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The Brothers Karamazov: A Novel in Four Parts and an Epilogue Paperback – April 29, 2003
by
Fyodor Dostoyevsky
(Author),
David McDuff
(Translator, Introduction)
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Fyodor Dostoyevsky
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Fyodor Dostoyevsky's powerful meditation on faith, meaning and morality, The Brothers Karamazov is translated with an introduction and notes by David McDuff in Penguin Classics. When brutal landowner Fyodor Karamazov is murdered, the lives of his sons are changed irrevocably: Mitya, the sensualist, whose bitter rivalry with his father immediately places him under suspicion for parricide; Ivan, the intellectual, whose mental tortures drive him to breakdown; the spiritual Alyosha, who tries to heal the family's rifts; and the shadowy figure of their bastard half-brother Smerdyakov. As the ensuing investigation and trial reveal the true identity of the murderer, Dostoyevsky's dark masterpiece evokes a world where the lines between innocence and corruption, good and evil, blur and everyone's faith in humanity is tested. This powerful translation of The Brothers Karamazov features and introduction highlighting Dostoyevsky's recurrent themes of guilt and salvation, with a new chronology and further reading. Fyodor Mikhailovich Dostoyevsky (1821-1881) was born in Moscow. From 1849-54 he lived in a convict prison, and in later years his passion for gambling led him deeply into debt. His other works available in Penguin Classics include Crime & Punishment, The Idiot and Demons. If you enjoyed The Brothers Karamazov you might like Nikolai Gogol's Dead Souls, also available in Penguin Classics. 'There is no writer who better demonstrates the contradictions and fluctuations of the creative mind than Dostoyevsky, and nowhere more astonishingly than in The Brothers Karamazov' Joyce Carol Oates 'Dostoyevsky was the only psychologist from whom I had anything to learn: he belongs to the happiest windfalls of my life' Friedrich Nietzsche 'The most magnificent novel ever written' Sigmund Freud
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Print length960 pages
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LanguageEnglish
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PublisherPenguin Classics
-
Publication dateApril 29, 2003
-
Dimensions7.76 x 5.08 x 1.84 inches
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ISBN-100140449248
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ISBN-13978-0140449242
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Lexile measure970L
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About the Author
Fyodor Dostoyevsky (1821–1881), one of nineteenth-century Russia’s greatest novelists, spent four years in a convict prison in Siberia, after which he was obliged to enlist in the army. In later years his penchant for gambling sent him deeply into debt. Most of his important works were written after 1864, including Notes from Underground, Crime and Punishment, The Idiot, and The Brothers Karamazov, all available from Penguin Classics.
David McDuff was educated at the University of Edinburgh and has translated a number of works for Penguin Classics, including Dostoyevsky’s The Brothers Karamazov.
David McDuff was educated at the University of Edinburgh and has translated a number of works for Penguin Classics, including Dostoyevsky’s The Brothers Karamazov.
Product details
- Publisher : Penguin Classics; Reissue edition (April 29, 2003)
- Language : English
- Paperback : 960 pages
- ISBN-10 : 0140449248
- ISBN-13 : 978-0140449242
- Lexile measure : 970L
- Item Weight : 1.57 pounds
- Dimensions : 7.76 x 5.08 x 1.84 inches
-
Best Sellers Rank:
#8,734 in Books (See Top 100 in Books)
- #13 in Foreign Language Reference
- #167 in Victorian Historical Romance (Books)
- #292 in Psychological Fiction (Books)
- Customer Reviews:
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Fyodor Mikhailovich Dostoyevsky (/ˌdɒstəˈjɛfski, ˌdʌs-/; Russian: Фёдор Миха́йлович Достое́вский; IPA: [ˈfʲɵdər mʲɪˈxajləvʲɪtɕ dəstɐˈjɛfskʲɪj]; 11 November 1821 – 9 February 1881), sometimes transliterated Dostoevsky, was a Russian novelist, short story writer, essayist, journalist and philosopher. Dostoyevsky's literary works explore human psychology in the troubled political, social, and spiritual atmosphere of 19th-century Russia. Many of his works are marked by a preoccupation with Christianity, explored through the prism of the individual confronted with life's hardships and beauty.
