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Brave New World Paperback – October 18, 2006
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Now more than ever: Aldous Huxley's enduring masterwork must be read and understood by anyone concerned with preserving the human spirit
"A masterpiece. ... One of the most prophetic dystopian works." —Wall Street Journal
Aldous Huxley's profoundly important classic of world literature, Brave New World is a searching vision of an unequal, technologically-advanced future where humans are genetically bred, socially indoctrinated, and pharmaceutically anesthetized to passively uphold an authoritarian ruling order–all at the cost of our freedom, full humanity, and perhaps also our souls. “A genius [who] who spent his life decrying the onward march of the Machine” (The New Yorker), Huxley was a man of incomparable talents: equally an artist, a spiritual seeker, and one of history’s keenest observers of human nature and civilization. Brave New World, his masterpiece, has enthralled and terrified millions of readers, and retains its urgent relevance to this day as both a warning to be heeded as we head into tomorrow and as thought-provoking, satisfying work of literature. Written in the shadow of the rise of fascism during the 1930s, Brave New World likewise speaks to a 21st-century world dominated by mass-entertainment, technology, medicine and pharmaceuticals, the arts of persuasion, and the hidden influence of elites.
"Aldous Huxley is the greatest 20th century writer in English." —Chicago Tribune
- Print length288 pages
- LanguageEnglish
- Publication dateOctober 18, 2006
- Dimensions0.7 x 5.2 x 7.8 inches
- ISBN-100060850523
- ISBN-13978-0060850524
- Lexile measure870L
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Editorial Reviews
Review
“[A] masterpiece. ... One of the most prophetic dystopian works of the 20th century.” — Wall Street Journal
“As sparkling, as provocative, as brilliant...as the day it was published.” — Martin Green
“One of the 20th century’s greatest writers.” — Washington Post
“Chilling. . . . That he gave us the dark side of genetic engineering in 1932 is amazing.” — Providence Journal-Bulletin
“A genius . . . a writer who spent his life decrying the onward march of the Machine.” — The New Yorker
“Aldous Huxley is the greatest 20th century writer in English.” — Chicago Tribune
“Huxley uses his erudite knowledge of human relations to compare our actual world with his prophetic fantasy of 1931. It is a frightening experience, indeed, to discover how much of his satirical prediction of a distant future became reality in so short a time.” — New York Times Book Review
“A sometimes appallingly accurate view of today’s world.” — St. Louis Post-Dispatch
“It’s time for everyone to read or reread Brave New World.” — Raleigh News & Observer
From the Back Cover
Aldous Huxley's tour de force, Brave New World is a darkly satiric vision of a "utopian" future—where humans are genetically bred and pharmaceutically anesthetized to passively serve a ruling order. A powerful work of speculative fiction that has enthralled and terrified readers for generations, it remains remarkably relevant to this day as both a warning to be heeded as we head into tomorrow and as thought-provoking, satisfying entertainment.
About the Author
Aldous Huxley (1894–1963) is the author of the classic novels Brave New World, Island, Eyeless in Gaza, and The Genius and the Goddess, as well as such critically acclaimed nonfiction works as The Perennial Philosophy and The Doors of Perception. Born in Surrey, England, and educated at Oxford, he died in Los Angeles, California.
Excerpt. © Reprinted by permission. All rights reserved.
Brave New World
By Aldous HuxleyHarperCollins Publishers, Inc.
Copyright ©2006 Aldous HuxleyAll right reserved.
ISBN: 0060850523
Chapter One
A squat grey building of only thirty-four stories. Over the main entrancethe words, Central London Hatchery and ConditioningCentre, and, in a shield, the World State's motto,Community, Identity, Stability.
The enormous room on the ground floor faced towards thenorth. Cold for all the summer beyond the panes, for all the tropicalheat of the room itself, a harsh thin light glared through the windows,hungrily seeking some draped lay figure, some pallid shape ofacademic goose-flesh, but finding only the glass and nickel andbleakly shining porcelain of a laboratory. Wintriness responded towintriness. The overalls of the workers were white, their handsgloved with a pale corpse-coloured rubber. The light was frozen,dead, a ghost. Only from the yellow barrels of the microscopes did itborrow a certain rich and living substance, lying along the polishedtubes like butter, streak after luscious streak in long recession downthe work tables.
"And this," said the Director opening the door, "is the FertilizingRoom."
