an attentive audience; stories from my elevator provided a never-ending supply.
That first summer in Washington, I rented a spare bedroom in my friend Bill Flannery’s compact ivy-covered basement apartment on Capitol Hill. While in high school, I had taken a journalism course at the University of Iowa and helped out as a gofer at the student paper, The Daily Iowan, when Flannery was its editor. He subsequently moved to Washington to work for the Center for Defense Information, a left-leaning think tank that studied U.S. military and foreign policy. Flannery was almost a caricature of a flaming radical. He was all of twenty-five and had adopted the tweedy academic look of an Oxford don. He had a small bust of Lenin on his desk, and he sometimes called me “comrade” as he lectured me on the blood-soaked history of the leftist movement. He gave me a political education, explaining what was “really” happening according to his own radical analysis.
Living as his tenant and semi-ward, I was a captive and sympathetic audience. A year earlier, I published the first and only issue of Radical Rites Press, a project in the journalism course, but I had only a peripheral sense of leftist politics. It was a mimeographed zine containing three manifestos (all written by me) in support of abortion rights, the legalization of both marijuana and gay marriage—all positions I know would have shocked my parents, if I had told them—and an endorsement of Mo Udall’s presidential candidacy. It felt daring to put those opinions in print, even though its circulation extended only as far as my teacher’s desk and to a few friends in the Daily Iowan newsroom. I was proud when Flannery read it and said, “You’ve got talent, kid!”
Flannery and I had long talks, and I came close to telling him about my attraction to men. But when I managed to steer our conversation toward gay rights or homosexuality, he was either dismissive or pejorative. He wasn’t a bigot, just uninformed. He grew to respect LGBT activism and, in time, treasured his openly LGBT friends. But in 1976, his insensitivity felt to me like a hammer sealing tight the already closed door to my suffocating closet.
I had to be home by ten P.M. every night or face a grilling from Flannery, who acted like a surrogate parent. He admonished me to walk only to the right, toward East Capitol Street, as I left our Fifth Street NE apartment. To the left, toward Maryland Avenue and Stanton Park, was too dangerous, he said. I felt on edge on the streets, especially at night, but the streets were where I eventually went in search of other gay men. I was self-conscious about my virginity, and it was becoming more difficult to believe my same-sex attraction was just a phase. I needed to experience actual sex with another man to know for sure. Gay men recognized me as one of them—and as an object of desire—and I started to understand that there were homosexuals in the world beyond the flamboyant stereotypes I could identify easily. Working in the Senate, both running the elevator and as an intern in Senator Clark’s office, brought me into contact with many closeted gay men. I grew attuned to the subtle clues they used to signal each other—the lingering glance, a style of dress, or conversational innuendo. I developed gaydar and took notice of those men who were groomed more carefully than others, whose ties were tied perfectly symmetrically with a dimple in the knot, and who exuded awareness or heightened sensitivity that I associated with being gay. I learned to distinguish among cordiality, friendliness, and flirtation.
Flannery’s curfew and babysitting style kept my desires in check temporarily, but they didn’t stop me from spending countless hours privately speculating about whether this or that man was gay. My awareness of bigoted comments also became more acute. Jokes or slurs that wouldn’t have caused me a second thought a year or two earlier now felt unkind, ignorant, or hateful. When I thought all gay men were flamboyant and obvious, those comments didn’t apply to me because I wasn’t like that. But the more I privately identified as a gay person, the uglier those comments sounded, and the closer they hit to home.
During those first few months in Washington, I started to accept my sexual desire as a permanent part of who I was. I began to see the injustices that gay men endured and to recognize the consequences. Surprisingly, I didn’t view lesbians the same way; I saw their struggle as part of the broader feminist movement. I didn’t understand what gay men and lesbians had in common, but I already had a feminist consciousness and was quickly developing a gay one as well. To the extent that I recognized a binary movement, I thought of it in terms of gay men and feminists.
My earliest political mentors were Iowa state senator Minnette Doderer, one of Iowa’s most important feminists in the 1970s, and Jean Lloyd-Jones, president of the Iowa chapter of the League of Women Voters and later a state legislator. Minnette often gave me rides back and forth to Des Moines from Iowa City, and I worked on Jean’s first campaign. I spent hundreds of hours with them talking about the Equal Rights Amendment, abortion rights, and other feminist priorities, but I don’t think homosexuality ever came up.
My sexuality throughout my teen years existed in a conflict zone boundaried by my church, my body, and my conscience. Coming out wasn’t an option I even considered. Keeping my desire private—and fighting to suppress it—was a survival strategy. Once I began to accept my desire, I realized the closet was only a temporary refuge, one I could not inhabit forever.
