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Brief Encounters with Che Guevara: Stories (P.S.) Paperback – April 10, 2007
Purchase options and add-ons
The well-meaning protagonists of Brief Encounters with Che Guevara are caught—to both disastrous and hilarious effect—in the maelstrom of political and social upheaval surrounding them. Ben Fountain's prize-winning debut speaks to the intimate connection between the foreign, the familiar, and the inescapably human.
- Print length229 pages
- LanguageEnglish
- Publication dateApril 10, 2007
- Dimensions5.31 x 0.68 x 8.01 inches
- ISBN-109780060885601
- ISBN-13978-0060885601
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| Billy Lynn's Long Halftime Walk | Beautiful Country Burn Again | Brief Encounters with Che Guevara | |
| Customer Reviews |
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| Price | $6.99$6.99 | $14.53$14.53 | $12.16$12.16 |
Editorial Reviews
Review
“...exceptional story collection...” — New York Times Book Review
“In this first collection the author brings the virtuosity of Greene and le Carre to tales of foreign adventures.” — Boston Globe
“Brilliant...” — Seattle Times
“An impressive and entertaining book of short stories...” — Newsday
“An impeccable debut collection; if Fountain can keep it up, he’s an heir to Paul Theroux.” — Kirkus Reviews
“Exhilarating first story collection.” — New York Newsday
“…exceptional story collection…” — Raleigh News & Observer
“Ben Fountain writes deftly about fear and disorientation abroad in his first story collection.” — Outside magazine
“[Fountain] is a gifted storyteller and his collection will blow your literary socks off.” — Tucson Citizen
“Wildly plotted, astutely observed, and beautifully rendered.” — Daivd Means, author of Assorted Fire Events and The Secret Goldfish
“Fountain has the storytelling gifts to bring the world home to us and a moral compass set to true north.” — Gary Shteyngart, author of Absurdistan
“Fountain’s confidence in taking on real world problems is matched by his reluctance to pontificate or judge.” — Nell Freudenberger, author of The Dissident
“It is such an unexpected joy, in this age of introspection, to discover an American writer with a global outlook.” — Jim Crace, author of Genesis and Being Dead
“Ben Fountain...blew me out of the water. These stories are absolutely jaw-dropping.” — Audrey Bullar, team leader, Jospeh-Beth Booksellers, Cincinnati, Ohio, for PW's Galley Talk
“[A] brilliant...exhilarating book, filled with heavenly language and insight.” — Tom Bissell, author of Chasing the Sea and God Lives in St. Petersburg
“. . .finely crafted. . . irony abounds in Fountain’s mini-theaters of the absurd.” — Texas Monthly
“Fountain ... gets his message across without forsaking characterization and vivid descriptiveness. . .a revealing view of the human condition.” — Miami Herald
“...Fountain’s stories reach for a broader engagement...This book is a step in the right direction.” — Boston Sunday Globe
“. . .wonderful. . .lush, sophisticated...very funny. . .Fountain is an original...” — Boston Herald
“Ben Fountain writes the kind of stories that Robert Louis Stevenson, Joseph Conrad and Graham Greene used to write.” — Dallas Morning News
“. . .grand. . . darkly funny. . . important as anything you will see on the nightly news.” — Deseret Morning News
“[Fountain’s] really a bright light on character in extreme conditions.” — Will Blythe, The News and Observer
“An exceptional story collection. . . Heartbreaking, absurd, deftly drawn. . .” — New York Times Book Review
“Ben Fountain writes the kind of stories that Robert Louis Stevenson, Joseph Conrad and Graham Greene used to write... — San Diego Union-Tribune
“... Fountain[’s]excursions into foreign infernos have an innocence all their own.” — Cleveland Plain Dealer
“Superb debut story collection... Fountain knows the Third World; he [writes] with a precision that suggests firsthand knowledge.” — Salon
“The work of a talented writer pursuing compelling and complicated themes.” — Austin Chronicle
“...an author with a gift for reaching into the past and producing something compelling and new.” — Los Angeles Book Review
“Fountain is a writer to watch; better, a writer to read.” — Buffalo News
“ ... Fountain chooses just the right details, metaphors, similes and descriptions...life rendered in sentences seem[s] as life lived.” — San Francisco Chronicle
“... an author with a gift for reaching into the past and producing something compelling and new.” — Baltimore Sun
“Ben Fountain takes readers all over the world, navigating the alleys of the human soul with an expert’s hand.” — The California Aggie
” ...the ambition and global outlook of Fountain’s fiction marks a welcome addition to the literature produced in our state.” — Houston Chronicle
“Short-story collections don’t come much better than this. Brief Encounters With Che Guevara offers pointed prose, nimble revelation...” — Philadelphia Inquirer
“Fountain... is the perfect author to convert people who don’t read short stories.” — Arkansas Democrat-Gazette
“He imbues each narrative with an understanding of international politics and conflicts, and the sticky moral complexities involved.” — Cleveland Plain Dealer
From the Back Cover
The well-meaning protagonists of Brief Encounters with Che Guevara are caught—to both disastrous and hilarious effect—in the maelstrom of political and social upheaval surrounding them. Ben Fountain’s prize-winning debut speaks to the intimate connection between the foreign, the familiar, and the inescapably human.
