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The Bride Mass Market Paperback – February 15, 1991
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He was everything her heart warned againstan arrogant scoundrel whose rough good looks spoke of savage pleasures. And thought Kincaid's scorching kisses fired her blood, she brazenly resisted him...until one rapturous moment quelled their clash of wills, and something far more dangerous than desire threatened to conquer her senses...
- Print length368 pages
- LanguageEnglish
- PublisherPocket Star
- Publication dateFebruary 15, 1991
- Dimensions4.19 x 0.9 x 6.75 inches
- ISBN-109780671737795
- ISBN-13978-0671737795
What do customers buy after viewing this item?
“They’re thanking you, Jamie. Each would give his life to keep you safe. You’ve done the impossible, love. You’ve actually united our clans.”Highlighted by 430 Kindle readers
The full realization of why he wanted her love hit him like a blow: he was already in love with her.Highlighted by 392 Kindle readers
The English soldiers drew their weapons. Alec signaled again. The circle began to tighten as the horses moved forward.Highlighted by 194 Kindle readers
Editorial Reviews
From the Publisher
By edict of the king, the mighty Scottish laird Alec Kincaid must take an English bride. His choice was Jamie, youngest daughter of Baron Jamison...a feisty, violet-eyed beauty. Alec ached to touch her, to tame her, to possess her...forever. But Jamie vowed never to surrender to this highland barbarian.
He was everything her heart warned againstan arrogant scoundrel whose rough good looks spoke of savage pleasures. And thought Kincaid's scorching kisses fired her blood, she brazenly resisted him...until one rapturous moment quelled their clash of wills, and something far more dangerous than desire threatened to conquer her senses...
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
The Bride
By Julie GarwoodPocket Star
Copyright © 1991 Julie GarwoodAll right reserved.
ISBN: 0671737791
From Chapter One
They said he killed his first wife.
Papa said maybe she needed killing. It was a most unfortunate remark for a father to make in front of his daughters, and Baron Jamison realized his blunder as soon as the words were out of his mouth. He was, of course, immediately made sorry for blurting out his unkind comment.
Three of his four daughters had already taken to heart the foul gossip about Alec Kincaid. They didn't much care for their father's view on the atrocity, either. The baron's twins, Agnes and Alice, wept loudly and, as was their particularly irritating habit, in unison as well, while their usually sweet-tempered sister Mary marched a brisk path around the oblong table in the great hall, where their confused father sat slumped over a goblet of guilt-soothing ale. In between the twins' noisy choruses of outrage, his gentle little Mary interjected one sinful tattle after another she'd heard about the Highland warrior who would be arriving at their home in a paltry week's time.
Mary, deliberately or nay, was stirring the twins into a full lather of snorting and screeching. It was enough to try the patience of the devil himself.
Papa tried to give the Scotsman his full defense. Since he'd never actually met the warrior, or heard anything but ill, unrepeatable rumors about the man's black character, he was therefore forced to make up all his favorable remarks.
And all for naught.
Aye, it was wasted effort on his part, for his daughters weren't paying the least attention to what he was saying. That shouldn't have surprised him, he realized with a grunt and a good belch; his angels never listened to his opinions.
The baron was terribly inept at soothing his daughters when they were in a state, a fact that hadn't particularly bothered him until today. Now however, he felt it most important to gain the upper hand. He didn't want to look the fool in front of his uninvited guests, be they Scots or nay, and fool he'd certainly be called if his daughters continued to ignore his instructions.
After downing a third gulp of ale, the baron summoned up a bit of gumption. He slammed his fist down on the wooden table as an attention-getter, then announced that all this talk about the Scotsman being a murderer was nonsense.
When that statement didn't get any reaction or notice, his irritation got the better of him. All right, then, he decided, if all the gossip turned true, then mayhap the Scotsman's wife had been deserving of the foul deed. It had probably just started out as a proper thrashing, he speculated, and as things had a way of doing, the beating had gotten a wee bit out of hand.
That explanation made perfectly good sense to Baron Jamison. His comments gained him an attentive audience, too, but the incredulous looks on his daughters' faces weren't the result he'd hoped to accomplish. His precious angels stared at him in horror, as if they'd just spotted a giant leech hanging off the tip of his nose. They thought him daft, he suddenly realized. The baron's weak temper exploded full measure then, and he bellowed that the sorry woman had probably sassed her lord back once too often. It was a lesson that his disrespectful daughters would do well to take to heart.
The baron had only meant to put the fear of God and father into his daughters. He knew he'd failed in the extreme when the twins started shouting again. The sound made his head ache. He cupped his hands over his ears to block out the grating noise, then closed his eyes against the hot glare Mary was giving him. The baron actually slumped lower in his chair, until his knobby knees were scraping the floor. His head was bent, his gumption gone, and in desperation, he turned to his faithful servant, Herman, and ordered him to fetch his youngest daughter.
