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A Bomb in Every Issue: How the Short, Unruly Life of Ramparts Magazine Changed America Paperback – November 30, 2010
Purchase options and add-ons
- Print length256 pages
- LanguageEnglish
- PublisherThe New Press
- Publication dateNovember 30, 2010
- Dimensions5.25 x 0.75 x 8 inches
- ISBN-109781595585462
- ISBN-13978-1595585462
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Product details
- ASIN : 159558546X
- Publisher : The New Press; Illustrated edition (November 30, 2010)
- Language : English
- Paperback : 256 pages
- ISBN-10 : 9781595585462
- ISBN-13 : 978-1595585462
- Item Weight : 10.2 ounces
- Dimensions : 5.25 x 0.75 x 8 inches
- Best Sellers Rank: #939,221 in Books (See Top 100 in Books)
- #2,063 in Book Publishing Reference
- #2,991 in Communication & Media Studies
- Customer Reviews:
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About the author

Peter Richardson has written critically acclaimed books about Hunter S. Thompson, the Grateful Dead, Ramparts magazine, and radical author/editor Carey McWilliams.
Richardson's essays have appeared in The Nation, The New Republic, Los Angeles Times Book Review, San Francisco Chronicle, Los Angeles Review of Books, Literary Hub, California, Guernica, California History, and many other outlets. Excerpts of his work have been published by the New York Times, Mother Jones, and Bookforum. A busy book reviewer, Richardson received the National Entertainment Journalism Award for Online Criticism in 2013.
From 2006 to 2023, Richardson taught courses on California culture at San Francisco State University. He has been featured in documentary films, podcasts, and newspaper and magazine stories, and he is a frequent guest on public radio programs in North America and abroad. He also speaks at universities, museums, book festivals, and historical societies.
Richardson's professional experience includes editorial stints at the University of California Press, PoliPoint Press, the Public Policy Institute of California, and Harper & Row, Publishers.
In the 1990s, Richardson was an associate professor of English at the University of North Texas, a Fulbright Senior Scholar in Iceland, and an NEH Summer Seminar fellow at Harvard University. He also wrote a textbook on stylistic revision, now in its second edition. Before that, he earned a Ph.D. in English from the University of California, Berkeley, and a B.A. in economics at the University of California, Santa Barbara.
Born and raised in the East Bay, he now lives in Sonoma County.
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Behind the scenes, how the sausage is made delight .
The main complaints I have of this book is the fact that we're given few photos regarding the art in the magazine. Apparently, the artistic layout of the magazine was so stunning other magazines were envious (Esquire was envious enough to try to hire the art director). I would have liked to see a lot of this artwork but the book features too little. Another complaint: there aren't any quotes from the magazine. From what I have read about Ramparts, the writing style was something people truly liked about the magazine. In that case, why aren't there any excerpts of the writing style? That would have truly helped this book.
Ramparts was founded by Edward M. Keating in 1962 with a focus on catholic matters. I use the phrase "catholic matters" but maybe a description from books introduction might give you a better idea of what Ramparts was about. It described itself as a "forum for the mature American Catholic" focusing on "those positive principles of Hellenic-Christian tradition which have shaped and sustained our civilization for the past two thousand years" It Sounds pretty staunch doesn't it? But it wasn't long before the magazine took a sharp turn to the left; it became a radical muckraker that by all accounts turned the art of journalism on its head and gave it a good shake.
I first heard of Ramparts through Scanlans magazine and their common denominator Warren Hinckle; and because of my huge interest in Scanlans I was delighted to get a peek at A Bomb in Every Issue so soon.
So what about it? Well after reading the book I've realized that magazines like Ramparts and Scanlans for that matter deserve some consideration for their contribution to a new, no nonsense style of journalism and gutsy political reporting. Publications with guile are thin on the ground these days.
Richardson gives a detailed account of the 13 year life of Ramparts and its most contentious stories. I had heard of Ramparts but never knew much about it's history, but after reading A Bomb in Every issue I found just how important Ramparts was in the progression of journalism; and reporting issues that some folks would have preferred were buried. For example, it was the first to publish a conspiracy theory surrounding the assassination of JFK. Another point of interest was it's publication of Che Guevara's diaries. It also boasted a long list of contributors including Cesar Chavez, Norman Mailer, Noam Chomsky and many more.
The Hunter S. Thompson connection with Ramparts and of course Warren Hinckle is as you'd expect an entertaining one, as Richardson told me "The HST material in the book is brief but memorable: a fantastical visit to the Ramparts office, where Hinckle's pet monkey got into his pills; the Chicago lunacy in 1968; and the Ramparts Wall Posters, an idea HST lifted for his campaign in Colorado." The HST material in the book is small and not a huge selling point (nor was it intended to be) but it doesn't need it, there's plenty of other material to make this book stand on its own.
The bottom line is this. For anyone who's interested in journalism and it's transformation over the years; this book is a must read. It shows us the mettlesome attitude Ramparts had in its approach to spreading news, popular or not. As a fan of journalism I hope this book does well and reaches future writers of any ilk. It will bring to the fore a type of journalism that sadly is not as prominent as it should be in this day and age.