About the Author
Ben Fountain was born in Chapel Hill and grew up in the tobacco country of eastern North Carolina. A former practicing attorney, he is the author of Brief Encounters with Che Guevara, which won the PEN/Hemingway Award and the Barnes & Noble Discover Award for Fiction, and the novel Billy Lynn's Long Halftime Walk, winner of the National Book Critics' Circle Award and a finalist for the National Book Award. Billy Lynn was adapted into a feature film directed by three-time Oscar winner Ang Lee, and his work has been translated into over twenty languages. His series of essays published in The Guardian on the 2016 U.S. presidential election was subsequently nominated by the editors of The Guardian for the Pulitzer Prize in Commentary. He lives in Dallas, Texas with his wife of 32 years, Sharon Fountain.
Product details
- ASIN : 0060885602
- Publisher : Harper Perennial; First Edition (April 10, 2007)
- Language : English
- Paperback : 229 pages
- ISBN-10 : 9780060885601
- ISBN-13 : 978-0060885601
- Item Weight : 8 ounces
- Dimensions : 5.31 x 0.68 x 8.01 inches
- Best Sellers Rank: #1,028,491 in Books (See Top 100 in Books)
- #714 in Humorous American Literature
- #2,722 in Political Fiction (Books)
- #51,266 in Literary Fiction (Books)
- Customer Reviews:
About the author

Ben Fountain's novel BILLY LYNN'S LONG HALFTIME WALK received the National Book Critics' Circle Award, the Los Angeles Times Book Award, the Flaherty-Dunnan First Novel Award, the PEN/New England Cerulli Award for Excellence in Sports Writing, and the Jesse Jones Award for fiction from the Texas Institute of Letters, and was a finalist for the National Book Award in both the US and the UK (international authors division). The film adaptation of BILLY LYNN, directed by three-time Oscar winner Ang Lee, was released in 2016 by Sony Pictures. Fountain's short story collection BRIEF ENCOUNTERS WITH CHE GUEVARA received the PEN/Hemingway Award, the Barnes & Noble Discover Award for Fiction, and a Whiting Writers Award. Fountain's short fiction has appeared in Harper's, Zoetrope: All-Story, the Paris Review, Esquire, the Sewanee Review, DALLAS NOIR, and HAITI NOIR II, among other publications. His nonfiction has appeared in the New York Times, the New York Times Magazine, the Guardian, the Wall Street Journal, Le Monde, Texas Monthly, and elsewhere, and his reportage on post-earthquake Haiti was broadcast on the radio show This American Life. Fountain grew up in the tobacco country of eastern North Carolina, and is a graduate of UNC-Chapel Hill and Duke University Law School. A former attorney in private practice, he has lived in Dallas, Texas for over thirty years. In September, 2018, Ecco/HarperCollins will publish Fountain's nonfiction book BEAUTIFUL COUNTRY BURN AGAIN, which is based on his reportage for the Guardian of the US presidential campaign of 2016.