One night Bill Flannery took me to meet colleagues of his at the Tune Inn, a popular burger and beer joint on Pennsylvania Avenue, a few blocks southeast of the Capitol. One of the guys who worked with Flannery started telling fag jokes. Everyone at the table was laughing boisterously, and I did, too. While I drank my beer and ate my cheeseburger, I felt disgusted with myself. I wanted to say something to get him to stop, but I was a coward, afraid that if I objected, it would cast suspicion on my own sexuality. Was this the way it was always going to be? Sitting in silent misery while others made jokes at my expense? I knew I couldn’t live my life that way and privately started to question how others could.
Part of my self-acceptance came from recognizing others—especially well-known and well-respected people in public life or from history—who were gay or lesbian. I also heard rumors about politicians and others in positions of great power and privilege who were gay but denied it, even some who spoke disparagingly of gay people or exploited anti-gay prejudice to further their own political ambitions. I was shocked by their hypocrisy. Years later it was confirmed that several of the leading architects of the late-1970s evangelical and conservative movement—men who publicly promoted intolerance of gay people—were at the same time cruising gay bars and having sex with men in private.
As my identity as a gay man took root, I also had the chance to observe, close up, some of the most politically powerful men in the world. My brief conversations with senators, forgotten by them the moment they got off my elevator, have remained with me. I once heard MSNBC host Chris Matthews, who worked for House Speaker Tip O’Neill earlier in his career, refer to feeling a “thrill up the leg” when in the presence of inspirational elected officials. I know exactly what he means.
When not ferrying passengers, I rested my elevator on the Capitol’s second floor, outside the majority leader’s office and just a few steps from the Senate chamber’s main entrance. The majority leader—red-vested, fiddle-playing Democratic senator Robert C. Byrd—was a West Virginian who, when he died in 2010, had served fifty-seven years in Congress, longer than anyone in U.S. history.
Byrd was often in his office late into the evening, and one night he and several other senators could be heard from the hallway. As they argued loudly over a procedural matter, I saw a reporter—one known to be hostile to the Democratic leadership—lingering nearby to eavesdrop outside the office door. I daringly left my elevator, which was forbidden while on duty, brushed by the reporter, and knocked on the door. When no one answered, I timidly opened it to the small reception area where his private secretary usually sat. She had left for the day, so I walked over to the open interior door into Byrd’s private office. When I poked my head in, the senators, surprised by my interruption, stopped talking; Byrd gave me an irritated questioning look.
I knew this was risking my job and could result in dismissal. My voice cracked as I informed them of the reporter outside the office. Senator Byrd’s face softened, and he graciously thanked me. Within minutes, a Capitol police officer shooed away the unwanted reporter.
After that incident, I was a favorite of the courtly Senator Byrd. Once he gave me a message—“Tell him ‘It’s all worked out’ ”—to deliver to my patron, Senator Clark. I never found out what it meant, but I conveyed that single sentence as if it were a national security secret.
I loved meeting every member of the Senate, especially three of the Democratic liberal “lions”—George McGovern, Hubert Humphrey, and Ted Kennedy—whose careers I had followed closely. When I told Senator McGovern that I was his campus coordinator at my boarding school in Wisconsin during his 1972 presidential campaign, he asked, “How’d I do?” and I was proud to tell him, “You won, sir!”
When Senator Kennedy saw a copy of Leon Uris’s novel Trinity wedged between the collapsible elevator seat and the wall, he told me that his mother had given him a copy when he was hospitalized. Over the next several weeks, he would ask me where I was in the story, about specific characters and turns in the plot. When Senator Humphrey, a failed presidential candidate but enduring statesman, found out I was a native Iowan, he said, “We midwesterners need to stick together!” He had brought me a signed copy of his newly published book, The Education of a Public Man, which Senator Walter Mondale, Humphrey’s Minnesota colleague, saw in my elevator; I told him that Senator Humphrey had given it to me. The next day Mondale brought me a signed copy of his book, The Accountability of Power.
Senators weren’t my only prominent passengers. Celebrities visited frequently, and the 1976 bicentennial summer attracted more stars than usual. Elizabeth Taylor, Billy Graham, sex expert Dr. Ruth Westheimer, and others were passengers. When Senator Jacob Javits squired Taylor around the Capitol, he looked like the nerdy high school kid who had lucked into a date with the prom queen. Another famous Elizabeth, the Queen of England, visited the Capitol in July for a lunch in her honor in the National Statuary Hall. There wasn’t much room in my elevator, but I loved how large the world became for me within its walls.
In the 1970s, seniority meant everything in the Senate. It dictated chairmanships of the most powerful committees and the assignment of office space and parking spots; it earned the prize of the last available space on an elevator. It wasn’t ideology but perks (especially office assignments and parking spaces) that caused the greatest friction among members.
