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Broken Harbor Hardcover – July 24, 2012
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— The Washington Post
“Ms. French created haunting, damaged characters who have been hit hard by some cataclysm . . . This may sound like a routine police procedural. But like Gillian Flynn’s Gone Girl, this summer’s other dagger-sharp display of mind games, Broken Harbor is something more.”
— Janet Maslin, The New York Times
“So much of the pleasure inherent in reading these novels is in trying to figure out where things are going and being constantly surprised, not to mention thoroughly spooked. I predict Broken Harbor will be on more than one Best of 2012 lists — it’s definitely at the top of mine.”
— The Associated Press
"Broken Harbor is truly a book for, and of, our broken times. It's literature masquerading as a police procedural."
— The Cleveland Plain Dealer
“French has that procedural pro's knack for making mundane police work seem fascinating. And she's drawn not just to the who but also to the why — those bigger mysteries about the human weaknesses that drive somebody to such inhuman brutality. What really gives Broken Harbor its nerve-rattling force is her [French’s] exploration of events leading up to the murders, rendered just as vividly as the detectives' scramble to solve them."
— Entertainment Weekly, A- rating
“These four novels have instated Ms. French as one of crime fiction’s reigning grand dames — a Celtic tigress . . . It’s not the fashion in literary fiction these days to address such things as the psychological devastation that a fallout of the middle class can wreak on those who have never known anything else, and Ms. French does it with aplomb — and a headless sparrow and dozens of infrared baby monitors."
— The Washington Times
“The fourth book in Tana French’s brilliant, genre-busting series about the (fictitious) Dublin Murder Squad . . . Invoking atmosphere is one of French’s particular gifts, and in this department, Broken Harbor (the name of the town before the developers got hold of it) is a tour de force.”
— Laura Miller, Salon.com
“Ms. French has come to be regarded as one of the most distinct and exciting new voices in crime writing. She constructs her plots in a dreamlike, meandering fashion that seems at odds with genre's fixed narrative conventions. Sometimes, it's not even clear whodunit. Her novels have been translated into 31 languages, with 1.5 million copies in print . . . Broken Harbor has the hallmarks of a standard police procedural: a cocky homicide detective with a troubled past who educates his younger partner with pat lessons; a shocking crime that seems to defy explanation; a heart-stopping twist at the end. But Ms. French undercuts expectations at every turn. The victims begin to look less like victims; the case starts to unravel and the lead detective makes compromises that could ruin him.”
— The Wall Street Journal
“Both the characters and the crime command attention, page by page.”
— New York Daily News
“French's flair for setting and its influence on characters, as well as her elegant prose, shine in Broken Harbor. The emptiness of Brianstown becomes the modern equivalent of the spooky mansion, complete with things that go bump in the night . . . French expertly shows the importance of connecting with each other, and how fragile those bonds can be.”
— South Florida Sun-Sentinel
"Salon.com’s Laura Miller has this advice for anyone who has not yet read EVERY Tana French novel, 'Just go out and get them right now.'”
— NPR's Weekend Edition
“Part police procedural, part psychological thriller, all fun.”
— People ("Great Summer Reads")
“French’s eloquently slow-burning fourth Dublin murder squad novel shows her at the top of her game . . . As usual, French excels at drawing out complex character dynamics.”
— Publishers Weekly (starred review)
“Each of French’s novels (Faithful Place, 2010) offers wonderfully complex and fully realized characters . . . French has never been less than very good, but Broken Harbor is a spellbinder.”
— Booklist (starred review)
“A mystery that is perfectly in tune with the times . . . [French] continues to distinguish herself with this fourth novel, marked by psychological acuteness and thematic depth . . . There are complications, deliberations and a riveting resolution.”
— Kirkus Reviews (starred review)
Top Customer Reviews
The narrative voice is terrifically believable and readable. The narrator, Detective Mike Kennedy is, for all his flaws, a very sympathetic character and the revelations about his personal life and past are delicately and insightfully done. The story unfolds at a very measured pace but is utterly gripping throughout and is genuine it's-very-late-but-just-one-more-chapter stuff. We get a real feel for the lives of both narrator and the victims, a heart-wrenching portrait of what the boom-and-bust economy in Ireland has really done to some of its people, and varied, poignant portraits of what it means when certainty and control of one's life begin to unravel and when well-intentioned actions go wrong.