Bent over their instruments, three hundred Fertilizers wereplunged, as the Director of Hatcheries and Conditioning enteredthe room, in the scarcely breathing silence, the absent-minded, so-liloquizing hum or whistle, of absorbed concentration. A troop ofnewly arrived students, very young, pink and callow, followed nervously,rather abjectly, at the Director's heels. Each of them carried anotebook, in which, whenever the great man spoke, he desperatelyscribbled. Straight from the horse's mouth. It was a rare privilege.The D.H.C. for Central London always made a point of personallyconducting his new students round the various departments.
"Just to give you a general idea," he would explain to them. Forof course some sort of general idea they must have, if they were todo their work intelligently&8212though as little of one, if they were tobe good and happy members of society, as possible. For particulars,as every one knows, make for virtue and happiness; generalities areintellectually necessary evils. Not philosophers but fretsawyers andstamp collectors compose the backbone of society.
"Tomorrow," he would add, smiling at them with a slightlymenacing geniality, "you'll be settling down to serious work. Youwon't have time for generalities. Meanwhile ... "
Meanwhile, it was a privilege. Straight from the horse's mouthinto the notebook. The boys scribbled like mad.
Tall and rather thin but upright, the Director advanced into theroom. He had a long chin and big rather prominent teeth, just covered,when he was not talking, by his full, floridly curved lips. Old,young? Thirty? Fifty? Fifty-five? It was hard to say. And anyhow thequestion didn't arise; in this year of stability, a.f. 632, it didn't occurto you to ask it.
"I shall begin at the beginning," said the D.H.C. and the morezealous students recorded his intention in their notebooks: Begin atthe beginning. "These," he waved his hand, "are the incubators." Andopening an insulated door he showed them racks upon racks ofnumbered test-tubes. "The week's supply of ova. Kept," he explained,"at blood heat; whereas the male gametes," and here heopened another door, "they have to be kept at thirty-five instead ofthirty-seven. Full blood heat sterilizes." Rams wrapped in theremogenebeget no lambs.
Still leaning against the incubators he gave them, while the pencilsscurried illegibly across the pages, a brief description of themodern fertilizing process; spoke first, of course, of its surgical introduction-- "the operation undergone voluntarily for the good ofSociety, not to mention the fact that it carries a bonus amounting tosix months' salary"; continued with some account of the techniquefor preserving the excised ovary alive and actively developing;passed on to a consideration of optimum temperature, salinity, viscosity;referred to the liquor in which the detached and ripened eggswere kept; and, leading his charges to the work tables, actuallyshowed them how this liquor was drawn off from the test-tubes;how it was let out drop by drop onto the specially warmed slides ofthe microscopes; how the eggs which it contained were inspectedfor abnormalities, counted and transferred to a porous receptacle;how (and he now took them to watch the operation) this receptaclewas immersed in a warm bouillon containing free-swimming spermatozoa-- at a minimum concentration of one hundred thousandper cubic centimetre, he insisted; and how, after ten minutes, thecontainer was lifted out of the liquor and its contents reexamined;how, if any of the eggs remained unfertilized, it was again immersed,and, if necessary, yet again; how the fertilized ova went back to theincubators; where the Alphas and Betas remained until definitelybottled; while the Gammas, Deltas and Epsilons were brought outagain, after only thirty-six hours, to unde rgo Bokanovsky's Process.
"Bokanovsky's Process," repeated the Director, and the studentsunderlined the words in their little notebooks.
One egg, one embryo, one adult&8212normality. But a bokanovskifiedegg will bud, will proliferate, will divide. From eight to ninetysixbuds, and every bud will grow into a perfectly formed embryo,and every embryo into a full-sized adult. Making ninety-six humanbeings grow where only one grew before. Progress.
"Essentially," the D.H.C. concluded, "bokanovskification consistsof a series of arrests of development. We check the normalgrowth and, paradoxically enough, the egg responds by budding."
Responds by budding. The pencils were busy.
He pointed. On a very slowly moving band a rack-full of testtubeswas entering a large metal box, another rack-full was emerging.Machinery faintly purred. It took eight minutes for the tubes togo through, he told them. Eight minutes of hard X-rays being aboutas much as an egg can stand. A few died; of the rest, the least susceptibledivided into two; most put out four buds; some eight; all werereturned to the incubators, where the buds began to develop; then,after two days, were suddenly chilled, chilled and checked ...
Continues...
