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Breathers: A Zombie's Lament Kindle Edition
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S.G. Browne
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Meet Andy Warner, a recently deceased everyman and newly minted zombie. Resented by his parents, abandoned by his friends, and reviled by a society that no longer considers him human, Andy is having a bit of trouble adjusting to his new existence.
But all that changes when he goes to an Undead Anonymous meeting and finds kindred souls in Rita, an impossibly sexy recent suicide with a taste for the formaldehyde in cosmetic products, and Jerry, a twenty-one-year-old car-crash victim with an exposed brain and a penchant for Renaissance pornography.
When the group meets a rogue zombie who teaches them the joys of human flesh, things start to get messy, and Andy embarks on a journey of self-discovery that will take him from his casket to the SPCA to a media-driven class-action lawsuit on behalf of the rights of zombies everywhere.
Darkly funny, surprisingly touching, and gory enough to satisfy even the most discerning zombie fan, Breathers is a dark comedy and social satire about life, or undeath, through the eyes of an ordinary zombie. It's Fight Club meets Shaun of the Dead, only with the zombies as the good guys.
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LanguageEnglish
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PublisherCrown
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Publication dateFebruary 24, 2009
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File size2287 KB
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Editorial Reviews
Review
The dead shall walk the earth, and they’re hungry for…love?
Debut novelist Browne branches out from his mostly horror-related short stories and delivers a rousing entry in the Rom-Zom-Com genre. Based on his short story “A Zombie’s Lament,” Browne’s mortality tale begins rather grimly but almost immediately picks up speed and humor to evolve into a terrific comedy about the perils and joys of life beyond death. Browne’s hero is Andy Warner, who survived, so to speak, the car crash that killed his wife but lost his vocal chords along with his life. Reduced to a pathetic existence consisting mostly of downing his father’s wine collection, suffering Glade spray-downs from his mother and attending the occasional Undead Anonymous meeting, old Andy is in pretty wretched shape. His afterlife takes a turn for the better when he meets Rita, a pale but lovely girl who slit her own throat, and Ray, a feisty undead hunter. Before long, Andy is fighting against zombie discrimination, mutilation and other forms of abuse by those unenlightened “bre...
From Publishers Weekly
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an alternate kindle_edition edition.
From Booklist
Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1
I wake up on the floor in darkness.
Faint artificial light filters in through a window, which doesn't make sense because there aren't any windows in the wine cellar. But I'm not able to deal with that question until I figure out why I'm on my back in a pool of liquid that's seeping into my clothes.
That and I can hear Sammy Davis Jr. singing "Jingle Bells."
When I sit up, something rolls off of my body and onto the floor with a hard, hollow thunk. It's a bottle. In the faint light coming in through the window, I watch the bottle roll away across the floor until it comes to rest against the wall with a clang. It's an empty bottle of wine. And the wall isn't a wall but the base of the Whirlpool oven.
I'm in the kitchen.
On the digital LED display at the top of the range, the clock changes from 12:47 to 12:48.
My head is pounding. I don't know how many bottles of wine I've consumed, but I know I started drinking before lunch. The impetus for my wine binge is as clear to me as the digital numbers of the oven clock, but I have no idea what happened to the last twelve hours.
Or how I ended up in the kitchen.
Or what I'm sitting in.
Part of me doesn't want to know. Part of me just wants to believe that it's nothing more than fermented grapes. That I somehow managed to get out of the wine cellar and into the kitchen and then passed out, dumping the contents of the bottle of wine onto the floor. Except the front of my clothes aren't wet, only the back, and since the bottle was on my chest when I woke up, I couldn't have spilled wine on the floor without soaking my shirt.
I put my hand down into the puddle, which is congealed and sticky, then bring my hand up to my nose. It smells sweet. At first I think it's yogurt or strawberry preserves, until I put my finger in my mouth.
It's Baskin-Robbins strawberries and cream ice cream. My father's favorite. He keeps at least two quarts of it in the freezer at all times. What I don't understand is what it's doing on the kitchen floor. Then I turn around and stagger to my feet and understand why.
Three quarts of Baskin-Robbins are smashed open, their contents melted and spreading out across the floor. Surrounding them are boxes of frozen vegetables, packages of frozen meats, containers of frozen juice concentrate, and half a dozen ice cube trays, their contents melted and mixed in with the ice cream, forming a pool of defrosted frozen items.
Oh shit, I think. What the hell did I do?