Customer reviews
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The good: fantastic descriptions. A crisp literary style with really, really clever phrases (see samples below). Depictions of countries that most people might not otherwise be exposed to.
The not-so-good: I had problems with a white American man describing life through the eyes of a poor Haitian fisherman, or a Viennese Jewish female child prodigy with eleven fingers. It just seemed too audacious, too presumptuous. In this age of #ownvoices, I really doubted the veracity of these voices. I kept feeling like I was reading a white guy trying to get into the head of various other people. Much more credible were his depictions of privileged white American males abroad (whether they were natural scientists or golf pros).
That said, consider the beauty of these brief excerpts:
"I suppose there's no point in withholding the fact that he was quite insane. He'd turn up several times a week, usually in the mornings for a cup of coffee; in his guayabera and slacks and white patent-leather loafers, carrying his zippered portfolio under one arm, he looked every inch the tropical man of affairs, but as soon as he opened his mouth you wanted to run for the doors."
"Throughout my thirties I kept going to Haiti, convinced that I'd found ground zero for all the stupidity, waste, and horror inflicted on the hemisphere since Columbus and the Spaniards set up shop."
The writing is so imaginative and believable. Really caught me up. I would love to meet the characters - they originated and no doubt returned to Ben Fountain's mind. Thus, I would very much enjoy meeting the author. This book is well worth reading twice - first as a re-introduction to story lines, places, and to listen again to the narrator, such a fascinating man I'd be glad to know him better. My mind would be in a dream of a story and another would so seamlessly make its appearance, before I knew it was there, I was curled up on the couch being transported into another place, meeting new people, I'd love to meet again... Fountain is a ringmaster of story telling. Find out for yourselves...
Fountain's familarity with locales and cultures most of us in the North find exotic add another layer of richness to his writing and the characters he protrays, bringing back to me memories of my own forays into the developing world.
I tried to think of which of the eight stories is my favorite, but each had its own distinct flavor. He is definitely not a formulaic writer. It was worth the read for me, enough so that I am just now starting one of his novels.
Top reviews from other countries
Remercions une nouvelle fois la collection Terres d'Amérique chez Albin Michel, non seulement d'éditer souvent des (très) bons textes, mais aussi de ne pas avoir abandonné l'édition de recueils de nouvelles alors qu'ils se vendent très peu chez nous. Rappelons pour mémoire des recueils aussi excellents que The Dead Fish Museum / Le Musée des poissons morts de Charles d'Ambrosio, Among the Missing / Parmi les disparus de Dan Chaon (qui existe aussi en Livre de poche), The Pugilist at Rest / Le Pugiliste au repos de Thom Jones (également en 10/18). On peut également se reporter aux liens inclus dans mon commentaire sur Vintage America , qui comporte des nouvelles de très bons auteurs maison (Scott Wolven, Benjamin Percy, etc).
Le coup d'essai de Ben Fountain, Brief Encounters with Che Guevara (2006) / Brèves rencontres avec Che Guevara est déjà un coup de maître. Il explique dans l'entretien livré en supplément de l'édition américaine qu'après avoir tardivement décidé d'écrire, il se rendit en Haïti avec une vague idée de roman. S'ensuivirent de nombreux voyages dans le pays, assortis d'autant de découvertes. Son roman ne fut accepté nulle part, mais ce fut selon lui un mal pour un bien tant le travail ultérieur sur la forme brève lui fut bénéfique. Adepte de recherches extensives sur les lieux divers et variés où il situe ses histoires, il envisagea aussi de se rendre en Colombie et en Birmanie, mais son épouse lui fit comprendre que ni le budget familial ni la famille elle-même ne s'en remettraient forcément! Ben Fountain, après avoir eu l'idée initiale pour chaque histoire, ne visite finalement pas tous les pays choisis comme cadres pour sa fiction et procède par "sursaturation", collectant des données de tous ordres avant de les oublier après assimilation. Au vu du résultat, il semble que Fountain arrive effectivement parfaitement à subordonner toutes ses recherches à sa mise en récit, et à ses personnages souvent plus ou moins déplacés ou à côté de la plaque (Américains en Colombie, en Birmanie, ou en Haïti, par exemple - cf ci-dessus ou la présentation de l'éditeur sur la page de l'édition française mise en lien ci-dessus).