Though the seniority system had serious flaws, it enabled more nuanced and complicated cross-party alliances than the lockstep party discipline typical today. A spirit of collegiality could transcend party politics, and senators were more independent in their political views. For example, Washington’s senator Henry “Scoop” Jackson was so hawkish that he was called the “Senator from Boeing,” after the major military contractor then headquartered in his state, but he was also a leading environmentalist. Mississippian John Stennis, an ultraconservative Dixiecrat who staunchly opposed every piece of civil rights legislation, was one of the first members to publicly criticize Senator Joseph McCarthy’s demagogic red baiting in the 1950s. In the 1980s, he opposed Reagan’s nomination of ultra-conservative Robert Bork to the Supreme Court. Arizona’s Barry Goldwater, an icon of the far right, was prominently pro-choice.
Stennis was not the only famous segregationist in the Senate in the late 1970s; others included South Carolina’s Strom Thurmond, who ran for president as a Dixiecrat in 1948, and North Carolina’s Jesse Helms, labeled the “master obstructionist” for his ability to delay legislation that he opposed. Helms was famously racist; in 1983 he filibustered for sixteen days, trying to prevent the Senate from approving a federal holiday to honor Martin Luther King, Jr. In the AIDS-defined years to come, he relished every opportunity to show his homophobia, railing against “the homosexual agenda” and ranting to all who would listen about the immorality of the “homosexual lifestyle.” When President Bill Clinton nominated Roberta Achtenberg, the accomplished former head of the National Center for Lesbian Rights, to a post requiring Senate confirmation, Helms condemned her from the Senate floor as “that damn lesbian.”
In my elevator, Helms was always distracted and slightly formal, courtly but not warm. At the time, I could not have fathomed that my future would intersect with Helms and that our encounter would one day involve the use of an extra-large condom.
I was spending my days in constant motion—going up and down—yet always arriving back where I started. My future was in a holding pattern as well, with an illusion of movement masking the fact that I was on standby, waiting to see if I might shake the secret that stood in the way. On some days, I had a growing sense that would never happen.
I desperately wanted someone—or something—to ring a bell three times and whisk me to where I wanted or needed to be. My real desire was to run for office, but I was certain that was impossible as long as I was attracted to men. That fear caused me to withdraw from my parents and family back in Iowa. As I took Washington’s elite from one floor to the next, I feared being permanently grounded by my sexual orientation.
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Product details
- Publisher : Scribner; First Edition (January 14, 2014)
- Language : English
- Hardcover : 432 pages
- ISBN-10 : 1451661959
- ISBN-13 : 978-1451661958
- Item Weight : 1.3 pounds
- Dimensions : 6 x 1.2 x 9 inches
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Best Sellers Rank:
#1,293,690 in Books (See Top 100 in Books)
- #170 in AIDS (Books)
- #179 in AIDS & HIV (Books)
- #1,695 in LGBTQ+ Biographies (Books)
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Top reviews from the United States
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What is more remarkable is that, as you read, you realize that Strub was a major player in the politics and post-politics of AIDS. Combining innate business skills and a gut sense of activism, he was an important activist of the period. But his whole perspective is less of a major actor and more of an honest witness. Maybe it is his Iowa upbringing (and dropping out of college and missing the experience of having to write "profound" undergraduate papers), but he writes with a sense of self-modesty which makes this account all the more appealing and authentic.
Strub gives a good overview of the AIDS crisis and its politics (albeit with a New York inflection- but then again he is writing from his own experiences.) But he also gives a more personal sense of what is what like to be gay, aware and alive then. You didn't think much about the future, just hoping that somehow you, and those you knew and loved, would survive. Fortunately Strub survived and is able to write about it.
We would expect the man who founded the magazine POZ to write an honest-take-no-prisoners account of what happened, and he does. All the usual villains are here. Here are some of them: when Ronald Reagan spoke the word "AIDS" for the first time in 1987, way into his second term as President, twenty-one thousand Americans had already died of it. Anthony Fauci at the NIH was uncooperative in 1987 in writing guidelines recommending the inexpensive drug Bactrim to prevent PCP in PWA's even though infectious disease specialists had known as early as 1977 of its effectiveness. When the guidelines were finally issued in 1989, 30,534 people in the U. S. had died of PCP, and approximately 16,929 of the deaths had occurred between the time Fauci was first approached and the date the guidelines were issued. And Bill Clinton gets tarred and feathered too. Mr. Strub feels betrayed by him, someone whose candidacy for President he and so many others had supported, hoping for great things from him. What we got was "Don't Ask; Don't Tell," the Defense of Marriage Act that Clinton now admits was unconstitutional and his refusal to lift the ban on the use of federal money to fund needle-exchange programs to reduce HIV transmission. In Strub's words: "Like many other people with HIV, I felt betrayed by Clinton because I'd believed him during his campaign when he told my ACT UP colleague Bob Rafsky, 'I feel your pain.'" (Mr. Strub also outs Donna Shalala as a closet lesbian.) And he recounts in great delightful detail when he and six others put a gigantic condom on Senator Jesse Helms' house in Arlington, Virginia. Helms he describes as the man in public life who was the greatest enemy of people with AIDS. Finally the author begins his narrative with the protest in December, 1989 at St. Patrick's Cathedral in New York when ACT UP protesters interrupt John Cardinal O'Connor's Mass because of his position of safe sex and reproductive rights. When Mr. Strub goes to the altar ostensibly to take communion, the priest sees the pink triangle and Silence=Death logo on his T-shirt under his coat. Mr. Strub begins: "'May the Lord bless the man I love, who died a year ago this week.'" (page 3) (From that moment on, I knew that Mr. Strub had my heart.)
