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The Bright Ages: A New History of Medieval Europe Hardcover – December 7, 2021
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"The beauty and levity that Perry and Gabriele have captured in this book are what I think will help it to become a standard text for general audiences for years to come….The Bright Ages is a rare thing—a nuanced historical work that almost anyone can enjoy reading.”—Slate
"Incandescent and ultimately intoxicating." —The Boston Globe
A lively and magisterial popular history that refutes common misperceptions of the European Middle Ages, showing the beauty and communion that flourished alongside the dark brutality—a brilliant reflection of humanity itself.
The word “medieval” conjures images of the “Dark Ages”—centuries of ignorance, superstition, stasis, savagery, and poor hygiene. But the myth of darkness obscures the truth; this was a remarkable period in human history. The Bright Ages recasts the European Middle Ages for what it was, capturing this 1,000-year era in all its complexity and fundamental humanity, bringing to light both its beauty and its horrors.
The Bright Ages takes us through ten centuries and crisscrosses Europe and the Mediterranean, Asia and Africa, revisiting familiar people and events with new light cast upon them. We look with fresh eyes on the Fall of Rome, Charlemagne, the Vikings, the Crusades, and the Black Death, but also to the multi-religious experience of Iberia, the rise of Byzantium, and the genius of Hildegard and the power of queens. We begin under a blanket of golden stars constructed by an empress with Germanic, Roman, Spanish, Byzantine, and Christian bloodlines and end nearly 1,000 years later with the poet Dante—inspired by that same twinkling celestial canopy—writing an epic saga of heaven and hell that endures as a masterpiece of literature today.
The Bright Ages reminds us just how permeable our manmade borders have always been and of what possible worlds the past has always made available to us. The Middle Ages may have been a world “lit only by fire” but it was one whose torches illuminated the magnificent rose windows of cathedrals, even as they stoked the pyres of accused heretics.
The Bright Ages contains an 8-page color insert.
- Print length336 pages
- LanguageEnglish
- PublisherHarper
- Publication dateDecember 7, 2021
- Dimensions6.5 x 1.5 x 9.5 inches
- ISBN-100062980890
- ISBN-13978-0062980892
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Editorial Reviews
Review
“While all of this is the sort of stuff that professional medievalists love to see, the thing I like most about Perry and Gabriele’s effort is that it is fun. The Bright Ages is written in such an engaging and light manner that it is easy to race through. I found myself at the end of chapters faster than I wanted to be, completely drawn in by the narrative. You can tell how much the authors love the subject matter, and that they had a great time choosing stories to share and evidence to consider.” — Slate
"Incandescent and ultimately intoxicating, for as the chapters progress, it dawns on the reader that those who lived in this period were more conventional than cardboard figures. . . . They were, in essence, human." — Boston Globe
"This revisionist history of medieval Europe takes apart the myth of a savage, primitive period . . . with passion and verve, [Gabriele and Perry challenge] the reader to tackle assumptions, bias and prejudices about the past to create a more joined-up, inclusive picture of the thousand years that followed the sack of Rome." — Peter Frankopan, The Guardian
"The Bright Ages is a necessary book. It does the hard work of introducing audiences to a world that we too often overlook for expressly political reasons. It is also a joyful work. The medieval period, Perry and Gabriele argue, has good news for us. The world can be beautiful without centralized and brutal imperial power." — Los Angeles Review of Books
"....a magic carpet ride around all manner of medieval places and moments....Perry and Gabriele are particularly keen to wrestle the Middle Ages from the clutches of white supremacists and other dangerous forces that yearn for a full return to a simplified version of the period. And so the authors present the doings of clever and durable women, too often overlooked among the churning dynasties of the early Middle Ages." — Irish Examiner