The gray-haired servant looked relieved by the order nodding several times before shuffling out of the room to do his lord's bidding. The baron could have sworn on the Holy Cross that he heard the servant mutter under his breath that it was high time that order was given.
A scant ten minutes elapsed before the baron's namesake walked into the middle of the chaos. Baron Jamison immediately straightened in his chair. After giving Herman a good glare to let him know he'd heard his whispered criticism, he let go of his scowl. And when he turned to watch his youngest, he let out a long sigh of relief.
His Jamie would take charge.
Baron Jamison realized he was smiling now, then admitted to himself that it just wasn't possible to stay sour when his Jamie was near.
She was such a bewitching sight, so pleasing to look upon, in fact, that a man could forget all his worries. Her presence was as commanding as her beauty, too. Jamie had been endowed with her mama's handsome looks. She had long raven-colored hair, violet eyes that reminded her papa of springtime, and skin as flawless and pure as her heart.
Although the baron boasted of loving all his daughters, in secret, Jamie was his pride and joy. It was a most amazing fact, considering he wasn't her true blood father. Jamie's mother was the baron's second wife. She had come to him when she was nearly full term with her daughter. The man who'd fathered Jamie had died in battle, a bare month after wedding and bedding his bride.
The baron had accepted the infant as his own, forbidding anyone to refer to her as his stepdaughter. From the moment he'd first held her in his arms, she had belonged to him.
Jamie was the youngest and the most magnificent of his angels. The twins, and Mary as well, were gifted with a quiet beauty, the kind that grew on a man with time and notice, but his dear little Jamie, with just one look, could fairly knock the wind out of a man. Her smile had been known to nudge a knight clear off his mount, or so her papa liked to exaggerate to his friends.
Yet there was no petty jealousy among his girls. Agnes, Alice, and Mary instinctively turned to their little sister for guidance in all matters of significance. They leaned on her almost as often as their papa did.
Jamie was now the true mistress of their home. Since the day of her mama's burial, his youngest had taken on that burden. She'd proven her value early, and the baron, liking order but having no gift for establishing it, had been most relieved to give Jamie full responsibility.
She never disappointed him. Jamie was such a sensible, untroubling daughter. She never cried, either, not since the day her mama passed on. Agnes and Alice would have done well to learn from their sister's disciplined nature, the baron thought. They tended to cry over just about everything. To his mind, their looks saved them from being completely worthless, but still he pitied the lords who would someday be saddled with his emotional daughters.
The baron worried most for his Mary. Though he never voiced the criticism, he knew she was a might more selfish than was considered fashionable. She put her own wants above those of her sisters. The bigger sin, however, was putting herself above her papa.
Aye, Mary was a worry, and a mischief-maker, too. She liked to plow up trouble just for the sheer joy of it. The baron had a nagging suspicion that Jamie was giving Mary unladylike ideas, but he never dared voice that notion, lest he be proven wrong, and fall from grace in his youngest's eyes.
Copyright © 1989 by Julie Garwood
Continues...
Excerpted from The Brideby Julie Garwood Copyright © 1991 by Julie Garwood. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- ASIN : 0671737791
- Publisher : Pocket Star; Reissue edition (February 15, 1991)
- Language : English
- Mass Market Paperback : 368 pages
- ISBN-10 : 9780671737795
- ISBN-13 : 978-0671737795
- Item Weight : 6.4 ounces
- Dimensions : 4.19 x 0.9 x 6.75 inches
- Best Sellers Rank: #745,299 in Books (See Top 100 in Books)
- #3,233 in Medieval Historical Romance (Books)
- #4,705 in Scottish Historical Romance (Books)
- #8,050 in Contemporary Literature & Fiction
- Customer Reviews:
About the author

Julie Garwood is the author of numerous New York Times bestsellers. The most recent, WIRED, landed at #2. With over 36 million copies in print, her novels take you from the rugged clans of Medieval Scotland to the mind of a modern-day computer hacker, all with her signature humor blended with good helpings of romance and suspense.
For more information and a list of her books visit her website www.JULIEGARWOOD.com or follow her at Facebook.com/JulieGarwood or on Twitter @JulieGarwood.
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Jamie is the youngest daughter of an English baron who has been ordered to allow 2 Highland lairds to select brides from his 4 daughters. While Jamie is the baby, she is actually the daughter who is most skilled and takes the lead in caring of her older sisters and her father. She does this because she loves them and feels it is her duty; she has never questioned the whys. And she likes her life the way it is - she is allowed the freedom to learn archery and bareback horse riding as well as other pursuits that most women are not as she is the favorite of the stable master, an elderly Scot who treats her like his own daughter. When she learns that 2 of her sisters are to be wed to barbaric Highlanders, she is aghast, but she believes that the marriages are to be in name only, so she seeks to provide some welcome to their brief visitors and keep her much more dramatic sisters as calm as possible until they choose their brides and go on their way.