In sharp contrast are the Elizabeth Taylors and Matilde Krims of the world, the young people in ACT UP, as well as the multitudes of gay men and lesbians who cared for the sick and dying. Mr. Strub reminds us that AIDS brought gay men and lesbians together as never before. "AIDS helped us cement the concept of a chosen family of friends as the foundation upon which we built a massive and heroic effort to tend to our sick and dying." He closes this book of 400 pages that seems much shorter in a beautiful passage that rises to the level of poetry. He says that even though he has often been furious with the Catholic Church, the church he was brought up in, that he accepts its lesson that life's meaning is found in contemplation, penance and service. In his own words: "Sometimes that service is simply a matter of being present with no other action necessary. Joe Sonnabend [a physician in the thick of treating people with AIDS from the beginning of the epidemic] once let me look at a box of letters and cards he received over the years from the surviving partners and parents of patients of his who had died. . . They all thank Joe for his care and kindness, but I was struck by how many simply thanked him for `being there' for the person they loved. When I see someone very ill or hospitalized and feel helpless, not knowing what I can do to help alleviate their pain, I remember those cards and remind myself that even when all I can do is `be there,' that is enough."
There is so much more than I cover in this little review: Mr. Strub's early life in Iowa, his political life in D. C., his producing of the play THE NIGHT LARRY KRAMER KISSED ME, the loves of his life, his many friends in the gay and AIDS community. This is a fantastic book.
Top reviews from other countries
I bought the Kindle edition on Tuesday morning and found myself surprised to have finished it on Saturday evening. Although the Kindle edition doesn’t have real page numbers, the final 25% of the book consists of the most detailed index I think I’ve ever seen, and though the index uses page numbers, they take you to the correct place in the book. You will need paper hankies: I think I cried about every five page turns.
It’s largely a memoir, but with one hell of a slice of history. The history of HIV in America seen through eyes of the author. Details aren’t spared: Sean’s description of his pulmonary KS reminded me of a friend who had to sleep sitting upright for fear of a KS lesion blocking his windpipe. (If it seems over-familiar to refer to the author by his first name it’s because there’s so much of himself in the book that I feel I know as much about him as I do about some of my closest friends.)
The memoir and broader history are intermingled. Naturally I can’t comment on the memoir, not knowing Sean, but the broader history tallies exactly with what I remember as we pored over imported copies of The Advocate and other imported US magazines. Details are spot on in the 80s, but more sparse in the 90s as Sean’s health declined.
From the introduction of protease inhibitors, and “the Lazarus effect” the book becomes more memoir than history as Sean rebuilds his life from being at the point where he had a CD4 count of 1. There’s a lot of name dropping, but then he was at one point before HIV looking to political office. And unlike many people with HIV in America he was never homeless or so poor he struggled for food.
Read it: there are times when it hurts like hell; for myself I found myself running almost a side-window of what was going on in the UK at the same time, remembering people and incidents I haven’t thought about in years. It’s not a wallow in nostalgia: it’s the story of the fights it took to get to today.
I don’t believe in summarising a book in reviews (as you’d see if you looked at my other reviews here), but prefer to reflect on how a book has affected me. And this one cuts deep. I started keeping notes of things to mention in this review, but quickly realised that it would be invidious to mention one fact over another. I’m going to need time to absorb what I’ve read, and I’m going to have to read it again, perhaps, with slightly drier, more critical eyes.
If you’ve just been diagnosed with HIV, wait. You need to have found your balance with your new life before you read this as it’s so blunt, at times, in its accounts of illness. Illness that you’ll probably never see. If you’ve reached an accommodation with your little passenger, you’re comfortable with your drugs and you’ve got used to your clinic visits, then this really is essential reading.
This review was originally written for the online magazine [...], hence the assumption that the reader is HIV positive.

