At last, the FIRST great musical of the silver screen is captured on DVD, to be enjoyed over and over again.
Okay --so the story is cliched ---- but this film did it FIRST!... and opened the doorway for " 42nd Street " to elevate the status of the film musical four years later.
Okay -- so the dance routines look a little flat and strange --but then we watching something that happened 75 years ago. But it's great to see all those 20's/30's fashions; hear the Jazz Age slang; study the dancing styles and techniques of that era -- and of course hear THOSE SONGS again ( and again and again), some of which have become US Standards.
But with all its defects, the story moves rapidly. We are also
" treated" to some 1929 attitudes towards gay men and women, which although not complimentary is in keeping with the almost vaudevillian, outlook towards gay cliches. It is a pity that the 2-strip Technicolour musical sequence is missing, even though Technicolour is listed in the credits. Overall however this is a worthwhile, and important film in the development of US Cinema, although it may not have the "artiness", or the quality of the great silent films and some other early sound films. However, it was an MGM production and the values were high. The acting performances are in tune with the story and the times amd again we are transported back to when our grandparents or great grandparents were " playing up" and rebelling, just as we did, and future generations will continue to.
The DVD transfer is a little grainy and " messy " in parts, but the sound quality is superb.
The features are of great historical and entertainment value, although I felt a little embarrassed by the dressed up
" talking " dogs ... but again that was great entertainemnt
" in those days ". The MGM musical revue shorts are just wonderful.... vaudeville acts, with overly made up men, who wiggle and flap their hands around..and dainty maidens standing in a group with big bow sashes. But great examples of an industry trying to master and perfect the new sound techniques.
If you love Film , or have a passion --or a quiet interest -- in musical films, this HAS to be part of your collection. Another film that will never die... I bought this DVD and love it. Have played it 3 times already --- have only had it for 3 days. Buy it and enjoy...... why not give Granny and Grandpa a real suprise, and let them see it and wander down Memory Lane.. ?
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The Broadway Melody (Special Edition) [DVD]
Bessie Love
(Actor),
Anita Page
(Actor),
Harry Beaumont
(Director)
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0
more Rated: Format: DVD
Unrated
IMDb5.7/10.0
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| Additional DVD options | Edition | Discs | Price | New from | Used from |
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DVD
November 6, 2018 "Please retry" | — | 1 | $16.61 | $16.60 |
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January 8, 2008 "Please retry" | — | 1 | $52.71 | $6.57 |
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| Genre | Romance |
| Format | Closed-captioned, DVD, Black & White, Full Screen, Subtitled, NTSC, Silent |
| Contributor | Eddie Bush, Harry Rapf, Irving Thalberg, Mary Doran, Norman Houston, J. Emmett Beck, Ray Cooke, Sarah Y. Mason, Anita Page, Bessie Love, Edmund Goulding, Harry Beaumont, James Burrows, Nacio Herb Brown, James Gleason, Drew Demorest, Edward Dillon, The Angeles Twins, Charles King, Earl Baldwin See more |
| Language | English |
| Runtime | 1 hour and 50 minutes |
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Product Description
DVD Features:
Featurette
Theatrical Trailer
Product details
- Aspect Ratio : 1.33:1
- Is Discontinued By Manufacturer : No
- MPAA rating : Unrated (Not Rated)
- Product Dimensions : 7.75 x 5.5 x 0.75 inches; 3.2 Ounces
- Director : Harry Beaumont
- Media Format : Closed-captioned, Full Screen, Subtitled, NTSC, Black & White, DVD, Silent
- Run time : 1 hour and 50 minutes
- Release date : February 1, 2005
- Actors : Bessie Love, Anita Page, Charles King, The Angeles Twins, J. Emmett Beck
- Subtitles: : English, Spanish, French
- Producers : Harry Rapf, Irving Thalberg
- Language : Unqualified, English (Dolby Digital 1.0)
- Studio : Warner Home Video
- ASIN : B00004TVUD
- Writers : Earl Baldwin, Edmund Goulding, James Gleason, Norman Houston, Sarah Y. Mason
- Number of discs : 1
- Best Sellers Rank: #98,283 in Movies & TV (See Top 100 in Movies & TV)
- #1,518 in Musicals (Movies & TV)
- #5,722 in Romance (Movies & TV)
- #8,753 in Kids & Family DVDs
- Customer Reviews:
Customer reviews
3.8 out of 5 stars
3.8 out of 5
217 global ratings
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Top reviews from the United States
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Reviewed in the United States 🇺🇸 on February 21, 2005
51 people found this helpful
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Reviewed in the United States 🇺🇸 on February 9, 2022
I'm a big fan of old movies, especially the early talkies from 1929 to 1934, the so called, 'Pre-Code' era. The first few minutes have some good songs in the recording studio, but as the film went on I was disappointed with the lack of good music and the plot dragged a little. At best this is a 2 1/2 star movies. However, if you're a fan of the era like I am then I guess you really should see it.
