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Bridge of Birds: A Novel of an Ancient China That Never Was (The Chronicles of Master Li and Number Ten Ox) Mass Market Paperback – April 12, 1985
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When the children of his village were struck with a mysterious illness, Number Ten Ox sought a wiseman to save them. He found master Li Kao, a scholar with a slight flaw in his character. Together they set out to find the Great Root of Power, the only possible cure.
The quest led them to a host of truly memorable characters, multiple wonders, incredible adventures—and strange coincidences which were really not coincidences at all. And it involved them in an ancient crime that still perturbed the serenity of Heaven. Simply and charmingly told, this is a wry tale, a sly tale, and a story of wisdom delightfully askew. Once read, its marvels and beauty will not easily fade from the mind.
The author claims that this is a novel of an ancient China that never was. But, oh . . . it should have been!
- Print length288 pages
- LanguageEnglish
- PublisherDel Rey
- Publication dateApril 12, 1985
- Dimensions4.15 x 0.75 x 6.85 inches
- ISBN-100345321383
- ISBN-13978-0345321381
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Number Ten Ox comes from a village in which the children have been struck by a mysterious illness. He recruits Master Li to find the cure and comes along to provide muscle. They seek a mysterious Great Root of Power, which may be a form of ginseng. Of course, nothing turns out to be as simple as it seems; great wrongs must be avenged and lovers separated must be reunited, from the most humble to the highest. And even in the midst of cosmic glory, Pawnbroker Fang and Ma the Grub are picking the pockets of their own lynch mob, who are frozen in awe and wonder. --Nona Vero
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Product details
- Publisher : Del Rey (April 12, 1985)
- Language : English
- Mass Market Paperback : 288 pages
- ISBN-10 : 0345321383
- ISBN-13 : 978-0345321381
- Item Weight : 4.6 ounces
- Dimensions : 4.15 x 0.75 x 6.85 inches
- Best Sellers Rank: #204,898 in Books (See Top 100 in Books)
- #349 in Asian Myth & Legend
- #2,135 in Historical Fantasy (Books)
- #4,671 in Fantasy Action & Adventure
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I think I hit that somewhere around page 182.
This is, as the cover tells us, a novel of "An ancient China that never was." It's set in the long-ago, indeterminate past (of which China has so very much), and starts off in a small village with an unusual history. The village of Ku-Fu, the story goes, was home to a section of the Great Wall, commissioned by the Emperor of China many centuries ago. This would not in itself be notable, except that it was built 122 miles south of the rest of the wall, thus serving no real purpose whatsoever. The general in charge was, he maintains, given the orders by the Emperor of Heaven himself, a story which held no sway with the more earthly Emperor who was ready to execute him. A more believable story was produced - that a great dragon had rested itself on that part of the wall, thus moving it, and it shouldn't be tampered with.
And so the village of Ku-Fu became home to what was known as The Dragon's Pillow, a place that would one day loom large in the history of not only the village, but all of China.
It is a peaceful village with the usual colorful characters that you get in such a place, such as the terrible partners Pawnbroker Fang and Ma the Grub, two greedy and unscrupulous men who hold the economic life of the village in their hands. When their misdeeds go too far, resulting in the horrible poisoning of many of the village's children, the story's narrator, Number Ten Ox (whose given name is Lu Yu, but he would not want to be confused with the famous author of The Classic of Tea) is tasked to bring a wise man from the city to diagnose the problem and find a solution. Out of the many wise men, Ox finds Li Kao, a cynical, world-weary curmudgeon with, as he so often tells us, a slight flaw in his character.
Together, Ox and Li Kao must travel the length and breadth of China to find the Great Root - a ginseng root that was kept by the mythical Princess of Birds, and whose healing properties are all that stand between the children of Ku-Fu and certain death. Along the way, they must travel terrible labyrinths, fight unimaginable monsters, battle against an immortal evil, bring peace to restless ghosts and solve the greatest mystery in the history of China - what happened to the Princess of Birds, beloved of the Star Shepherd, Prince of Heaven.
There is just so much to recommend this book, I don't even know where to start. For one, it's a lot of fun to read. The person who recommended it to me did so on the reasonable assumption that, since I like Terry Pratchett so much, I would probably like this book as well. And that was a very good assumption - there is a certain similarity between the two. Hughart uses humor very deftly, keeping the characters alive and interesting through even the most dangerous of times. Where Pratchett's humor often feels like literary slapstick, however, Hughart's is a bit more subtle. The characters are funny, yes, but the book was not written to make you laugh. It was written so that the reader would have a good time reading a story well-told.
