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My Brilliant Friend (Neapolitan Novels, Book 1) Audio CD – Unabridged, April 7, 2015
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Now an HBO series: the first volume in the New York Times bestselling “enduring masterpiece” (The Atlantic) about a lifelong friendship between two women from Naples.
Beginning in the 1950s in a poor but vibrant neighborhood on the outskirts of Naples, Elena Ferrante’s four-volume story spans almost sixty years, as its main characters, the fiery and unforgettable Lila and the bookish narrator, Elena, become women, wives, mothers, and leaders, all the while maintaining a complex and at times conflicted friendship.
This first novel in the series follows Lila and Elena from their fateful meeting as ten-year-olds through their school years and adolescence. Through the lives of these two women, Ferrante tells the story of a neighborhood, a city, and a country as it is transformed in ways that, in turn, also transform the relationship between two women.
- Print length1 pages
- LanguageEnglish
- PublisherBlackstone Audio, Inc.
- Publication dateApril 7, 2015
- Dimensions5.8 x 1.2 x 5.6 inches
- ISBN-101483080749
- ISBN-13978-1483080741
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What's it about?
Follows two unforgettable friends, fiery Lila and bookish Elena, from childhood through adolescence in 1950s Naples.
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Life was like that, that’s all, we grew up with the duty to make it difficult for others before they made it difficult for us.1,754 Kindle readers highlighted this
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But in a confused way I felt that if I ran away with the others I would leave with her something of mine that she would never give back.1,274 Kindle readers highlighted this
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The conclusion we drew from this convinced us that it was best to do everything on purpose, deliberately, so that you would know what to expect.1,267 Kindle readers highlighted this
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“The beauty of mind that Cerullo had from childhood didn’t find an outlet, Greco, and it has all ended up in her face, in her breasts, in her thighs, in her ass, places where it soon fades and it will be as if she had never had it.”1,192 Kindle readers highlighted this
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“When there is no love, not only the life of the people becomes sterile but the life of cities.”985 Kindle readers highlighted this
Product details
- Publisher : Blackstone Audio, Inc.; Unabridged edition (April 7, 2015)
- Language : English
- Audio CD : 1 pages
- ISBN-10 : 1483080749
- ISBN-13 : 978-1483080741
- Item Weight : 10.4 ounces
- Dimensions : 5.8 x 1.2 x 5.6 inches
- Best Sellers Rank: #2,388,430 in Books (See Top 100 in Books)
- #13,409 in Books on CD
- #96,534 in Literary Fiction (Books)
- Customer Reviews:
About the author

Elena Ferrante is the author of seven novels, including four New York Times bestsellers; The Beach at Night, an illustrated book for children; and, Frantumaglia, a collection of letters, literary essays, and interviews. Her fiction has been translated into over forty languages and been shortlisted for the MAN Booker International Prize. In 2016 she was named one of TIME’s most influential people of the year and the New York Times has described her as “one of the great novelists of our time.” Ferrante was born in Naples.
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Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
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Learn more how customers reviews work on AmazonCustomers say
Customers find the setting to be captivating and Italian. They also say the emotional tone powerfully captures the agonies, passions, and tension of the time. Readers praise the writing style as great, smart, and humorous. They describe the storyline as compelling and wonderful. However, some find the plot to be tiresome and odd. They find the pacing to be slow and ramble. Opinions are mixed on the characters, with some finding them interesting enough to hold their attention, while others say they're too many. Reader opinions are also mixed on complexity, with others finding it incredibly complex while others find it tedious.
AI-generated from the text of customer reviews
Customers like the writing style. They say the descriptions have a wonderful rawness to them, avoiding the overly flowery. They also find the book interesting, surprising, and a puzzle read. Readers also mention that the translation seems very unobtrusive and true to the author's voice. They find the writing gritty, real, flawed, and gifted.
"...Although smart and well-read, Lila, toughened and hardened by the ‘mean streets’ of Naples, grew to be a sophisticated young woman who made an..." Read more
"...Ferrante’s writing is crisp and precise, evoking the intensity of childhood and adolescence but without ever being subsumed by them...." Read more
"...Ferrante's characters are gritty, real, flawed, and gifted...." Read more
"...The language is beautiful, but there are so many clauses in the sentences that I sometimes had to read them more than once to make sure I..." Read more
Customers find the storyline compelling, heartfelt, and philosophic. They say the writing reminds them of their childhoods and perspectives. They also mention the book has complex relationships in one neighborhood and pulses with Naples. Customers say the book makes for great discussions and deals with multiple subjects.