Excerpted from Brave New Worldby Aldous Huxley Copyright ©2006 by Aldous Huxley. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- Publisher : Harper Perennial (October 18, 2006)
- Language : English
- Paperback : 288 pages
- ISBN-10 : 0060850523
- ISBN-13 : 978-0060850524
- Lexile measure : 870L
- Item Weight : 7.8 ounces
- Dimensions : 0.7 x 5.2 x 7.8 inches
- Best Sellers Rank: #763 in Books (See Top 100 in Books)
- #10 in Contemporary Literature & Fiction
- #46 in Classic Literature & Fiction
- #113 in Literary Fiction (Books)
- Customer Reviews:
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About the authors

Aldous Huxley (1894-1963) is the author of the classic novels Island, Eyeless in Gaza, and The Genius and the Goddess, as well as such critically acclaimed nonfiction works as The Devils of Loudun, The Doors of Perception, and The Perennial Philosophy. Born in Surrey, England, and educated at Oxford, he died in Los Angeles.

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Huxley came from an illustrious scientific family with social connections. His grandfather was Thomas Henry Huxley, Darwin’s close friend, publicist and “bulldog”, whose famous smackdown of Bishop Samuel Wilberforce has been relished by rationalists fighting against religious faith ever since. His brother was Julian Huxley, a famous biologist who among other accomplishments wrote a marvelous tome on everything that was then known about biology with H. G. Wells. Steeped in scientific as well as social discourse, possessing a deep knowledge of medical and other scientific research, Aldous was in an ideal position to write a far-reaching novel.
This he duly did. The basic premise of the novel sounds eerily prescient. Sometime in the near future, society has been regimented into a caste system where people are genetically engineered by the state in large state-run reproductive farms. Anticipating ‘The Handmaid’s Tale’, only a select few women and men are capable of providing fertile eggs and sperm for this careful social engineering. The higher castes are strong, intelligent and charismatic. The lower castes are turgid, obedient and physically weak. They don’t begrudge those from the upper castes because their genetic engineering has largely removed their propensity toward jealousy and violence. Most notably, because reproduction is now the responsibility of the state, there is no longer a concept of a family, of a father or mother. There is knowledge of these concepts, but it’s regarded as archaic history from a past era and is met with revulsion.
How is this population kept under control? Not shockingly at all, through sex, drugs and rock and roll. Promiscuity is encouraged from childhood onwards and is simply a way of life, and everyone sleeps with everyone else, again without feeling jealousy or resentment (it was this depiction of promiscuity that led the book to be banned in India in the 60s). They flood their bodies with a drug called soma whenever they feel any kind of negative emotion welling up inside and party like there’s no end. They are brainwashed into believing the virtues of these and other interventions by the state through subliminal messages played when they are sleeping; such unconscious brainwashing goes all the way back to their birth. People do die, but out of sight, and when they are still looking young and attractive. Death is little more than a nuisance, a slight distraction from youth, beauty and fun.
Like Neo from ‘The Matrix’, one particular citizen of this society named Bernard Marx starts feeling that there is more to the world than would be apparent from this state of induced bliss. On a tryst with a particularly attractive member of his caste in an Indian reservation in New Mexico, he comes across a man referred to as the savage. The savage is the product of an illegitimate encounter (back when there were parents) between a member of a lower caste and the Director of Hatcheries who oversees all the controlled reproduction. He has grown up without any of the enlightened instruments of the New World, but his mother has kept a copy of Shakespeare with her so he knows all of Shakespeare by heart and frequently quotes it. Marx brings the savage back to his society. The rest of the book describes the savage’s reaction to this supposed utopia and its ultimately tragic consequences. Ultimately he concludes that it’s better to have free will and feel occasionally unhappy, resentful and angry than live in a society where free will is squelched and the population is kept bathed in an induced state of artificial happiness.
The vision of technological control in the novel is sweeping and frighteningly prescient. There is the brainwashing and complacent submission to the status quo that everyone undergoes which is similar to the messages provided in modern times by TV, social media and the 24-hour news cycle. There are the chemical and genetic interventions made by the state right in the embryonic stage to make sure that the embryos grow up with desired physical or mental advantages or deficiencies. These kinds of interventions are the exact kind feared by those wary of CRISPR and other genetic editing technologies. Finally, keeping the population preoccupied, entertained and away from critical thinking through sex and promiscuity is a particularly potent form of societal control that has been appreciated well by Victoria’s Secret, and that will not end with developments in virtual reality.