Alec is the laird of Clan Kincaid. He was previously wed to another woman chosen by his king, and he did his duty by both; however, his first wife ended her own life shortly after they married. Though he has felt guilt ever since, he knows he must wed again to satisfy his king, and travels with his friend, the neighboring laird Daniel Ferguson who has also been ordered to find a bride among an English baron's daughters. As distasteful as they both find the English, they are pleasantly surprised to find women they are not repulsed by, but when Alec announces his intention to wed Jamie, she is shocked and distressed to be uprooted from her home that very day to travel back with her new barbarian husband to the wilds of Scotland, thus leaving behind all that she knows and loves.
While Alec admires his new wife's beauty and spirit, he is of the belief that she is "just a wife" who will take up very little of his time and require little effort. Jamie is determined to prove to him that she can be much more than that. The two engage in a battle of wills where Jamie vows to prove to Alec that she is worthy of his love and partnership. But the same mysterious figure that sought to eliminate Alec's first wife is determined to rid the clan of his new bride... When Jamie is threatened, will Alec surrender his heart to her before it is too late, or will he lose her as well?
What I liked:
--- EVERYTHING! Seriously, though!
--- Jamie is a perfect balance of kind and tough with everyone's best intentions at heart; Alec is the giant, rough, seemingly "above the idea of love and romance" manly Highlander
--- Story line keeps the reader glued to the pages and wanting even more at the end - I honestly never get tired of this book!
--- Perfect amount of steamy goodness - please and thank you!
What I didn't like as much:
--- I cannot think of much - bit of a slow start, but once it takes off, it's ON
Overall, one of the best historical romances out there (I have read a LOT of them) that stands the test of time, delivers on all of my must-haves, and satisfies my intelligent smut quota!
Plot --- 5/5
Main Characters --- 5/5
Supporting Cast --- 4.75/5
Steam Level* --- 4/5
Violence --- nothing graphic
Language --- not egregious
POV --- 3rd
*Note that steam level is not a rating so much as a how hot was it: 0/5 - clean; 1/5 - mild; 2/5 - sensual but nothing descriptive; 3/5 - now we're getting somewhere; 4/5 - yes please! ; 5/5 - they did EVERYTHING in this one, y'all
I love medieval romances in general, and in particular I love romances that feature women who stand up for themselves. So The Bride had many points in its favor as I read it. The heroine, even though she's the youngest, is the one who keeps everyone calm, who runs the household, who does the hunting. Much is made about her great skill with the bow and knife. She's one of the few people - male or female - to stand up to Alec. While he has period-appropriate ideas about the place of a woman in a household, he soon comes to appreciate Jamie's talents.
I liked that Jamie's older sister Mary comes along as a fellow bride, and the contrast between their characters. Both present realistic females who had differing outlooks on life. I also liked at the beginning that they have what appears to be a Down's Syndrome character - Annie - whose "perpetual child like state" was appreciated by the community. It is incredibly rare to have disabled or alternately-abled characters in stories, and I'm always thrilled when not only do they make a presence but they're shown in a positive light and not as the "damaged villain".
Now, for the issues I had with the book. There is a spoiler at the very end, but I'll be sure to alert you before I get to that point, in case you want to avoid it.
First, the writer chose to hop back and forth between characters' minds. Certainly that is a valid way of writing, but here it is done so abruptly that often you're half-way into a paragraph before you realize the author has done it. It is quick and random. Usually an author provides breaks and signals so the reader knows what is going on. The same thing happens with dialogue. You can be reading along in what seems a quiet conversation, and only after something is said are you alerted that that line was actually shouted or screamed. It means there's a fair amount of "re-reading" as you have to re-imagine the scene properly.
Minor scenes are painstakingly drawn in great detail, but critical scenes are often barely skimmed at. A critical fight scene has the action zip to her capture. A character is very upset, and zip it's over. This happens fairly regularly.
Then there comes the historical issues. The copy of the book I own seems to have an 19th century bride in a Victorian white lace dress on the cover. This story was set in 1100! There's no way they would wear ANYTHING like this dress in 1100. In addition, many times in the story people are talking about "white wedding dresses". People did NOT wear white wedding dresses back in medieval times. That was a tradition that came in many centuries later. In the middle ages, people wore wedding dresses in their favorite colors, or in family colors. It would be like going to a high school prom in modern times. The women there wear colors they adore - not all in white. The same was true for medieval weddings. If anything, blue was the color of fidelity and loyalty.
A big deal is made about a knight not being able to accept a dowry for a bride. I can't find any record of that anywhere. Marriages in medieval days were often about money and land exchanges. They were political and financial arrangements. Money and land were both a common part of that exchange. I would be very curious to read where it is documented that a knight could not take money - that doesn't make any sense to me. And since land is equivalent to money in medieval days, it makes even less sense.
