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The Book of Symbols. Reflections on Archetypal Images Hardcover – November 10, 2010
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The Book of Symbols combines original and incisive essays about particular symbols with representative images from all parts of the world and all eras of history. The highly readable texts and over 800 beautiful full-color images come together in a unique way to convey hidden dimensions of meaning. Each of the ca. 350 essays examines a given symbol’s psychic background, and how it evokes psychic processes and dynamics. Etymological roots, the play of opposites, paradox and shadow, the ways in which diverse cultures have engaged a symbolic image―all these factors are taken into consideration.
Authored by writers from the fields of psychology, religion, art, literature, and comparative myth, the essays flow into each other in ways that mirror the psyche’s unexpected convergences. There are no pat definitions of the kind that tend to collapse a symbol; a still vital symbol remains partially unknown, compels our attention and unfolds in new meanings and manifestations over time. Rather than merely categorize, The Book of Symbols illuminates how to move from the visual experience of a symbolic image in art, religion, life, or dreams to directly experiencing its personal and psychological resonance.
The Book of Symbols sets new standards for thoughtful exploration of symbols and their meanings, and will appeal to a wide range of readers: artists, designers, dreamers and dream interpreters, psychotherapists, self-helpers, gamers, comic book readers, religious and spiritual searchers, writers, students, and anyone curious about the power of archetypal images.
- Print length808 pages
- LanguageEnglish
- PublisherTASCHEN
- Publication dateNovember 10, 2010
- Dimensions6.69 x 1.97 x 9.45 inches
- ISBN-103836514486
- ISBN-13978-3836514484
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From the Publisher
Handbook of Visual Experience
This encyclopedia explores the hidden meanings of visual symbols across time and geography, from the sun to whales and the human hand. Spanning different eras and cultures, over 800 beautiful images combine with expert illuminations of symbol history, meanings, and psychic associations, offering readers a precious and fascinating resource for thoughtful interpretations of life, art, and spirituality.
An exploration of symbols and their meanings throughout history
The Book of Symbols combines original and incisive essays about particular symbols with representative images from all parts of the world and all eras of history. The highly readable texts and over 800 beautiful full-color images come together in a unique way to convey hidden dimensions of meaning. Each of the ca. 350 essays examines a given symbol’s psychic background, and how it evokes psychic processes and dynamics. Etymological roots, the play of opposites, paradox and shadow, the ways in which diverse cultures have engaged a symbolic image—all these factors are taken into consideration.
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Authored by writers from the fields of psychology, religion, art, literature, and comparative myth, the essays flow into each other in ways that mirror the psyche’s unexpected convergences. There are no pat definitions of the kind that tend to collapse a symbol; a still vital symbol remains partially unknown, compels our attention and unfolds in new meanings and manifestations over time. |
Rather than merely categorize, The Book of Symbols illuminates how to move from the visual experience of a symbolic image in art, religion, life, or dreams to directly experiencing its personal and psychological resonance. |
The Book of Symbols sets new standards for thoughtful exploration of symbols and their meanings, and will appeal to a wide range of readers: artists, designers, dreamers and dream interpreters, psychotherapists, self-helpers, gamers, comic book readers, religious and spiritual searchers, writers, students, and anyone curious about the power of archetypal images. |
Editorial Reviews
Review
“...not just an interesting ecclesiastical read but a fascinating look at history through the eyes of ancient man.” ― 125 Magazine
"... a potentially transformative reference work." ― World of Interiors
"Yes, the 807 page book is a doorstop. But it is also a stairway to heaven. The amazing gift is not its weight or its cover, but what lies between: a tangible (r)evolution in consciousness." ― HuffingtonPost.com
About the Author
Drawing upon Carl Gustav Jung's work on the archetype and the collective unconscious, the Archive for Research in Archetypal Symbolism (ARAS) is a pictorial and written archive of mythological, ritualistic, and symbolic images from all over the world and from all epochs of human experience. The collection of 17,000 photographic images, accompanied by commentary on their cultural and historical context, probes the universality of archetypal themes and provides a testament to the deep and abiding connections of all life.