In some sense, Huxley completely anticipates the social problems engendered by the technological takeover of human jobs by robots and AI. Once human beings are left with nothing to do, how does the state ensure that they are prevented from becoming bored and restless and causing all kinds of trouble? In his book “Homo Deus”, Yuval Harari asks the same questions and concludes that a technocratic society will come up with distractions like virtual reality video games, new psychoactive drugs and novel forms of sexual entertainment that will keep the vast majority of unemployed from becoming bored and potentially hostile. I do not know whether Harari read Huxley, but I do feel more frightened by Huxley than by Harari. One reason I feel more frightened is because of what he leaves out; the book was published in 1932, so it omits any discussion of nuclear weapons which were invented ten years later. The combination of nuclear weapons with limitless societal control through technology makes for a particularly combustible mix.
The biggest prediction of Huxley’s dystopia, and one distinctly different from that made by Orwell or Kafka, is that instead of a socialist state, people’s minds are much more likely to be controlled in the near future by the leaders of technology companies like Google and Facebook who have formed an unholy nexus with the government. With their social media alerts and Fitbits and maps, the tech companies are increasingly telling us how to live our lives and distracting us from free thinking. Instead of communist regimes like the Soviet Union forcibly trampling on individual choice and liberty, we are already gently but willingly ceding our choices, privacy and liberties to machines and algorithms developed by these companies. And just like the state in Huxley and Orwell’s works, the leaders of these corporations will tell us why it’s in our best interests to let technology control our lives and freedom, when all the while it would really be in their best interests to tell us this. Our capitulation to their inventions will look helpful and voluntary and will feel pleasurable and even noble, but it will be no less complete than the capitulation of every individual in “Brave New World” or “1984”. The only question is, will there be any savages left among us to tell us how foolishly we are behaving?
This book was one of the most difficult books I have ever read. No, it was not difficult in the sense that the reading was hard - in fact, the writing style I very much enjoyed unlike 1984 by George Orwell. The reason why it was so hard for me to read was that I instantly saw parallels between the book and the present day. From the book's obsession with sexual activity and the "next big thing" to the escapist type of reality in which the character's occupied seemed disturbingly like culture today.
Important Points
In the world that Huxley created, the men and women are merely shells of real humanity. They have all the physical appearances of real people - however, they go through life numb, unfeeling; drugged and pacified by their diversions and addictions to government supplied media and drugs. Hollow men who neither feel nor truly desire to feel anything deep - except for some strange cases. Those strange cases provide the very medium with which Huxley tells the story. For the first half of the story, the book is told from the perspective of Bernard Marx - a rather pathetic and sensitive man who was born - or should I say engineered? - into the highest class of society. Marx, however, immediately does not fit into society due to his abnormally small stature which is highly similar to members of lower class. Marx has a prolonged superiority complex that makes him a brooding bitter, and - to use a quote from Toy Story - "a sad, strange little man" that ostracizes him from the rest of society. The latter half of the story is told from the perspective of another man who is able to very well look at society from the outside in - I will not spoil who it is though I will say he is probably the most "human" of all the characters here.
Silence Is Violent ("Car Radio", Twenty-One Pilots)
In this world, one simply does not have time for silence. There is always things to do - from watching the latest feely (reminiscent of risque and nonsensical movies today) to engaging in games with one another, one can just not be solely alone in silence except for perhaps when they are asleep (though it is encouraged to leave one's radio or television on to enjoy one's rest more). As one of the leaders of this strange world put it,
[A]t sixty our powers and tastes are what they were at seventeen. Old men in the bad old days used to renounce, retire, take to religion, spend their time reading, thinking - thinking!... Now - such is progress - the old men work, the old men copulate, the old men have no time, no leisure from pleasure, not a moment to sit down and think - or if ever by some unlucky chance such a crevice of time should yawn in the solid substance of their distractions, there is always soma, delicious soma...
To have even a notion of wanting to be alone is seen as irregular and almost rebellious against the state - antithetical to the World State's Motto of "COMMUNITY. IDENTITY. STABILITY"
Everyone Belongs to Everyone Else
This is one of the most disturbing aspects of Huxley's society. Their view on sex is, as Bernard himself noticed, infantile and impulsive. When it comes to the State's citizen's sex lives, it is very base. Family has been dissolved thanks to the advancements of science - people are born out of test tubes and conditioned to never get too close to one another. Almost to maintain a certain distance from each other at all times. Now that fetal development in the lab has been perfected and the family has been dissolved, what can there be left to do with sex? Have fun of course. The book explains this rather uncomfortable subject a bit more in depth, but citizens in the world state are encouraged to sleep around all the time with different partners. Thanks to powerful contraceptives and the dissolution of family, one does not have to worry about any of the baggage that might come from having intercourse with multiple different people. This reminded me a lot of the hook-up culture that is prevalent in today's media and, frankly, all around us. People still have to deal with baggage, but that has not stopped them from trying to pursue this type of ideal.
