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British War Collection:(The Cruel Sea/The Ship That Died of Shame/Went the Day Well?/The Dam Busters/The Colditz Story)
Box Set
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Product Description
Experience all the explosive drama of a nation at war by land, sea and air. The five classic films in this collection starring such screen legends as Michael Redgrave, Richard Attenborough, John Mills, Jack Hawkins, Stanley Baker, Robert Shaw and more are now presented uncut and fully restored, depicting the men and women of Great Britain at their most compassionate and courageous. These are British war movies finest hours.
Product details
- Is Discontinued By Manufacturer : Yes
- MPAA rating : Unrated (Not Rated)
- Package Dimensions : 7.8 x 5.6 x 1.9 inches; 1.1 Pounds
- Director : Alberto Cavalcanti, Basil Dearden, Charles Frend, Guy Hamilton, Michael Anderson
- Media Format : Widescreen, Box set, DVD, Black & White, NTSC
- Run time : 8 hours and 55 minutes
- Release date : March 22, 2005
- Actors : John Mills, Eric Portman, Christopher Rhodes, Richard Todd, Michael Redgrave
- Studio : Starz / Anchor Bay
- ASIN : B00076YPBM
- Writers : Angus MacPhail, Basil Dearden, Diana Morgan
- Number of discs : 5
- Best Sellers Rank: #137,147 in Movies & TV (See Top 100 in Movies & TV)
- #2,121 in Military & War (Movies & TV)
- #12,802 in Action & Adventure DVDs
- Customer Reviews:
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All five films are a crisp black and white, full-screen, mono sound, but--apart from a nice booklet--the DVDs have no extras. As of this writing, Richard (now Lord)Attenborough, Sir Donald Sinden and Richard Todd are still "with us", so their comments would have been fascinating. Some extras--comments on these films and the British war film genre in general--would have been a "nice touch", to say the least.
"The Cruel Sea"--quite simply one of the finest and most realistic films about naval warfare ever made. As the captain of a corvette assigned to protect supply convoys from German U-boats, Jack Hawkins gives one of his best performances--you will not forget the scene where he must decide the fate of some stranded sailors--this is real war, where good people must make heart-breaking decisions. Mr. Hawkins receives fine support from Donald Sinden and Denholm Elliott. A real classic.
"The Dam Busters"--that superb actor, Michael Redgrave, stars as British scientist/engineer/inventor Barnes Wallis, who fought an uphill battle with the British military (and far too much "red tape")with his innovative plan to destroy dams in Germany's Ruhr Valley, and cripple Hitler's industry. After various setbacks, he proves that his "bouncing" bomb does indeed work. That's when Richard Todd as Wing Commander Guy Gibson and his squadron of Lancaster bombers become involved, with much intensive training, and ultimately one of the most dangerous missions of the war. "The Dam Busters" is another true classic--and a treat for aviation fans.
"The Colditz Story"--John Mills, Eric Portman, Bryan Forbes and a number of other fine British actors portray prisoners in Germany's infamous Colditz Castle. Their captors tell them that escape is impossible ! Oh really ? John Mills and his compatriots beg to differ ! This film isn't quite a classic, but the performances and situations will still demand your attention--and, again, the film is based a real events.
"The Ship That Died of Shame"--the titular vessel is a small, well-armed speed boat that served with distinction during the war. It is "saved" from mothballs after the war by its old crew, played by Richard Attenborough, George Baker and Bill Owen. However, Mr. Attenborough's intentions for the boat are totally dishonourable--he sees big money in smuggling, and drags his old mates (Messrs. Baker and Owen)into this lucrative, but high-risk business. As time goes by, the "business" becomes even nastier, with the main characters turning on one another and bringing "shame" to their once-proud ship. The film is a fascinating exercise in the study of human greed and immorality.
"Went the Day Well"--here is the "sleeper" in this collection. I had never seen this one--what a movie ! This film has consistent suspense, worthy of Alfred Hitchcock ! It was released in 1943, when the war with Germany was still raging, and there are various scenes and situations which I suppose can be considered propaganda--an attempt to boost the spirits of the British public and remind them how evil the Nazis were (as if this was necessary after the Blitz !). A small English village is visited by British troops on "manouvers"--except they aren't British at all ! They are Nazis who have sneaked into Britain to establish a "beach-head" for a large-scale German invasion. They threaten the villagers with death, and are only too pleased to demonstrate that they mean business ! Even children are threatened (of course, after the war, with the discovery of the concentration camps, nothing in this film can be considered an "exaggeration" ). Leslie Banks stars, with a very nice turn by David Farrar as a particularly reprehensible Nazi. "Went the Day Well" is not the most famous title in this collection--but it just might be the most unforgettable !
Britain produced a lot of World War II films in the fifties. Many of them had a very authentic look and feel about them. This was likely because many of the people involved had experienced "the real thing", with memories and details still fresh in their minds.
I would certainly welcome another collection--"Above Us the Waves"--"The Sea Shall Not Have Them"--"Cockleshell Heroes"--"The Wooden Horse"--"The One That Got Away"--"Reach for the Sky"--"Carve Her Name With Pride"--"The Battle of the River Plate"--"Yangtze Incident"--"Ill Met by Moonlight"--there are many titles that come to mind.
Bottom line--this is a fine collection of movies that show, from a number of viewpoints, how bravely and competently British people coped with the war, and an evil enemy. Rule Britannia indeed !
