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Broken Homes Mass Market Paperback – February 4, 2014
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A mutilated body in Crawley. A killer on the loose. The prime suspect is one Robert Weil, possibly an associate of the twisted wizard known as the Faceless Man. Or maybe just a garden-variety serial killer.
Before apprentice wizard and Police Constable Peter Grant can even get his head 'round the case, two more are dropped in his lap: a town planner has gone under a tube train, and there's a stolen grimoire for Grant to track down.
So far, so London.
But then Peter gets word of something very odd happening on a housing estate designed by a nutter, built by charlatans, and inhabited by the truly desperate.
Is there a connection?
And if there is, why oh why did it have to be South of the River—in the jurisdiction of some pretty prickly local river spirits?
- Print length336 pages
- LanguageEnglish
- PublisherDAW
- Publication dateFebruary 4, 2014
- Dimensions4.15 x 0.9 x 6.7 inches
- ISBN-100756409608
- ISBN-13978-0756409609
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"The prose is witty, the plot clever, and the characters incredibly likeable." —Time Out
"It's witty, fun, and full of vivid characters, and the plot twists will keep even seasoned mystery fans guessing." —Publishers Weekly
“The perfect blend of CSI and Harry Potter.” —io9
"This book is, at its heart, a police procedural with an overlay of urban fantasy elements. The voice is persuasive and funny as all get-out, and the reader is engaged with the narrative from the very first page. Aaronovitch has written a diverse cast of characters who all feel like real people with their own specific motivations. This book is simply wonderful." —RT Reviews (top pick)
"The most satisfying fantasy thriller to hit bookshelves in quite some time." —SFX Magazine
"The most entertaining book that I have read in such a long time.... It's very funny, it's very clever, it's very nicely written.... It's such a treat." —Nancy Pearl
"Aaronovitch makes the story sing, building momentum until the ending is literally breathless.” —SF Revu
"Aaronovitch has a very witty, casual voice, with a tendency toward sarcasm and humor, which is threaded throughout Broken Homes. And a few crazy plot twists will devastate and delight fans in equal measure." —RT Reviews
About the Author
Product details
- Publisher : DAW; Reissue edition (February 4, 2014)
- Language : English
- Mass Market Paperback : 336 pages
- ISBN-10 : 0756409608
- ISBN-13 : 978-0756409609
- Item Weight : 6.6 ounces
- Dimensions : 4.15 x 0.9 x 6.7 inches
- Best Sellers Rank: #1,077,877 in Books (See Top 100 in Books)
- #4,124 in Witch & Wizard Mysteries
- #15,089 in Police Procedurals (Books)
- #27,769 in Paranormal & Urban Fantasy (Books)
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About the author

Ben Aaronovitch was born in 1964. Discovering in his early twenties that he had precisely one talent, he took up screenwriting at which he was an overnight success. He wrote for Doctor Who, Casualty and the world’s cheapest ever SF soap opera Jupiter Moon. He then wrote for Virgin’s New Adventures until they pulped all his books.
Then Ben entered a dark time illuminated only by an episode of Dark Knight, a book for Big Finish and the highly acclaimed but not-very-well-paying Blake’s 7 Audio dramas.
Trapped in a cycle of disappointment and despair Ben was eventually forced to support his expensive book habit by working for Waterstones as a bookseller. Ironically it was while shelving the works of others that Ben finally saw the light. He would write his own books, he would let prose into his heart and rejoice in the word. Henceforth, subsisting on nothing more than instant coffee and Japanese takeaway, Ben embarked on the epic personal journey that was to lead to Rivers of London (or Midnight Riot as it is known in the Americas).
Ben Aaronovitch currently resides in London and says that he will leave when they pry his city from his cold dead fingers.
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Unlike the previous novel, Moon Over Soho, which was mainly world-building, Broken Homes is mostly storytelling. Although there are murders and mysteries, it feels more like a thriller than a murder mystery in the classical Agatha Christie/Dorothy Sayers/Sherlock Holmes mold.
The plot is intricate -- a little too much so, I think. I had trouble following at times. For instance, as the publisher's blurb tells us, a guy commits suicide by throwing himself in front of a tube train. I'm still not sure why that happened or why Aaronovitch introduced that little plot twist in the book. It plays so little role that, when the suicide's name turns up late in the book, we haven't heard about him for chapters and I no longer remembered who this name belonged to.
Peter Grant's architectural snobbery, which had just begun to become unpleasant in Moon Over Soho, has been dialed up to eight in Broken Homes. By eight I mean it has become intense enough to be obnoxious, but not so bad yet that I can't imagine it getting worse. My complaint is not that Peter drones on about architecture. I like to learn new things, and if those new things happen to concern architecture, that's fine by me. It is that Peter is very judgmental about architecture, architects, and builders. He knows who is good and who's getting a lump of coal in their Christmas stocking. He is also a bit of a snob about other things. It is an unattractive trait in an otherwise engaging and funny character. If this gets worse in subsequent books, it is possible that I will Nope out.
But in the end Aaronovitch spins an interesting and often funny story. (There's a running joke about Peter's grammar that I find quite funny, although I notice some other reviewers don't realize they're being played.) And he manages to wrap up in way that ties off most but not all of the loose ends. So, four stars, despite the complaints.
I was troubled by all of this early on in the book and wondered if Aaronvitch had lost focus, perhaps worn out his inspiration for this particular series and just churned the book out to meet a publisher's deadline. However, with the book's end and its unexpected denouement, I think that instead Aaronovitch deliberately constructed this book so that the end has (and certainly did for me at least) significant emotional impact: at the end you are meant to feel for Peter Grant, to feel the loss and pain that goes with being a policeman. The end would not have had the impact it did if Aaaronovitch had written this book the way he had the first three.
This book, I believe, deliberately immerses us in the often humdrum and boring world of day to day police work (abet with a magical edge); it shows us our heroes groping for information about a villain they know little about and who has always seemed one step ahead of them; it deliberately avoids the clear certainties of the first three books' plots and the meandering and everyday nature of the plot is meant to be a direct reflection of the meandering and humdrum nature of the heroes investigation: then Aaronovitch twists all these threads together in the last third of the book, delivering a series of heavy hits as all the pieces come together.
Aaronovitch is actually trying something fairly difficult with his writing and execution in this book, and it does always work; some sections taken standalone are, frankly, somewhat frustrating because you can't see their point; and it is certainly not a book that can be read except as the fourth book in a series and I am glad I only recently reread the first three novels. However, the end result, with the work taken as whole, is as good as the other books, if very different in tone and feel. Broken Homes' impact on me was undeniable: it left me feeling drained, empty and emotionally exhausted. It is, I suspect, a book that will be better on the second read through because you will be reading the early, seemingly unfocused chapters, with an awareness of how they actually impact on the plot, making them both more immediately interesting and, given Aaronovitch's style, causing all sorts of small asides to be noticed.
In many ways this books seems like Aaronovitch stepping up the series to something more serious. There was less humour (though I still laughed out loud on numerous occasions) and more serious and gritty crime and police work, and as I have repeatedly mentioned I found the end a real kicker. Kudos for Aaronovitch for trying something different rather than churning out a cookie cutter sequel and if the end result wasn't as much fun as the first three books, it was still a great extension to the series that left me staring at my screen out of breath, and desperately wanting more.
Top reviews from other countries
Ce tome met enfin en valeur l'efficacité de Nightingale dans une bataille de haut vol. Peter et Lesley évoluent, chacun à leur manière. La fin fait rebondir l'histoire et remet en question l'équilibre entre "les forces du bien" et "les forces du mal".