Not that it really matters. My parents are going to ship me off to a zoo when they get back from Palm Springs. Unless they wake up in the morning and my father is upset enough about what I've done to cancel their trip and ship me off to a research facility out of spite.
I don't know what I intended to accomplish by dumping the entire contents of the freezer onto the kitchen floor, but I figure it would probably be a good idea to try to put back what I can and clean up the rest of it before my parents wake up. But when I open the freezer, I discover there's not any room.
My parents are in the freezer. I can see hands and legs and feet and my father's face staring out at me from the second shelf. His head is in a large Ziploc freezer bag, as are the rest of my parents' body parts. Or most of them. When I open the refrigerator, my parents are in there, too.
All the wine I've drunk is suddenly trying to find its way back into the bottle and I barely make it to the sink before I throw up. Actually, it's more like reverse drinking. Just wine and a little stomach acid. But no chunks of Mom or Dad.
Our relationship wasn't always like this.
Sure, there were the standard growing pains and disagreements most parents and sons encounter.
Hormones.
Independence.
Latent Oedipal desires.
But when your only son reanimates from the dead, it creates an entirely new dynamic that your average parents just aren't prepared to handle.
After all, it's not like there's a handbook for dealing with spontaneous resurrection. That's the technical term for zombies you hear thrown around by experts on talk shows and news programs, as if they know what it's like to be a reanimated corpse. They have no idea of the emotional fallout from a rapidly digesting pancreas. Or how hard it is to keep your tissues from liquefying.
My father was a de facto expert. And by "de facto," I mean he was the only one who considered himself an expert on anything.
Plumbing.
Politics.
Personal hygiene.
"You know, Andrew, you can get rid of those blackheads by using olive oil and vinegar."
He actually believed this. Fortunately, he let Mom do the cooking. Otherwise, I would have been the only kid in my school eating arugula salad with sliced pears, Asiago cheese, and a benzoyl peroxide dressing.
Don't get me wrong. My dad wasn't an idiot. He just always thought he was right, even when he had no idea what he was talking about. He would have made a great politician.
However, I do have to give my father props for his choice in refrigerators. My mom wanted one of those Whirlpool side-by-side models, but my father insisted on an Amana bottom freezer. Said it was more energy efficient, drawing cold air down instead of up. He also claimed it provided better use of shelf space.
While my parents' heads and most of their limbs are tucked away inside the freezer, their bodies from hip to shoulder are stuffed into the refrigerator. Had it been a side-by-side model, I never would have been able to fit their torsos on the shelves. Thanks Dad.
On the CD player in the living room, Dean Martin is singing "Auld Lang Syne."
Staring at my parents stuffed into the Amana bottom freezer, their torsos crammed between the mayonnaise and the leftover Thanksgiving turkey, their heads sealed in Ziploc bags, I'm overcome with a surreal sense of disbelief. From the expression on my father's face, it appears he's just as surprised as me.
Maybe none of this would have come to pass had my father taken the time to understand what I was going through instead of treating me like a pariah.
Or maybe I'm just kidding myself.
Maybe everything that happened between the accident and now was inevitable.
Chapter 2
Two months before I find my parents in the Amana bottom freezer, I'm at the Soquel Community Center, sitting in a semicircle of chairs that's open toward a petite, fifty-two-year-old woman who looks like my third-grade teacher. Except my third-grade teacher never ended up on the wrong end of a twelve-gauge, pump-action Mossberg.
On the freestanding chalkboard behind her, written in block letters, is the proclamation:
YOU ARE NOT ALONE.
Upper- and lowercase letters probably would have softened the message, but the petite woman, the group moderator, a gunshot victim named Helen, is just trying to make us feel better.
"Rita, would you like to start tonight?" asks Helen.
Rita's face is a pale moon hovering in the black hood of her sweatshirt. She has on a black turtleneck and black pants. The only color she's wearing is on her lips, which are Eternal Red.
Rita slit her wrists and then her throat on her twenty-third birthday. That was less than a month ago. Most of the time she wears gloves and turtlenecks to hide the stitches. Sometimes she wears hooded sweatshirts. Other times she wears scarves. On bad days, she wears all three. Tonight she left the scarf at home, so at least she's not feeling morose.
Rita licks her lips--sucks on them, actually, removing most of her lipstick. From her pocket she produces a black cylinder and applies another coat, smacking her lips together. It's either an oral fetish or she needs a fix.
"I still feel alone most of the time," says Rita. "Once in a while, I can almost imagine none of this ever happened. Then I look in the mirror and the hopelessness comes flooding back."
