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Bronze Screen: Chicana and Chicano Film Culture Paperback – October 1, 1993
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Rosa Linda FregosoOCOs" The Bronze Screen" opens the way for international debate on the new critical field of Chicano/a cinema. Fregoso provides an incisive articulation of the ways in which narrative codes in film can telescope complex versions of Mexican and American culture and history. The often violent impact of OCyfirstOCO (U.S.) and OCythirdOCO (Mexico) world cultures and geographies is channeled through the very term Chicano/a as well as its cinematic representation. FregosoOCOs masterful critique brings out with great clarity the irony, paradox, and contradictions of such historical collisions. --Norma Alarcn, University of California, Berkeley
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- Print length192 pages
- LanguageEnglish
- PublisherUniv Of Minnesota Press
- Publication dateOctober 1, 1993
- Dimensions6 x 0.6 x 9 inches
- ISBN-100816621365
- ISBN-13978-0816621361
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Product details
- Publisher : Univ Of Minnesota Press; First Edition (October 1, 1993)
- Language : English
- Paperback : 192 pages
- ISBN-10 : 0816621365
- ISBN-13 : 978-0816621361
- Item Weight : 9.6 ounces
- Dimensions : 6 x 0.6 x 9 inches
- Best Sellers Rank: #1,054,815 in Books (See Top 100 in Books)
- #207 in Movie Theory
- #10,256 in Performing Arts (Books)
- #18,168 in Sociology (Books)
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About the author

Rosa-Linda Fregoso was born in Corpus Christi, Texas to a Tejana mother and a Mexican father, and earned her PhD from the University of California, San Diego. For twenty-four years she has taught at the University of California and the University of Southern California. Her third book, meXicana Encounters: The Making of Social Identities on the Borderlands, was awarded the MLA prize for best Latina/Chicano cultural studies book. A former television and radio journalist, Fregoso lives in Oakland California.
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- Reviewed in the United States on October 8, 2015Bought this for a class and I think I'll keep it around. It's interesting to see how the marginalized portions of our country are able to assert themselves in culture and media, despite major relegation to lesser-seen areas.



