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Bossypants Hardcover – Large Print, April 5, 2011
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Before Liz Lemon, before "Weekend Update," before "Sarah Palin," Tina Fey was just a young girl with a dream: a recurring stress dream that she was being chased through a local airport by her middle-school gym teacher. She also had a dream that one day she would be a comedian on TV.
She has seen both these dreams come true.
At last, Tina Fey's story can be told. From her youthful days as a vicious nerd to her tour of duty on Saturday Night Live; from her passionately halfhearted pursuit of physical beauty to her life as a mother eating things off the floor; from her one-sided college romance to her nearly fatal honeymoon -- from the beginning of this paragraph to this final sentence.
Tina Fey reveals all, and proves what we've always suspected: you're no one until someone calls you bossy.
Includes Special, Never-Before-Solicited Opinions on Breastfeeding, Princesses, Photoshop, the Electoral Process, and Italian Rum Cake!
- Print length352 pages
- LanguageEnglish
- PublisherReagan Arthur Books
- Publication dateApril 5, 2011
- Dimensions6 x 0.94 x 9.25 inches
- ISBN-100275916030
- ISBN-13978-0316177894
- Lexile measure950L
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Editorial Reviews
About the Author
Product details
- ASIN : 031617789X
- Publisher : Reagan Arthur Books; Large type / Large print edition (April 5, 2011)
- Language : English
- Hardcover : 352 pages
- ISBN-10 : 0275916030
- ISBN-13 : 978-0316177894
- Lexile measure : 950L
- Item Weight : 1.25 pounds
- Dimensions : 6 x 0.94 x 9.25 inches
- Best Sellers Rank: #390,190 in Books (See Top 100 in Books)
- #929 in Humor Essays (Books)
- #3,427 in Actor & Entertainer Biographies
- #4,085 in Women's Biographies
- Customer Reviews:
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About the author

Elizabeth Stamatina "Tina" Fey (/feɪ/; born May 18, 1970) is an American actress, comedian, writer, and producer. She is best known for her work on the NBC sketch comedy series Saturday Night Live (1998-2006) , acclaimed for her impression of former Alaska Governor and 2008 Vice-Presidential candidate Sarah Palin, and for creating acclaimed series 30 Rock (2006-2013) and Unbreakable Kimmy Schmidt (2015-present). She is also well known for appearing in films such as Mean Girls (2004), Baby Mama (2008), Date Night (2010), Muppets Most Wanted (2014), and Sisters (2015).
Tina Fey broke into comedy as a featured player in the Chicago-based improvisational comedy group The Second City. She then joined SNL as a writer, later becoming head writer and a performer, known for her position as co-anchor in the Weekend Update segment. In 2004, she co-starred in and wrote the screenplay for Mean Girls, which was adapted from the 2002 self-help book Queen Bees and Wannabes. After leaving SNL in 2006, she created the television series 30 Rock for Broadway Video, a situation comedy loosely based on her experiences at SNL. In the series, Fey portrays the head writer of a fictional sketch comedy series. In 2008, she starred in the comedy film Baby Mama, alongside former SNL co-star Amy Poehler. Fey next appeared in the 2010 comedy film Date Night and the animated film Megamind. In 2015, she created and produced the television series Unbreakable Kimmy Schmidt, originally for NBC and eventually for Netflix.
Fey has received eight Emmy Awards, two Golden Globe Awards, five Screen Actors Guild Awards, and four Writers Guild of America Awards and was nominated for a Grammy Award for her autobiographical book Bossypants, which topped The New York Times Best Seller list for five weeks. In 2008, the Associated Press gave Fey the AP Entertainer of the Year award for her satirical portrayal of Republican vice presidential candidate Sarah Palin in a guest appearance on SNL. In 2010, Fey was awarded the Mark Twain Prize for American Humor, becoming the youngest-ever recipient of the award. On January 13, 2013, Fey hosted the 70th Golden Globe Awards with her long-time friend and fellow comedian, Amy Poehler, to critical acclaim. The duo hosted again the following two years, generating the highest ratings for the annual ceremony in a decade and receiving similar acclaim.