Product details
- Publisher : TASCHEN; Illustrated edition (November 10, 2010)
- Language : English
- Hardcover : 808 pages
- ISBN-10 : 3836514486
- ISBN-13 : 978-3836514484
- Item Weight : 3.96 pounds
- Dimensions : 6.69 x 1.97 x 9.45 inches
- Best Sellers Rank: #7,137 in Books (See Top 100 in Books)
- Customer Reviews:
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Learn more how customers reviews work on AmazonReviewed in the United States on February 6, 2018
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I never understood why FAO's were "paid" to go spend hours looking at "painting's and such in museum's etc..... I knew it was part of understanding the "Kultura" or culture and history of "host" nations, but the amount of time other's spent looking at art work was as if looking for the "solution" to a "jig-saw" puzzle????
Perhaps this "work" will assist, all I know is at the US Department of Veteran Affair's- the US DVA- "providers' got visibly concerned when I tried reading books by Carl Jung!!!! Never understood why nor still do....
This book, in one-are two pages, explains the “myth” and history behind a “host” of myriad symbols found in all different types of “art-work” in an user-friendly understandable form, all within a wide array of cultural and historical context’s!
To this author, understanding, culture and history, of a "host" nation people is nothing more than a "tool" or "chit" in the bucket to accomplishing one's "military" mission on behalf of the US Military and/or “The National Interest of ALL US Citizens!” (the challenge here is “always” to define in common language the ever “evolving” National Interest- beyond Trade Relations!)
To that end one, in my, opinion must do a lot of things to get "folks" to open up and accept one in a “Host Nation”, to hopefully "work" better with them, specifically when conducting “complex” "Combined/Joint" operations, which are “inherently” – to some degree “error” prone- due to the same said “cultural” differences like the US military advisor's in Iraq and Afghanistan, etc..... face on a daily 24/7 basis…...
In a way- this book- visually, illuminates, some of the “challenges/barrier’s” to communication or “common” core understanding, as the “art” depicted and described in this book can be “interpreted” many different ways by many different cultures or National “identities.”
Anyway- my two cent's worth... others' can "chime" if so desire.....??????
PS: I forgot to add that as “either a Hostage or Guest” of both the Federaland Local State of Alabama Government’s I observed “prisoner’s” doing some of the most “gifted” art’s and craft’s one has seen. They could draw and or “sketch” pictures as well a Leonardo Da Vinci or Galleo, and could “hand-work” leather to rival any of the “finest” “Leather House’s” of Europe and Asia! Leather working alone is becoming a lost art in the US. Additionally, and sadly, they could also do Native American Bead Work, etc… to a very high proficiency! Coincidentally where I live on the Eastern Shore of Mobile Bay, the Town of Fairhope, Alabama sponsor’s an “Annual Fairhope Art’s and Craft’s Festival” around mid-March, every year. “Volk” from all over the nation and abroad flock to this every year. This would be a great opportunity for some of these hopefully, now, “freemen” or as the author of “Dune” would say- freemen!,” to showcase their wares, and perhaps pick up a “Sponsor/Patron” or two to “build” a legitimate business…..just an idea! However, so they can relate, and incorporate so “common” symbology- I would recommend at least “perusing” this great book first!”
Reviewed in the United States 🇺🇸 on February 6, 2018
I never understood why FAO's were "paid" to go spend hours looking at "painting's and such in museum's etc..... I knew it was part of understanding the "Kultura" or culture and history of "host" nations, but the amount of time other's spent looking at art work was as if looking for the "solution" to a "jig-saw" puzzle????
Perhaps this "work" will assist, all I know is at the US Department of Veteran Affair's- the US DVA- "providers' got visibly concerned when I tried reading books by Carl Jung!!!! Never understood why nor still do....
This book, in one-are two pages, explains the “myth” and history behind a “host” of myriad symbols found in all different types of “art-work” in an user-friendly understandable form, all within a wide array of cultural and historical context’s!
To this author, understanding, culture and history, of a "host" nation people is nothing more than a "tool" or "chit" in the bucket to accomplishing one's "military" mission on behalf of the US Military and/or “The National Interest of ALL US Citizens!” (the challenge here is “always” to define in common language the ever “evolving” National Interest- beyond Trade Relations!)