"...The passions and uncertainty of childhood are captured brilliantly; the fear and determination, the utter seriousness with which they take the world..." Read more
"...and go, once again like real life, but they all add to a good portrayal of study life...." Read more
"...It's not an especially entertaining novel, but it's an interesting, surprising, and puzzling read that should be taken in small doses to fully..." Read more
"Kept my interest and good story line." Read more
Customers find the emotional tone powerful, truthful, and heartfelt. They also say the sexual tensions are visceral, engaging, and brutal. Customers also mention that the author is poetic and down to earth.
"...of the young men in their circle, Rino, Antonio, and Enzo, are heartfelt, raw, and palpable concerning disrespect toward female family members and..." Read more
"...The narrator, Elena, is insecure, nervous, clever, and brutally honest...." Read more
"...It is not a heartwarming story about the power of female friendship to overcome all obstacles...." Read more
"...swept up in this novel, and by its sequels, into this energetic, violent and fascinating world which is explored with feverish intensity by the..." Read more
Customers find the setting in the book captures the thinking and customs of the time. They also appreciate the excellent view of the community the two girls are born in. Readers also enjoy the glimpse of postwar Naples and the companionship, adventure, culture, and coming of age.
"My Brilliant Friend is a good novel and a great study of post-war culture in Italy, of character, and of friendship...." Read more
"...She's a master of symbolic details..." Read more
"...really good writing, and complex character evolution, and vivid cultural snapshots of a time and place, "I announce with trembling pleasure the..." Read more
"...I was pulled into Nora Webster before the end of page 1, place is evoked so absolutely, the characters are people, not stereotypes...." Read more
Customers are mixed about the characterization. Some find the characters interesting enough to hold their attention, while others say the novel has far too many characters.
"...Even the secondary characters are carefully drawn, but the names are just foreign enough--and some characters go by multiple names--that any reader..." Read more
"...I do agree with others' comments that the characters are somewhat difficult to follow at first as their names change frequently even within the..." Read more
"...The prose in My Brilliant Friend is deep and rich. Ferrante's characters are gritty, real, flawed, and gifted...." Read more
"...book is undoubtedly of high literary quality, I was confused by the sheer number of characters and disappointed that the book ends with a surprising..." Read more
Customers are mixed about the complexity of the book. Some find the plot incredibly complex, while others say the first 75% is tedious and confusing. They also say it's difficult to easily check back chapters.
"...It's not straightforward but rather loops around itself to tell a story of people (children) you may not like or understand...." Read more
"...is rich and thick, and with so many "characters" is sometimes hard to follow.But, overall. it rings true. Very worthwhile." Read more
"...I loved that the prose was simple and straightforward but yet behind it was complexity, meaning, things to notice, savor and contemplate...." Read more
"...I found the whole thing tedious to the point of boring, but I forged on...." Read more
Customers find the plot tiresome, disappointing, and boring. They say the story is repetitive and lacks startling insights. Readers also mention that the book is not happy and that the relationship is odd.
"...of the Neapolitan series sets up a beautiful story even if its incompleteness rancors as one reaches the end...." Read more
"...It is NOT a stand alone read at all.For the most part, I enjoyed reading about the two main characters and their neighborhood...." Read more
"...Since the plot is a mess, that leaves me to believe that this is a character driven story. There’s nothing wrong with character driven stories...." Read more
"...And it really is a remarkable ode to the power and overwhelming intensity of childhood friendships; as narrated by Elena, the relationship with Lila..." Read more
Customers find the pacing of the book somewhat slow, hard to stay on track, and rambles on. They also mention that the ending is too whiny, timid, hesitant, and uninteresting.
"...I only gave it four stars because of its slow pace, which others might not mind, and also that the story seemed to drag on at times...." Read more
"It was very slow going in the beginning, but I really started to love it as Lila and Elena grew into teenagers...." Read more
"...The story moves too slowly for me with endless accountings of seemingly mundane events...." Read more
"...and beautiful and stunningly prescient..." Read more
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As a patriarchal society, women were sometimes subjected to daily domestic violence. After a chain reaction of violent events that begun in the streets, wives bore the brunt of their husbands’ displaced anger in the home. Parents were often harsh and punitive toward their children in an atmosphere of a scarcity of food, loss of hope and a great level of violence in their community.
Lila and Lenu’s friendship was begun around the age of six. There were no similarities in the girls’ personalities. Lenu, the narrator, knew early on Lila, clever, competitive and stubborn, would be the uncontested leader in social and girlhood activities. Lila appeared bold and adventuresome, rebellious and defiant, whereas Lenu showed timidity and caution.
An outspoken Lila challenged their teacher, Maestra Oliviero, and disrupted the class; unafraid of the consequences. Lila seemed good at suppressing her emotions. But Maestra Oliviero discovered Lila was brilliant. There was nothing Lila couldn’t learn or do. She surpassed all of her classmates, and became Maestra Oliviero’s favorite.
Lenu worked harder to reach Lila’s academic level. Yet Lila always exceeded, leaving Lenu feeling anxious.