A key change Jamie wants to put into place is to attach the kitchens to the main house. However, in medieval days the kitchen was *always* kept separate from the main house because the biggest fear was fire. A fire could destroy a household and the protection of all people within in a matter of minutes. It is similar to medieval Japan - fire was their biggest fear. A woman who ran a household in medieval days would have been extremely aware of this fear and issue. She would not have worked to make the kitchens attached to the house. She would have made them separate and then worked to shelter the area between. But a covered short hall? With the amount of smoke generated by kitchens, that would not have been appreciated either.
I was also fairly disappointed by how Jamie's immense skills with bow and knife are not put to use. The bow and knife were played up to be a key feature of her skill set early on. However, all we get to see is Jamie "wow" the troops late in the story with an arrow shot in a casual setting. Her knife skill barely gets more than that. The main thing we see about her skills in life is that every man who comes near her practically falls into a dead feint at her beauty. OK I exaggerate a bit there :) She is a talented healer, and I appreciate that greatly. But that should have been her main focus then, not that she is some sort of super healer - best archer of the realm - superb knife-woman - fantastic horsewoman - most spectacular beauty known to mankind - fluent in multiple languages - etc. etc.
So while I thought there was great potential here, I thought the writing style needed polishing, the historical editing team should have fixed the numerous issues, and that her character should have been more focused to be realistic and relateable. But still, one of my greatest concerns comes with what is now a spoiler, so I'll warn you:
SPOILER ALERT - READ NO FURTHER TO AVOID THE SPOILER
The character Annie seems to be a fantastic one. Her introduction is made like this: "Jamie continued to watch Annie a long moment. She understood what was wrong with the girl. She was one of those special people who stayed childlike all their lives. Jamie's heart went out to Annie and to Alec as well, for he'd shown such kindness." Alec is gentle and kind with Annie. The household is sweet to her. Annie is shown repeatedly to be intellectually slow, and to simply do whatever the person near her is doing. This is handled respectfully and the characters around Annie never fault her for being like this. They are always understanding and supportive. I thought this was a wonderful portrayal of a woman with special needs, and I was prepared to overlook the other flaws in this book to praise it for this character.
And then we reach the end of the story - and it turns out Annie is the person who has been "ranting" in anonymous glimpses throughout the book, talking about slaying the previous wife and Jamie! She comes complete with maniacal laughter and statements like "I'll kill again and again and again until you've learned your lesson." Adjectives used about her include horrid and inhuman.
All of my fears had come true. Not only was this similar to the many other books which single out "different" people as the arch-enemies, but this one even took it one step further. To say I was disappointed when I reached this ending would be a vast understatement.
Julie Garwood is a prolific author and has rabidly enthusiastic fans, so I fully understand that some readers will be unhappy with my review simply because I did not ravingly adore it as others do. However, I would ask those fans to honestly look at this issue I'm raising, and to see if it does not cause even the slightest twinge of uncomfortable feeling.
The plot is interesting with her getting acclimated to Scottish living and being a laird’s wife. She gets into some funny mishaps while the having good intentions. I like her spunk. It’s also interesting trying to figure out who the bad guy is. This book was full with activity/action and I found myself engrossed, not wanting to put it down. No angst. I can see me reading this again. I recommend.
Top reviews from other countries
主人公二人の相性が最高。"ケミストリー"とは上手く言ったもので、それぞれ単独でも充分魅力的な二人だけれど、この二人が一緒になるとそれこそ化学反応でも起こしたかのように爆発的な吸引力を発揮します。コミカルなシーンでは二人の軽妙なやり取りに思わず笑ってしまうし、情熱的なシーンではかなりドキドキ。Jamieの方向音痴ネタなど、ユーモアのセンスも抜群。ミステリー仕立ての仕掛けもあったりして、一冊で何度も美味しい。
ラブ・コメの部類に入るかと思いますが、ロマンス的にもコメディ的にもレベル高いです。個人的にはもう少し重めのロマンスが好きなんだけれど、たまにはこういう楽しいロマンスもよいなぁ、と。
I have listened to hundreds of audio books over the years, and this is one of the best readings I have ever heard.
Most narrators are ok, but obviously you can tell they are putting on diffrent voices.
For the first time ever I honestly thought there were several people reading the different characters, and double checked the back cover, yet it is only one person.
You don't need to be told who says what, you can just tell the difference in the different voices.
I will certainly be looking for other books read by this narrator.
It’s set in England in the 1100s and yet the language feels more like something from 1950s America. That may not bother everyone but it bothered me that there clearly was no effort by the author to make historically realistic.
Finally (and the worst part for me) was the constant switching between the characters’ POV within the same chapter. I can’t stand that.