To that end one, in my, opinion must do a lot of things to get "folks" to open up and accept one in a “Host Nation”, to hopefully "work" better with them, specifically when conducting “complex” "Combined/Joint" operations, which are “inherently” – to some degree “error” prone- due to the same said “cultural” differences like the US military advisor's in Iraq and Afghanistan, etc..... face on a daily 24/7 basis…...
In a way- this book- visually, illuminates, some of the “challenges/barrier’s” to communication or “common” core understanding, as the “art” depicted and described in this book can be “interpreted” many different ways by many different cultures or National “identities.”
Anyway- my two cent's worth... others' can "chime" if so desire.....??????
PS: I forgot to add that as “either a Hostage or Guest” of both the Federaland Local State of Alabama Government’s I observed “prisoner’s” doing some of the most “gifted” art’s and craft’s one has seen. They could draw and or “sketch” pictures as well a Leonardo Da Vinci or Galleo, and could “hand-work” leather to rival any of the “finest” “Leather House’s” of Europe and Asia! Leather working alone is becoming a lost art in the US. Additionally, and sadly, they could also do Native American Bead Work, etc… to a very high proficiency! Coincidentally where I live on the Eastern Shore of Mobile Bay, the Town of Fairhope, Alabama sponsor’s an “Annual Fairhope Art’s and Craft’s Festival” around mid-March, every year. “Volk” from all over the nation and abroad flock to this every year. This would be a great opportunity for some of these hopefully, now, “freemen” or as the author of “Dune” would say- freemen!,” to showcase their wares, and perhaps pick up a “Sponsor/Patron” or two to “build” a legitimate business…..just an idea! However, so they can relate, and incorporate so “common” symbology- I would recommend at least “perusing” this great book first!”
While I am new to deep diving into my dreams, I think this is the kind of book that is most useful to people who are already interested in dream interpretation and have invested in the Jungian model of the psyche. Those already well-versed in the field probably have many books that go into greater detail and this wouldn't supplement your library well. If you're new to the field, the entries in this book probably won't make a whole lot of sense because it's intended as a starter or adjunct reference book to what you already know. Get Robert Johnson's Inner Work book first, do the exercises, then use this book.
I have docked a star because the text is awfully small, I'm less than wowed by quality of the color photo printing, and there is only one ribbon bookmark (orange) in the product, not multiple ribbons as shown in the product images.
Unfortunately, the content is not up to what's advertised.
The articles are short and have a scattershot, unscholarly feel. All entries receive two or four pages. As a result, the most basic, important symbols, e.g., sun, moon, rose, fountain, receive embarrassingly scant coverage. Egg gets two pages. Obviously you can't even scratch the surface of these major symbols in two or three paragraphs.
Other articles such as knee, coyote, bicycle, and kangaroo, get two pages each and are mixed in among the more important ones; so flipping through the book gives no sense of relative weight and hierarchy.
A number of key symbols and terms, such as Trinity, caduceus, tarot, sephiroth, crucible, receive no articles or references. There is no article or index entry for either hero or journey
Each article gets 1-3 illustrations, but few if any have references in the article text and many lack captions altogether.
A closer look at the book shows a complete lack of scholarly credentials. The "About the Authors" page lists only the archives from which the images were taken; no individuals are listed there as editors or authors. The "Contributors" page that follows gives only the contributors' names; there is no mention of anyone having so much as a college degree much less a publication or academic position.
The Bibliography contains fewer than fifteen items, nearly all of which are encyclopedias and archive catalogs. Carl Jung's collected works are mentioned as one citation, but Jung himself is hard to find -- there's no article on him and his name does not even appear in the index.
The book badly needed a critical introduction giving some background, better explaining the criteria for inclusion and presentation of entries, summarizing Jung's work, and much more The Index appears to be more useful to find what is missing from the book than it is to locate anything useful.
I would not recommend this book for any serious scholarly purpose.






