A very sad footnote, dated 4 December 2009--Mr. Richard Todd has passed away at the grand age of 90. Mr. Todd was one of Britain's most talented and likeable film actors in the post-war years.
Top reviews from other countries
For the avid War Film genre fan this is a must, these films are the sort that can be watched time and time again, which is an accolade to the Producers abilities.
The collection's other disappointments are minor: lack of cast/crew & production background special features (although each disc includes a period trailer); & the packaging's disc retaining spindles aren't the bifurcated press-release type, but the more delicate, likely to fail, friction-fit CD jewel box type.
'The Colditz Story' is a genre classic that manages to hold its own despite the spate of surpassing POW films that followed it (crowned by John Sturges's epic 'The Great Escape').
Perhaps the only faults of 'The Colditz Story' are its dense editing which, preumably, attempted to convey the claustrophobia of incarceration, the often enough bewildering welter of Allied
languages that lace the dialogue, & the failure to impart a sense of the oppressive monotony of POW confinement (which 'The Great Escape' manages to convey convicingly). Of course, as in
many war films, the age of its players militates against an accurate apprehension of its real-life characters' actual youth in the periods such films depict.
'Ice Cold in Alex' is representative of films following the initial postwar period in attempting to examine its characters psyches & to humanize the enemy. Aside from a flickering, annoying lower righthand letterbox margin the DVD transfer is excellent. But the plot is improbable. It strains credulity to imagine a German spy (Anthony Quayle) insinuating himself into a forlorn, retreating ambulance instead of attaching himself to, & reporting on, the fighting bulk of the Eighth Army. The ambulance is commanded by a rattled, boozy RASC captain (John Mills), crewed by his cardboard cutout redoubtable sergeant-major (Harry Andrews), & staffed by a pair of tidily coiffed nurses: not the sort of threat for which a Nazi agent would risk his life (if not his job!). Realism intrudes only when the sergeant-major puzzles over Quayle's character's odd brewing up method. Throughout the ambulance's arduous 600-mile journey Sylvia Syms manages to remain fresh & alluring despite having to deplete her lipstick to inscribe her nursing colleague's grave marker (oh, the sacrifices one makes in wartime!). I wanted to like this film, but at every turning it succeeded only at raising my eyebrows - but, curiously, not the immaculately tweezed ones of Ms. Syms. I couldn't help feeling that 'Ice Cold in Alex' is a weak shandy pretending at being a lager.
Still a solid screen tale 'The Dam Busters' has, however, aged. Its focus on Barnes Wallis's inventions remains its prime virtue. Michael Redgrave's portrayal of Barnes Wallis as an eccentric boffin is a bit over the top but it supports the film's attempt to show the effort necessary to convince the Air Ministry to devote scarce crews & resources to the raids. The 'bathtub' special effects of the bursting dams haven't dated well, yet the actual bomb test footage woven neatly into the script lends inimitable dramatic impact. The film's docu-drama style has, perhaps, contributed to the longevity of its appeal, however much that appeal may have waned as social attitudes evolved & special effects advances eclipsed those in the film. The depiction of the raids as an unqualified success, much as 'Reach for the Sky' miscommunicates the Big Wing tactic as a decisive innovation, is typical of war films of the postwar period that celebrated uncritically Allied ingenuity, resolve, & derring-do. Second millennium special effects would make this story superb stuff for a fresh widescreen cinematic, or television series', color effort at depicting the raids & their technological imaginativeness. A fresh film of the raids could & should also delve deeper into the personalities & motivations of the crew who flew the ops, & perhaps help to convince certain people & institutions to at last award, albeit belatedly, all of Bomber Command's aircrew the campaign medal their courage & sacrifice earned & deserve.
'The Cruel Sea', whose grim script has scarcely aged & continues to resist becoming cliché, remains a superior film. The DVD contains footage absent from U.S.-telecast & cablecast prints, filling-in lacunae that detracted from storyline comprehension & the film's artistic integrity. The latter profiting perhaps more than the former from the presence of the
missing bits. But this collection's transfer suffers from poor image & sound, though these don't owe to my having to play the disc on a multi-region DVD machine since the other three films in
the set are fine transfers, each of which yields splendid clarity of image & sound. (n.b., The player is a JVC unit whose sellers added post-manufacture components & programming to
endow it with multi-region capability, which I find useful because many Region 2 DVD titles aren't offered in the States.)
The images in the collection's 'The Cruel Sea' are uniformly dense & dark, & even in the lighter tones there's a dismaying absence of detail. The images verge on polarization reminiscent of 1960's pop graphics (e.g., Led Zeppelin's first LP sleeve). The image's flaws are matched by the muddy, narrowly-ranged soundtrack - a serious failing since 'The Cruel Sea's' terse script, dramatic sound effects (ships' bells & whistles & sirens, Asdic pings, thrumming engines, howling wind, lapping & sloshing & rushing seawater, clattering anchor chains, gunfire, torpedo detonations, & unnerving telltale repair hammer blows), & its restrained, ominous musical score remain exemplary among war films.
Artistically & in faithfulness to the experience of the Battle of the Atlantic & to the spirit of Nicholas Monsarrat's novel - the monotony, grimness, & stark terror of war depicted without preachiness or propaganda, 'The Cruel Sea' is the finest of The British War Collection 1958's films; indeed it's arguably one of the finest films of its genre. Hence its lamentably poor DVD transfer disappoints deeply.

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