Bio from Wikipedia, the free encyclopedia.
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There is not so much a “plot” as much as there’s a progression of stories, all told with a unique voice and moral. The stories progress from childhood to professional, which lets readers find different ways to identify with Fey, making the book relatable for many different kinds of people. That’s one of the things I liked most about the book. As a woman, one of the best pieces in the book was the commentary about body image. Fey says “But I think the first real change in women’s body image came when JLo turned it butt-style. That was the first time that having a large-scale situation in the back was part of mainstream American beauty. Girls wanted butts now. Men were free to admit that they had always enjoyed them. And then, what felt like moments later, boom—Beyoncé brought the leg meat. A back porch and thick muscular legs were now widely admired. And from that day forward, women embraced their diversity and realized that all shapes and sizes are beautiful. Ah ha ha. No. I’m totally messing with you. All Beyonce and JLo have done is add to the laundry list of attributes women must have to qualify as beautiful. Now every girl is expected to have Caucasian blue eyes, full Spanish lips, a classic button nose, hairless Asian skin with a California tan, a Jamaican dance hall ass, long Swedish legs, small Japanese feet, the abs of a lesbian gym owner, the hips of a nine-year-old boy, the arms of Michelle Obama, and doll tits. The person closest to actually achieving this look is Kim Kardashian, who, as we know, was made by Russian scientists to sabotage our athletes.”
This excerpt is also a good example of the language Fey uses. Again, it’s very casual and relatable, creating a relaxed tone for everyone to enjoy. You often times forget that you are reading a real book, because it seems more like an editorial or essay. Another positive of the casualness of the book is that you can read at whatever pace you want. You can read a few stories and stop, or you can read the whole thing in one sitting. The lack of “chapters” and “cliffhangers” makes it a much more lighthearted read. There is such a strong presence of voice, which is a huge positive in my opinion. Also, it really helps that you are already familiar with Fey and her persona. She has a very strong voice and distinct sense of humor, it makes it even more enjoyable. Even if you have never heard of Tina Fey or her work before, you will find it witty and thought provoking. There is also a lot of interesting information about Fey’s professional life, such as her time with saturday night live, and 30 Rock. The lack of plot or characters does not hurt the value of the book. To me, it is driven by heart and smart humor. You learn a lot, you laugh a lot, and relate to a well known celebrity more than you thought you would. I would recommend this book to anyone of any walks of life, because everyone can take something from it as a “self help” book, as well as a incredibly entertaining and lighthearted read.
There is actually some good advice on being a boss:
"In most cases being a good boss means hiring talented people and then getting out of their way." (Page 5)
"This is what I tell young women who ask me for career advice. People are going to try to trick you. To make you feel that you are in competition with one another. "You're up for a promotion. If they go with a woman, it'll be between you and Barbara." Don't be fooled. You're not in competition with other women. You're in competition with everyone. Also, I encourage them to always wear a bra. Even if you don't think you need it, just... you know what? You're never going to regret it." (Page 88)
"But there is not one management course in the world where they recommend Self-Righteousness as a tool." (Page 128)
There is a touching chapter about her father.
"How can I give her what Don Fey gave me? The gift of anxiety. The fear of getting in trouble. The knowledge that while you are loved, you are not above the law. The Worldwide Parental Anxiety System is failing if this many of us have made sex tapes. "(Page 54)
There are stories about her time with Second City, Saturday Night Live, and 30 Rock, as well as a chapter on a glamor photo shoot, and some stories about being a woman.
"However, of all the places I've worked that were supposedly boys' clubs, The Second City was the only one where I experienced institutionalized gender nonsense. For example, a director of one of the main companies once justified cutting a scene by saying, 'The audience doesn't want to see a scene between two women.' Whaaa? More on that later." (Page 87)
"In 1997 I flew to New York from Chicago to interview for a writing position at Saturday Night Live. It seemed promising because I'd heard the show was looking to diversify. Only in comedy, by the way, does an obedient white girl from the suburbs count as diversity." Page 119
I connected with so many of her stories, but some of the stories that deal with things only a woman would understand were priceless like the strident pro-breast-feeding moms (Fey's name for them in her book is better - I would argue that it's not only breast feeding, but these dilettantes have moved into areas of food police, sports experts, and activity booking agents for their children) and the male producers not understanding why the Classics Kotex pads commercial for SNL was funny.