Reviewed in the United States 🇺🇸 on May 9, 2008
Sure, it's dated and schlocky and a real relic... but it's also the prototype for the MGM musical, in that it was a "story musical", with the numbers arising from situations in the narrative. Of course, it helps that the narrative is a backstage musical, where two sisters (Anita Page and Bessie Love), fresh from the country, come to New York City to make it on Broadway. Along the way, they encounter heartache and betrayal and tests on their sisterhood, but that way happens to be paved with numbers like "The Wedding of the Painted Doll", "You Were Meant for Me" and "The Broadway Melody". This was the big one for MGM: the all-singing, all-dancing, all-talkie musical which wowed 'em at the box office, and wound up with the Academy Award as Best Picture. To think this is a good movie by any stretch of the imagination takes more imagination than most people would care to give, but it is entertaining, and paved the way for "The Broadway Melody of 1936", "The Broadway Melody of 1938", "The Broadway Melody of 1940" and, finally, "Two Girls on Broadway" (1940), the remake that cast Lana Turner and Joan Blondell as stand-ins for Anita Page and Bessie Love. Though klunkier than any of the others, "The Broadway Melody" has an authentic show biz atmosphere which is certainly nostalgic. And the klunkiness of the numbers must be seen to be believed: the parodies in "Singin' in the Rain" are far more polished than anything in the original.
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Reviewed in the United States 🇺🇸 on June 12, 2021
I watched this because of its historical significance, and I kept expecting something or someone to appear that would explain it. I have no doubt it proved entertaining at the time, and I see that many other reviewers have enjoyed this film as well. I don't mean to dump a pail of cold water on their enthusiasm, but I have read that, despite its initial positive reception, it has not stood the test of time. It seems there was a presumption that the presence of singing and dancing would supersede the need for good acting, direction, and script.
Seventh Heaven came before this, and featured a wonderful script, terrific lighting, sets, direction, and truly magnificent acting. This so-called musical has no quality performances or sets, not even as a possible precursor to Busby Berkeley films.
This film features horrendous over-acting, and two sisters with limited dancing or singing talent, and one with skinny legs. The love triangle is quite peculiar, and the sisters seem overly intimate. The violence of the escalating arguments, and the length of time given to sobbing all over the makeup table seemed out of character with the rest of the movie, as if the director suddenly decided to switch genres midstream. I thought a murder was coming up next.
However, there were two moments that I did enjoy immensely. The first was when the male group sang about the preacher. They were fantastic. The second was when I saw "The End," and I said, "Thank God."
Seventh Heaven came before this, and featured a wonderful script, terrific lighting, sets, direction, and truly magnificent acting. This so-called musical has no quality performances or sets, not even as a possible precursor to Busby Berkeley films.
This film features horrendous over-acting, and two sisters with limited dancing or singing talent, and one with skinny legs. The love triangle is quite peculiar, and the sisters seem overly intimate. The violence of the escalating arguments, and the length of time given to sobbing all over the makeup table seemed out of character with the rest of the movie, as if the director suddenly decided to switch genres midstream. I thought a murder was coming up next.
However, there were two moments that I did enjoy immensely. The first was when the male group sang about the preacher. They were fantastic. The second was when I saw "The End," and I said, "Thank God."
One person found this helpful
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Reviewed in the United States 🇺🇸 on April 8, 2022
I'm trying to complete a collection of best picture Academy Award winning movies. I wish it was available on blu-ray.
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William Hall
1.0 out of 5 stars
MGM’s first tragedy.