He began writing in his 20s, and his first novel, Poor Folk, was published in 1846 when he was 25. His major works include Crime and Punishment (1866), The Idiot (1869), Demons (1872) and The Brothers Karamazov (1880). His output consists of 11 novels, three novellas, 17 short novels and numerous other works. Many literary critics rate him as one of the greatest psychologists in world literature. His 1864 novella Notes from Underground is considered to be one of the first works of existentialist literature.
Born in Moscow in 1821, Dostoyevsky was introduced to literature at an early age through fairy tales and legends, and through books by Russian and foreign authors. His mother died in 1837, when he was 15, and around the same time he left school to enter the Nikolayev Military Engineering Institute. After graduating, he worked as an engineer and briefly enjoyed a lavish lifestyle, translating books to earn extra money. In the mid-1840s he wrote his first novel, Poor Folk, which gained him entry into St. Petersburg's literary circles.
In the following years, Dostoyevsky worked as a journalist, publishing and editing several magazines of his own and later A Writer's Diary, a collection of his writings. He began to travel around western Europe and developed a gambling addiction, which led to financial hardship. For a time, he had to beg for money, but he eventually became one of the most widely read and highly regarded Russian writers. His books have been translated into more than 170 languages. Dostoyevsky influenced a multitude of writers and philosophers, from Anton Chekhov and Ernest Hemingway to Friedrich Nietzsche and Jean-Paul Sartre.
Bio from Wikipedia, the free encyclopedia.
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4.4 out of 5
1,250 global ratings
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Reviewed in the United States on May 29, 2018
Verified Purchase
I was led to believe I would be buying the translation by David McDuff, but what I got was the translation by Constance Garnett that is available all over the Internet for free!
56 people found this helpful
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Reviewed in the United States on March 22, 2017
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If you're going to tackle a big foreign book, I think it's critical to have a colorful, engaging translation. If it's too dry, the book will likely prove too much (at least to me).
An example of McDuff's translation: when he translates how a poor couple has been putting aside money for savings he says, "They had a pathetic little nest egg." There's a sense of empathy, irony and depth to that voice. In Pevear the same passage as I recall is something like "They had a small savings." The narrative voice McDuff brings out is just richer.
I like some of the Pevear translations: Crime and Punishment was good, and The Double, and Notes from the Underground. I re-read just about the whole repetoire of Dostoevsky's novels every 2-3 years, and I just couldn't get through the drier Pevear translation for Karamazov.
An example of McDuff's translation: when he translates how a poor couple has been putting aside money for savings he says, "They had a pathetic little nest egg." There's a sense of empathy, irony and depth to that voice. In Pevear the same passage as I recall is something like "They had a small savings." The narrative voice McDuff brings out is just richer.
I like some of the Pevear translations: Crime and Punishment was good, and The Double, and Notes from the Underground. I re-read just about the whole repetoire of Dostoevsky's novels every 2-3 years, and I just couldn't get through the drier Pevear translation for Karamazov.
83 people found this helpful
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Reviewed in the United States on February 16, 2020
Verified Purchase
Was looking to read the Kindle translation by Pevear/Volokhonsky. The book authors on the title listing is incorrect for the Kindle version. The actual translator for the Kindle version I received is Constance Garnett. I did tons of research on translators and wanted Pevear/Volokhonsky version. Returned this Garnett Kindle version.
25 people found this helpful
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Reviewed in the United States on November 13, 2018
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I recently accomplished a big one by reading this book "cover to cover," or its equivalent on
the screen. As some other reviewers have noted, it is one of the most difficult things you
will ever read but also one of the most beautiful and inspiring. In 1998 in my first semester
of college, I was taking Russian Government and Politics. I had heard of Crime and Punishment,
but the prof said the greatest one by Dostoyevsky is The Brothers Karamazov. Then toward
the end of my seminary career in Problem of Evil we studied The Grand Inquisitor poem
or chapter which was one of the highlights of the course along with Job. Over the years
in my nonfiction reading Ivan and Alyosha have been constant conversation partners on
a number of themes. But as I said, I had never read the whole book. I don't know much
about the different translations that reviewers have mentioned. I did find it helpful to
get a list of the characters. In Russian they often address the person by the first and
middle name, and the brothers have the same middle name so it looks like it's their
last name. But I echo the advice of others to just plow through it. Some find the
digressions long, and of course it is long but it towers as one of the most powerful
novels in the history of the world, so just trust that it's worth it to keep going. But
that doesn't mean to rush, because there are moments where it's worthwhile to
pause and meditate on what is being said and done in the story.