“The Bright Ages shines a light on an age too often obscured by myth, legend, and fairy tales. Traveling easily through a thousand years of history, The Bright Ages reminds us society never collapsed when the Roman Empire fell, nor did the modern world wake civilization from a thousand-year hibernation. Gabriele and Perry show the medieval world was neither a romantic wonderland nor a deplorable dungeon, but instead a real world full of real people with hopes, dreams, and fears making the most of their time on earth.” — Mike Duncan, author of Hero of Two Worlds: The Marquis de Lafayette in the Age of Revolution and The Storm Before the Storm: The Beginning of the End of the Roman Republic
“This book is perfect for people who are interested in the period but don't know where to start. Because the scale is sweeping but so well organized. . . . Most importantly, it's really entertaining, so. I recommend.” — Brandon Taylor, author of Real Life and Filthy Animals
"A lively, searing, and transformative reimagining of the medieval world, The Bright Ages is brilliant in every way, both lucid in its arguments and sparkling in its prose. A gripping and compulsive read." — Bruce Holsinger, author of A Burnable Book and The Gifted School
"In this engaging new history of the Medieval period Gabriele and Perry achieve a feat: they have written something eminently readable, suffused with academic rigor, and ethically responsible." — Candida Moss, author of The Myth of Persecution
"Historians Gabriele and Perry argue in this accessible revisionist history that the so-called Dark Ages was actually a period of innovation that helped pave the way for the Renaissance and Enlightenment. . . . They add nuance and complexity to popular conceptions of the Dark Ages and make clear that beauty and achievement existed among the horrors. This is a worthy introduction to an oft-misunderstood period in world history." — Publishers Weekly
"Although traditional politics-and–great-men history makes an appearance, the authors keep current by including a surprising number of great women and emphasizing their disapproval of racism, sexism, and slavery. The result is an appealing account of a millennium packed with culture, beauty, science, learning, and the rise and fall of empires." — Kirkus Reviews
"Noted medieval historians Gabriele and Perry provide an engaging overview of a complex, yet often oversimplified era....sure to become a new standard for those seeking a comprehensive and inclusive review of medieval times." — Booklist
"Matthew Gabriele and David M. Perry liberate the Middle Ages from stereotypes and half-truths in The Bright Ages, revealing that world as 'not simple or clean, but messy and human'....[a] lively account of a misunderstood era." — Shelf Awareness
"This accessible trip through the medieval world is well worth taking for anyone wishing to better understand its complexity." — Library Journal
"Chapter by chapter, Gabriele and Perry usher into view, from behind the curtain of the familiar grand narratives and from multiple locations, an eclectic cast of characters—many of them women—who exemplify, in a multitude of ways, a dazzling brightness where history has instructed us to see only gloom." — First Things
About the Author
Matthew Gabriele is a professor of medieval studies and chair of the department of religion and culture at Virginia Tech. He is the author of the book An Empire of Memory: The Legend of Charlemagne, the Franks, and Jerusalem before the First Crusade, many articles on medieval Europe and the memory of the Middle Ages, and has edited several academic volumes. His public writing has appeared in numerous newspapers and magazines, and interviews with him have aired locally, nationally, and internationally.
David Perry is a journalist, medieval historian, and senior academic advisor in the history department at the University of Minnesota. He was formerly a professor of history at Dominican University. Perry is the author of Sacred Plunder: Venice and the Aftermath of the Fourth Crusade, and his writing on history, disability, politics, parenting, and other topics has appeared in the New York Times, the Washington Post, the Nation, the Atlantic, and CNN.com, among others.