By their middle years, Lenu was beset by fears of her mother, whom she disliked, wanting her to quit school. Maestra Oliviero intervened more than once, informing her parents Lenu would have a brighter future if she remained in school.
During adolescence, Lila, probably bored, quit school to work in her father’s shoe repair store. She and her brother, Rino, secretly attempted to build a business designing and making shoes.
Lenu showed absolute alliance and loyalty to her best friend, Lila. She studied harder to prove herself on Lila’s level, welcoming the interest of their instructor, Maestra Oliviera. The girls still competed, with Lila continuing her studies on her own at home, and continuing to override Lenu’s achievements at school.
Lenu spent time in Ischia during her fifteenth year, and became beset with a moral dilemma that she never shared with Lila.
The depth of Lenu’s emotional feelings, especially anxiety are real. I wondered if she would outgrow her feelings of inadequacy concerning Lila.
The reactions of the young men in their circle, Rino, Antonio, and Enzo, are heartfelt, raw, and palpable concerning disrespect toward female family members and friends. Anger often spewed uncontrollably. Their valor appeared intense and unwavering.
Although smart and well-read, Lila, toughened and hardened by the ‘mean streets’ of Naples, grew to be a sophisticated young woman who made an amazing transition.
Indecisive, Lenu wanted to advance and eventually move away. She wanted to gravitate to a better life, away from her violent surroundings, and the anger that permeated her young adult friends, who unlike her, were not educated, and spoke in dialect. She wanted to be around people with like-minded ideas. She knew her desires could only be achieved through education. She was confused about boyfriends, and like most teens, did not have a secure identity, or a positive sense of self.
Ferrante’s writing style is very visual and emotional. I relived some of my own childhood angst concerning physical and emotional changes during puberty, friendships, and competitiveness.
The book refers to ‘spoken in dialect,’ which is the language spoken by those who were uneducated or did not attend secondary school and learn formal Italian.
The word concrete was used a number of times throughout the book, which I think refers to things we know through our senses that are touchable and tangible.
I enjoyed reading My Brilliant Friend. I gave the book five stars.
The novel involved the lives of Elena Greco (Lenu), and Rafaela Cerullo (Lila). The girls resided in a poverty-stricken area of Naples, Italy, post Second World War, early 1950s. The Black Market was still in existence and some families gained power and status in their neighborhood.
As a patriarchal society, women were sometimes subjected to daily domestic violence. After a chain reaction of violent events that begun in the streets, wives bore the brunt of their husbands’ displaced anger in the home. Parents were often harsh and punitive toward their children in an atmosphere of a scarcity of food, loss of hope and a great level of violence in their community.
Lila and Lenu’s friendship was begun around the age of six. There were no similarities in the girls’ personalities. Lenu, the narrator, knew early on Lila, clever, competitive and stubborn, would be the uncontested leader in social and girlhood activities. Lila appeared bold and adventuresome, rebellious and defiant, whereas Lenu showed timidity and caution.
An outspoken Lila challenged their teacher, Maestra Oliviero, and disrupted the class; unafraid of the consequences. Lila seemed good at suppressing her emotions. But Maestra Oliviero discovered Lila was brilliant. There was nothing Lila couldn’t learn or do. She surpassed all of her classmates, and became Maestra Oliviero’s favorite.
Lenu worked harder to reach Lila’s academic level. Yet Lila always exceeded, leaving Lenu feeling anxious.
By their middle years, Lenu was beset by fears of her mother, whom she disliked, wanting her to quit school and get a job or stay home and help out. Maestra Oliviero intervened more than once, informing her parents Lenu would have a brighter future if she remained in school.
During adolescence, Lila, probably bored, quit school to work in her father’s shoe repair store. She and her brother, Rino, secretly attempted to build a business designing and making shoes.
Lenu showed absolute alliance and loyalty to her best friend, Lila. She studied harder to prove herself on Lila’s level, welcoming the interest of their instructor, Maestra Oliviera. The girls still competed, with Lila continuing her studies on her own at home, and continuing to override Lenu’s achievements at school.
Lenu spent time in Ischia during her fifteenth year, and became beset with a moral dilemma that she never shared with Lila.
The depth of Lenu’s emotional feelings, especially anxiety are real. I wondered if she would outgrow her feelings of inadequacy concerning Lila.
The reactions of the young men in their circle, Rino, Antonio, and Enzo, are heartfelt, raw, and palpable concerning disrespect toward female family members and friends. Anger often spewed uncontrollably. Their valor appeared intense and unwavering.
Although smart and well-read, Lila, toughened and hardened by the ‘mean streets’ of Naples, grew to be a sophisticated young woman who made an amazing transition.
