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The Boston Strangler [DVD]
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| Format | Closed-captioned, Color, DVD, Widescreen, NTSC |
| Contributor | Richard Fleischer, Tony Curtis, Edward Anhalt, George Kennedy, William Marshall, Henry Fonda, Carolyn Conwell, Hurd Hatfield, Murray Hamilton, Leora Dana, Mike Kellin, George Voskovec, Jeff Corey, Gerold Frank, Sally Kellerman See more |
| Language | English |
| Runtime | 1 hour and 56 minutes |
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Product Description
Product Description
A schizophrenic plumber is responsible for strangling several boston women, but goes undetected until he is arrested for breaking and entering.
Amazon.com
The unexpected casting of Tony Curtis as the presumed Boston Strangler, Albert DeSalvo, is only the first of the attractions of this hard-nosed suspense picture. Although the style of The Boston Strangler looks dated today, with its split-screen experiments and post-Bonnie and Clyde permissiveness, the film still has the clean, strong lines of a methodical policier. For the first hour, we don't focus on the Strangler, instead following the Beantown cops (led by Henry Fonda) as they track down leads; the best sequence is the near-accidental connection made between burglary suspect DeSalvo and the killings. Director Richard Fleischer had a forceful hand with true-crime material (Compulsion, 10 Rillington Place) and he takes an unblinking look into the then-taboo subject of sexual pathology. Curtis's physical transformation into a dumpy, dull-eyed brute is the best aspect of his performance; it's a role he lobbied hard for, but it did not lead to more challenging work. --Robert Horton
Product details
- Aspect Ratio : 2.35:1
- Is Discontinued By Manufacturer : No
- MPAA rating : R (Restricted)
- Product Dimensions : 7.5 x 5.25 x 0.75 inches; 0.01 Ounces
- Item model number : 024543119982
- Director : Richard Fleischer
- Media Format : Closed-captioned, Color, DVD, Widescreen, NTSC
- Run time : 1 hour and 56 minutes
- Release date : September 7, 2004
- Actors : Tony Curtis, Henry Fonda, George Kennedy, Mike Kellin, Hurd Hatfield
- Dubbed: : French, Spanish
- Subtitles: : English, Spanish
- Language : Unqualified, English (Dolby Digital 1.0), English (Dolby Digital 2.0 Stereo), French (Dolby Digital 1.0), Spanish (Dolby Digital 1.0)
- Studio : 20th Century Fox
- ASIN : B0002IQLB2
- Writers : Edward Anhalt, Gerold Frank
- Number of discs : 1
- Best Sellers Rank: #65,180 in Movies & TV (See Top 100 in Movies & TV)
- #3,502 in Mystery & Thrillers (Movies & TV)
- #11,735 in Drama DVDs
- Customer Reviews:
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Top reviews from the United States
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The Boston Strangler again proves that Curtis was an "A" list actor all the way.
And I vaguely remember the split-screen technique that was used in this film. Now, I understand some of the pragmatic, and ever artistic, motivations for this technique -- it's easier to show people's reactions to scenes simultaneously, and it's mirroring the so-called dual personality of DeSalvo -- but I still feel that this technique was a mistake. It is certainly distracting, and that's most likely why almost no director would use this today, minus a scene or two here or there.
Now, if you believe that "one hand didn't know what the other hand was doing" with regards to Mr. Desalvo, that he had two distinct personalities, and the "tame" one didn't know what the "killer" one was doing. . . . I have my standard reaction: I have some oceanfront property in Iowa to sell you. I don't buy it, and neither should you.
And to me, this became the weakness of this film, in the third act. Without giving too much away, Henry Fonda is interviewing Tony Curtis, and believing this fairy tale (sorry to those that believe it) is almost required to appreciate that act. I found it slightly pathetic, and I found it manipulative. When the credits finally roll, the filmmakers even added a nice little public service announcement that dealt with these issues. Ahh. . . .
Well thankfully, all is not lost. The cast is certainly excellent, and I did like seeing what Boston looked like in the 60s, although I've only been there a couple of times. The script at that time used almost-the-N-word-and-really-the-F-word (for gays), words that I'm surprised that today's revisionists haven't edited out. It will happen someday, just as it's happened to Mark Twain. And that is always a shame since art -- and history -- lose all of its original meaning when this happens. Hey, like the words or not, they were part of the American lexicon of the timeframe.
Overall, a very good film, even though it has a split personality. I liked the first two acts; not so much the third. But still, a fairly strong recommendation on this early serial killer film.
The DVD includes the AMC Backstory episode, which has footage of the real DeSalvo case, as well as words from Richard Zanuck and a clearly disappointed Tony Curtis (who seemed to want more out of his movie career than he ever successfully received). As far as picture and sound are concerned, this is a good enough transfer, perhaps one that could have been sharper, but overall pretty good and in widescreen. Is "The Boston Strangler" a good exploitation title? This is a question of taste, of course, but for me it has the feel of a nostalgic, memorable police procedural that does not quite deplete the seriousness of this true life case with its entertainment-driven structure. A+
Top reviews from other countries
Over a period of 18 months, between 14 June 1962 and 4 January 1964, an individual who became known as ‘The Boston Strangler’, murdered 13 single women, in their apartments. All lived in Boston, or in neighbouring jurisdictions around the city. They were aged between 19 and 85, and most were sexually assaulted and then strangled. Some, especially early on, granted the killer access; in other cases, he forced entry using burglar’s tools. The investigation proved difficult because no single police force was responsible for the investigations.
Late in 1964, an individual arrested for rape confessed to the other crimes. He was charged and sentenced for earlier offences, so back in the 1960s, officially, the 13 murders remained unsolved.
In 1966, author and biographer Gerold Frank wrote a book about the murders; two years later, prolific screenwriter Edward Anhalt ~ who scripted such hits as ‘Jeremiah Johnson’(1972) and ‘The Right Stuff’(1983) ~ loosely adapted Frank’s book for this film. He was teamed with equally prolific director Richard Fleischer, a solid journeyman who had turned out reliable crowd-pleasers across a number of genres ~ ‘The Vikings’(1958); ‘Dr Dolittle’(1967).
Here however, Fleischer pulled out all the stops, using a flashy, avant-garde style of multiple split-screens and ‘cascading tile’ effects to capture the action and dramatic ‘fillers’ designed to reflect the atmosphere of growing tension and near-hysteria that gripped the city. He recounts events from the initial murders (four were close together in June 1962) until the police felt they had their killer ~ including the killings, the various police investigations and interrogations.
Fleischer had an excellent cast, headed by Tony Curtis providing a grim and chilling portrayal of the suspect (he won the Golden Globe) and Henry Fonda, patrician and authoritative as the co-ordinator of the various police enquiries across jurisdictions. Fleischer’s action scenes and the depictions of the various police ploys are excellently done. The attacks and murder scenes are singularly unpleasant and explicit, even by 21st Century standards.
And this presents something of a problem. Whilst the content is emphatically neither ‘enjoyable’ nor ‘entertaining’, it is entirely acceptable as a journalistic narrative. But unfortunately, that is not what it is, because the screenplay is only loosely based on Frank’s book and real events. Much of the end of the film in particular, is only an approximation of what really happened. The script makes for raw cinema, and a meaty part for Fonda, but it is not what happened, which is not really made clear.
Make no mistake, this is suspenseful, showy cinema, but also a bit of a cheat: so, only 4½ Stars not the full 5.
Condition of disc and case very good.
Film very good, great career risking performance by Curtis






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