Five other heads nod in understanding. Carl is the lone dissenter.
"You don't agree, Carl?" asks Helen.
Carl was stabbed seven times, twice in the face, by two teenagers who stole his wallet and used his credit cards to buy seven hundred dollars' worth of online pornography.
"No," says Carl. "I agree with her completely. She is hopeless."
"That's nice," says Naomi, lighting up a cigarette. Half African American, half Japanese, Naomi could still pass for a model if it weren't for her empty eye socket and the way the right side of her face sags. "Why don't you just rip open her stitches while you're at it?"
"I'll leave that to your husband," says Carl.
Naomi's husband came home after a bad day of golf and took out his frustrations on her with a Titleist four-iron.
"He's no longer my husband," says Naomi.
"Technically, no," says Carl. "But then technically, none of us should be here."
"And yet we are here," says Helen. "So why don't we focus on that."
In addition to Helen, Rita, Naomi, and Carl, the other members of the group include Tom, a thirty-eight-year-old dog trainer who nearly lost his right arm along with the left half of his face to a pair of Presa Canarios, and Jerry, a twenty-one-year-old car crash victim. Like me.
Because of our similar experiences, Jerry feels a connection with me, so he sits next to me at every meeting. I don't feel anything but lost, and Jerry, who listens to rap music and still wears his pants halfway down his ass, annoys me, so tonight I made sure to sit at the end of the semicircle next to Naomi.
"We're all survivors," says Helen, who then stands up and walks over to the chalkboard. "I want you all to remember that. I know it's hard dealing with the threats and the name-calling and the expired food products thrown at you, but you survived for a reason."
At times Helen reminds me of Mary Poppins--always cheerful and full of advice that works for characters who live in movies, fairy tales, or the Playboy Mansion. But I have to admit, without the support group I'd probably never leave my parents' wine cellar. Still, I think we need to come up with a name other than Undead Anonymous. After all, when you're undead, you're about as anonymous as a transvestite with a five o'clock shadow.
At least we don't get any support group imposters crashing our meetings, trying to pick up vulnerable women. That would be sick. Interesting, but sick.
Helen finishes writing another of her messages on the chalkboard and turns to face us. Beneath YOU ARE NOT ALONE, she's written the words:
I AM A SURVIVOR.
"Whenever you're feeling lost or hopeless, I want you all to say this out loud. 'I am a survivor.' Say it with me now."
By the time the meeting breaks up, it's dark outside. The end of October is more than two weeks away, but less than a month into autumn and it's already pitch black before Jeopardy.
I never liked autumn. Even before the accident I hated the weather growing cold and the changing of the leaves. Now it's a visual reminder of how my own life has grown cold. Lately I'm beginning to think there's just an endless autumn threatening an eternal winter.
I'm getting melancholy again.
Helen advocates the buddy system when we leave our meetings, though Carl says he doesn't need anyone to hold his hand and heads for home on his own. Jerry, Helen, Rita, and I all live in the same direction, so we head off one way while Naomi and Tom head the other. Most nights, Jerry buddies up with me and talks incessantly about his accident and how he needs to get laid and how he wonders what it would be like to be dead. I wonder about that, too. More so when I have to pair up with Jerry.
"Dude, that car was awesome," says Jerry. "Cherry red with a beast for an engine and a killer sound system. You should have seen it."
I know the story by heart. A fifth of Jack Daniel's, half a dozen bong hits, no seat belt, a utility pole, and bad judgment on a right-hand turn sent Jerry through the windshield of his cherry red 1974 Charger and skidding along River Street head first, scraping away a chunk of his scalp. I've heard the story so many times that I can almost believe it happened to me. Except my accident was worse. Jerry was alone in his car.
My wife was asleep in the passenger seat and, unlike me, she never woke up.
For the first two months after the accident, all I could think about was Rachel--the smell of her hair, the taste of her lips, the warmth of her body next to me at night. I wallowed in my suffering, consumed with anguish and self-pity. That and I had to deal with the smell of my decomposing scalp, the taste of formaldehyde in the back of my throat, and my own cold, decaying body. It was enough to make me want to take a gasoline shower and set myself on fire.
If you've never woken up from a car accident to discover that your wife is dead and you're an animated, rotting corpse, then you probably wouldn't understand.