the screen. As some other reviewers have noted, it is one of the most difficult things you
will ever read but also one of the most beautiful and inspiring. In 1998 in my first semester
of college, I was taking Russian Government and Politics. I had heard of Crime and Punishment,
but the prof said the greatest one by Dostoyevsky is The Brothers Karamazov. Then toward
the end of my seminary career in Problem of Evil we studied The Grand Inquisitor poem
or chapter which was one of the highlights of the course along with Job. Over the years
in my nonfiction reading Ivan and Alyosha have been constant conversation partners on
a number of themes. But as I said, I had never read the whole book. I don't know much
about the different translations that reviewers have mentioned. I did find it helpful to
get a list of the characters. In Russian they often address the person by the first and
middle name, and the brothers have the same middle name so it looks like it's their
last name. But I echo the advice of others to just plow through it. Some find the
digressions long, and of course it is long but it towers as one of the most powerful
novels in the history of the world, so just trust that it's worth it to keep going. But
that doesn't mean to rush, because there are moments where it's worthwhile to
pause and meditate on what is being said and done in the story.
26 people found this helpful
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Reviewed in the United States on January 25, 2018
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havent finished the book but so far its great. Would like to say my book came with a picture of a young asain man holding what looks to be an offbrand jenga box at a party with an awkward smile on his face. Loved that bonus. Using it as my bookmark and telling all my friends he’s my boyfriend.
39 people found this helpful
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Reviewed in the United States on May 31, 2017
Verified Purchase
David McDuff is the best of the Dostoevsky translators and unquestionably the most readable for the English reader. The much vaunted P&V translations are probably more "technically" correct but what you gain in precision you lose in narrative drive, clarity and the storytelling itself. If you're only going to read one translation, read this one and leave the P&V for the pure academics to parse.
36 people found this helpful
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Reviewed in the United States on June 30, 2018
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'The Brothers Karamazov' is a masterpiece, considered one of the best novels of all time. Many of humanity's greatest minds hail this book as the most important literary work. I enjoyed it very much and recommend it to anyone with a good attention span and the ability to get out of one's comfort zone. Yes, there are some dark themes, it is hard work, full of long soliloquies, but there is a light at the end of the tunnel.
13 people found this helpful
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Reviewed in the United States on January 19, 2017
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One of the better classics that uses a strong story line and sub plots to allow the author to develop his views on humanity, theology, and culture in a non-preaching manner. It is not the Russian novel that frightens people away (2,000 pages, 1,000 characters, each with 12 names) nor is it slow and boring.
As is the case of most older classics the beginning is more of a background setting than a hook which is common in this form of writing. These are all important facts though in describing the family which is the main plot. Then the story moves on into what today would have been book one in a serial, which again is a trait of older classics.
Between the different but related stories and an enormous amount of detail, which is a good learning tool to aspiring authors, Brothers becomes long but Dostoevsky keeps it entertaining because of the additional sub plots and conflicts this requires.
Brothers is not the type of book a person reads to see the main conflict, result, and how the protagonist is better for the experience. While that happens it happens in greater detail than current novels. Basically, this is a book to sit back and enjoy over a period of time. And it makes the reader think.
As is the case of most older classics the beginning is more of a background setting than a hook which is common in this form of writing. These are all important facts though in describing the family which is the main plot. Then the story moves on into what today would have been book one in a serial, which again is a trait of older classics.
Between the different but related stories and an enormous amount of detail, which is a good learning tool to aspiring authors, Brothers becomes long but Dostoevsky keeps it entertaining because of the additional sub plots and conflicts this requires.