Reviewed in the United Kingdom 🇬🇧 on January 3, 2022
MGM’s first musical won the best film Oscar for 1928/1929. It’s a ramshackle affair, badly written, badly edited and badly acted. There are very few songs and only two show numbers. These are under-rehearsed and clumsily danced by people in ill-fitting clothes to messy choreography. It’s more of drama than a musical with two sisters loving the same man, complete with a downbeat ending where the less glamorous girl is left in the cold. Bessie Love, who plays her, was nominated for an Oscar and she indeed is the best actor on show, having scores of silent films behind her. Charles King, who plays the man in the affair , gives a performance of incredible ineptitude.
There is the expected political incorrectness which I can usually take if the film is good. Luckily there is no disrespect of blacks but fun is made of a gay designer and, worse, a stuttering uncle.
Apparently the film attracted rapturous notices when it first appeared but steadily over the decades it has become ‘a tedious stereotype.’ Even taking into account MGM’s inexperience of musicals at the time, this is a disaster.
There is the expected political incorrectness which I can usually take if the film is good. Luckily there is no disrespect of blacks but fun is made of a gay designer and, worse, a stuttering uncle.
Apparently the film attracted rapturous notices when it first appeared but steadily over the decades it has become ‘a tedious stereotype.’ Even taking into account MGM’s inexperience of musicals at the time, this is a disaster.
R. Houghton
5.0 out of 5 stars
A real landmark
Reviewed in the United Kingdom 🇬🇧 on March 9, 2008
For its age this movie is extremely watchable and very entertaining. Its worth having just for the position it takes within the history of the American musical. the first musical actually written for the screen, all talking, singing and dancing, with the first proper musical film score, it is a fascinating movie with lots to recommend it.
Sure, some of the acting is typically wooden, as were many of the early talkies, but Bessie Love's acting is superb, easily out-shining the other members of the cast, and the songs are tuneful and well presented (particularly the title tune and @you were meant for me'). Any movie buff serious about their musicals just HAS to own a copy of such an important movie.
Brilliant extras too: particularly the short film 'Dogway Melody', if only for it being completely outlandish, with its dogs singing and dancing to their own version of the main feature.
Worth having.
Sure, some of the acting is typically wooden, as were many of the early talkies, but Bessie Love's acting is superb, easily out-shining the other members of the cast, and the songs are tuneful and well presented (particularly the title tune and @you were meant for me'). Any movie buff serious about their musicals just HAS to own a copy of such an important movie.
Brilliant extras too: particularly the short film 'Dogway Melody', if only for it being completely outlandish, with its dogs singing and dancing to their own version of the main feature.
Worth having.
13 people found this helpful
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Elisabeth Grant
3.0 out of 5 stars
Historical interest but not top class dancing
Reviewed in the United Kingdom 🇬🇧 on July 30, 2020
Hilarious to watch - the choreography is so basic you cannot conceive the sophisticated heights it will reach in only a few years. Watch this for the historical interest. Unfortunately there is a fault in one scene, which keeps freezing but otherwise the quality is good.
One person found this helpful
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Louis
5.0 out of 5 stars
... see what the first ever musical looked and sounded like, and wasn't diappointed in the least
Reviewed in the United Kingdom 🇬🇧 on December 5, 2015
I wanted to see what the first ever musical looked and sounded like, and wasn't diappointed in the least. I love this film, and more so every time I watch it because the characters/actors are so likeable. The restoration isn't bad at all, considering the film's age. Time, however harmful it can sometimes be, cannot take away the qualities that make a film good. Here for instance, the songs are catchy, the story believable, the pace fast, and the ending happy, even if it seems unlikely to happen for most of the picture, we finally get the conclusion we are all hoping for.
One person found this helpful
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W. Russell
5.0 out of 5 stars
The very first of its kind
Reviewed in the United Kingdom 🇬🇧 on April 11, 2015
The screen's first musical - it is the shape of things to come. What followed was better, but as the template this makes fascinating viewing and Anita Page and Bessie Love are well worth watching in one of those backstage Broadway show stories. It got the Oscar and one can see why. It also shows what the musicals Kelly would end up making in Singin' In The Rain would be like. Really worth acquiring if you like the Hollywood musical.
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