- Paperback: 339 pages
- Publisher: Riverhead Books; Reprint edition (September 2, 2008)
- Language: English
- ISBN-10: 1594483299
- ISBN-13: 978-1594483295
- Product Dimensions: 5.2 x 0.9 x 8 inches
- Shipping Weight: 10.6 ounces (View shipping rates and policies)
- Average Customer Review: 1,439 customer reviews
- Amazon Best Sellers Rank: #719 in Books (See Top 100 in Books)
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The Brief Wondrous Life of Oscar Wao Paperback – September 2, 2008
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Amazon Best of the Month, September 2007: It's been 11 years since Junot Díaz's critically acclaimed story collection, Drown, landed on bookshelves and from page one of his debut novel, The Brief Wondrous Life of Oscar Wao, any worries of a sophomore jinx disappear. The titular Oscar is a 300-pound-plus "lovesick ghetto nerd" with zero game (except for Dungeons & Dragons) who cranks out pages of fantasy fiction with the hopes of becoming a Dominican J.R.R. Tolkien. The book is also the story of a multi-generational family curse that courses through the book, leaving troubles and tragedy in its wake. This was the most dynamic, entertaining, and achingly heartfelt novel I've read in a long time. My head is still buzzing with the memory of dozens of killer passages that I dog-eared throughout the book. The rope-a-dope narrative is funny, hip, tragic, soulful, and bursting with desire. Make some room for Oscar Wao on your bookshelf--you won't be disappointed. --Brad Thomas Parsons --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
SignatureReviewed by Matthew SharpeAreader might at first be surprised by how many chapters of a book entitled The Brief and Wondrous Life of Oscar Wao are devoted not to its sci fi–and–fantasy-gobbling nerd-hero but to his sister, his mother and his grandfather. However, Junot Diaz's dark and exuberant first novel makes a compelling case for the multiperspectival view of a life, wherein an individual cannot be known or understood in isolation from the history of his family and his nation.Oscar being a first-generation Dominican-American, the nation in question is really two nations. And Dominicans in this novel being explicitly of mixed Taíno, African and Spanish descent, the very ideas of nationhood and nationality are thoughtfully, subtly complicated. The various nationalities and generations are subtended by the recurring motif of fukú, the Curse and Doom of the New World, whose midwife and... victim was a historical personage Diaz will only call the Admiral, in deference to the belief that uttering his name brings bad luck (hint: he arrived in the New World in 1492 and his initials are CC). By the prologue's end, it's clear that this story of one poor guy's cursed life will also be the story of how 500 years of historical and familial bad luck shape the destiny of its fat, sad, smart, lovable and short-lived protagonist. The book's pervasive sense of doom is offset by a rich and playful prose that embodies its theme of multiple nations, cultures and languages, often shifting in a single sentence from English to Spanish, from Victorian formality to Negropolitan vernacular, from Homeric epithet to dirty bilingual insult. Even the presumed reader shape-shifts in the estimation of its in-your-face narrator, who addresses us variously as folks, you folks, conspiracy-minded-fools, Negro, Nigger and plataneros. So while Diaz assumes in his reader the same considerable degree of multicultural erudition he himself possesses—offering no gloss on his many un-italicized Spanish words and expressions (thus beautifully dramatizing how linguistic borders, like national ones, are porous), or on his plethora of genre and canonical literary allusions—he does helpfully footnote aspects of Dominican history, especially those concerning the bloody 30-year reign of President Rafael Leónidas Trujillo. The later Oscar chapters lack the linguistic brio of the others, and there are exposition-clogged passages that read like summaries of a longer narrative, but mostly this fierce, funny, tragic book is just what a reader would have hoped for in a novel by Junot Diaz.Matthew Sharpe is the author of the novels Jamestown and The Sleeping Father. He teaches at Wesleyan University.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
Top customer reviews
*small spoilers ahead* --
Not your "everything works out in the end" kind of book, but hey, he tells you right up front that Oscar's life is brief. It also has a somewhat complex structure, but that's one of the things I liked about the book--I loved that he doesn't reveal the identity of the 1st person narrator until well into the book. If you ever wondered about the meaning of the phrase, "art of the novel", then read this book.
Deserving of the Pulitzer.
You learn a lot about the history of the Dominican Republic, but the book is not historical fiction. It is character-driven. This book doesn't use characters and plot as tools for writing about history, it uses history to better understand what motivates and shapes the characters.
I know some people are put-off because the book has a lot of Spanish words (some slang) and phrases and has a ton of footnotes. I understand un poquito Espanol, but in the beginning I was using the kindle translator function to translate all the words I didn't know and stopping to look at each footnote. Then I realized that if I kept doing that it would take a lot longer to read the book, so I began translating only the occasional word that seemed essential to the story and skipping the footnotes. Then I read all of the footnotes at the end. The book reads just fine like that, but some people might prefer translating and reading footnotes as they go.
In a combination of Spanglish, slang, and the occasional made-up expression, Junot Díaz effectively captures the spirit and evolved identity of a transplanted Latin American family onto U.S. culture. It touches upon the struggle of a society affected by oppressive power, and the resilience and determination needed in their diaspora. As a native Hispanic, I wonder if and how non-Spanish speakers get to fully understand this book, because it's written not only in Spanish but in Spanish (untranslateable) slang. Also, as a native Hispanic, I was annoyed at the multiple grammatical and spelling errors in Spanish. Couldn't Diaz have found a bilingual editor?
The book's chapters alternatively tell the story of Oscar and his immediate family members. Narrated by Yunior, Lola's on-again, off-again boyfriend, we learn of the De León clan's woes and how fukú, inevitably, catches up with Oscar. From the title we are aware that Oscar will die, but that news does not lessen our sorrow because by then we are despairingly rooting for his success. Oscar's unquenchable thirst for love is heart-wrenching because it is snubbed by every female he encounters. "His affection --that gravitational mass of love, fear, longing, desire, and lust that he directed at any and every girl in the vicinity without regard to looks, age, or availability-- broke his heart [and ours] each and every day". His family members and their struggles also break our hearts in their own struggles to survive their personal hell.
As for the dose of Dominican history included in the book, I am so curious about Trujillo now that I will follow with Julia Alvarez's "In the time of the butterflies" and Mario Vargas Llosa's "La fiesta del chivo". Intense!
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