Meaningless! Meaningless!
As one gets to the climax of the story, there is a very interesting dialogue between one of the key characters and a leader of the State. Actually, I think the entire dialogue may be the biggest highlight from the book. To summarize without giving too much away, the character remarks at how devoid of meaning the lives of the World State's citizens are. By extension, the character goes onto say how this is not life and how he wishes for life with all its faults and glories. Without them, he contends, it is not really life that you are living but something base - sub-human almost. A point that certainly makes one think.
Conclusion
As I read this book, it affected me personally. I got mad and I got frustrated. I see that our society could end up this way. Though Orwell may have been right about some governmental ideas, Huxley is the winner in predicting how people may be made complacent to authorities. As I finished the book and ruminated on the ending, I thought for a long while on it. Then, my frustration went away and was replaced with hope. There is hope in this real world and there is meaning. As long as people long for that hope while it may be found and pursue meaning - a meaning that goes beyond themselves - then that will be our world - a brave one.
Works Cited
Ghigo1972. "Community, Identity, Stability." DeviantArt. N.p., 15 Feb. 2012. Web. 12 Jan. 2016.
Teecup. "Life Is a Tale Told By an Idiot by Teecup." Redbubble. N.p., n.d. Web. 12 Jan. 2016.
Top reviews from other countries
Huxley's vision of a world governed by scientific principles and social conditioning offers a chilling critique of the dangers of totalitarianism and the erosion of human values. Through vivid world-building and compelling characters, he paints a haunting portrait of a society where citizens are conditioned to accept their predetermined roles and suppress their emotions and desires.
One of the most striking aspects of "Brave New World" is its exploration of the intersection between technology and humanity. Huxley presents a world where technology is used not only to control and manipulate individuals but also to manufacture happiness and contentment. The pervasive use of genetic engineering, mind-altering drugs, and sensory stimulation raises important questions about the ethical implications of scientific progress and the pursuit of utopia at any cost.
Despite its bleak portrayal of the future, "Brave New World" offers moments of hope and resistance through characters like Bernard Marx and John the Savage, who challenge the oppressive social order and strive to reclaim their humanity. Their struggles against the system serve as a reminder of the enduring power of the human spirit and the importance of individuality and free will.
In conclusion, "Brave New World" is a timeless classic that continues to provoke thought and spark discussion about the nature of society, technology, and human nature. Its themes of conformity, control, and the search for meaning resonate as strongly today as they did when the novel was first published, making it essential reading for anyone interested in exploring the complexities of the human condition.
Remember the party propaganda of 1984, with sayings like, "War is peace," and take another look at Brave New World. The obvious contradictions have now been instilled in humans as infallible truths from birth through dream therapy, shock therapy, and other kinds of neo-Pavlovian experiments as well as caste-creating breeding and stress and chemical modification schemes. Corpsy women are propagated as desireable with as a hidden motto that if it's easier for men to stick it to a corpsy than to one that's fresh, then go for the corpsy delight. Everything in this world is nasty, with the meaning of nasty and clean having been reversed through some kind of cultural predestination scheme. What's nasty for "society" is clean for the savages and vice versa. Either of them function on a lower level than humanity could.
As infallible as the new truths have been instilled in humans, as contradictive they feel to those that for any reason of their own choose not to take the government drugs. Even those that take the drugs can be frank about their dislike at times, scaring others not for their own well-being but for that of their friends. As much as the caste system and the drugs and hypnopaedic therapy mean to eradicate all feeling, the foundation for all being being feeling itself means that even at the peak of self-domestication, there's a very strong urge to break free for those that have the slightest irregularity to their behaviors, stepping away from the state machine mindset that most have developed.
That little lack of indifference, the tiniest of questions that drive the bigger questions of freedom and identity, are what drive the pivotal characters in Brave New World. What will it take for the little ripples to grow into a wave without the water immediately being dammed? Once we've reached the point of complete self-domestication, is there such a thing as a point of no return? Great story that on the surface leaves no way out.






























