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Bullies, Bastards And Bitches: How To Write The Bad Guys Of Fiction Paperback – July 28, 2008
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- Print length304 pages
- LanguageEnglish
- Publication dateJuly 28, 2008
- Dimensions6 x 0.69 x 9 inches
- ISBN-109781582974842
- ISBN-13978-1582974842
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Product details
- ASIN : 1582974845
- Publisher : Penguin Publishing Group; 58736th edition (July 28, 2008)
- Language : English
- Paperback : 304 pages
- ISBN-10 : 9781582974842
- ISBN-13 : 978-1582974842
- Item Weight : 1 pounds
- Dimensions : 6 x 0.69 x 9 inches
- Best Sellers Rank: #742,755 in Books (See Top 100 in Books)
- #945 in Authorship Reference
- #1,698 in Writing Skill Reference (Books)
- #3,079 in Fiction Writing Reference (Books)
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For me personally, it reminded me of the need to develop the backstory of my antagonist every bit as carefully as for my protagonist. It made me think a bit more about how to handle my "bad guys," as well as my anti-heroes. The one complaint I have about the book is that it gives lots of practical advice -- but which is most directly aimed at writing from a third person point of (POV). I tend to write from the first person POV, which makes discussions of the antagonists' and, say, their flashbacks, inner lives, etc. all but moot for anything other than backstory. I would have appreciated have appreciated something that at least mentioned the 1st person POV and how it impacts some of the points the author raised. Still, this is a very good book. If you write crime fiction and/or mysteries, I think this book would be especially valuable. But if you need to breathe some life into your anti-hero or antagonist(s), this book will be helpful, regardless of your genre or writing style.
[*Zzzzzzzzz.....*]
Developing a good villain is a lot of work. It's so much more fun to daydream about handsome heroes and colorful sidekicks. But without a good villain, your story will fall flat. What was Sherlock Holmes without Moriarty? Frodo Baggins without Sauron? The Forsyte Saga without Soames? To make your hero shine, he needs villains every step of the way, big villains, and smaller ones.
This book was helpful because it lays out all sorts of villains, from the empire-destroying evil gods, to the guy in Apartment 6 who tells you to f*-- off when you ask him to turn down his stereo at 3:00 a.m. It explains the stereotypical personality which goes along with each villain, what typically motivates them, and ways you can use that type of antagonist to add tension to your scenes. It will get you thinking ... hmmm ... that guy who sniggers at the back of the line ... yeah ... he hates the hero because he's jealous and, yeah, just one or two lines ... yeah ... now my hero is red in the face and ooh! that scene flows better.
I'm glad I coughed up the money to buy this. Still suffering from Moloch/Lucifer withdrawal, but I've got so many lesser villains stepping up to the plate to make my heroes life miserable in latest work.
[*Bwah-hah-hah-hah-hah!!!*]
Starting with an in depth description of the primal fears that motivate all of us, Morrell than proceeds to chart how to create memorable bad guy (or girl) characters that will keep readers turning the pages of your book, because they see in what you write the things they fear, and they’re afraid to stop reading.
Replete with examples of effective bad characters from classic fictional works, this book will help you bring life to your writing like no other.
I'd hoped for a little more insight into how/why classic characters "work," but while they are mentioned, quoted passages are too short, and the author assumes the reader is familiar with the works mentioned (but who can be familiar with ALL the mentioned works), rather than providing enough background. I'd also hoped for a little more discussion of the types of bad guys. Rather than a list, more of an analysis of character types, and how their brains work--similar to how enneagrams work, or some of the other psychological profiles and those types of variations. She, however, merely lists them by title, without going into what the titles mean.
Writing the hero is often our focus. We need to put the same energy into writing the bad guy - or gal - and this is one of the best resources out there to teach you how to create the most interesting, believable, and entertaining bad guys.
It's also well-written and entertaining on its own. Can't beat that.
What throws this book off is the slopping editing -- misspellings, poor use of grammar ... the author thanks her editor. WHY? Did the editor bother looking at the final proof before giving the green light to print this? This makes the book less professional than the author's intent, I'm sure.
Like the title, it provided detailed explanation of the different types of villains and showed the pitfalls of creating a bad one. As a reader, I would not be able truly enjoy a good villian without thinking of this book. I would recommend to those who are curious about what they are reading and to the writers that wish to create one. Also, it provided a list of books that you may have forgotten with truly great villians.
I have also found that because of the way that she writes, it has helped me creatively. It is always important to surround yourself with people who can feed that creativity, even if she is not there in person, you know that she has put her heart into the book.
Thank you Jessica.
To your writing success,
Dianna Sandora
[...]
I find the questions and development easy to apply to the Good characters. Overall, this is a great book on character depth in general. Very helpful.
It is an analysis and dialog of the character work of other authors. There is enormous suggested reading lists and literary references, both woven throughout the dialog. It is in depth and detailed but in the end it is an endless breakdown and observation of the work of others and is devoid of any productive character development or effective character interaction.
I would only recommend this book in conjunction with an actual book / textbook on character development. And then only for anyone in need of fundamental knowledge of human nature, psychology, and or motivation as it functions in a stories bad guys. This book also might work well for you if you work well with abstracted conversation.
But if you have a familiarity with the dark side of human behavior and / or are looking for a structured book on character development, look for a book on character development.









