Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
Other Sellers on Amazon
+ $3.99 shipping
+ $3.99 shipping
+ $3.99 shipping
The Bone Clocks: A Novel Paperback – June 16, 2015
|New from||Used from|
The Amazon Book Review
Author interviews, book reviews, editors picks, and more. Read it now
Frequently bought together
Customers who bought this item also bought
Customers who viewed this item also viewed
“One of the most entertaining and thrilling novels I’ve read in a long time.”—Meg Wolitzer, NPR
“Astonishing . . . No one, clearly, has ever told [David] Mitchell that the novel is dead. He writes with a furious intensity and slapped-awake vitality, with a delight in language and all the rabbit holes of experience. . . . In his sixth novel, he’s brought together the time-capsule density of his eyes-wide-open adventure in traditional realism with the death-defying ambitions of Cloud Atlasuntil all borders between pubby England and the machinations of the undead begin to blur. . . . Not many novelists could take on plausible Aboriginal speech, imagine a world after climate change has ravaged it and wonder whether whales suffer from unrequited love. . . . Very few [writers] excite the reader about both the visceral world and the visionary one as Mitchell does.”—The New York Times Book Review (Editor’s Choice)
“Intensely compelling . . . fantastically witty . . . offers up a rich selection of domestic realism, gothic fantasy and apocalyptic speculation.”—The Washington Post
“Sprawling yet disciplined, drunk on life but ever cognizant of its brevity and preciousness, this time-traveling, culture-crossing, genre-bending marvel of a novel by the highly regarded author of Cloud Atlas utterly beguiles.”—O: The Oprah Magazine
“Great fun . . . a tour de force . . . [Mitchell] channels his narrators with vivid expertise.”—San Francisco Chronicle
“Mitchell is one of the most electric writers alive. To open a Mitchell book is to set forth on an adventure. . . . In his latest novel, The Bone Clocks, Mitchell has spun his most far-flung tale yet. . . . Strange and magical.”—The Boston Globe
“Magical . . . [The Bone Clocks] perfectly illustrates the idea that we’re all the heroes of our own lives as well as single cogs in a much larger and more beautiful mechanism. [Grade:] A”—Entertainment Weekly
“Transportingly great . . . If David Mitchell isn’t the most talented novelist of his generation, is there any doubt that he is the most multi-talented? He is, at his best, a superior writer to Jonathan Franzen, a better storyteller than Michael Chabon, more wickedly clever than Jennifer Egan, nearly as fluent as Junot Díaz in multiple dialects, and as gifted as Alice Munro. . . . The Bone Clocks affords its readers the singular gift of reading—the wish to stay put and to be nowhere else but here.”—The Atlantic
“Mitchell’s mesmerizing saga is evidence of the power of story to transport us, and even to stop time entirely.”—Vanity Fair
“[A] literary marvel . . . What we value defines us, The Bone Clocks tells us. Sometimes it’s life. Sometimes it’s love. It’s definitely this book.”—The Miami Herald
“Mitchell’s wit, imagination and gorgeous prose make this a page-turner.”—People
“Mind-bendingly ambitious . . . The force of [Mitchell’s] storytelling makes The Bone Clocks a joy.”—Time
“A tour de force of the imagination, rewarding the attentive reader with both the intricate richness of its plot and the beauty of its language.”—The Plain Dealer
“Told with the skill and nuance of a gifted ventriloquist.”—USA Today
“Mitchell rises to meet and match the legacy of Cloud Atlas.”—Los Angeles Times
“Reading a David Mitchell novel is a little like wandering through a multiplex during that September sweet spot when the best summer blockbusters are screened alongside autumn’s more serious fare. The Bone Clocks is no exception. Mitchell’s generous imagination saturates every sentence, character, and setting to create a story as thrilling in its language as in its plot. It’s my favorite novel I’ve read this year, and the only one I’ve already reread.”—Anthony Marra
“Great story, great words, all good.”—Stephen King
“A hell of a great read . . . wild, funny, terrifying . . . a slipstream masterpiece all its own . . . Mitchell is a genre-bending, time-leaping, world-traveling, puzzle-making, literary magician, and The Bone Clocks is one of his best books.”—Esquire
“Mitchell is a superb storyteller. . . . One of the reasons he is such a popular and critically lauded writer is that he combines both the giddy, freewheeling ceaselessness of the pure storyteller with the grounded realism of the humanist. There’s something for everyone, traditionalist or postmodernist, realist or fantasist.”—The New Yorker
“Relentlessly brilliant . . . [The Bone Clocks contains] depth and darkness, bravely concealed with all the wit and sleight of hand and ventriloquistic verbiage and tale-telling bravura of which Mitchell is a master.”—Ursula K. Le Guin, The Guardian
“You could call Mitchell a global writer, I suppose, but that does not quite capture what he is doing. It is closer to say that he is a pangaeic writer, a supercontinental writer.”—New York
“With The Bone Clocks [Mitchell] has brought off his most sinewy, fine and full book to date, a Möbius strip–tripping great novel that will reward bleary-eyed rereading until he writes his next one.”—Financial Times
“Dazzling . . . Mitchell’s heavy arsenal of talents is showcased in these pages: his symphonic imagination; his ventriloquist’s ability to channel the voices of myriad characters from different time zones and cultures; his intuitive understanding of children and knack for capturing their solemnity and humor; and his ear for language—its rhythms, sounds and inflections.”—Michiko Kakutani, The New York Times