Helen says that even though we've all lost more than our share, we need to keep our faith in the path that lies ahead of us. She says we need to let go of the past before we can embrace our future. I'm still working on that. Right now, the past is all I have and the future looks about as promising as the new fall lineup on CBS.
I used to wish Rachel would have reanimated with me so I wouldn't have to go through this alone, but eventually I realized she was better off dead. I'd thank God for small favors, but I doubted his existence before this happened and I haven't exactly changed my mind. Losing your wife in a car accident is enough to challenge the faith of even the most devout believer. But when you're a skeptic to begin with, being able to smell your own rotting flesh tends to put the kibosh on your belief in a divine power.
That's one of the biggest problems about coming back from the dead. The smell never quite goes away.
--This text refers to an alternate kindle_edition edition.About the Author
Review
The dead shall walk the earth, and they’re hungry for…love?
Debut novelist Browne branches out from his mostly horror-related short stories and delivers a rousing entry in the Rom-Zom-Com genre. Based on his short story “A Zombie’s Lament,” Browne’s mortality tale begins rather grimly but almost immediately picks up speed and humor to evolve into a terrific comedy about the perils and joys of life beyond death. Browne’s hero is Andy Warner, who survived, so to speak, the car crash that killed his wife but lost his vocal chords along with his life. Reduced to a pathetic existence consisting mostly of downing his father’s wine collection, suffering Glade spray-downs from his mother and attending the occasional Undead Anonymous meeting, old Andy is in pretty wretched shape. His afterlife takes a turn for the better when he meets Rita, a pale but lovely girl who slit her own throat, and Ray, a feisty undead hunter. Before long, Andy is fighting against zombie discrimination, mutilation and other forms of abuse by those unenlightened “breathers”: “After all, what do I have to lose by standing up for myself? If being a rotting corpse with no rights and no future isn’t the worst thing that can happen to me, it can’t be that much further to rock bottom.” The book has its share of gruesomeness, but it also offers astute observations on the world in which we live.
A zombie comedy with brains. --Kirkus --This text refers to an alternate kindle_edition edition.
Product details
- ASIN : B001TSZ6KG
- Publisher : Crown; Original edition (February 24, 2009)
- Publication date : February 24, 2009
- Language : English
- File size : 2287 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 321 pages
- Lending : Not Enabled
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Best Sellers Rank:
#719,736 in Kindle Store (See Top 100 in Kindle Store)
- #751 in Humorous Dark Comedy
- #817 in Horror Comedy
- #1,911 in U.S. Horror Fiction
- Customer Reviews:
About the author

S.G. Browne is the author of the novels LESS THAN HERO, BIG EGOS, LUCKY BASTARD, FATED, and BREATHERS, as well as the eBook short story collection SHOOTING MONKEYS IN A BARREL and the heartwarming holiday novella I SAW ZOMBIES EATING SANTA CLAUS.
His writing has been influenced by Chuck Palahniuk, Christopher Moore, Kurt Vonnegut, and Stephen King, along with the films of Charlie Kaufman and Wes Anderson. He’s an ice cream connoisseur, Guinness aficionado, cat enthusiast, and a sucker for It’s a Wonderful Life.
You can learn more about his writing at www.sgbrowne.com. You can also follow him on Twitter at @s_g_browne and on Facebook at Facebook.com/SGBrowneAuthor.
Customer reviews
Top reviews from the United States
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Initially I really enjoyed this. Setting aside the opening scene, I really felt for the main character, who lost his wife in a car accident, which killed them both, but he spontaneously reanimated. He found himself in a world that reviled him. He had a daughter whom he was no longer allowed to see or even to contact via letter. His parents took him in, but his father pretty openly despised him, and while his mother obviously still loved him, she obviously couldn't cope with what he'd become. It was a picture of hopelessness and loneliness. We're introduced to the other zombies, who all carry with them the marks of their fatal injuries.
I really would have liked to know more about what Andy's relationship with his parents was like when he was alive. He never gets into that. I don't need details, but I assume his father didn't always hate the sight of him. Some idea of what they were like would've really added to things.
One recurring incident that was amusing, but kind of inexplicable was people throwing their food at zombies whenever they saw one. I initially thought nothing of it, but when people began throwing half a sandwich, it started becoming implausible. I just don't see myself wasting a sandwich I'd fully intended to eat, to throw it at a zombie. Surely if I were throwing something at a zombie I would choose something more likely to injure it and slow it down. Eventually Andy, our narrator, observes that people seem to be going out and buying food specifically to throw it at him, and that's just weird.