Product details
- Publisher : Harper; First Edition (December 7, 2021)
- Language : English
- Hardcover : 336 pages
- ISBN-10 : 0062980890
- ISBN-13 : 978-0062980892
- Item Weight : 1.11 pounds
- Dimensions : 6.5 x 1.5 x 9.5 inches
- Best Sellers Rank: #193,295 in Books (See Top 100 in Books)
- #62 in Medieval Literary Criticism (Books)
- #128 in Architectural History
- #690 in Art History (Books)
- Customer Reviews:
About the authors

Matthew Gabriele is a Professor of Medieval Studies and Chair of the Department of Religion and Culture at Virginia Tech. He completed an Honors BA in history at the University of Delaware and then his M.A. and Ph.D. in medieval history at the University of California, Berkeley. He was a regular contributor to Forbes.com and his public writing has appeared in such places as The Washington Post, Time, The Guardian, The Daily Beast, Slate, and The Roanoke Times. Interviews with him have aired locally, nationally, and internationally. His new book, with David M. Perry, is a new history of the Middle Ages – The Bright Ages (Harper Books, 2021). See more at http://profgabriele.com/

David Perry is a freelance journalist covering politics, history, education, and disability rights. Perry’s work appears at CNN, the New York Times, The Atlantic, The Guardian, Washington Post, The Nation, Los Angeles Times, and many others. Perry was a professor of Medieval History at Dominican University from 2006-2017, working on Venice, the Crusades, and the Mediterranean World. He is the Senior Undergraduate Advisor for the University of Minnesota’s History department and lives in the Twin Cities with his wife and two children.
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Anyway, I did have an interesting experience reading where, quite randomly about twenty pages of this book were replaced with twenty pages from another book called Pandemic, Inc. Otherwise it was a great book!
Reviewed in the United States 🇺🇸 on May 5, 2023
Anyway, I did have an interesting experience reading where, quite randomly about twenty pages of this book were replaced with twenty pages from another book called Pandemic, Inc. Otherwise it was a great book!
My only criticism is that it tries to do a lot – it’s like a thousand years or so from the “fall” of Rome to the renaissance. But they cover it all in less than 300 pages. What you get in breadth you sacrifice depth. I have to give them credit though. It is readable and it made me want to seek out more works covering the period, which they have references at the end. There’s not a traditional endnotes section but they do have suggestions for further reading. I enjoyed it, and you might as well.
Reviewed in the United States 🇺🇸 on February 7, 2022
My only criticism is that it tries to do a lot – it’s like a thousand years or so from the “fall” of Rome to the renaissance. But they cover it all in less than 300 pages. What you get in breadth you sacrifice depth. I have to give them credit though. It is readable and it made me want to seek out more works covering the period, which they have references at the end. There’s not a traditional endnotes section but they do have suggestions for further reading. I enjoyed it, and you might as well.
The authors choose to start with Galla Placidia, sister of a Roman Emperor, devout Christian, who commissioned the decoration of a small chapel in Ravenna. Intentionally avoided is the council of Nicaea in 325 CE. It is a key choice for it lends to their theme that brightness in the ages consists significantly of religious artworks. Perhaps 70% of the text deals with religious art and texts, affirming as the authors state that scientists did not surrender their beliefs in a higher power.
The choice of Galla, a murderous type as explained in the text, belies the brightness credited to her. In a way it confirms the previous cast given to the period as being dark. Had the events at the Council of Nicaea been examined, they might have explained, why 100 years later, Galla could be such a significant character. At Nicaea, Emperor Constantine sought to stop infighting between various Christian sects. To do this, leaders were called to meet in Nicaea, a Creed was agreed upon and Constantine agreed to convert to Christianity and make it the official religion. It later became the required religion.
These happenings at Nicaea explain why the book is left 70% to religious texts and art. It seems less a brightness and more a censorship of thought and creativity that might diverge from approved religious doctrine. Scientists who did not “surrender their beliefs” became the less for it.
Unfortunately, bright spots in these ages, including those attributed to women, are alluded to more than developed.
There is but a brief description of the creation of the Code of Justinian and nothing about its rediscovery in about 1070 CE. The Academy of Athens, closed in 529, is denigrated as polytheistic and not examined. Particularly interesting is the mention of techniques for controlling floods and the invention of a new architectural style, the Gothic, exemplifying light and lightness in the abbey of Saint Denis. There is however, no discussion of how any of this non-religious knowledge and brightness may have developed.
Ignored completely or largely overlooked are many important events during the same period: The development of mathematics in the Indian subcontinent, dating at least from the seventh century CE. In the eighth century the use of paper for writing spread from China into Muslim regions, arriving in Al-Andalus, Iberia in the tenth century. Muslim philosophy, technology and scholars made their way into Europe especially in the ninth through twelfth centuries. Certainly, this was a lost opportunity to examine these non-white effects on the Middle Ages.