“As you might expect from a David Mitchell novel, [The Bone Clocks is] big, ambitious, and pretty. But it’s very much the story of one woman: Holly Sykes. Her tiny human life is the thread that holds the various stories of The Bone Clocks together, and ultimately it is what gives the book a deep sense of meaning, and its lasting joys and sorrows.”—The Millions
“[The Bone Clocks] might just become the 1984 of the climate change movement. It dramatizes the consequences of our improvident modern economy in the way George Orwell’s novel awakened people to the ‘Big Brother’ mentality of Soviet communism.”—David Ignatius, The Washington Post
“[The Bone Clocks] enthralls, soars, and crackles.”—The Daily Beast
“Mitchell is back and as genre-bendy as ever. Describing the breadth of his latest epic as ‘sprawling’ wouldn’t quite do it justice.”—The Huffington Post
“Deeply meaningful . . . The Bone Clocks has everything you might expect to find in a David Mitchell novel: Great characters in settings far-flung over space and time, all tied together by ambitious ideas and gorgeous writing.”—BuzzFeed
“Mitchell may be the greatest novelist in the English language currently in his prime.”—The A.V. Club
“A fascinating and moving book about time, technology and even the ‘State of the World.’”—The Dallas Morning News
“Mitchell is a brilliant literary mesmerist. . . . He writes with scintillating verve and abundance. . . . [Mitchell’s is a] joyful, consoling world.”—The Telegraph
“A fantastic, perilous journey over continents and decades. Fans of Mitchell’s Cloud Atlas will find this equally ambitious and mind-bending.”—Marie Claire
“[A] beautiful explosion of adventurous ideas . . . As [Mitchell’s] oeuvre develops, he seems to be getting cleverer, braver and delightfully madder.”—The Times
“Fantastical, ambitious, bold and exuberant.”—The Observer
“A sweeping epic . . . that, like Cloud Atlas, spans the ages and tinkers with the hidden gears of human history.”—GQ
“A cautionary metaphysical thriller that grounds its ambition in its heroine’s human charm.”—Vogue
From the Hardcover edition.
About the Author
David Mitchell is the award-winning and bestselling author of The Thousand Autumns of Jacob de Zoet, Black Swan Green, Cloud Atlas, Number9Dream, and Ghostwritten. Twice shortlisted for the Man Booker Prize, Mitchell was named one of the 100 most influential people in the world by Time in 2007. With KA Yoshida, Mitchell translated from the Japanese the internationally bestselling memoir The Reason I Jump. He lives in Ireland with his wife and two children.
Top customer reviews
There was a problem filtering reviews right now. Please try again later.
Trouble is- the book is very long with so many side tales and characters who move in and out of the story that I needed a roadmap to recall who people were and what had happened in previous chapters, and I felt like I was constantly trying to piece things together to be sure I hadn't missed or forgotten something when things became confusing. It jumps around quite a bit and finally lands in a rather fantastical sci-fi finish that takes it to another level.
I would have preferred a linear tale of the main character (who was very well developed and interesting to follow) and less peering in and out of her life and the lives of many other characters. Or, at the very least, some serious editing, as it got a bit too long. It began with a nice fast pace but eventually became a slog of a read for me. We read this as a book group pick and many felt the same way I did, though a few members really enjoyed the entire book and all its nuances. It certainly was unpredictable.
NOTE: I ORIGINALLY PUBLISHED THIS REVIEW ON GOODREADS
The third part is yet another trope: The family quarrel at the wedding of one of the members (Holly's here again), and it also tosses in anti-war sentiments, as Holly's boyfriend (we meet him in the first story), who has fathered Holly's daughter, turns up at the festivities. He's a foreign correspondent stationed in Iraq in the mid 0s.The bratty six-year-old daughter (who keeps saying Bad dad instead of Baghdad, and this is NOT so clever and meaningful as the author would seem to think) takes over this section and drags it down.
Mercifully we escape to the present and find ourselves in the presence of Crispin Hershey. An author. This part of the book is a delightful take on the relationship between authors, critics, and fans--and of course Holly turns up again.
And then we come up on the most controversial section, a tale of speculative fiction> It's set about 10 years in the future and narrated by one of the participants, and it's here that we find out what those supernatural elements that have been popping up are all about. It's some battle between two groups of immortals, Horologists and Anchorites, and while this narraative is exciting enough, and quite suspenseful, it doesn't go anywhere at the end. You want some kind of "how will this battle change the world?" You never get it. Their quarrel seems to have no effect on anyone or anything outside of their own small circle.
The last part, set in the middle of this century, is one of those dreary sentimental after the apocalypse tales. If you like that sort of thing, get out the tissue. If not, yes, there's a . . . (oh never mind--that would be a spoiler). Holly's back at the plate for the narration.
So there you have it. If you are still wondering what the book's about, well--structure, really. I think it will appeal to readers who liked Jennifer Egan's "A Visit from the Goon Squad," Eleanor Catton's "The Luminaries," and/or Rachel Kushner's "The Flamethrowers."
Of the three, it most resembles Egan's book, as every section is in a different narrative style and riffs on plots and tropes we all know. But it has that intricately plotted out infrastructure that plays so great a part in "The Luminaries," and it also has the spirals of "The Flamethrowers."
All in all, more than okay. Give it a try.