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Track Listings
| 1 | Mi Corazon Me Recuerda |
| 2 | El Feo |
| 3 | Sale Sobrando |
| 4 | Corazoncito Tirano |
| 5 | La Nina |
| 6 | Hanal Weech |
| 7 | Medley: Pastures Of Plenty/This Land Is Your Land/Land |
| 8 | La Linea |
| 9 | El Bracero Fracasado |
| 10 | Transito |
| 11 | Smoke (Acteal) |
| 12 | La Martiniana |
| 13 | Soy Pescador |
| 14 | La Llorona |
| 15 | Perhaps, Perhaps, Perhaps |
Editorial Reviews
Product description
This music is dedicated to the Mexican migrants, to the spirits of those who have died crossing the line. Accompanied by pre-Colombian and Mexican folk instruments, Lila Downs' provocative voice and lyrics create powerful music in any language.
Amazon.com
Singer-songwriter Lila Downs uses these 15 compositions (both originals and covers) to explore the joys and sorrows experienced by Mexican immigrants who cross the border for a better life only to experience exploitation and racism in this country. A child of a Mixtec Indian mother and Anglo-American father, the talented Downs brings in a fresh perspective from two cultural worlds. She imbues the Mexican cumbia style--which is itself a variation on a Colombian form of dance music integrating Latin, Native American, and African styles--with blues, jazz, and even a little hip-hop as pre-Colombian and Mexican percussion nestles comfortably with strings and electric guitar, piano, and bass. Lila Downs is a wide-ranging singer who passionately expresses her melancholic subject matter without lapsing into melodrama, and with this album she crosses musical borders of her own. --Bryan Reesman
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 5.6 x 4.8 x 0.4 inches; 4 Ounces
- Manufacturer : Narada World
- SPARS Code : DDD
- Date First Available : July 26, 2006
- Label : Narada World
- ASIN : B00005LNE0
- Number of discs : 1
- Best Sellers Rank: #144,191 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #12 in Mexican Cumbia
- #22 in Cumbia (CDs & Vinyl)
- #1,663 in Latin Pop (CDs & Vinyl)
- Customer Reviews:
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Lila is a great singer. She's got the pipes, and she knows how to use them. She's half Mexican Indian, half anglo-American, and grew up first with her singer mother in Oaxaca, then in the U.S. her university professor father. She got her degree in classical vocal music, and she's a fine musician and performer.
I grew up on the Texas-Mexican border in the 1940s and '50s, so I've heard a ton of Mexican music. Lila is right up there with the very best singers and musicians. She doesn't just stick with the old classics, but also writes a lot of new music, some of it with her pianist husband Paul Cohen. Her more recent albums blend in dance rhythms and styles from many other Latin American cultures, and non-Latin as well.
"Sale Sobrando" (Good For Nothing) is a song about the indigenous experience, from the time of Cortes to the massacre in Chiapas, and the racism encountered: "your face is dark but you want to be white/but you really like your taco and tortillas." The title is explained in the last three lines: "Tourists and foreigners come here in vain/what do they worry for-human rights?/if justice here is good for nothing?"
She puts in her husky Billie Holliday-like emotion in Cuco Sanchez's "Corazoncito Tirano" (Little Tyrant Heart), whose instrumentation veers towards country. She asks, "whose mouth is erasing/the kisses I gave you, little tyrant heart?"
The mid-paced ballad "La Nina" (The Girl) is dedicated to the women workers, and tells the psychologically debilitating effects of a maquiladora worker, who only gets Sundays off. The song ends on a positive note of hope, that someday, those days will be over: "one day you will be equal to everyone."
"Hanal Weech" (Eat, Armadillo) was performed at the concert and it's an upbeat cumbia sung in Mayan. The spoken interlude, translated in English goes, "You, beautiful woman even though you are very attractive, the day will come when I leave you because you smell like an armadillo. But if you put some perfume on, I'll come back to you." She explained this and it drew laughter. Celso Duarte's violin plays heavily here, and Lila's voice has a comical, child-like tone. One thing that I wonder: what do armadillos smell like?
A Woody Guthrie medley, "Pastures Of Plenty/This Land Is Your Land" is sung in English, and she did this in concert. She does the second song with a jazz-ish melody, something like late 80's Sade, except with a Latin beat. But there is also a rap that questions the definition of being American. "When did you come...long long before the buffalo walked?" or "Say you're American, but what does it mean?"
"El Bracero Fracasado" is a quick mariachi number about someone who made it past the border with nothing but the clothes on his back, and went through hunger and hardship only to get sent back where he has nothing.
The elegiac "Transito" (Transit) is a sad look at someone far from home who works "in this valley of asphalt and lead", where the factory prospers, but not the workers. "Smoke" is about another massacre of people that hasn't stirred human conscience. "Now everyone's waiting and hoping for justice/but will there be goodness when men kill their own?" she asks.
The sad torch song "La Martiana" based on a Zapotec song, is an entreaty to a young girl. Lila briefly recited excerpts of this before singing it, "Little girl, when I die/don't cry over my grave/because if you cry I will haunt you/but if you sing to me, my life/I will always live. I will never die." My favourite song here.
"La Llorona" (Crying Woman) is a melodic harp and guitar ballad and features the many aspects of Lila's hearty voice, soaring high octave, to low and smoky Holliday-style register, to that shuddering with emotion. Another favourite, and also on the Frida soundtrack.
The bonus track is an exotic cover of "Perhaps, Perhaps, Perhaps", or "Quizas Quizas Quizas" in Spanish, most popularly done by Doris Day. Lila sings the verses in her hearty mid-register Spanish, the chorus in a softer register, in English.
Most of the lyrics are printed in both Spanish and English, so that's a big help. In all cases, Lila's able to capture the emotion of the lyrics and music. Her voice soars, rings harshly, and even quivers with emotion. And the Mexican and pre-Columbian instruments enhances this album with an exotic flavour. Gracias, Lila!
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