I thought this was a terrific book. An unequivocal five stars and very warmly recommended.
The book begins with a heinous crime. Two children, ages four and six, are smothered in their beds. Their father, Pat Spain, is stabbed to death. Their mother, Jenny, is repeatedly stabbed, and clings to life. All of this takes place in the space of a few minutes. Three (or is it four?) prime suspects emerge.
It's set in a new house close by the Irish Sea. This sentence might conjure up images quite different from the structure in this book. The Spain house is part of a huge development sloppily thrown up in great haste to make quick bucks just before the mortgage bubble burst a few years ago. When the economy went south the developer abandoned the project, leaving a wasteland of partially finished homes to rot away. Occupied houses, like the Spains', were significantly flawed.
Several months before the murders Pat loses his job, becoming "redundant." (The first time I saw this word describing those fired because of the recession.) The Spains are running out of money, so the pressure mounts. They are in immminent danger of losing their cherished (despite its faults) home. Pat spends a lot of time sitting at home, thinking, brooding, imagining... Jenny stays busy taking care of her children, but she sorely misses her earlier, cash-lubricated, comfortable life.
There is a swarm of subplots. Mick Kennedy is the narrator. We learn a lot about him just by the way he spins the story. He's a veteran detective with the Garda, the Irish national police. He views himself as a "straight arrow" who never breaks the rules.Read more ›
I love Tana French's previous novels and have been waiting for this one for close to a year. I hate to say it, but I was disappointed. I think she spent far too much time describing crime scenes, autopsies, and the like which caused her to stray from what she does best: developing complex characteries and providing amazing descriptions of their psychological makeup. Ms. French did well with the character of Scorcher but his background, current family issues, and just about everything relating to the psychology of the victims just doesn't fit with any kind of psychological truth (which she so flawlessly developed in her earlier novels).
As an avid reader as well as a clinical and forensic psychologist, I have nothing but praise for Ms. French's other novels. I can honestly say that she is the finest creator of a character's psychology ever. Hands down. No contest. If you haven't had the pleasure of reading her other novels, do yourself a favor and get them now! Those characters, particularly Cassie from The Likeness and Rob from In The Woods, have stuck with me in a way that no other character has done before. I am hoping/praying/crossing fingers that French's future works return to either of these characters.
All her books are psychological thrillers, not fast-paced, not action-packed, but slow-moving and interrogation-heavy, and Broken Harbor sticks to the same format. At first, I intended to say it was possibly the "most psychological" out of her psychological thrillers, and the most crazy-driven. However, if I look back, all her novels without fail explore the depths of human mind, power of memories and their effect on investigative work, and involve mentally unstable characters.
Like detectives in all previous books in Dublin Murder Squad series, the chief investigator Mick (Scorcher) Kennedy is full of mental baggage of his own (who doesn't have it though?). I have only the vaguest memory of him from Faithful Place, so he is almost a completely new personality to get to know within the framework of this series. Behind Scorcher's unwavering, never-failing, upright cop facade, there is a lot of tension and a lot of self-control that come only to people who have battled through serious life challenges and learned to cope by keeping themselves tightly guarded and emotionally removed. Even though Scorcher has dealt with most of his childhood traumas, he is not free of them. His half-mad, volatile sister is a constant reminder of past dealings with mental illness and a disturber of his peace.Read more ›
Most Recent Customer Reviews
I enjoyed this novel quite a lot. It probably won't be to everyone's taste -- the pace is slow-ish and there are no car chases or gun fights -- but I liked it just for those... Read morePublished 2 days ago by A reader
Although I plowed through the 450 pages in a few days, I must say I was disappointed. Why? Who can believe that any of the three suspects could have perpetrated this crime? Read morePublished 9 days ago by JJ
There's a twist you wouldn't expect that makes it different.Published 15 days ago by Diana P. Combs
Last night when I went to bed, I was 90% done with Broken Harbor, and up until that point it had been a solid entry in Tana French's Murder Squad series, which is the set of books... Read morePublished 18 days ago by Briane F. Pagel Jr.
I picked this up from my local bookstore for a beach read. I ended up reading in in just about 24 straight hours. I couldn't put it down! Read morePublished 20 days ago by Glamagrrl1978
Tana French, in Broken Harbor, seizes upon the Irish housing bubble and subsequent crash to illustrate, in fine character studies and escalating tension, what life crises can... Read morePublished 21 days ago by Kate Hulbert