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Brazil (The Criterion Collection 3-Disc Boxed Set) [DVD]
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| Format | Closed-captioned, DVD, Dolby, Color, Box set, NTSC, Letterboxed, Widescreen, Director's Cut |
| Contributor | Kathryn Pogson, Robert De Niro, Michael Palin, Peter Vaughan, Jonathan Pryce, Jim Broadbent, Sheila Reid, Katherine Helmond, Terry Gilliam, Bob Hoskins, Barbara Hicks, Simon Jones, Derrick O'Connor, Ian Richardson, Kim Greist, Charles McKeown, Brian Miller, John Flanagan, Bryan Pringle, Ian Holm, Ray Cooper See more |
| Language | English |
| Runtime | 2 hours and 22 minutes |
| Color | Color |
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Product Description
Amazon.com
If Franz Kafka had been an animator and film director--oh, and a member of Monty Python's Flying Circus--this is the sort of outrageously dystopian satire one could easily imagine him making. However, Brazil was made by Terry Gilliam, who is all of the above except, of course, Franz Kafka. Be that as it may, Gilliam sure captures the paranoid-subversive spirit of Kafka's The Trial (along with his own Python animation) in this bureaucratic nightmare-comedy about a meek governmental clerk named Sam Lowry (Jonathan Pryce) whose life is destroyed by a simple bug. Not a software bug, a real bug (no doubt related to Kafka's famous Metamorphosis insect) that gets smooshed in a printer and causes a typographical error unjustly identifying an innocent citizen, one Mr. Buttle, as suspected terrorist Harry Tuttle (Robert De Niro). When Sam becomes enmeshed in unraveling this bureaucratic glitch, he himself winds up labeled as a miscreant.
The movie presents such an unrelentingly imaginative and savage vision of 20th-century bureaucracy that it almost became a victim of small-minded studio management itself--until Gilliam surreptitiously screened his cut for the Los Angeles Film Critics Association, who named it the best movie of 1985 and virtually embarrassed Universal into releasing it. This DVD version of Brazil is the special director's cut that first appeared in Criterion's comprehensive (and expensive) six-disc laser package in 1996. --Jim Emerson
Product details
- Aspect Ratio : 1.85:1
- Is Discontinued By Manufacturer : No
- MPAA rating : R (Restricted)
- Product Dimensions : 7.5 x 5.38 x 0.6 inches; 13.6 ounces
- Director : Terry Gilliam
- Media Format : Closed-captioned, DVD, Dolby, Color, Box set, NTSC, Letterboxed, Widescreen, Director's Cut
- Run time : 2 hours and 22 minutes
- Release date : January 1, 1985
- Actors : Jonathan Pryce, Robert De Niro, Katherine Helmond, Ian Holm, Bob Hoskins
- Dubbed: : French
- Subtitles: : English
- Language : English (Dolby Digital 2.0 Surround)
- Studio : Criterion
- ASIN : 0780022181
- Number of discs : 3
- Best Sellers Rank: #90,932 in Movies & TV (See Top 100 in Movies & TV)
- #1,997 in Science Fiction DVDs
- #10,265 in Comedy (Movies & TV)
- Customer Reviews:
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A unique and one-of-a-kind dark futuristic fantasy comedy epic from co-writer and director Terry Gilliam is the second movie of his major 80's fantasy trilogy that began with "Time Bandits" and finally ended with "Adventures of Baron Munchausen". The film offers the viewer a retro-esque future that mixes the past of the 40's, 50's, 60's and early 70's in one movie but in a brilliant kind of surreal and weird way that it's just scrumbcous like Ridley Scott's "Blade Runner" or Fritz Lang's "Metropolis". The movie is inspired by George Orwell's "1984" and Gilliam's earlier "Time Bandits" here this movie represents a movie that is better then the first of the trilogy as it's also the darkest but most best. The film co-stars Katherine Helmound, Robert DiNero, Bob Hoskins, Michael Palin and Ian Holm for the co-star cast is very solid including the acting and there's a good sense of humor to propell with a few good action sequences and of course imaginative special effects even in these days of CGI.
This 3-Disc criterion collection offers the first Disc which is the Final Cut that combines footage from both Euro and American versions in one including a more somber ending is presented wondefully in excellent picture and sound quality including audio commentary by Terry Gilliam. Disc two offers still galleries, Trailer, featurettes, storyboards including for some more fantasy sequences that didn't make it into the final film, and two documentaries including on the controversy of the U.S. release and the final disc offers an alternate 94 minute syndicated version with alternate score, never before seen footage, shorter pacing and alternate feel good ending presented with optional audio commentary. This is a must have for fans of futuristic movies and fantasy epics.
