My Brother Is an Only Child
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Accio Benano (Vittorrio Emanuele Popizo) as a child is a mischief maker who has entered seminary to become a priest, but his innate search for truth and meaning soon finds him returning home to his little family in a Mussolini-fabricated town called Latina, a village built on promises of communal well-being (a housing project was built but the poor villagers are refused access to it), but languishes in the poverty of lost hopes and deflated spirits. Accio's father, mother, younger sister and older brother Manrico (Riccardo Scamarcio) are making ends meet, but are frustrated with the political oppression of the working class. Time passes and the older Accio (Elio Germano) comes under the influence of Mussolini's 'idealism' with the tutelage of his older friend Mario (Luca Zingaretti) and embraces Fascism while Manrico has aligned with the communists, and it is this dichotomy of belief that sets Accio apart from his brother as well as his family who are communist sympathizers. Accio's personality places him in harms way with the law, with women (he has longings for the women in both Mario's and Manrico's lives), and ultimately with turns of events that threaten to pit brother against brother.Read more ›
Italian cinema has a tradition of basing their films on literature, classical drama, and political and intellectual concerns. As a cultural group, they are first to speak up about injustices of the status quo. Such is the case with Mio Fratello e'Unico Figlio ( My Brother is an Only Child).
It is a story of a family living on the outskirts of Rome. In the 60s and 70s things were pretty rural in the town of Latino; excitement resided elsewhere--Rome, for example. Within the family, there is the Communist brother Manrico; a fascist younger brother Accio; and a Christian Democrat father. The mother is work-worn and weary of living in government housing with walls that crack right before her eyes. The sister, a delicate thing, is the only member of the household who has privilege. She attends the classical high school and plays the cello in an orchestra. The family is a microcosm of Italy, with its disagreeing, often violently factious, parties crowded together in a small house.
Crowded they are. The film bombards viewer's senses with the bonds of intimacy and conflict within the family. Manrico and Accio fighting,for example. We hear their bones knocking against each other, the thud of a foot in the stomach. We see the anguish of the family as they walk down the road to the school house to confront the daughter's professor, who supposedly is taking advantage of the girl.Read more ›
This movie is an excellent example of great contemporary italian cinema, check it out.
Director Daniele Luchetti brings renewed life to the coming-of-age genre with his intense concentration on the sociopolitical elements of the story. It gets so bad between the two warring factions that even a performance of Beethoven becomes a pretext for bloodshed and violence.Read more ›
Most Recent Customer Reviews
This film is quite good.It is a shame more of Luchetti's films are not available in NTSB format.Published 14 months ago by Eugene Fallon
Product purchased via USA and unable to be configured to Australian TV. Would like to have been advised of this prior to purchase. Will be returning item.Published on January 10, 2012 by Diana