Indecisive, Lenu wanted to advance and eventually move away. She wanted to gravitate to a better life, away from her violent surroundings, and the anger that permeated her young adult friends, who unlike her, were not educated, and spoke in dialect. She wanted to be around people with like-minded ideas. She knew her desires could only be achieved through education. She was confused about boyfriends, and like most teens, did not have a secure identity, or a positive sense of self.
Ferrante’s writing style is very visual and emotional. I relived some of my own childhood angst concerning physical and emotional changes during puberty, friendships, and competitiveness.
The book refers to ‘spoken in dialect,’ which is the language spoken by those who were uneducated or did not attend secondary school and learn formal Italian.
The word concrete was used a number of times throughout the book, which I think refers to things we know through our senses that are touchable and tangible.
I enjoyed reading My Brilliant Friend. I gave the book five stars.
I was nervous when I picked this up. Given the hype, I was worried that it wouldn't live up to everything I had read about it. Fortunately, I had nothing to fear. While this book was somewhat different from what I expected, it was still a wonderful read.
To be honest, I don't know what I was expecting--perhaps an updated version of A Room with a View/?--which isn't fair because really nothing would suggest that other than this book is also set in Italy, albeit Naples instead of Florence. In fact, it was the setting that first drew me into this story. I've been to Naples before--for about 30 minutes. When I was 14 years old and on a tour of Europe, we were in Naples just long enough to get on a boat for Capri. Our tour guide told us that Naples was a very, very dangerous place and not to even consider leaving the spot where we were waiting for our boat. Because of those 30 minutes, I've had this fear/fascination with Naples--what did I miss?
Luckily, reading this book is almost like going to Naples. Ferrante recreates the city in a way only a native can. I could almost feel the cobblestone under my feet as Elena and Lila walked their neighborhood. After reading this, I can't say that the tour guide's words have gone from my memory--there is definitely an element of, if not danger, violence in this world. I would say it is somewhat in the vein of what one would see in a Mafia movie, but not nearly as organized. Instead, it is the result of overflowing passions among a very passionate people.
This book begins with an index of characters, which is essential (and is also why I would recommend reading this book in print and not electronically--you'll want to be able to flip back to this!). Even the secondary characters are carefully drawn, but the names are just foreign enough--and some characters go by multiple names--that any reader will put the index to good use.
At its heart, this book is about the friendship between Elena, the narrator, and her fierce friend, Lila and it covers their childhood and adolescent years. I honestly do not believe a more realistic depiction of female friendship has been written. These two characters love each other deeply--but also envy each other, use each other, and sabotage each other. The choice to have Elena as the narrator is a smart one. She feels that she is always on the subordinate end of the relationship, although many times that is of her own doing. Also, since we only see her side of things, Lila remains a delicious enigma.
My only complaint, if you can call it that, of this book is in some of the language. I don't feel that it is a fault--I have a feeling that this is just how Italian works and the narrator tried to stay as true to the original writing as possible--but there are times when the sentences are just too busy. The language is beautiful, but there are so many clauses in the sentences that I sometimes had to read them more than once to make sure I understood them.
That, however, is only a minor quibble. All in all, this was a fantastic book and one I would recommend to anyone--and I can't wait to continue in the series!
Which is not to say MBF is an easy book, a placid ride in a smooth stream. It's most disquieting observations concern human beings' tranquility - or so-seeming - not really - but they act out their guilt in extraordinary ways - in the memory of their own crimes. I do not doubt it. We do wrong things and then we oar blithely onward. In World War II these wrong things were daily, small, horrific, and normal for their times - normal in the sense of our dubbing of certain crimes now 'the new normal.' Which is a way of saying MBF is a good shake-up for the times we live in now. How will we feel when this is over? What will be the legacy for those who come after?
Top reviews from other countries
Their life movements are very believable and astute. Alternating between the sea and a bluff, the two continually shape one another but often, without meaning to, by the grating of miscommunication and misunderstandings that are so pronounced in the(arguably) most formative years of a life.
The contrast between them is really interesting because it’s also first person narration, and so inherently unreliable. The white space is very interesting. It feels like memory; transitory but in small instances very pronounced and vivid. Other times events skate by. I feel like this made it more believable than authors who try to fill in every granular detail. It feels impossible and places a lot of difficulty on the suspension of disbelief area. Do they have an eidetic memory? Also, the voice is convincing. It straddles sounding much older, looking at reflection, and so able to have a much more refined and not annoying, as these often trend to be, with YA voice.
Not all that much actually happens with the length of the novel but I loved the experience of listening to this. The narrator was excellent and I was really quite happy to hear about absolutely anything happening. People who want a really pronounced plot won’t like this, though. Sweeping, this is not, either—as a lot of coming-of-age readers might expect. But again, it’s all compelling to me. There is character growth and psychology and plenty of tension. Will try the next, without a doubt.