Brothers is not the type of book a person reads to see the main conflict, result, and how the protagonist is better for the experience. While that happens it happens in greater detail than current novels. Basically, this is a book to sit back and enjoy over a period of time. And it makes the reader think.
7 people found this helpful
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M. Dowden
5.0 out of 5 stars
A Masterpiece
Reviewed in the United Kingdom on July 29, 2016Verified Purchase
It has been ages since I last read this story, but I felt like gorging myself on quite a large novel and have been relaxing and reading this masterpiece. This particular book was the last completed novel by Dostoevsky before his untimely death by pulmonary haemorrhage.
This book came about due to things that Dostoevsky had started to write but had never finished, and thus he incorporated some of those elements into this, and whilst writing this his son tragically died and thus the character, indeed the hero of the book, Alyosha is named after him. The narrator of this tale who is never named also arguably becomes a character as we hear his thoughts and evaluations on certain matters throughout.
With philosophical and religious thoughts and ideas overshadowing this tale this does become quite deep and thought provoking. In the way this is set out we sort of have two interrelated tales, with one half being an introduction to the characters, and the second half being a tale of murder and theft. It is this structure that does put some people off from completing this, but it does work, and very well. By the second part we have become very familiar with the characters, and how they behave and their individual foibles.
With a father having three sons, one by one marriage, the other two by a second marriage, we also are led to believe that he possibly has another, illegitimate son who he doesn’t recognise as such but employs in his home. As the father is murdered and money disappears, so one son becomes the prime suspect, but is he the murderer? We follow onto the trial here before this novel reaches its conclusion.
With numerous literary references and in a couple of cases stories within the main tale this is something that does become quite complex. There is also not really that much description here, this mainly becomes a character driven tale with their actions and voices at the forefront. As an allegory as such of society moving towards a more modern material one this works well, and we can also perceive Dostoevsky’s dreams of a more just and thoughtful society where hopefully things will be better. What does come over really well here are the events leading to murder, and we are made to think of other people’s actions that made it possible for the actual murder to take place. As such this is always well worth reading, and is very rewarding.
This book came about due to things that Dostoevsky had started to write but had never finished, and thus he incorporated some of those elements into this, and whilst writing this his son tragically died and thus the character, indeed the hero of the book, Alyosha is named after him. The narrator of this tale who is never named also arguably becomes a character as we hear his thoughts and evaluations on certain matters throughout.
With philosophical and religious thoughts and ideas overshadowing this tale this does become quite deep and thought provoking. In the way this is set out we sort of have two interrelated tales, with one half being an introduction to the characters, and the second half being a tale of murder and theft. It is this structure that does put some people off from completing this, but it does work, and very well. By the second part we have become very familiar with the characters, and how they behave and their individual foibles.
With a father having three sons, one by one marriage, the other two by a second marriage, we also are led to believe that he possibly has another, illegitimate son who he doesn’t recognise as such but employs in his home. As the father is murdered and money disappears, so one son becomes the prime suspect, but is he the murderer? We follow onto the trial here before this novel reaches its conclusion.
With numerous literary references and in a couple of cases stories within the main tale this is something that does become quite complex. There is also not really that much description here, this mainly becomes a character driven tale with their actions and voices at the forefront. As an allegory as such of society moving towards a more modern material one this works well, and we can also perceive Dostoevsky’s dreams of a more just and thoughtful society where hopefully things will be better. What does come over really well here are the events leading to murder, and we are made to think of other people’s actions that made it possible for the actual murder to take place. As such this is always well worth reading, and is very rewarding.
43 people found this helpful
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millhall
4.0 out of 5 stars
Murder mystery on a grand scale.