Here are two more quotes for women:
"I had noticed something was weird earlier in the day, but I knew from commercials that one's menstrual period was a blue liquid that you poured like laundry detergent onto maxi pads to test their absorbency. This wasn't blue, so... I ignored it for a few hours." (Page 14)
"My mother knew the importance of getting the right fit for a bra, so she took me to JCPenney and tried one on over my clothes. She tried a bra on me over my clothes in the middle of JCPenney. I thank her for this. This early breast-related humiliation prevented me from ever needing to participate in "Girls Gone Wild" in my twenties." (Page 104)
Admittedly, Fey didn't delve in deep to her personal life of her deepest thoughts, but that's okay. She shared the information and stories she was comfortable sharing. While I did see Fey on SNL, I'll have to admit I don't watch 30 Rock. (Hey, I don't watch much TV - not enough time in the day to do it all.) This didn't stop me from appreciating this very entertaining book and I'll look forward to another book from Tina Fey someday.
very highly recommended
"There is no one of-woman-born who does not like Red Lobster cheddar biscuits. Anyone who claims otherwise is a liar and a Socialist." (Page 252)
True, so true...
Top reviews from other countries
If you're going to talk about your life, particularly your childhood or anything personal, skimming information is not it. For me personally, that's not honesty, that's just trying to show people your best side. None of us are perfect. Some of the best biographies I've read (Viola Davis, Mariah Carey, Robyn Crawford, Gabrielle Union, Tiffany Haddish, Brian Cox, Whoopi Goldberg, Michael J Fox and Questlove) have all been so brutally honest.
I remember when Tina Fey was talking about "Mean Girls" and there was a particular line that someone had said to her in High school as a child that she wrote into the script. It was brutal, but she never talked about it in the book or went into detail about the scar on her face.
I was a fan of Tina Fey before, not any more.
"“Politics and prostitution have to be the only jobs where inexperience is considered a virtue. In what other profession would you brag about not knowing stuff? “I’m not one of those fancy Harvard heart surgeons. I’m just an unlicensed plumber with a dream and I’d like to cut your chest open.”"
or
“So, my unsolicited advice to women in the workplace is this. When faced with sexism, or ageism, or lookism, or even really aggressive Buddhism, ask yourself the following question: “Is this person in between me and what I want to do?” If the answer is no, ignore it and move on. Your energy is better used doing your work and outpacing people that way. Then, when you’re in charge, don’t hire the people who were jerky to you.”
The book is a mixture of autobiography and musings on life, particularly around comedy/acting and being a woman. It's all delivered with a healthy dose of humour, but parts of it end up being quite moving and profound too. I wouldn't say it either had me rolling around on the floor shaking with laughter or re-examining my life, but it's good fun and worth a read whether you're an existing fan or not.
Don't get me wrong, the book is very good and in places laugh out loud funny but it's written very erratically and I often found myself a bit lost and not really getting the main point of what she was trying to say.
The main highs for me were;
* 'Nazi Teat' women (so well written and so perceptive of women who look down at other women on the subject of Breast or Bottle - I just wish I had read it when I chose not to breastfeed)
* Her experience of being on an official photo shoot and being all made up like a model (so normal and down-to-earth)
* Her opinions on Photoshop (very refreshing and honest)
Going back to 30 Rock again, it was great to see her give so much credit to Alec Baldwin for making it a real success - he really does give the show a fantastic edge (in fact, it would be nothing without him really despite how wonderful Tina is).
So my conclusion is read it only if you are a mega fan of hers otherwise you will think that some strange woman on very strong drugs has just decided to do a massive brain dump and call her it her Life Story!
