The Countess Matilda of Tuscany, who receives no mention, was key in the founding of the first University at Bologna about 1088. The Code of Justinian was rediscovered at that same university. The authors chose instead to discuss the religious university at Notre Dame. In 1204, when the Crusaders sacked Constantinople, waves of Byzantine scholars moved to Northern Italy, a key to the revival of Greek and Roman studies. This together with the destruction of the House of Wisdom in Baghdad by the Mongols in 1258 is considered the end of the Islamic Golden Age. However, it found no traction in this history.
Speaking of the Mongols, they promoted and innovated new forms of warfare (mobility and firing weapons from horseback) and governance, bringing a new interpretation to Alexander’s policy of absorbing conquered populations and their religions. This is in contrast to the roman/catholic model that required conversion. At its height the Mongol Empire exceeded all others.
Instead of focusing on works of art, we might have been reminded of the reason for Bocaccio writing the Decameron. He fled Florence because of the Black Death and then wrote of a band of similar escapees telling tales over a ten day period.
Obviously, I see light in freedom of thought and expression. I am prejudiced against works that need to meet the approval of any authority, secular or religious. There was light in the Middle Ages. As the authors discuss, Hildegard of Bingen sought freedom of expression as one of the influential thinkers of her time. Cleverly, she claimed her thoughts, which might otherwise have been censured were “visions.”
In all, while the book is informative, it swerves from its avowed purpose to find the bright non-white non-male history of the Middle Ages. Just as previously, it remains largely hidden. Aside from Hildegard and a few other instances, the bright and non-white aspects of this period need to be front and center, even though they may not be Euro-centric.
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On the other had some topics and individuals are touched on so lightly (Boccaccio for example) ,and with no surrounding explanation, that prior knowledge of the period seems to be assumed and is certainly helpful. Some of the book reads like a scholarly work, other parts are rather journalistic. Two authors may be the reason.
The point of the book seems to be that the Middle Ages were not dark - that scholarship continued (and helped to facilitate the renaissance) -- and that people lived full lives and felt and dreamed just as we do. Again, who knew? Who could possibly have guessed?
Each chapter starts with a little story, an anecdote, to exemplify the chapter to come. Whilst these stories are interesting and entertaining - I had hitherto never heard of the sainted greyhound for example , they do tend to jump about and loop around somewhat, leading to a rather pointillist picture of the period - illuminated by vignettes, rather that a clear narrative.
So, puzzled but entertained, I finished the book, not having leaned a great deal but having enjoyed it anyway
In the past decades, and accelerating in the 21st C, many historians and archaeologists are interpreting the events of the past through different lenses, challenging long-held views. Facts are looked at in different lights, or new techniques: warrior burials thought to be men are women; DNA studies change what we know about how Yersinia pestis spread across the world. But not just through science, but through viewpoints from different traditions and scholarship, and by listening to voices marginalized or dismissed, another picture can and does emerge.
In The Bright Ages, authors Matthew Gabriele and David M. Perry use these new interpretations and new knowledge to give us an overview of the time known until recently as ‘the dark ages’: from the decline of Rome’s power in Western Europe to the beginning of the Renaissance. Choosing a series of events on which to focus, ones that may be familiar to readers with an interest in this time period, they illustrate how interconnected the world was. Aggression and conquest were part of this time; atrocities on all sides happened. But so did the exchange of knowledge and ideas, whether in technology or philosophy, theology or medicine: men and women met in person or by letter to debate, challenge, and change the interpretations of secular and religious thought and practice, enlightened by the exchange across cultures, beliefs, experiences -- just as is happening today.
The Bright Ages is an eminently readable book, the style casual enough for a non-specialist reader but with enough rigor to make it a starting point for more investigation. (Helpfully, the authors provide a section on further reading for each chapter, which may strain my book budget.) It is a solid, useful adjunct to scholarly research (not easily accessible to many) re-evaluating knowledge, thought and belief about medieval Europe.

