When Ray was introduced, it was fairly obvious what his jars of "venison" really were. Something I noticed at first was the main character saying it tasted like chicken. I think this may have been the first clue. Actual venison doesn't taste like chicken. It's a lot more like beef; at least when I've eaten it. But the main character had not eaten it, so didn't have a basis of comparison. And even if Ray shared it with someone who had tasted real venison before, Andy also mentioned they don't retain their sense of taste, so they likely wouldn't recall if it was right. Though that does bring up the question: How did he know it tastes like chicken?
I really enjoyed the first three quarters of this. The end of this book, I really disliked. From here on out, pretty big spoilers, all right?
I was entertained by the gradually developing clues that Ray's Resplendent Rapture was not venison, their gradual healing. I was quite surprised by the sudden ability for Andy to develop an erection and then have fantastic sex with Rita. He'd said his blood didn't flow. That was their final clue, at which point they figured out what they'd been eating.
Everyone was fairly all right with this. I realize I'm thinking like a zombie, and as Andy says repeatedly throughout the book, I probably wouldn't understand. But I'd really want to know how Ray acquired his meat. That would be important to me. Maybe he'd killed someone in self-defense? It feels weird contemplating the ethics of cannibalism, but it gets explored in vampire fiction all the time, right? Everyone was very all right with suddenly eating flesh. I thought it actually might have been interesting if they pursued the civil rights for zombies more thoroughly. Perhaps they could arrange for organ donors for zombies. But the whole civil rights angle wound up feeling like little more than a red herring, by the end.
Andy blacking out and murdering his parents wasn't really given enough thought. He didn't seem concerned with the implications that something like that might happen again. Is it something that can happen to any zombie at any time, or just Andy?
Rita's pregnancy was really problematic for me. I found it odd that they didn't try to find a zombie who'd been a doctor, to try to help her out. Her situation was unique and a Breather doctor would never have worked, but a zombie might have. I don't know how likely it is that they could have found one, but while they're banned from the internet and can't network, Ian didn't really have those restrictions, since he wasn't known to be dead. Anyway, the pregnancy brought up a lot of questions. Would she "miscarry" if she didn't eat Breather on a regular basis? Would the baby be decomposing? And, at 5 weeks pregnant, how did she even know? If her period had come back, I don't think enough time had really passed in the book for her to notice missing one. Was she experiencing morning sickness? Was she just randomly taking pregnancy tests due to other bodily functions returning?
I felt Rita's death was a cheap way to avoid answering all of these questions. By the end, I didn't see how the book could reasonably end with anything other than Andy's death. It felt like a lazy ending, though, to avoid examining these things.
Secondly, I was drawn to the excellent quality of Browne’s writing. Third, I found myself chuckling at the clever humor that threads through the story. Gory, to be sure, but I highly recommend it.
I did enjoy it, um, I'm trying to think what it reminded me of, ummmmmm, Stephanie Plum but written by a man? I don't know, it was a bit on the "chicky" side for me, perhaps that was the romance part of the story. Trying to think when I like romance type stories and the closest I can come is Pat Conroy, depression and agony..
Which this story has, in that it's a bit tragic too, but very tongue-in-cheek humorous too, perhaps a bit of social satire thrown in.
No point in describing the story, or give any spoilers here, which was done in the editorial reviews above, which I think is in bad form, but I digress.
If you like the genre and don't mind some graphic (not really horror) and sexual situations, you'll probably like it, and no, it's not like that trash Fifty Shades of Grey, this book is written 100 times more skillfully than that, I don't know what made me think of that, I guess thinking about weird sex.
Okay, one spoiler: "Is zombie on zombie still necro?" Paraphrased from the book, but the line I laughed the most from, and there were a few other funny situations, it's a good fun read and I do recommend it (if you're into this kind of thing).
S.G. Browne's 'Breathers: A Zombie's Lament' is a fun read from a very different point of view...the zombie's, specifically Andy. Over time and while attending his 'Undead Anonymous 'meetings Andy decides that it is unfair the way zombies are treated. They have rights, too. So he and some of his friends begin a quest to make some changes. Oh...and Andy falls in love with one of his group members Rita.
This is definitely not your typical zombie read. It is very entertaining, but a bit slow at times. The characters are quite hysterical when you stop to think about what they would look and sound like considering their means of death. I greatly enjoyed the dialogue between the various members of the group. It was witty and sarcastic yet, at times, very thoughtful. The setting is a normal everyday town and some of the various homes of our characters. As for the gore, there is definitely some violence and flesh eating, but as mentioned earlier, this is not your typical zombie novel, so even this role of the undead is played differently.