Also recommended: "Time Bandits", "The Adventures of Baron Munchausen", "Blade Runner", "Metropolis (1927 and 2001)", "The Dark Crystal", "The Matrix Saga", "Batman Begins", "The Dark Knight", "Heavy Metal", "Gattaca", "Alphaville", "City of Lost Children", "Batman (1989)", "Batman Returns", "1984", "Big Trouble in Little China", "Flash Gordon", "Barberella", "V For Vendetta", "The Running Man", "Repo The Genetic Opera", "Inkheart", "Pan's Labyrinth", "Spirited Away", "Donnie Darko", "The Brothers Grimm", "The Wizard of Oz", "Return to Oz", "Making Contact (a.k.a. Joey)", "The League of Extraordinary Gentlemen", "Watchmen", "Faherenheit 451", "Vanilla Sky", "Total Recall", "Delicatessen", "Dark City", "The Fifth Element", "Tideland", "The Cell", "A Clockwork Orange", "The Golden Compass", "Harry Potter Saga" and "The Spiderwick Chronicles".
BRAZIL is one of Terry Gilliam's finest films, and one whose social significance is perhaps more relevant now than ever before in an age where information and accessibility have taken such a prevalent role in our daily lives. Many of the darker themes involving the government's oppression of its people are broken up by Gilliam's light-hearted humor. We take great joy in laughing at the absurdity on screen, while recognizing that BRAZIL is as much a black comedy as it is a sad reflection of our own bitter reality. The talented cast is led by Jonathan Pryce as our reluctant hero, Sam, who is thrust into a world of political upheaval despite all of his efforts to remain unnoticed. Pryce is wonderful in the role, as he is able to point out the lunacy of all that surrounds him with a range of frustrated looks and snide remarks. He is joined by Robert De Niro and Katherine Helmond in leading roles, with brilliant appearances by Ian Holm, Bob Hoskins, and Ian Richardson as government busybodies who try desperately to uphold a system that is falling apart around them. The incredible production design imagines a future in which the technology has become terribly outdated, where tiny computer screens are viewed through gigantic magnifying glasses and ugly metal ducts protrude from every building in the name of "efficiency." It is no wonder that Sam chooses to dream of the open country when he is locked inside the cold, cement prison walls of the city.
Bleak and depressing, yet utterly entertaining at the same time, Terry Gilliam captures the perils of a not-too-distant future with clever wit and satire. BRAZIL is essential viewing for any film fan, and a unique experience that is unlike any other.
-Carl Manes
I Like Horror Movies
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While both transfers are generally comparable in quality, the new Criterion edition still slightly edges out the Universal transfer for overall quality. There's still a layer of film grain apparent, especially in effects heavy portions like Sam's dream sequences, where the softness of the shots due to optical effects really stands out now. Also for sticklers of digital noise reduction, if there is any used here, it's not as apparent to scrutiny at it was in the Universal release. Best of all of course, is the gamut of Criterion extras included here, all of which come from the previous DVD release, including the studio "Love Conquers All" version and the attendant documentaries. For fans of Brazil, there is simply no question; this is the best the film has ever been to date. For people that have somehow never seen this movie, this is a good place to start.
I like to think of Brazil as Terry Gilliams' take on George Orwells' 1984. Certainly more humorous than the magnificently bleak 1984 it is a definite study of the insanity of bureaucracy and totalitarian states. Boasting incredible production design, beautiful sets, a great cast including De Niro and Ian Holm and a quite wonderful score from Michael Kamen, Brazil is a modern(ish) classic.
While the transfers of the movie are apparently, almost, if not entirely identical (and the film does look as good as I've seen it) it's the extras on offer on the Criterion release that win the day.
First up a brilliant, as always, commentary from Gilliam, a half hour documentary entitled What Is Brazil?, The Production Notebook, which is a collection of discussions, visual essays and unfilmed storyboards and the 'Love Conquers All' version which was edited for syndicated TV and is interesting but clearly a watered down version. BUT.....best of all we have The Battle For Brazil documentary which is just a fascinating look at the troubles the film had in getting a release. Thankfully Brazil was released. And for me, it's Gilliams' masterpiece. Thank you Criterion for such an exhaustive package covering a brilliant film which is still influencing directors today.
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