Reviewed in the United Kingdom on September 17, 2018Verified Purchase
This book is almost impossible to categorize. Essentially, it is a complex "whodunnit", but it is so much more. Like many people, I had started the book many years ago but failed to finish it. I know why. The first one third is slow, repetitive and dominated by philosophy and religious dogma. I became very impressed with the author's knowledge of the Christian bible, which is quoted extensively and the references are often subtle. The central characters are three Russian brothers - Dmitri, Ivan and Alyosha. They are very different but love one another despite their hedonistic, selfish and greedy father. Much of the book consists of a series of frantic and breathless conversations between the brothers, the father, the monks in a local monastery and the women whose love ensnares the brothers and the father. This style of writing made me think of a play with the scenes moving on from act to act. Rather like Thomas Hardy, the author introduces a parallel theme based on the "peasants" and their children. This aspect is handled tenderly and with more than a little reflection on the true meaning of life. The murder is dealt with in an exciting and dramatic manner, though I found the eventual trial to be overly long and repetitive. The final moments of the book deal with the central need for forgiveness if one wishes peace of mind. Writing on a grand scale, but I am fairly sure that 9 out of 10 who start the book will not finish it since it was written at a time when taking several weeks to read a book would be a blessing, not a chore!
16 people found this helpful
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Patrick Wilson
5.0 out of 5 stars
The second greatest novel ever written.
Reviewed in the United Kingdom on January 3, 2021Verified Purchase
IMO, Dostoyevsky wrote the four greatest novels ever. "The Idiot" and "The Demons" are number three and four, "The Brothers Karamazov" pushes "Crime and Punishment" very hard at being the greatest. In many ways it is a further development of concepts investigated in C&P, which I believe simply has a slightly better storyline, but there's really not much between them. This is truly a magnificent and masterful piece of literature. The depth of Dostoyevsky's understanding of human psychology and society marks him out as a genius and literary colossus.
2 people found this helpful
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suzanne
3.0 out of 5 stars
Disappointing
Reviewed in the United Kingdom on May 28, 2019Verified Purchase
Completed on 22nd May 2019 taking over a month to read. I remember being very impressed by Crime and Punishment. Perhaps my expectations were too high or maybe I didn’t choose the best translation; I did not find it an easy or fulfilling read. I am glad I have completed it and regard it as a show off book like Tristan Shandy , 100 Years of Solitude or Ulysses. It got better after the first 40%. I read it on kindle and was constantly checking what percentage I was up to
It is too long and I didn’t find the characters sympathetic or easy to relate to. I felt that Dmitri deserved to be convicted even though he hadn’t killed his father as he seemed a very violent man who could throw a pestle at the kind old servant Grigory who had brought him up. The women are mostly mad or hysterical. I felt much more could have been written about Smerdyakov’s character and his motivation for the murder.
But it is a book ahead of it’s time the origin of Crime fiction with its courtroom dramas and denouements (Smerdyakov’s detailed confession). There is also humour at times - Dmitri’s visit to the drunken Lyagavy and Trifon Borissovitch pulling up floor boards in his Inn to look for the missing money. Descriptions of madness were very real especially of Captain Snegiryov at the funeral.
It is too long and I didn’t find the characters sympathetic or easy to relate to. I felt that Dmitri deserved to be convicted even though he hadn’t killed his father as he seemed a very violent man who could throw a pestle at the kind old servant Grigory who had brought him up. The women are mostly mad or hysterical. I felt much more could have been written about Smerdyakov’s character and his motivation for the murder.
But it is a book ahead of it’s time the origin of Crime fiction with its courtroom dramas and denouements (Smerdyakov’s detailed confession). There is also humour at times - Dmitri’s visit to the drunken Lyagavy and Trifon Borissovitch pulling up floor boards in his Inn to look for the missing money. Descriptions of madness were very real especially of Captain Snegiryov at the funeral.
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nicnn
3.0 out of 5 stars
Only read this if you thought War and Peace was a bit too easy
Reviewed in the United Kingdom on January 21, 2020Verified Purchase
There were large chunks of this that were a treatise on man’s inhumanity to man with an added chunk of angst mixed in with inner demons. Indigestible and tiring. However where you have the opportunity to enjoy the characters of the three brothers and appreciate them as ciphers for the Russian national character the reading pace and enjoyment levels pick up. I think I am pleased I have read it, but part of me hankers for the easy life of the normal rubbish I read.
4 people found this helpful
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