And what a story it was. It begins with a fairly straightforward quest - a search for the Great Ginseng Root to cure the children of Ku-Fu - and turns into something so much larger than that. As the evil Duke of Ch'in says, they're on the right quest, but for all the wrong reasons, a cryptic statement that takes a while to make sense. The scope of the story gets bigger and bigger as it goes on, and you realize that the pieces for this quest were put into place hundreds, if not thousands of years before the story actually started.
The history of China is on display here, if somewhat distorted for the purposes of entertainment. Hughart spent time living in the Far East and gained a healthy respect for its long and often unbelievable history and culture. The book includes elements of China's history of inventiveness and ingenuity, as well as cultural myths that extend beyond its borders.
The characters themselves are wonderful, too. Number Ten Ox is an earnest, strong, well-meaning young man who has one goal in mind- save the children of his village. Li Kao is a devious old man who tends to use his wisdom and quick thinking for more nefarious purposes - thus the slight flaw in his character. There are a lot of notable minor characters as well, including Pawnbroker Fang and Ma the Grub, who somehow manage to turn up all through the story, always being chased by the people they've cheated. The Duke of Ch'in is a terrifying figure, Henpecked Ho is comically dark, and Miser Shen starts off utterly unlikable, but if there's one character in the story that forces you to put down the book for a few minutes and gather your thoughts, it is he.
It's a moving tale of hope and perseverance and the power of myth. It's a story about the need for humanity to temper desire and what happens when we let our lives be governed by fear and greed. It's about love and justice, revenge and history. It's a book that almost immediately earned my respect and admiration, and that's pretty hard to do.
So go get it. Block out some time when you can sit and fall into the story and really get absorbed in it, because let me promise you - it will be well worth it.
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"Take a large bowl. Fill it with equal measures of fact, fantasy, history, mythology, science, superstition, logic, and lunacy. Darken the mixture with bitter tears, brighten it with howls of laughter, toss in three thousand years of civilization, bellow kan pei - which means 'dry cup' - and drink to the dregs."
"And I will be wise?"
"Better. You will be Chinese."
- Li Kao to Procipius, on attaining wisdom, Bridge of Birds
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Along the way we meet quite a cast of characters: Ma the Grub, Henpecked Ho, the gross (in multiple ways) Ancestress, the greedy Duke of Ch'in, Doctor Death, and the jade-loving Lotus Cloud. Each is unique, though often specifically drawn as semi-caricatures; each adds their bit to this tapestry that includes the secret of immortality, the link between Heaven and Earth, invisible monsters, maze-filled dungeons that guard incredible treasure, where one's heart should be carefully hidden away.
Some of the tales herein are real Chinese legends, some are products of Hughart's own fertile imagination, but all are told with a large dollop of humor sketched in broad strokes and a not-so-obvious underlying morality that is quite relevant to every reader. The style may bother some people, as it is written to deliberately evoke that sense of 'Chinese' that many Americans have as a background image of that land and people, but I felt it was an excellent method of evoking that sense of 'different' and 'fairy' at the same time. A few of the tales fell a little flat with me, and at times I thought that Hughart went a little too 'over-the-top' with his outrageous situations and characters, but the overall level of writing kept me nicely adsorbed and grinning quite a bit.
There is an overlying mystery, a puzzle to be solved, that connects all these tales, and leads to the final resolution of the story. In the course of working our way through these stories, there seems to be a large amount of coincidence in play, a definite sense of deux-ex-machina to each tale's resolution, but the end of the book proves that all these 'coincidences' are really part of a carefully thought-out overall plot design.
I figured out the puzzle quite a bit before the end, but that did not lessen the final emotional impact of the ending, which presents a gorgeous image, an image which is eminently fitting with the rest of the book, and made me wish for a few more tales from this land of not-quite-real ancient China.
---Reviewed by Patrick Shepherd (hyperpat)
Top reviews from other countries
This is a story that contains ghosts, monsters, fights, travel, puzzles, contests, magic, medicine, science, sex and even cookery (the section on how to properly prepare porcupine is hilarious) but ultimately it’s a love story. It reminded me of The Princess Bride in that it had all the traditional fantasy elements but with a wry sideways sense of humour. Of course the tradition in this case is a pseudo Chinese myth one rather than your pseudo medieval fairytale one.
If that sounds like it might be of interest to you – I highly recommend this book.
My dad was hard pressed to find one of his favourite books, and so amazon had my back getting this for fathers day! He loved it
Wish the author had finished the series, but it works as a stand alone novel.