I am pleased to have 'Breathers: A Zombie's 'Lament 'on my bookshelf and definitely suggest you add it to yours as well.
Top reviews from other countries
In S.G. Browne’s engaging debut novel, the undead ‘live’ among us. But far from being the slow-moving, stumbling, mindless, flesh-eating fiends of many a Hollywood movie, Browne’s zombies are articulate, emotional and compassionate.
Things are far from easy for these zombies, however. They stink up any room they enter; they can never be entirely sure when a piece of them might suddenly drop off; they terrify any living person they happen to encounter; they're a constant target for frat boy initiation parties; they're not welcome anywhere and they can’t go out after sunset. And that’s just for starters.
What bothers Andy the most however, is the way he and his fellow zombies are treated on an almost daily basis. Step out of line and you’re immediately carted off to the SPCA, shoved in a cage and left there until your guardian (if you’re lucky enough to have one) shows up to bail you out. Meanwhile, those with no guardians or those left for longer than 7 days are handed over to the county authorities for use in various experiments and tests. Or worse still, you’re shipped off to a zombie zoo, chained up and used as macabre exhibitions for the rest of your days.
It’s fair to say that undeath would be a pretty miserable affair for Andy were it not for his friends at Undead Anonymous. There he connects with other zombies, developing friendships and slowly learning more about what it’s like to live in a world where you’re no longer a ‘Breather’. And the more he learns, the more he starts to realise that something has to change.
So when the group encounter Ray with his delicious jars of venison, his alternative view of the world around them and what it means to be a zombie in that world, Andy and his fellow UA members start to realise that although the world might not want them around, it doesn’t mean they have to disappear or accept their fate.
Slowly but surely the group all start to assert their personalities in different ways – from small gestures to larger, more risky expressions of discontent – and at the forefront of it all is Andy. But with rebellion comes responsibility and a realisation that once you start a mutiny, it has a tendency to take on a life – or undeath - of its own.
I thoroughly enjoyed ‘Breathers’, zombies and all. It’s darkly comic with some genuinely unpleasant moments (particularly the passages concerning cadaver decomposition which aren’t recommended reading after you’ve just eaten), and you can’t help but love the UA gang. Andy is a likeable lead, believably starting out as a downtrodden character who’s unsure of his place in the world, but all the while capable of seeing the funny side. He takes everything in his stride – from frat boys pursuing him though a graveyard at midnight, to passing drivers throwing food at him as they drive by – confident in his belief that one day zombies will have their moment.
The other characters – Rita, Tom, Jerry, Naomi, Helen, etc. – all have a valid place in the story and all aid Andy in his pursuit of zombie rights. There’s really not a weak character amongst them and when I reached the end, I was genuinely sad to say goodbye to them all.
If there’s one small criticism I have of ‘Breathers’ it’s the direction of the final third of the story. Things suddenly start to happen very quickly, almost as if Browne realised that things weren’t going quite quick enough to wrap it up nice and neatly in the number of pages remaining. As a result, things become a little unbelievable (or at least more so than before) and I must admit to finding Andy a little unpleasant and egotistical at certain points. Having said that, he’s a zombie, so a little unpleasantness is probably not wholly unexpected.
This had elements that reminded me very much of ‘Warm Bodies’ by Isaac Marion – another fantastically entertaining and engrossing zombie novel with a twist. And much like ‘Warm Bodies’, ‘Breathers’ has zombies you genuinely come to care about – even root for – which says a lot about the talents of the author. After all, zombies aren’t meant to be lovable or even likeable, so it takes a uniquely gifted writer to make you feel both.
S.G. Browne is onto a winner with ‘Breathers’ and despite the weaker final third, I would definitely read more about Andy and his friends if Browne ever decided to pen a follow-up. Highly recommended.
The story is a clever mix of equality-struggle allegory, social commentary and of zombie cliche but wrapped in a witty and often sardonic humour which makes it incredibly easy to read. The characters are all easy to connect with and have a good depth which really helps with the flow of the story.
The only criticism I have is I wasn't a massive fan of the ending as it seemed a little bit out of character with the rest of the story and pacing. But other than that the book was thoroughly enjoyable.
Breathers is a unique read and a definite for fans of zombies fiction and a refreshing change to what you normally find when looking.
