Dans ces histoires figurent donc des personnages tels qu'un ornithologue 'en résidence' dans un campement de rebelles colombiens, profitant de ce séjour forcé pour faire une découverte scientifique majeure ("Oiseaux de la cordillère centrale en voie d'extinction"); un golfeur de deuxième zone promu au rang de Tiger Woods par les généraux birmans ("Le 'Tigre' d'Asie"); des idéalistes frustrés en Haïti (américains ou haïtiens : "Rêve haïtien" et "Bouki et la cocaïne"); une femme en mission pour une ONG en Sierra Leone qui s'entiche d'un trafiquant de 'diamants de sang' ("La gueule du lion"); une femme de soldat de retour au pays, qui n'en revient pas de devoir partager son homme avec une déesse vaudou ("Les meilleurs sont déjà pris"); un homme dont la vie se définit en partie par ses rencontres avec des personnes qui ont côtoyé Che Guevara de plus ou moins près (nouvelle-titre); un pianiste virtuose de la 1ère moitié du 19ème siècle, d'une vélocité redoutable, à laquelle son 11ème doigt à la main droite ne manque pas de contribuer - compositeur d'une 'Fantaisie pour onze doigts', il laisse la place à une toute jeune pianiste dotée de la même particularité, qui va à son tour vouloir jouer la Fantaisie, mais dans un tout autre environnement, la Vienne du tournant du siècle ("Fantaisie pour onze doigts").
Au total, comme c'est inévitable, un recueil qu'on pourra juger inégal mais dont le niveau d'ensemble est très homogène. Si j'aime beaucoup les deux premières nouvelles citées, idéalement ironiques, et les récits haïtiens, profondément désenchantés, je dois avouer ma préférence, en fin de compte, pour "Fantaisie pour onze doigts", peut-être parce qu'elle clôt le recueil en tranchant volontairement avec tout ce qui précède. Sur le mode de l'étude pseudo-historique s'intéressant de près à des personnalités et épisodes oubliés de l'histoire des arts - ici, la musique - cette nouvelle brasse beaucoup avec une virtuosité certaine. Passées les premières pages consacrées à ce Liszt à onze doigts, le récit se poursuit sur fond de pangermanisme et d'antisémitisme galopants, et s'amuse à faire revenir valser quelques grands mouvements et figures viennois. Parfaitement maîtrisé et d'autant plus frappant étant donné le changement radical de lieu, de temps et d'atmosphère.
A l'image de ses nouvelles si apparemment dissemblables, Ben Fountain est un caméléon stylistique. Sa prose se passe d'images élaborées, mais elle sait être aussi précise que variée. La traduction de Michel Lederer arrive, comme presque toujours avec lui, à restituer cette langue assez dense à défaut d'être recherchée. Si l'on a le choix, il va de soi qu'il vaut mieux se porter sur l'édition originale, mais on ne peut pas dire que la traduction française démérite.
Quoi qu'il en soit, je conseille d'autant plus les recueils de nouvelles chez Terres d'Amérique que la sélection qu'ils opèrent parmi les nouvellistes américains est sans doute plus drastique que pour les romans - les éditeurs ne sont pas si nombreux à en proposer régulièrement quand il ne s'agit pas de grands noms - et je dois dire que j'ai rarement été déçu par les écrivains qu'ils ont révélés chez nous. Depuis, certains d'entre eux ont donné des romans de grande qualité (ex. Await Your Reply / Cette vie ou une autre pour Dan Chaon ; à voir pour le roman de Ben Fountain), d'autres continuent à exceller dans la forme brève. Toujours est-il que ces écrivains méritent sans doute plus de lecteurs et de reconnaissance qu'ils n'en ont. Pourvu que Terres d'Amérique continue le travail de fond... et que plus de lecteurs choisissent de donner leur chance à des recueils de nouvelles!







