The Brown Bunny
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The Brown Bunny is both a love story and a haunting portrait of a lost soul unable to forget his past. After finishing a motorcycle race in New Hampshire, Bud Clay (Vincent Gallo) loads his racing bike into the back of his van and begins a cross-country odyssey to Los Angeles, where he is to compete in another race. During his trip, he meets three very different women: Violet, a wholesome all-American gas station attendant; Lilly (Cheryl Tiegs), a fellow lost soul he connects with at a highway rest stop; and Rose, a Las Vegas prostitute. Throughout his journey, Bud can never escape his intense feelings for the love of his life, Daisy (Chloë Sevigny), so he plans to reconcile with her when he reaches Los Angeles. Arriving in Los Angeles, Bud checks into a motel before visiting the abandoned home he once shared with Daisy. He leaves a note, hoping she will turn up at his motel room . . .Building to a notorious climax, the film presents one of the frankest portrayals of male sexuality ever seen in American cinema.
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A painter knows that to paint, what to depict on the canvas and, as important, what NOT to show. Galo works on too big a canvas.
Too many pointless shots, scenes, and dialogues. This movie could be widdled down to 30 minutes and still have the same impact, if not more.
If you are intent on seeing "the scene," rent or Netflix this one. Otherwise, I recommend staying away.
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I would like to return it as I paid over $23.Read more